Anthology Vol 1 Celtic Wind

1
WELCOME ....................................................................................................................3
REGISTER .....................................................................................................................4
USER FORUM ...............................................................................................................4
LICENSE AGREEMENT ...............................................................................................5
USAGE AGREEMENT ..................................................................................................5
SYSTEM REQUIRMENTS ............................................................................................6
BASIC INSTALL ...........................................................................................................6
PRODUCERS NOTES....................................................................................................7
THE MUSICIANS ..........................................................................................................8
Jean Yves Magre (Highland Pipe and Uilleann Pipe) ..................................................8
HISTORY LESSON POWERED BY....................9

HIGHLAND PIPE.........................................................................................................10
UILLEANN PIPE .........................................................................................................11
TIN WHISTLE F ..........................................................................................................12
LOW WHISTLE F ........................................................................................................12
WHISTLE D .................................................................................................................13
BOMBARDE ................................................................................................................13
CONCERTINA.............................................................................................................14
PIANO ACCORDION ..................................................................................................15
CELTIBERIC WAR HORN..........................................................................................16
PATCH CONTROL ......................................................................................................17
Accordion / Right Hand.............................................................................................17
Accordion / Left Hand ...............................................................................................18
Bomdarde..................................................................................................................19
Celtiberic War Horn ..................................................................................................21
Concertina .................................................................................................................23
Highland Pipe............................................................................................................25
Uilleann pipe .............................................................................................................27
Whistle D ..................................................................................................................30
Low Whistle F...........................................................................................................31
Tin Whistle F ............................................................................................................32
CREDITS......................................................................................................................35
2
WELCOME
Bela D Media, entering our 4th year as a recognized force in the virtual instrument
market, continues to expand and develop. We are very pleased to introduce the newest
member to our team of professional sample producers, Eduardo Tarilonte. Eduardo,
better known as Tari, has joined Bela D Media with the set goal of creating the most
authentic world collection available.
Bela D Media presents the next generation of sampled World Instruments for Kontakt2
and *GigaStudio/GS3. Anthology is set to be a three-volume sample collection of
authentic instruments from various countries and cultures.
Welcome to Anthology: Vol.1, Celtic Wind
Vol.1, Celtic Wind, promises to deliver the ultimate in composer friendly playability;
unique and inspiring sounds, all at an easily obtainable price point.
Captured in 24-bit audio and a controlled studio environment, all that breeds’ life to this
sacred set of instruments is kept intact. From the Highland Pipes to Celtiberic War Horns,
the concept is clear ...
Authentic. Advanced. Affordable.
All the very best and we sincerely thank you for your patronage,
Bela D Media.com
* Bela D Media has intentions to release this product in a native GigaStudio/GS3

version. The Kontakt 2 version makes great use of advanced scripting and we are
currently in the process of obtaining a method of matching that power within the non-
scripting limitations of GigaStudio/GS3.
3
REGISTER
Please take a moment to register your copy of Anthology Celtic Wind. Simply complete
the online registration form to become a registered user. You will need a valid Product
Code in order to complete the process. The Product Code is located on the DVD insert.
Please note that copies purchased from non-authorized retailers are not eligible for
registration. This statement includes any auction or used sale by means of an ebay type of
service. No exceptions!
Register
USER FORUM
Once you have completed registration, you are permitted and most welcomed to join the
users forum. The users forum should always be the first place you go to find product
support, updates, announcements, free files and more.
Please note that your account will be activated within 24 - 48 hours.
Users Forum
4
LICENSE AGREEMENT
As with most sample library products, the user does not own any rights to said samples.
The user has purchased a license to use said samples. This product, or any Bela D Media
product for that matter, is no exception to the rule.
1. With the exception of creating a data backup for personal use, the user does not
have the right to make copies of said library.
2. The user does not have the right to share said samples.
3. The user does not have the right to upload said samples to any form of Peer-to-
Peer Internet file sharing service.
4. The user does not have the right to resell said library.
5. The user is not permitted to resample said library and/or to create any form of
sample library product with said samples.
As a user, you acknowledge and expressly agree to all terms. Violators of said terms will
be prosecuted to the fullest extent permitted by applicable law.
USAGE AGREEMENT
Anthology Celtic Wind is free of any usage restrictions with the exception of,
1. The user is not permitted to resample said library and/or to create any form of
sample library product with said samples.
As a user, you acknowledge and expressly agree to all terms. Violators of said terms will
be prosecuted to the fullest extent permitted by applicable law.
5
SYSTEM REQUIRMENTS
Internal or external DVD drive

