Intro History of The Body, Willemijn Ruberg.
Intro History of The Body, Willemijn Ruberg.
Intro History of The Body, Willemijn Ruberg.
67
The western-centrism of histories of gender and sexualiq
69
Conclusion
7o
5 Experlenolng the Body
Introductton
yg
Phenomenology
7S
Feminist crltique of phenomenotogy: lris Marlon Young
76
Postcolonial crttlque of phenomenology: Frantz Fanon
77
IntroductiOr1
Conclusion
90
s ructio
oí political events. The nes history, b\
contiast, was conceined wtth
t Tl
l, al dimensions, an analysis of structures and
Introduction
History, biology, and the neurosciences
93 datly life‘ítombeloW’, all of this based On an
94 oí primary sources and keen ti3 present opposlte vlewpoints.²
Within this new
New materialism: Gilles Deleuze and the ‘becomirlg’ body Science and technology
studies and the
body: Bruno Latour Piaxiography: Annemarie Mol and Amade M'Charek Praxiography and
history: Geertje
Mak
Conclusion
Conoluplon
Note.s
9g
103
103
107
108
115
had been neglected because both the classical and the Judeo-Christian traditions
neld a duatistic
division Ot «ian, privíleging wind over body. However, Porter pointed to
many developments,
both In academia arld III society, whlCh hád stimulated gteater attention
for the body,
also among historians: Marxism, the work of Russian philosopher and llterary
theorist Mlkhdll
Bakhtin, the French
Anuales histotlans, cultural anthropology, Sociotogy and medlcal sociology, íem-
lnisin, historlcal demography, and the impaCt of AIDS.' These factors had
led historlans
to write about, for instance, the history of pain, hysterla, sexuality,
Glossury
139
and beauty.
histories of the body underlined the Cultural and historical varia-
Furthep Reading
Index
t45 IS1
These new body instead of viewlng it aS á fixPd biological given. The cultural
liistorian Thomas Laqueur, for example, argued that from antiquity to the early
modern period
people dld not believe in the existence of two different bodies - male and female —
but thought
there was one type of body, of which the female was merely a less perfect version
(see Chapter 4).
This emphasis on the cultural history of the Dody was part of two, connected,
innovations ir
history writing: the cultural turn and the linguistic turn. Although in the first
half oí the
twentt- eth century some anthropologists and sociologlsts, as well as some of the
French Annales
historians, had aJready pard serious attentton to the body, from the
1970s, and
especlally in the 1980s and 1990s, the cultural turn shifted the focus of resemh
in the humanities
and social sciences írom socio-economtc sttuctuies and events in political history
to the making of
meanlng in daily llfe. This cultural turn was inforined by theortes from
anthropology, sociology,
and cultural stuó- ies. In the same period the lingulstic turn, based on
notions derived from
phi- losophy and literary saudíes, posited that meantng is made tlirough
language,
reptesentation, and discourse. In historiography tfie stronger emphasis on the-
ory resulted
mostly ftom the irnpact of poststructuzaltsm, which highllghted textual and
discursive
constructions of pfienomena, and their accompanying power stnictures.•
Cultural theory was now also applied to make sense of the Dody as mediated
introductton 3
body: rather than studying the body working, breathing, or belng ill In
daily life,
historians now became interested In how diseases were labelled, or which
even thoug lt overlaps to SOmR M8
of mediclne, gender, Sexuality, emotion,
with other ílelós suCh as the history sports, fashion, and tne self, IS thát
the ways lndivtduals and social groups experlenced their embodied selves in the
past.•
In Porter's two review articles, the central questions in body history come to
the fore: To what
extent can historians reconstruct the ray people In the past
monograph,'° however, pay little attention to the use of theory In body history.
And while a
number of textboo¥s have lncluded a discussion of tneoretical approaches to
the body, these
have mosdy been wrltten by sociologtsts and only
body." Also, this book focuses mostly on cultural ideas about the body,
ratlier
than on socio-economic circumstances which impacted on people's health, and has
opted to leave the
interpretation of irnages of the body to art historians and histonans of vlsual
cultura.'3