Contemporary Philippine Music and Composers
Contemporary Philippine Music and Composers
Contemporary Philippine Music and Composers
New music or avant-garde is the most important development in music during the
second half of the twentieth century. In employing the avant-garde techniques,
contemporary composers would reject the basic premises on which music is
traditionally based.
Lucresia R. Kasilag
Dr. Lucresia R. Kasilag was born in San Fernando, La Union on August 31, 1918. He
was the daughter of a civil engineer, Marcial Sr. and a violinist, Asuincion Roces.
Aside from her mother’s instruction on solfeggio, Dr. Kasilag was taught by her first
piano teacher, Doña Concha Cuervo. She received a Music Teacher’s Diploma major
in Piano from St. Scholastica’s College and a Bachelor of Music from Philippine
Women’s University (PWU). She finished Master of Music at the University of
Rochester in New York. She was awarded a Doctor of Music degree, honoris causa,
by the Centro Escolar University.
She started composing during the Second World War. Her works had reached over
250 compositions ranging from arrangements for folk songs, solo instrument pieces
for piano and organ or a combination of violin and piano, chamber, theater and
orchestra works. She is regarded as the “First Lady of Philippine Music.”
Ramon P. Santos
Dr. Ramon P. Santo, was born on February 25, 1914 in Pasig, Rizal. He was the
youngest child of lawyer Jose Santos and pianist-singer Amada Pagayon. His
grandmother, Josefa Andrada Pagayon, taught him basic piano and solfeggio.
He finished his Teacher’s Diploma and Bachelor of Music Degree at the UP
Conservatory of Muisc in 1965. In 1969, he graduated with the degree of Master of
Music major in Composition through a Fullbright-Hays grant at the Indiana University.
In 1972, he graduated Doctor of Philosophy major in Composition and minor in
Musicology at the State University of New York.
Although Dr. Santos was trained outside the country, this had not prevented him from
composing works that included Philippine native instruments. His avant-garde
compositional style includes free serialization, electronic music and controlled
improvisation. Among his avant-garde composition are:
Ding Ding Nga Diyawa – a fusion of Western and Eastern percussion instruments
Siklo – includes vocal utterances and synthesizer-generated heartbeats that signify
simple cycles pf life
Nabasag ang Banga – choral composition for sixteen performers seated or standing
with the audience
Contemporary Music Composers
A characteristically good song:
Has a catchy phrase.
Arouses a sympathetic response. It appeals to people from different walks of life.
Has a well-crafted structure. A listener can easily identify the beginning, middle and
end parts of the song.
Use figurative language or phrases that produces distinct mental images. For
example, “You are the bright sunny day when clouds are gray.”
Levi Celerio
A very prolific songwriter and the 1997 National Artist for Music and Literature, Levi
Celerio was born on April 0, 1910 in Tondo, Manila. He studied at the Academy of
Music in Manila. He was the Manila Symphony Orchestra’s youngest member. He
died on April 2, 2002 at the age of 91 and was buried with full military honors at the
Libingan ng mga Bayani.
Celerio’s compositions range from Philippine folk songs, Christmas songs, love
songs to patriotic songs. He wrote more than 4,000 songs and among them are the
following:
Christmas Songs
Misa de Gallo Patriotic Songs
Pasko na Naman
Tinig ng Bayan
Ang Pasko ay Sumapit
Lupang Pangarap
Love Songs Ang Bagong Lipunan
Bagong Silang
Ikaw
Sa Ugoy ng Duyan
Kahit Konting Pagtingin
Dahil Sa Isang Bulaklak
Kapag Puso’y Sinugatan
O, Maliwanag na Buwan
Saan Ka Man Naroroon?
Sapagkta Kami’y Tao Lamang
Gaano Ko Ikaw Kamahal
Mike Velarde
Guided by the principle “Think Filipino Write Filipino, and Sound Filipino,” “Miguel
Mike” Velarde Jr. did not stop composing songs and movie scores that would reflect
the richness of our musical heritage. He was born on October 23, 1913 in Manila, but
after a year his family moved to Zamboanga. He is the second son of Miguel Velarde
Sr., a medical doctor and Dolores Guison, who could sing well an also play the piano.
At age 6, Velarde received his first training in music from his mother who taught him
piano and violin lessons. During high school, he was member of the orchestra of
Zamboanga Normal School. In 1931, he went to Manila to study medicine. However,
music being his calling, he decided to study music, which did not please his father. He
supported his own studies by even working as a bus conduct.
Exposing him to the works of Nicanor Abelardo and Francisco Santiago, Velrado
received his first lessons in composition and harmony from Antonio Molina and
Ariston Avelino. When he already learned basic principles of music, he continued to
study music all by himself. His first hit song titled “Ugoy-ugoy Blues,” which he played
on radio, was very popular. Some of his major works include the following:
Songs
Habang Buhay, 1938 Amor Santo, 1935
Lahat ng Araw, 1939 Ulilang Puso, 1936
Minamahal Kita, 1940 Ala-ala Kita, 1938
Titibok-tibok, 1948
George Canseco
An applauded composer of memorable songs, George Canseco was born on April
23, 1934 in Naic, Cavite. He was the youngest of the three children of Dr. Jose
Conseco. He graduated from the University of the East with a Liberal Arts degree. He
did not have any formal training in music. But he studied piano on his own and was
able to write, notate and compose songs at an early age. When Martial Law was
declared on 1972, Canseco started to write music and Imelda Marcos commissioned
him to compose “Ako ay Pilipino,” he national tribute hymn.
His compositions included the following:
Pagputi ng Uwak, Pag-itim ng tagak, 1978
Langit at Lupa, 1988
Pieta, 1983
Babangon Ako’t Dudurugin Kita, 1989
Magdusa Ka!, 1986
Imortal, 1989
Iyo ang Tondo, Kanya ang Cavite, 1986
Ngayon at Kailanman, 1992
Kailan Tama ang Mali, 1986
Paano ang Ngayon Kung Wala ang Kahapon, 1995
Kung Aagawin Mo ang Lahat, 1987
Muling Ibalik ang Tamis ng Pag-big, 1998
Informative Materials on Local Adaption of the Global Initiative
from the Local Health Center
There are international programs, strategies and initiatives that are related to health
and the protection of all persons. Such global initiatives are essential to ensure people’s
safety, health and welfare.
Global health initiatives can be adopted to local and national context in different ways.
The Philippines supports global health and development initiatives as guiding principles in
developing local policies and programs.
The provision for community-based care is an important direction set in the mental
health action plan that includes the person’s recovery, employment, education, housing
and social services. These will empower people with mental health disabilities, develop a
strong civil society and prevent any activities that may lead to such disabilities.