No less than 2.5 Gigabytes of hard disk space
1 Gigabyte of RAM is recommended
Native Instruments Kontakt 2 v2.1.1.001 or higher
MIDI controller
BASIC INSTALL
From the DVD, copy the Anthology Celtic Wind folder to your hard-drive.
Keep all data within said folder.
Do not place audio files in another location. This will cause Kontakt to sample search.
Launch Kontakt 2
Import an .nki from Anthology Celtic Wind
Scripting is embedded into the patch
Should you encounter any issues with installation or require tech support, please do not
hesitate to contact Bela D Media.
Once you have completed registration, you are permitted and most welcomed to join the
users forum. Please note that your account will be activated within 24 - 48 hours.
Users Forum
6
PRODUCERS NOTES
Bela D Media and company C.E.O., Francis Belardino approached me as a producer with
a concept that was challenging and exciting. When broken down into three main elements
it is rather simple: Authentic, advanced and affordable. Anthology is not only a
substantial amount of sample data, but most importantly it is an instrument that captures
expressions, emotions, and the soul of the player.
As the producer, my individual goal was two fold: Musical expression and playability.
Expression has been achieved by means of recording top-notch players who truly
understand the intimacies of their instruments and the music they play. Every aspect has
been carefully treated to capture the essence of both player and instrument. Playability
has been achieved with an impressive list of scripting by Günter Hirscher. Günter is well
known for his advanced work on the Lyrical Distortion series.
Celtic Wind was recorded at NS Studios, Valladolid, Spain, with Sergio Recio, Santiago
Rojo and myself. Equipped with the best: ProTools, Avalon, etc. this library has been
recorded in a studio controlled ambience. We chose this method for a best post-
production result. Included in this library is the amazing convolution "The Redeemer"
from a Cathedral of the19th century, which has been added in every patch for adjusting
your taste.
In closing, I have developed this library as a composer first and foremost. Real-time
playability of complex content is what all composers must demand and I firmly believe
that has been achieved.
Eduardo Tarilonte
Bela D Media.com
7
THE MUSICIANS
Jean Yves Magre (Highland Pipe and Uilleann Pipe)

Jean is the director of the Bagpipe section of Bagad Kemper. Bagad Kemper is one of the
best bagpipe bands in the world with many championships. Jean has performed in many
concerts and recordings throughout Spain.
Marie Agnes Sánchez (Bombarde)

Maria plays highland pipe and bombarde in Bagad Kemper. After being the bagpipe
leader of the Bagad Glazik Kemper, she rose to Bagad Kemper and has travelled all
around the world in performance of many concerts.
Maria Desbordes (Whistles)

Maria is one of the leading musicians of Celtic music in Brittany. She is a fantastic singer
as well and is currently being interviewed for a future Bela D Media release. She
performs with Awen Magic Land and the “Ensemble Choral du Bout du Monde”,
conducted by Christian Desbordes.
Eduardo Tarilonte (Accordion and Concertina)

Eduardo has played the accordion since the age of seven-years and have performed in
many Celtic groups. Eduardo is also a full time composer of Television and Multimedia
productions in Spain and now takes on the full time role as a producer for Bela D Media.
8
HISTORY LESSON POWERED BY
The following text is intended for educational purposes only.

Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc.
9
HIGHLAND PIPE
The Great Highland Bagpipe (Gaelic: Am Pìob Mhòr) is probably the best-known variety
of bagpipe. Abbreviated GHB, and commonly referred to simply as "the pipes", they
were developed in Scotland and Ireland. The pipes seem to have been played in Scotland
by the Romans although were also played by invading Dalradian Gaels upon their exodus
from County Antrim in 470 A.D., when Prince Fergus MacErc lead his clan in the
invasion of the lands of the Picts at present Argyle.
A modern set has a bag, a chanter, a blowpipe, two tenor drones, and one bass drone. The
scale on the chanter is approximately in mixolydian with a range from one degree lower
than the tonic to one octave above it (in piper's parlance: Low G, Low A, B, C, D, E, F,
High G, and High A; the C and F could or should be called sharp but this is always
omitted). The two tenor drones are an octave below the keynote (Low A) of the chanter)
and the bass drone two octaves below. This "A" of the GHB is actually slightly sharper
than B-flat, around 480 Hz, and within the realm of competitive pipe bands, seems to get
sharper each year. In the 1990s, there were a few new developments, namely, reliable
synthetic drone reeds, and synthetic bags that deal with moisture arguably better than
hide or older synthetic bags.
More
10
UILLEANN PIPE
Uilleann pipes are the characteristic national bagpipe of Ireland. The Uilleann pipes bag
is inflated by means of a small set of bellows strapped around the waist and the right arm.
Found in other European bagpipes (ex. Northumbrian pipes, Scottish small pipes), the
bellows not only relieves the player from the effort needed to blow into a bag to maintain
pressure, they also allow relatively dry air to power the reeds, reducing the adverse
affects of moisture on tuning and longevity.
The Uilleann pipes are distinguished from many other forms of bagpipes by their sweet
tone and wide range of notes — the chanter has a range of two full octaves, including
sharps and flats — together with the unique blend of chanter, drones and "regulators."
The regulators are equipped with closed keys, which can be opened by the piper’s wrist
action enabling the piper to play simple chords, giving a rhythmic, and harmonic
accompaniment as needed. The chanter can also be played staccato by resting the bottom
of the chanter on the piper's knee to close off the bottom hole and then open and close
only the tone holes required. If one tone hole is closed before the next one opened, a
staccato effect can be created.
More
11
TIN WHISTLE F
The tin whistle, also called the whistle, pennywhistle, flageolet, or Irish whistle, is a
simple six-holed woodwind instrument. The Irish words for the instrument are feadóg
('whistle' or 'flute') or feadóg stáin ('tin whistle'); feadóga stáin is the plural. It can be
described as an end blown fipple flute, putting it in the same category as the recorder,
Native American flutes, and many other woodwind instruments found in traditional
music.
More
LOW WHISTLE F
There are larger whistles, which by virtue of being longer and wider produce tones, an
octave lower. Whistles in this category are likely to be made of metal or plastic tubing,
with a tuning-slide head, and are almost always referred to as low whistles but sometimes
called concert whistles. The low whistle operates on identical principles to the standard
whistles, but musicians in the tradition may consider it a separate instrument.
More
12
WHISTLE D
The most common whistles can easily play notes in the keys of D and G major. Since the
D major key is lower these whistles are identified as D whistles. The next most common
whistle tuning is a C whistle, which can easily play notes in the keys of C and F major.
The C whistle is widely used in American folk music, whereas the D whistle is the most
common choice for Celtic music.
More
BOMBARDE
The Bombarde was born from the double reed family instruments (like oboe) and you can
find its track in all Europe and Middle East. The most ancient tracks found in Brittany are
some religious pictures and statues from XVI century where the Bombarde is shown as a
devilish instrument. This instrument was played in all France, but only survived in
Brittany. In our days, in Occidental Europe, the Bombarde is essentially played in
Brittany, although it has numerous cousins, Spain (Dulzaina), East Europe, East and
North Africa.
13
In the beginning was a diatonic instrument, and in 1830 appeared a second octave. The
Bombarde is almost never used alone, because you need to make a heavy effort to play it,
and a lot of moments to rest and take air. Normally is accompanied by other instruments.
There are a lot of different formulas or combinations. The only problem is the strength of
the instruments to blend with others. Basically was an instrument for dancing.
Producing a very strident and powerful tone, the Bombarde is most commonly heard
today in bagads, the Breton version of the pipe bands. Traditionally it was used in a duet
with the binioù for Breton folk dancing.
More
CONCERTINA
A concertina, like the various accordions, is a member of the free-reed family of

