IBTM6010X Lighting Engineering

http://ibse.hk/IBTM6010J/

Principles of Vision & Colour

Ir Dr. Sam C. M. Hui

E-mail: [email protected]
http://ibse.hk/cmhui/

Sep 2021
Contents

• Human vision

• Design considerations

• Colour theory

• Colour vision
Human vision

• Vision involves the nearly simultaneous

interaction of the two eyes & the brain through
a network of neurons, receptors, and other
specialized cells
• Human stereo colour vision is a very complex
process that is not completely understood
• Human visual system not only detects light &
colour, but as an optical system, must be able to
discern differences among objects, or an object &
its background (contrast discrimination)
 The earliest Arabic drawing of the structure of the eye

(Source: Principles of Vision https://www.ncbi.nlm.nih.gov/books/NBK11513/)

Human vision

• Normal human vision

• 1. Light enters the eye through the cornea
• 2. The light passes through the pupil. The iris
controls the amount of light passing through
• 3. From there, it then hits the lens
• 4. Next, light passes through the vitreous humour
• 5. Finally, the light reaches the retina
• 6. The optic nerve carries the signals to the visual
cortex of the brain & turns the signals into images
Human vision

• Principle of VISION
• Light energy  retina (photo-chemical)  optic
nerve (electrical signal)  brain (sight centre)
• Initial information: brightness + colour
• Stereoscopic effect of two eyes (size & position)
• The brain selects items in the field of view
• The sense of vision depends on interpretations
from previous experience
Human vision

• Characteristics/Regimes of VISION
• Scotopic vision 暗視 - in the dark by the rods
• Luminance 10-6 to 10-2 cd/m2 (dark adapted, by rods)
• Low ambient light; only see in shades of grey
• Mesopic vision 暮視 - between 10-2 and 10 cd/m2
• Sense of brightness & colour; foval detection
• Photopic vision 適光 - above 10-2 cd/m2
• By cone mechanism (light adapted); in colour
• High ambient light; enables details to be seen
 Ranges of scotopic, mesopic and photopic visions
(Source: Advanced Lighting Guidelines 2001 and www.ecse.rpi.edu)

(Source: Advanced Lighting Guidelines 2001 )

 Scotopic & photopic curves of spectral luminous efficiency

(a) Non-normalised values (b) Normalised values

(Source: http://retina.umh.es/webvision/psych1.html; www.ecse.rpi.edu)

Human vision

• Purpose of vision
• The primary goal of any lighting system is to
provide a proper stimulus for the human visual
system
• Processing of visual information
• 1. Depth perception
• 2. Motion detection
• 3. Brightness perception
• 4. Colour deficiencies in the visual system
Human vision

• 1. Depth perception
• Pictorial cues
• Relative image size due to distance or scale of known
objects
• Interposition or layering
• Shadowing, perspective, or surface texture
• Motion parallax – relative movement between any two
objects at different distances
• Binocular cues
• Eye convergence – “cross-eyedness”
• Binocular disparity or parallax – “stereo” vision
Human vision

• 2. Motion detection
• Stroboscopic integration – perceived motion from stills
• 3. Brightness perception*
• Vision in darkness & lightness
• Luminance is measurable quantity of light reflected from
objects
• Brightness is the perceived difference in light reflected
from objects
• Simultaneous contrast – the perceived difference in
brightness of two objects of the same luminance when
viewed against different backgrounds
(* See also http://hyperphysics.phy-astr.gsu.edu/hbase/vision/bright.html)
 Visual contrast – lack of contrast can reduce visibility

(Source: Advanced Lighting Guidelines 2001)

 Human vision

• 4. Colour deficiencies in the visual system

• Inability to distinguish certain shades of colour under
normal lighting conditions
• The “cones” lack one or more light-sensitive pigments
• Such as particular shades of reds & greens
色盲 • Colour-blindness – deficiencies in or lack of cone
sensitivity (affects males much more often than females)
• 8% of males
• 0.5% of females
• Can range from mild to severe
 Ishihara colour blindness test

Ishihara Colorblindness Test:

https://www.colorlitelens.com/ishihara-test
https://www.olympus-lifescience.com/en/microscope-resource/primer/java/humanvision/colorblindness/
(Source: https://www.olympus-lifescience.com/en/microscope-resource/primer/lightandcolor/humanvisionintro/)
Human vision

• Measuring vision
• Visual acuity – measure of the smallest detail a person’s
visual system can resolve
• Contrast sensitivity – the ability to detect the presence of
luminance differences
• Contrast detection – the contrast at which an object is just
visible
Methods for measuring vision
 Relationship between visual acuity and background luminance

(Source: https://www.ncbi.nlm.nih.gov/books/NBK11509/figure/ch25kallspatial.F18/)
Design considerations

• Task parameters affecting visual performance

• Contrast (C) – relationship between object and
background luminances (L)
• C = (Ltask – Lbackground) / Lbackground
• Size – visual angle subtended by an object from an
observer
• Luminance – quantity and quality of light reflected
from an object
• Time – viewing time necessary to process vision
 Design considerations

