How To Build Your Own Controller: by Dudley Giberson of Joppa Glassworks, Inc

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How to Build Your Own Controller

Version 3.1
by Dudley Giberson of Joppa Glassworks, Inc.

D
esigning your own kiln control
center is highly rewarding and
beneficial as it truly puts the
control of your system in your own Controller
Module
hands. By following a few suggestions
this can be a relatively simple project Indicator Light
which can save you hundreds if not Heat
thousands of dollars over the cost of On/Off Switch Dissapater
store bought models. The very best \aka "Heat Sink"
thing about designing your own con- Fuse ple
T h e rmocou
troller is you can place the components
where you want them. In
Power
We will begin by building a sim-
ple bit box controller, called a set-point Power
controller. Next we will build a stand-a- Out
lone control box, shown to the right, fig- Fig. 01 This stand-a-lone controller can deliver 30 ramp and soak cycles to
ure 1, that can control a sophisticated 30 control any kiln heating or cooling need.
ramp and soak program capable of han-
dling the most complicated fusing and
annealing cycles. This controller can manage a large 100 cubic foot slumper/casting kiln to a small
bead annealer and it can handle any of your high temperature glass melting furnaces too.
A little background— before this era of digital control most craftspersons were forced to rely
on erratic and uniquely peculiar methods for determining specific temperatures: throwing a balled
up newspaper into a kiln and counting off time before it would explode into flame was a standard
pre-pyrometer determinant. I have a friend who bakes in a clay oven. He refuses to put a pyrom-
eter on the unit. Fred’s unique test for temperature is to plunge his naked arm into the main open-
ing and begin counting seconds. The counting stops when it gets too hot. If it’s twenty-five to thir-
ty, it’s perfect for bread! Twenty is way too hot.
An analog pyrometer is a big step up from this hair burning torture, but that doesn’t con-
trol anything. It just lets you know approximately where the temperature is. For most kiln crafts a
type “K” thermocouple attached to an analog pyrometer is sufficient, it functions from room tem-
perature to about 2350˚F. before the thermocouple melts. In the analog world you watch the
pyrometer: when the temperature gets too hot, you turn the power down; when it’s too cool, you
turn it up. You can be busy, busy, busy.
In the world of pottery the quintessential temperature control devise is the Orton cone sys-
tem. Potters stack their kilns and place among the wares sets of cones that melt at various temper-
atures. For example, a cone 9 melts at 2300˚F. and a cone 10 melts at 2345˚F. The kiln operator
watches the cones through a spy hole. When he sees cone 9 begin to bend the caution flag is hoist-
ed. He has reached a specific temperature: he can go on or stop.
Now enter the digital world. You want the temperature to be 1000 degrees, you set the con-
troller to 1000. If the temperature is below 1000 the controller turns the power on, and if it rises
How to Build Your Own Controller, Page 1

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