instruments. Sir Charles Wheatstone invented it in 1844. Concertinas typically have
buttons on both ends and are distinguished from an accordion (piano or button) by the
direction of their button travel when pushed. Concertina buttons travel in the same
direction as the bellows whereas accordion buttons travel perpendicular to the direction
of the bellows.
14
The heart of the Anglo system consist of two ten-button rows, each of which produces a
diatonic major scale, much like the layout of notes on a harmonica. Five buttons of each
row are on each side. The two rows are musically a fourth apart, e.g., if the row closest to
the player's wrist is in the key of G, the next outer row will be in C. In modern times, a
third row of helper notes has been added, consisting in part of accidentals omitted by the
diatonic rows, and in part of notes which do exists in the diatonic rows, but in opposite
bisonoric orientation to make certain chords possible and certain melodic passages easier.
There is some small variation between makers and models in the layout of the notes in
the core diatonic rows, and even more variation in the number and layout of the helper
notes.
More
PIANO ACCORDION
An accordion is a musical instrument of the handheld bellows-driven free reed aerophone

family, sometimes referred to as squeezeboxes. The accordion is played by compression
and expansion of a bellows, which generates airflow across reeds; a keyboard controls
which reeds receive airflow and therefore the tones produced.
15
Modern accordions consist of a body in two parts, each generally rectangular in shape,
separated by a bellow. On each part of the body is a keyboard containing buttons, levers
or piano-style keys. When pressed, the buttons travel in a direction perpendicular to the
motion of the bellows (towards the performer). Most, but not all modern accordions also
have buttons capable of producing entire chords.
The accordion is one of several European inventions of the early 19th century that used
free reeds driven by a bellows. It was a piano with an added aeoline register. Similar
instruments were the Aeoline Harmonika and Physharmonika. Aeoline and Aura were
first without bellows or keyboard. The Hand Physhamonika in 1818 a hand type
mentioned in a music newspaper 1821.
More
CELTIBERIC WAR HORN
The Celtiberic war horn was found in Tiermes province of Burgos, Spain in a Celtiberic
archaeological excavation. The date of the original horns is S. II B.C – S. I A.D. The
origins are unknown as well as the real purpose of these instruments. It is supposed to be
a way to communicate in the distance during time of war. One notable difference of this
horn is that it is made of pottery. Very little is written about this instrument.
16
PATCH CONTROL
Accordion / Right Hand
KEY NOISE
Push = C5 | Release = D5
This button enables / disables the noise which comes from the keys of the instrument
Use the volume knob to adjust the noise level of both the push and release noise.
BELLOW NOISE
Open = F5 | Close = F#5
Pushing or pulling the bellow generates a specific sound for this instrument.
OPEN / CLOSE NOISE

Open = G5 | Close = G#5
Open and close the bellow to generate a specific sound for this instrument.
17
FX
Use the FX button to turn the convolution reverb on or off. The FX knob below let you
control the return level of the convolution reverb. Use the CC FX knob to assign a
controller to the FX knob to adjust the return level in real time
VELOCITY / VOLUME
Use the mod-wheel for volume / velocity cross fades.
Accordion / Left Hand
BUTTON NOISE
This button enables / disables the noise which comes from the buttons of the instrument
FX
18
VELOCITY / VOLUME
Bomdarde
KEY-SWITCH MODE
Auto Default
If set to auto default, the program will activate the default key switch (SUS down no
vib/vib) when no other key switch is activated.
Manual
If set to manual the last selected key switch will remain active until you press another
key switch.
19
TIME MACHINE
Use the speed knob to adjust the speed of the samples in a range from 50% to 150%.
In addition, you can assign a controller to adjust the speed in real time. By default, speed
control is assigned to the Modulation wheel.
FX
MULTI SPEED LEGATO
Fast
This knob defines the legato time for notes = 1/32th.
Slow
This knob defines the legato time for notes = 1/2 note.
Decay
Defines how fast the starting note will be faded out.
Legato times for note values between 1/32th and 1/2 are calculated linear.
THRESHOLD
Most of the key switches activate two different articulations that are then accessed
through velocity (see Key Switches). All notes with velocity lower then the set threshold
will access articulation 1. All notes with higher velocity will access articulation 2.
Adjust the threshold according to your keyboard and your playing style.
20
VOCAL BREATH
Use the knob to adjust the volume of vocal breath noise. A breath noise will sound
when, (a) if the sustain pedal is down and or (b) the last note in the play zone has been
released You can select male or female breath noise with the button below the volume
knob.
KEY-SWITCH | Low Velocity
C2 Sustained with no vibrato