• Building design considerations

眩光 • Discomfort glare
• Luminance which causes visual discomfort
• Source luminance, position, size, number of sources, field
luminance
• Disability glare
• Luminance which adversely affects visual performance
• Veiling reflections
• Reflected luminance which prevents visual
performance
• Tasks viewed at a mirror angle to a source
 Examples of glare and veiling reflection

Bright light entering Veiling reflection from

from a window overhead light source
It is critical that lamps and luminaires be selected to mitigate
the problem of discomfort glare.
 Design considerations

• Unified glare rating (UGR) 統一眩光指數

• A method of calculating glare from luminaires,
light through windows & bright light sources
• Helps to determine how likely a luminaire is to
cause discomfort to those around it
• UGR values range from 40 (extremely high glare)
to 5 (very low glare)
• International standards e.g. EN12464 recommend
maximum UGRs for different situations
• UGR < 19 is recommended for many office &
classroom settings
(Source: What is UGR? https://www.nvcuk.com/technical/what-is-ugr/529.htm)
 How to calculate unified glare rating (UGR)

(Source: https://www.hidealite.com/en/knowledge/concept/ugr)
Design considerations

• Effects of aging
• Increased lens opacity – light scattering within the eye
flare
• Crystalline lens yellowing – reduced blue vision
• Presbyopia – loss of lens elasticity and near vision
• Reduced pupil size – less light reaching retina – more light
required
• Increased visual processing and adaptation time – reduced
performance
• Decreased acuity and contrast sensitivity – due to
decreased nerve function
 Requirement of light in relation to human age

(Source: https://www.researchgate.net/publication/268326391_Visibility_Estimation_of_Textile_Warning_Materials_in_the_Pedestrian-
Vehicle_Arrangement_n_Introduction/)
Colour theory

• Creation & perception of colour

• How colours are specified & quantified
• White light
• All wavelengths combined at approximately equal
power levels
Colour theory

• The two types of receptor cells

• Rods – scotopic vision
• Night and peripheral vision
• See very low luminance levels
• Surfaces appear as shades of gray or blue/gray –
difficult to distinguish between colours
• Cones – photopic vision
• Responsible for colour vision at normal interior and
exterior lighting levels
• Colour experience determined by relative strength of
the signal from each of three types of cones (R, G, B)
 Spectral colour sensitivity of the cones in relation to the wavelength

(Source: https://www.erco.com/en/guide/basics/physiology-of-the-eye-2225/)
Colour theory

• Photopic vs. scotopic sensitivity

• Spectral luminous efficiency curve or the V-
lambda curve
• Peak sensitivity shifts to lower wavelengths under
scotopic (rod) vision – Purkinje shift*
• Surface colour that appears lighter under photopic
vision may appear darker under scotopic

(* See also http://en.wikipedia.org/wiki/Purkinje_effect)

The eye’s response to equal energy of radiation
Colour theory

• Photopic curve
• Used to determine the nos. of lumens present in a light
source, given the spectral power distribution for a lamp
• Trade-off between colour rendering & efficacy
• Mesopic vision
• Rods & cones are nearly equal in sensitivity
• Both photopic & scotopic systems contribute to response
to object colour of different luminance
• Luminance level is low so that rods & cones function at
similar sensitivities, e.g. twilight
 Spectral sensitivity of rods and cones

(Source: Advanced Lighting Guidelines 2001)

Colour theory

• Perceived object colour (colour perception)*

• Visual experience
• Based on relative proportions of different
wavelengths of light reflected from a surface
• Function of both surface characteristics &
illuminant
• Defined using three designations
• Hue, Value and Chrome
• Using Munsell colour system
(* See also http://hyperphysics.phy-astr.gsu.edu/hbase/vision/colper.html)
Colour theory

• Hue
• General description of the perceived colour of an object
• Single colour name or combination of two adjacent colour
names (red, yellow, green, blue)
• Value
• Indicates the relative lightness or darkness of a colour – e.g.
sky blue and navy blue
• Value is related to gray scale – from black to white
• The value of a particular colour is the value of the gray that
is of the same relative lightness
Colour theory

• Chroma
• Indicates how saturated a colour appears
• Two colours may be of the same hue and value, but one
more rich in hue – e.g. a gray blue and a rich blue

• Metameric match
• A condition where a different source/reflectance producing
the same relative signal from the three types of cones will
be perceived as being equal in colour
• (Note that it is possible that two materials which appear to
match under one illuminant will not match under a second)
 Hue, Value and Chrome in the Munsell colour system

