Alto Saxophone

XYZ
Kenny Garrett's Solo from Standard of Language
0:55 Kenny Garrett

q=240 1
     
Amin7
       
       
2 3 4 5 6
C minor Emphasis on b5

      
       

7 8 9

 
Gmin7

          
 
10 11 12 13
C7b9
 
FŒ„Š7(#11)

                        
 
14 15 16 3 17

E¨Œ„Š7(#11)
              
         
  
18 19 20 21
F Pentatonic
Dmin
    
Dmin Eb/D
 
Eb/D

    
22 23 24 25


Emphasis on #11
Dmin Eb/D
    Dmin 
Eb/D
   
     


26 27 28 29

           
2
Amin7
        
   
30 31 32 33

            
    

34 35 36 37

Dmin Pentatonic Amin Pentatonic

    
Gmin7                
     
38 39 40 41
C Pentatonic
   
FŒ„Š7(#11)
      
motive from m.25

     
            
42 43 44 3 45

        
  
E¨Œ„Š7(#11)

     
     
46 47 48 49
Dmin Pentatonic
Dmin
   
Dmin Eb/D
Eb/D
              
     
                 
50 51 52 Eb/D 53
Dmin
    
 
Dmin Eb/D

        
   
54 55 56 57

 Amin7
            
Dalt. scale

         
 

 
58 59 60 61

        
Amin Pentatonic
 
      


3


62 63 64 65

Gmin7
  
          
3 3

 
66 67 68 69
 FŒ„Š7(#11)   
            
3 3

     
70 71 72 73

E¨Œ„Š7(#11)

   
        
3
74 75 F Pentatonic 76 77
  Dmin  Alto Saxophone
  Dmin     3
Eb/D
Eb/D

          

     
Dmin
 
78 79 80Dmin 81
Eb/D
Eb/D

    
         
82 83 84 85

     
Amin7
   
          
86 87 88 89

     
90
      
91 92 93
          
G‹

    
94 95 96 97 C Pentatonic

         
FŒ„Š7(#11)
 
              
98 99 100 101

                               
E¨Œ„Š7(#11)
rushed


102 ala Coltrane sim. 103 104 105

          Eb/D           
D‹ D‹
 
Eb/D

  
   
3 3 3 3
106 107 108 109

          
Eb/D
     
D‹ D‹

     

110 111 Dmin Pentatonic 112
Eb/D A‹7

         
113 114 115