C#2 Mordant fast with no vibrato
D2 Staccato with no velocity switch
D#2 Mordant slow with no vibrato
KEY-SWITCH | High Velocity
C2 Sustained with vibrato

C#2 Mordant fast with vibrato
D#2 Mordant slow with vibrato
Celtiberic War Horn
21
KEY-SWITCH MODE
Auto Default
Manual
key switch.
TIME MACHINE
MULTI SPEED LEGATO
Fast
Slow
Decay
FX
22
KEY-SWITCH
C1 Long round robin

C#1 Long glissando round robin
D1 Short
D#1 Short FX
E1 Long 1
F1 Long 2
G1 Long glissando 1
A1 Long glissando 2
Concertina
BUTTON NOISE
This button enables / disables the noise which comes from the buttons of the instrument
23
BELLOW NOISE
Key E1
Pushing or pulling the bellow generates a specific sound for this instrument. Use the
button to enable / disable this sound and adjust the volume with the knob. With the
frequency button you can define how often the noise will be played.
HANDLE NOISE
Key F1
Another typical noise comes from the leather handles. Use the button to enable / disable
this sound and adjust the volume with the knob. With the frequency button you can
define how often the noise will be played.
OPEN / CLOSE NOISE

Open = G1 | Close = A1
Open and close the bellow to generate a specific sound for this instrument.
FX
VELOCITY / VOLUME
24
Highland Pipe
DRONE MODE
Automatic
If set to automatic the drone sound will start as soon as you play a note and will sound
for as long as you play legato.
Manual
If set to manual you can play the drone sound with key Bb1. If latch is activated you can
release the key and the drone will still sound. To turn off press the key again.
25
KEY-SWITCH MODE
Auto Default
If set to auto default the program will activate the default key switch (SUS/Grace 1)
when no other key switch is activated.
Manual
key switch.
THRESHOLD
LEGATO MODE
Adjust legato times with the corresponding legato button.
C2 Sustained
C#2 Doubling
D2 Grace notes F
D#2 Strike
C2 Graces notes G#
C#2 Tripling
D2 Graces notes D#
D#2 Slur
26
KEY-SWITCH | No Velocity Switch
E2 Birl | Bubblent | Grip | Crunluath

F2 Lamluath (next note)
G2 Torluath (next note)
F#2 + F2 Lamluath (on current note)

F#2 + G2 Torluath (on current note)
B1 Slow (some articulations are recorded in slow / fast versions)
Please note that some articulations are only available on specific notes!
Uilleann pipe
27
DRONE MODE
Automatic
If set to automatic the drone sound will start as soon as you play a note and will sound
for as long as you play legato.
Manual
If set to manual you can play the drone sound with key Bb1. If latch is activated you can
release the key and the drone will still sound. To turn off press the key again.
KEY-SWITCH MODE
Auto Default
Manual
key switch.
TIME MACHINE
LEGATO MODE
Adjust legato times with the corresponding legato button.
THRESHOLD
28
FX
C2 Sustained down with no vibrato

C#2 Sustained up with no vibrato
D2 Grace notes with no vibrato
D#2 Staccato with no velocity switch
E2 Short glissando with no vibrato

F2 Long glissando with no vibrato
F#2 Cranning with no velocity switch

F#2 Popping with no vibrato
G2 Open rolls with no vibrato

G#2 Closed rolls with no vibrato
C2 Sustained down with vibrato

C#2 Sustained up with vibrato
D2 Grace notes with vibrato
D#2 Staccato with no velocity switch
E2 Short glissando with vibrato

F2 Long glissando with vibrato
F#2 Hard cranning with no velocity switch

F#2 Popping with vibrato
G2 Open rolls with vibrato

G#2 Closed rolls with vibrato
29
Whistle D
30
Low Whistle F
31
Tin Whistle F
KEY-SWITCH MODE
Auto Default
Manual
key switch.
32
TIME MACHINE
control is assigned to the Modulation wheel. This allows you to modify the vibrato,
portato and rolls articulations to fit perfect to your song tempo.
MULTI SPEED LEGATO
Fast
Slow
Decay
THRESHOLD
VOCAL BREATH
Use the knob to adjust the volume of vocal breath noise. A breath noise will sound
when, (a) if the sustain pedal is down and or (b) the last note in the play zone has been
released You can select male or female breath noise with the button below the volume
knob.
33
FX
C1 Sustained with no vibrato

