Natrani Amphitheater
Natrani Amphitheater
Natrani Amphitheater
INTRODUCTION
• CLIENT : DARPANA ACADEMY
• LOCATION : USMANPURA , AHMEDABAD, GUJARAT
• ARCHITECTS :INDIGO ARCHITECTS, AHMEDABAD
• SITE AREA :9,850 SQ.FT
• BUILDING AREA :22,604 SQ.FT
• COMPLETION YEAR :2018
• THE NATRANI PROJECT, IT IS A 385-SEAT OPEN AIR AMPHITHEATRE.
• THE SABARMATI RIVERFRONT DEVELOPMENT PROJECT IN AHMEDABAD, IMPACTED THE EXISTING NATARANI THEATRE
PRECINCT. A MAJOR CHUNK OF THE STAGE AREA WAS LOST TO THE RIVERFRONT EDGE ROAD AND SIDEWALK, RENDERING
THE THEATRE INOPERABLE FOR SEVERAL YEARS.
• IT IS IN THE CONTEXT OF THIS REALITY THAT ITS RENOVATION WAS BOTH IMPERATIVE AND DESIRED FOR ITS ACTIVITIES TO
FLOURISH. THE NEW PROPOSED LAYOUT NOT ONLY ATTEMPTS TO MITIGATE THIS SITUATION, BUT ALSO REIMAGINES
NATARANI THEATRE TO IMPROVE UPON ITS EXISTING INFRASTRUCTURE AND CAPACITY.
• A STATE OF THE ART AMPHITHEATRE, ACCESSIBLE GREEN ROOMS, UTILITY SPACES, IMPROVED SOUND AND LIGHTING
CAPABILITIES WITH A CATWALK OVER THE SEATING WERE, THE MAIN PROGRAMMATIC COMPONENTS OF THE PROJECT. A
MANDATE FROM OUR CLIENT, MALLIKA SARABHAI TO USE EVERY POSSIBLE STRATEGY TO BE SUSTAINABLE, HELPED ANCHOR
THE NEW DESIGN.
ARCHITECTURAL STRATEGY:
• THE PROXIMITY OF THE EXISTING MODERN ERA BUILDINGS IN EXPOSED BRICK AND CONCRETE, AS WELL AS THE NEW
ACOUSTIC WALL INSPIRED THE WARP AND WEFT OF THE NEW THEATRE. THE ARCHITECTURE OUGHT TO EXPRESS
CONTINUITY WITH THE OLDER MATERIALS THROUGH THE USE OF EXPOSED LIME BRICKS, RECYCLED FROM THE DEBRIS OF
THE DEMOLISHED OLDER STRUCTURES, INCLUDING THE LIBRARY THAT WAS IN STATE OF DISREPAIR.
• FANNING OUT THE EXISTING LAYOUT INCREASED THE THEATRE CAPACITY. THE NATURAL CONTOUR PROVIDED THE
NECESSARY DEPTH BELOW THE CASCADING TIERS TO HOUSE THE GREEN ROOMS AND UTILITIES INCLUDING THE
INFRASTRUCTURE FOR AIR CIRCULATION AND COOLING. THE CROSS SECTION OF THE TIERED THEATRE CULMINATES AT THE
STAGE WITH ITS HUGE WATER HARVESTING TANK BELOW AND THE TOWERING SCALE OF THE ACOUSTICAL WALL AS ITS
BACKDROP.
• JUXTAPOSED WITH THE SOLIDITY OF THE BRICK MASS AROUND, THE CURVED METAL CABLE STAYED CATWALK HOVERS
HIGH OVER THE SEATING SPACE EXPRESSING A NIMBLE LIGHTNESS. THE METAL WORK DEFINES ITS OWN PURPOSE OF
MAKING, TO PROVIDE THE NECESSARY FLEXIBILITY FOR NEW AGE PERFORMANCES AND STATE OF THE ART LIGHTING AND
SOUND. THIS TENSION BETWEEN CONTRADICTING ELEMENTS DEFINES ITS OWN IDIOM AS A PERFORMANCE SPACE.
• THE EARTHY SEATING TIERS ARE EXPRESSED THROUGH THE USE OF TRADITIONAL CHINA MOSAIC, USING TERRACOTA
COLOURED CERAMIC TILES, INTERSPEARSED WITH THE DARK CHARCOAL GREY OF THE LIME PLASTERED WALLS. THESE
TWO COLOURS HAVE BEEN EMBLEMATIC OF THE OLDER NATARANI AS WELL. THE GREY OF THE EXPOSED CONCRETE
COPINGS AND THE EDGES IS EXTENDED THROUGH THE GREY PEBBLECRETE IN HIGH WEAR THRESHOLDS AND STEPPED
EDGES. ALL METALWORK IS CHARCOAL BLACK WHICH ESSENTIALLY GETS NEGATED AT NIGHT, DURING PERFORMANCES. THE
PHYSICALITY AND SCALE OF THE THEATRE REVERSES DRAMATICALLY AT NIGHT WITH ENHANCED LIGHTING AND A SHARP
CENTRAL SPATIAL FOCUS. THE STAGE IS BUILT WITH A HARD WOOD ASSEMBLY FLOORING, WHILE THE ENTRANCE PLAZA IS
DEFINED BY ROUGH GREY KOTA STONE SLABS THAT UNITES THE SEMIOPEN AND OPEN AREAS OF ADJACENT BUILDINGS,
WHICH USE SIMILAR MATERIALS.