Megalith Jean Hiraga
Megalith Jean Hiraga
Megalith Jean Hiraga
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Introduction
Welcome
Megalith - Current Feedback Class A Power Amplifier
About
Disclaimer
Introduction
Basics
My first set of electronics started in 1979 as an experiment based on a design
Sound Recording published in the French magazine "l'Audiophile No. 10" by Jean Hiraga.
Sound Reproduction
Room Acoustics
Loudspeakers
Amplifiers
Miscellaneous
Projects
Menhir
Megalith
Trilith
Cromlech
Specials
My System
Music
Links
Credits
Bibliography
Although a Class A triode push-pull or single ended tube amplifier might have been
the better choice in those days (and possibly still today), I was highly attracted by
the new developed Hitachi FET-Devices. As owner of the high efficient Onken-Mahul
System, most of the time 1 watt with peaks to 8 watt were absolutely sufficient. So, I
decided to simplify the modified version of Hiraga?s Class A Amplifier once more
(reduction of open-loop gain and use of less discrete components) and settled for a
class A operation of 8 watt.
This FET Power Amplifier No. 1 was produced in 1980 for several music enthusiast
and colleagues. Today, after 23 years some of these power amplifiers are still in use
and according to the owners they perform much better than many high rated
commercial amplifiers.
Design Considerations
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Encouraged by the friendly, direct and immediate sound of the FET Amplifier No.1
and repeated requests from some of the owners to design an improved successor, I
finally decided in 2000 to start the task. But, where should the existing design be
improved?
Suspecting that the ear compensates for amplifier distortion, when it is simple in
nature over the entire power range, but does not like distortion of high harmonic
order that is constantly changing with the music, it became immediately clear I
should primarily improve the power supply. The only way to accomplish this is the
use of regulated power supplies or accumulators. Since I wanted an excellent and
simple solution, I chose the accumulators.
Other areas of improvements are a further reduction in components and the use of
more linear discrete semiconductors.
Along with the effort of improving the existing FET Power Amplifier No.1, I
considered other topologies which may have a similar performance.
These alternative design uses, more or less, the same number of components.
Although all designs look simple, reliable comparison and assessment require a lot of
time and standing power. Somewhat limited in time, I continued with the well known
improved Megalith design in order to avoid any tonal disaster for my friends.
Introduction
Welcome
Megalith - Design Studies
About
Disclaimer
Basics
Sound Recording
Sound Reproduction
Room Acoustics
Loudspeakers
Amplifiers
Miscellaneous
Projects
Menhir
Megalith
Trilith
Cromlech
Specials
My System
Music
Links
Credits Study A - FET Amplifier derived from Hiragas "The Monster"
Bibliography
The two other design studies are not as simple as those above. However, they do not
have the direct multi-stage NFB which may be influenced by the speakers voice coil.
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