C#1 Roll 1 (grace note) with no vibrato
D#1 Roll 2 with no vibrato
E1 Short legporta with no vibrato

F1 Long legporta with no vibrato
F#1 Roll 3 with no vibrato

G#1 Roll 4 with no vibrato
C1 Sustained with vibrato

C#1 Roll 1 (grace note) with vibrato
D#1 Roll 2 with vibrato
E1 Short legporta with vibrato

F1 Long legporta with vibrato
F#1 Roll 3 with vibrato

G#1 Roll 4 with vibrato
34
CREDITS
Anthology: Vol.1, Celtic Wind
Produced by Eduardo Tarilonte
Recorded at NS Studios. Valladolid, Spain

Project Consultant Aaron Dirk
Advanced Scripting by Günter Hirscher
Art Design by Alan Lastufka
Users Guide by Eduardo Tarilonte, Günter Hirscher, Francis and Dawn Belardino
Tari wishes to thank the following,

Sergio Recio and Santiago Rojo of NS Studios.
Fred Schendel for beta testing our product.
Francis Belardino for this opportunity and his friendship.
Aaron Dirk, Alan Lastufka, Dawn Belardino, Brian D. Schum and Gunter Hirscher for
making my dreams reality. To all the musicians for opening their souls: Jean Yves
Magre, Marie-Agnes Sánchez and Maria Desbordes.
And of course to my wife, Mari Mar for always being there.
Executive Producer Francis Belardino
Bela D Media.com. 2006. All Rights Reserved
35

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1

HISTORY LESSON POWERED BY....................9

Welcome to Anthology: Vol.1, Celtic Wind

Authentic. Advanced. Affordable.

* Bela D Media has intentions to release this product in a native GigaStudio/GS3

Please note that your account will be activated within 24 - 48 hours.

Internal or external DVD drive

Jean Yves Magre (Highland Pipe and Uilleann Pipe)

Marie Agnes Sánchez (Bombarde)

Maria Desbordes (Whistles)

Eduardo Tarilonte (Accordion and Concertina)

The following text is intended for educational purposes only.

A concertina, like the various accordions, is a member of the free-reed family of

An accordion is a musical instrument of the handheld bellows-driven free reed aerophone

CELTIBERIC WAR HORN

Accordion / Right Hand

OPEN / CLOSE NOISE

Use the mod-wheel for volume / velocity cross fades.

Accordion / Left Hand

Use the mod-wheel for volume / velocity cross fades.

MULTI SPEED LEGATO

KEY-SWITCH | Low Velocity

C2 Sustained with no vibrato

KEY-SWITCH | High Velocity

C2 Sustained with vibrato

Celtiberic War Horn

MULTI SPEED LEGATO

C1 Long round robin

OPEN / CLOSE NOISE

Use the mod-wheel for volume / velocity cross fades.

Adjust legato times with the corresponding legato button.

KEY-SWITCH | Low Velocity

KEY-SWITCH | High Velocity

E2 Birl | Bubblent | Grip | Crunluath

F#2 + F2 Lamluath (on current note)

B1 Slow (some articulations are recorded in slow / fast versions)

Adjust legato times with the corresponding legato button.

KEY-SWITCH | Low Velocity

C2 Sustained down with no vibrato

E2 Short glissando with no vibrato

F#2 Cranning with no velocity switch

G2 Open rolls with no vibrato

KEY-SWITCH | High Velocity

C2 Sustained down with vibrato

E2 Short glissando with vibrato

F#2 Hard cranning with no velocity switch

G2 Open rolls with vibrato

MULTI SPEED LEGATO

KEY-SWITCH | Low Velocity

C1 Sustained with no vibrato

E1 Short legporta with no vibrato

F#1 Roll 3 with no vibrato

KEY-SWITCH | High Velocity

C1 Sustained with vibrato

E1 Short legporta with vibrato

F#1 Roll 3 with vibrato