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    Brendan Kavanagh - Female Boogie

    Uploaded by

    Joel Kelly
    The document is a musical transcription of a boogie woogie piece. It contains musical notation represented by symbols and text instructions for how to play the piece. The transcription breaks the piece into sections over multiple pages and provides the tempo and instructions for each part.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Brendan Kavanagh - Female Boogie

    Uploaded by

    Joel Kelly
    164 views4 pages
    The document is a musical transcription of a boogie woogie piece. It contains musical notation represented by symbols and text instructions for how to play the piece. The transcription breaks the piece into sections over multiple pages and provides the tempo and instructions for each part.

    Original Description:

    Brendan Kavanagh - Female Boogie- transcribed by Collier

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    Is this content inappropriate?

    The document is a musical transcription of a boogie woogie piece. It contains musical notation represented by symbols and text instructions for how to play the piece. The transcription breaks the piece into sections over multiple pages and provides the tempo and instructions for each part.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    164 views4 pages

    Brendan Kavanagh - Female Boogie

    Uploaded by

    Joel Kelly
    The document is a musical transcription of a boogie woogie piece. It contains musical notation represented by symbols and text instructions for how to play the piece. The transcription breaks the piece into sections over multiple pages and provides the tempo and instructions for each part.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 4
    At a glance
    Powered by AI
    The document appears to be a musical transcription containing numbers that likely represent notes, beats, or measures in a song.

    The numbers seem to represent musical notes and their corresponding beats or measures based on the context of it being a musical transcription.

    The words 'maximum bash' and numbers are repeated on several pages, indicating they are part of the song lyrics or rhythm being transcribed.

    Brendan Kavanagh Boogie Woogie Transcription


    Transcribed from 'Alpha Female Agrees To Boogie Woogie'

       
     

        
        
              
    transcribed by George Collier

      
     = 150


       
                       

                   


          
     


                  
       

       
      
    3

                      
    3

                   


     
         
     
    
      
     
    
    
      
        
           
    5

     
     
    3

                   
             


           
                    
                     
    7

     
                        
                    


        
     
    

    

    

    

    

             
      
         
    10

          
      
      



                        
          
    12

        
                     
              


                  
                    

     

    14

                       
              
    3


                    
           
    16

                     
           
    maximum bash

           
    3


                 
      
           
             

    18


             
           
                  


                  
      

             

    20


           
                      
           


                  
     
                    



    22

            
                  
    3

     


    
        
               
         

                  
    
    24


       

                     
          

    2

     
            

    
     
      
    
          

    

    

    
     
    26

     
                       
          


              
               
            
    28

                      
       


       

    
    
          
                

    30

             
    3

                     


                      
                          
    3

       
    32

                 
                 


               
                
       
    35

         
                
              


     
               

                       
    37

     
                       
          

    3

        
                                     
    39

                       
        


    
                                          
    41

                     
                  


    
                                     
    43

                     
                   


    
                    
    
    
    
    
        
                
             
    45

              

      


     
          
         
          
         
    48

     
    ss.
    gli

           
     
    play extra chords

         
    if you want



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