(Source: http://www.huevaluechroma.com/011.php)
Colour theory

• Specification of colours*
• Munsell colour system
• Hue scale – 5 principal hues (red, yellow, green, blue,
and purple)
• Value scale – 10 equal visual steps from black to white
• Chrome scale – 6-14 equal steps from no colour (white,
gray, or black) to the strongest chroma for that level
• Colour discrimination functions
• Hue discrimination (change in wavelength)
• Saturation discrimination (degree of colour paleness)
(* See also http://hyperphysics.phy-astr.gsu.edu/hbase/vision/colsys.html)
Munsell colour system
Colour vision

• Colour vision processes:

• 1. Trichromatic input: recorded by the responses
of the cone cells in the retina
• 2. Opponent output: responses from the cones are
compared with each other
• 3. Processing for colour constancy: information
from throughout the visual field is rapidly,
automatically & seemingly effortlessly analysed
and resolved into an interpretation of object,
lighting & atmospheric properties
 Stage theory and model for normal human colour vision

(Source: https://www.ncbi.nlm.nih.gov/books/NBK11538/)
Colour vision

• Perceived colour of light source

• Spectral content of emitted light determines source
appearance
• Two sources that appear to be the same colour
may have different spectral compositions
• Two sources that have the same colour appearance
may have different colour rendering qualities
Colour vision

• Function of the surround

• Simultaneous contrast
• Appearance of a colour is affected
by the colour against which it is viewed
• Colour adaptation
• An after image, the compliment of the colour to which
the visual system was adapted, appears over the region
of the visual field that was exposed to that colour
• Colour preference
• Colour fidelity, saturation, naturalness & vividness
 Colour contrast: the circles have a different apparent brightness with a
different coloured background

(Source: The Science of Lighting, Signify)

Colour vision

• Light source characteristics

• Colour temperature
• Colour rendering ability
Colour vision

• Correlated colour temperature (CCT)

• Used to specify source appearance
• CCT equates the appearance of a source to a
blackbody radiator operating at the same temp.
• Expressed using Kelvin temp. scale
• A lower CCT means longer wavelengths and
warmer colour
• Typical light source – 2,100 to 6,500 Kelvin

(* See also http://en.wikipedia.org/wiki/Color_temperature)

 Correlated colour temperature (CCT) of lamps

[Source: www.benyalighting.com]
 Colour temperature
and appearance

(Source: https://www.manufacturer.lighting/info/245/)
Colour vision

• Colour rendering index (CRI)

• Used to evaluate light sources based on how well
particular sample colours are rendered relative to a
standard source at the same CCT
• CRI index is a value from 0 to 100 that is a
measure of the deviation in colour appearance that
occurs when test colours are illuminated by the
test source and the standard source
• (A greater deviation results in a lower CRI value)

(* See also http://en.wikipedia.org/wiki/Color_rendering_index)

 Colour rendering index (CRI or Ra) of common lamp types

(Source: Philips Lighting, http://www.lighting.philips.co.in)

Colour vision

• Daylight and colour

• Daylight has excellent colour rendering quality
with a CRI of 100
• Colour temperature is high – cool or bluish-white
• If electric light sources are used in a daylighted
area, those of high colour temperature are
preferred
Colour vision

• Electric light sources

• Colour quality & spectral power distribution (SPD)
• Incandescent – good colour rendering (halogen has a
higher colour temperature)
• Fluorescent – range of colour temperature & colour
rendering ability
• High intensity discharge (HID) – mercury, metal halide
& high pressure sodium provide a range of colour
temperature & colour rendering ability
• Light emitting diode (LED) – various colour
temperatures & colour rendering ability
 Spectral power distribution (SPD) of common light sources

(Source: https://www.paintingframesplus.com/painting-frames-plus-website-colors.php)
Colour vision

• CIE Chromaticity Coordinates*

• The system used for the specification of CCT
• Based on three coordinates (x, y, z)
• CIE chromaticity diagram describes how colours
can be mixed (trichromatic colour matches)
• Additive colour mixing
• Primary colours – Red, Green, Blue
• Other colours of the spectrum are achieved by
mixing the primaries
• White light = equal concentration of the primaries
(* See also http://hyperphysics.phy-astr.gsu.edu/hbase/vision/ciecon.html)
CIE chromaticity diagram
 Additive colour mixture

(Source: https://www.ncbi.nlm.nih.gov/books/NBK11538/)
Colour vision

• Subtractive colour mixing

• Involves one source (broadband)
• Selective reduction/elimination of certain
wavelengths
• Subtractive primaries – Red, Blue, Yellow
• Adding these three primaries results in no colour
experience

Video: Color Vision 1: Color Basics (15:10) https://youtu.be/iDsrzKDB_tA

 Subtractive colour mixture

(Source: https://www.ncbi.nlm.nih.gov/books/NBK11538/)
Further Reading

• Principles of Vision
https://www.ncbi.nlm.nih.gov/books/NBK11513/
• Color vision - Wikipedia
https://en.wikipedia.org/wiki/Color_vision
• Human Vision and Color Perception
https://www.olympus-
lifescience.com/en/microscope-
resource/primer/lightandcolor/humanvisionintro/