Weekly Learning Activity Sheet: Music 10, Quarter 2, Week 1

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WEEKLY LEARNING ACTIVITY SHEET

Music 10, Quarter 2, Week 1

AFRO-LATIN AMERICAN AND POPULAR MUSIC

Name: ___________________________________________ Section: ____________________

Most Essential Learning Competency (MELC)


Describes the historical and cultural background of Afro-Latin American and popular music
(MU10AP-lla-g-2)

Time Allotment: 1 hour

Key Concepts

 MUSIC OF AFRICA

Music has laways been an important part of the daily life of the African people, whether for work,
religion, ceremonies, or even communication. Singing, dancing, hand clapping and the beating of
drums are essential to many African ceremonies, including those birth, death, initiation, marriage,
and funerals. Music and dance are also important to religious expression and political events.

Because of the wide influence of African music on global music – having permeated contemporary
American, Latin American, and Europen Styles – there has been a growing interest in its own cultural
heriatge and musical sources. Particularly subjects of research are its rhythmic structures and
spiritual characteristics that have led to the birth of jazz forms.

African music is a collective result of the cultural and musical diversity of the more than 50 enthnic
divisions of the continent. The organization of this vast continent is a colonial legacy from European
rule of the different nations up to the end of the 19th century, enabling it to incorporate its music
with language, environment, political developments, immigration, and cultural diversity.

 TRADITIONAL MUSIC OF AFRICA

African traditional music is largely functional in nature, used primarily in ceremonies rites, such as
birth, marriage, succession, worship, and spirit invocations. Others are work related or social in an
African music has a basically interlocking structural format, due mainly to its overlapping dense
texture as well as its rhythmic complexity. Its many sources of influences have produced such varied
styles and genres as the following:
a. Afrobeat – is a term used to describe the fusion of West African with black American music.
b. Apala (Akpala) – a musical genre from Nigerian in the Yoruba tribal style, used to wake up
the worshippers after fasting during the Muslim holy feast of Ramadan. Percussion
instruments includes the rattles (sekere), thumb piano (agidigbo), bell (agogo), and two or three
talking drums.
c. Axe – is a popular musical genre from Salvador, Bahia, and Brazil. It fuses the Afro-Caribbean
styles of the marcha, reggae, and calypso, and is played by carnival bands.
d. Jit – is a hard and fast percussive Zimbabwean dance music played on drums with guitar
accompaniment, influened by mbira-based guitar styles.
e. Jive – is a popular form of South African music featuring a lively and uninhibited variation of
the jitterburg, a form of swing dance.
f. Juju – is a popular music style from Nigeria that relies on the traditional Yoruba rhythms,
where the instruments are more Western in origin.
g. Kwassa kwassa – is a dance style begun in Zaire in the late 1980’s, popularized by Kanda
Bongo Man. In this dancestyle, the hips move back and forth while the arms follow the hip
movements.
h. Kanda Bongo Man – King of Kwassa kwassa

Author: Dulce Amor V. Lupaz


School/Station: Tagbina National High School
Division: Surigao del Sur
Email address: [email protected]
i. Marabi – is a South African three-chord township music of the 1930s-1960s which evolved
into African jazz. It makes use of a keyboard style that combines American jazz, ragtime, and
blues with African roots. It is characterized by simple chords in varying vamping patterns and
repetitive harmony over an extended period of time to allow the dancers more time on the dance
floor.

Activities
Activity No. 1:

Direction: Choose the letter of your best answer and write it in your activity
notebook.
1. It is described as the fusion of West African and Black American music.
A. Apala B. Afrobeat C. Axe D. Jit

2.This refers to the musical genre from Nigeria in the Yoruba tribal style which is used to wake up
the worshippers.
A. Apala B. Afrobeat C. Axe D. Jit

3.This is a popular musical genre from Salvador, Bahia, and Brazil.


A. Apala B. Afrobeat C. Axe D. Jit

4. The popular music style from Nigeria that relies on the traditional Yoruba rhythms.
A. Juju B. Afrobeat C. Axe D.Jit

5. This genre features a lively and uninhibited variation of the jitterbug.


A.Juju B. Afrobeat C. Axe D. Jive

6. It makes use of a keyboard style that combines American jazz, ragtime, and blues with African
roots.
A. Juju B. Afrobeat C.Axe D. Marabi

7. It is a dance style which began in Zaire, in the late 1980s and popularized by Kanda Bongo Man.
A.Juju B. Kwassa Kwassa C. Axe D.Marabi

8. It is largely functional in nature, used primarily in ceremonial rites, such as birth, death,
marriage, succession, worship, and spirit invocations.
A.African traditional music C.China traditional music
B.American traditional music D.Taiwan traditional music

9. It is a collective result of the cultural and musical diversity of the more than 50 ethnic
divisions of the continent.
A. African music B. London music C. American music D. Israel music

10. The music in Africa always has the technique of “__________” in which a person leads by
singing a phrase and followed and answered by a group of singers.
A. “Call and Response” C. “Call and Act”
B. “Call and chant” D. “ Response and Call”

11. The drum kit, keyboard, pedal steel guitar, and accordion are used along with the traditional
_______ (talking drum or squeeze drum).
A.din-din B. dan-dan C. dun-dun D. don-don

12. It is a popular form of South African music featuring a lively and uninhibited variation of
the jitterbug, a form of swing dance.
A. Samba B. Cha cha cha C. Jive D.Rumba

13. The hard and fast percussive Zimbabwean dance music played on drums with guitar
accompaniment, influenced by mbira-based guitar styles is called_____.
A. Samba B. Cha cha cha C. Jive D. Jit

14. Music and dance are also important to ________expression and political events.
A.humanity B. religious C. loyalty D.humble
Author: Dulce Amor V. Lupaz
School/Station: Tagbina National High School
Division: Surigao del Sur
Email address: [email protected]
15. African music has_________ and diverse cultural heritage that exist in hundreds of different
languages.
A. rich B. courage C. love D. poor

Activity No. 2:

African music is a collective result of the cultural and musical diversity of the
more than 50 ethnic divisions of the continent.

“ACRONYM”

Direction: Give your own understanding/concept of every letter that connects


AFRICAN MUSIC. The initial of the acronym serves as your clue.

A - ____________________ M - __________________________

F - ____________________ U - __________________________

R - ____________________ S - __________________________

I - ____________________ I - __________________________

C - ____________________ C - __________________________

A - ____________________

N - ____________________

Reflection
 What do you think is the impact of the African music to the generation of today?

______________________________________________________________________________________________
______________________________________________________________________________________________

References for Learners


Horizons: Music and Arts Appreciation for young Filipinos
Learner’s Material Grade 10
Suggested listening Activities:
https://youtu.be/2XfrJy6FC04
https://youtu.be/77pvf3iplyQ
https://yout.be/2XfrJy6CF04
https://youtu.be/lswSQuBPaJk

Answer Key

Activity 1:
1. B 6. D 11. C
2. A 7. B 12. C
3. C 8. A 13. D
4. A 9. A 14. B
5. D 10. A 15. A

Author: Dulce Amor V. Lupaz


School/Station: Tagbina National High School
Division: Surigao del Sur
Email address: [email protected]
Author: Dulce Amor V. Lupaz
School/Station: Tagbina National High School
Division: Surigao del Sur
Email address: [email protected]

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