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    Fantasia in D Minor: Andante

    Uploaded by

    ImTheMan
    This document is a musical score for Wolfgang Amadeus Mozart's Fantasia in D minor for a solo piano (K. 397/385g). The score contains tempo markings, time signatures, notes, and other musical notation across 24 lines to notate the piece. It progresses through different sections marked Andante, Adagio, and Presto with variations in dynamics, tempo, and other musical elements.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Fantasia in D Minor: Andante

    Uploaded by

    ImTheMan
    153 views7 pages
    This document is a musical score for Wolfgang Amadeus Mozart's Fantasia in D minor for a solo piano (K. 397/385g). The score contains tempo markings, time signatures, notes, and other musical notation across 24 lines to notate the piece. It progresses through different sections marked Andante, Adagio, and Presto with variations in dynamics, tempo, and other musical elements.

    Original Title

    Fantasia_in_D_minor

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This document is a musical score for Wolfgang Amadeus Mozart's Fantasia in D minor for a solo piano (K. 397/385g). The score contains tempo markings, time signatures, notes, and other musical notation across 24 lines to notate the piece. It progresses through different sections marked Andante, Adagio, and Presto with variations in dynamics, tempo, and other musical elements.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    153 views7 pages

    Fantasia in D Minor: Andante

    Uploaded by

    ImTheMan
    This document is a musical score for Wolfgang Amadeus Mozart's Fantasia in D minor for a solo piano (K. 397/385g). The score contains tempo markings, time signatures, notes, and other musical notation across 24 lines to notate the piece. It progresses through different sections marked Andante, Adagio, and Presto with variations in dynamics, tempo, and other musical elements.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 7
    At a glance
    Powered by AI
    The document discusses a musical composition by Mozart including tempo markings and dynamics.

    Tempo I. Presto and crescendo are used.

    Tempo I. Presto and crescendo are used.

    Fantasia

    in D minor

          
    K. 397/385g W. A. Mozart


     

       
    Andante

         
    3
    3 3

       
        

          
     
    3 3

                     
           
    4

     
      
              
       

     
        
        

            
    7
    1 5

           
        
            

            
           
    10

      

    

              
         
                    
      
    Adagio 4

            

                         
               

               

                               
                
     
    5

        
                               
     


       
       

      

        
                                     
         
          

    9

                  

            

        

        
             

         
                                                  
    13

                                 
    cresc. 

                 

                
     
                           

    16

           

                    
                 
    cresc.  


     

                   
       
            

    20

         
                          
          
    cresc. 

    4
         
          
    Presto
       
    23

      
     

          
         
       

      
      
    
                      
      
    24 Tempo I.

      


      
            

      
       
     
       

        

       
                           
                 
          
    27

                


            
            

       
                   
         
               
          
    30

               
            
     

    
    cresc.

          

      
    1

           
    5 2

                   
    3


               
    32

      
             
        
    cresc.  cresc.


             
       
    4
        
              
     

    Presto

      
             
    34

      
    


    
    36

             
      
               
     

         
         
        
    38 Tempo I.

     
         

      

        
            
      
      
                

                         
             
      
    40

            
                   

                    

              
      
                         
    44

      
    3

              
        
     



     
               
         
                
        
    47

     
     


        
         
       



                                  
                  
     
    49
    Allegretto

                
            
                   
    dolce

       
                          
      
    58
    1.


                
              
         

     2.         
         

    65

    
               

                      
           
      
    69 2

     
                

             
         


    73 2

     
               
    cresc.

          
     
        
    77 2

    
              
     

            

    
    

     
      
               



        
    81


      

            

    3



                  
                         
     

     
    rall.

                    


                    
         
    83 a Tempo

        


          
     
     

            
    dolce


            
                        
        
    90

     
    
                     
     

     

    
              
            
     
    100

                
    

       

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