Appendices A Chemistry
Appendices A Chemistry
Appendices A Chemistry
MSDS Online
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This is an online resource for all MSDS and CAS information. You will have to register
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MSDS.com
http://www.msds.com/
ACIDS: Acids are compounded solutions with a pH of less than 7. Acids neutralize
alkalis such as developers. An acid will turn a blue litmus paper a pink-red. Acids are
compounds containing hydrogen that can be replaced by a metal to form a salt, that is,
the metal sodium will replace the hydrogen atom in hydrochloric acid to form the salt,
sodium chloride. Acid strength affects two of the most common functions: imparting a
sour taste and creating an acid environment to limit microbial growth.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
NOTE ON ACIDS AND WATER: Heat is released when strong acids are mixed with
water and increasing the amount of acid adds to the level of that heat, releasing more
heat. If you add water to acid, you will create an extremely concentrated solution of acid
immediately at the point of the addition. So much heat is released that the solution may
actually boil violently, causing eruptions of concentrated acid. Conversely, if you add
acid to water, the solution that forms at the point of the addition is very dilute and the
level of heat released is not sufficient to cause a violent reaction. Remember Triple A…
Always-Add-Acid to water and never the reverse.
ALKALIS: Alkalis are compounded solutions with a pH greater than 7. Alkalis are
the assorted soluble metallic hydroxides that neutralize acids to form salts. An alkali can
also be a compounded salt. An alkali functions as an accelerator in photographic
developing formulas (often potassium and sodium hydroxide). Alkalis turn red litmus
paper blue. Examples of alkalis are sodium carbonate and borax.
BASE: Bases are the chemical opposite of acids and reacts with acids to produce water
and to form salts (or their solutions). Some general properties of bases include: bitter
taste, slick texture (like soap and water), reacts violently with acids, caustic to organic
matter, turns red litmus paper blue. A base is a substance that will neutralize an acid but
will not dissolve in water, e.g. iron and copper. A base that dissolves in water is called an
alkali, e.g. sodium carbonate
BUFFER: Weak acid(s) or Base(s) dissolved in water that hold the pH near to a
constant value when acid or base are added. Buffering is the ability of a weak acid / salt
combination, such as citric acid and sodium citrate, to control the amount of free
hydrogen ions. When certain amounts of acid or base are added, the system resists
changes in pH. Citric acid has the widest effective buffer range -- from pH 2.5 to 6.5.
Tartaric acid can only be used for buffering between pH 3.0 and 4.5.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
DELIQUESCENT: A deliquescent chemical is one that readily absorbs moisture from
the air. Salts are a prime example.
pH: One explanation of the acronym pH is that it’s an early 20th c. acronym from the
German word potenz ‘power’ and hydrogen, or the power of hydrogen. A pH number
designates a numerical value assigned to an aqueous solution to indicate that it is either
acidic or alkaline. It also represents a chemical symbol for the logarithm of the
reciprocal of the hydrogen ion concentration in gram atoms per liter. What you need to
know, in the context of this book, is that it informs you of the acidity or alkalinity of the
chemistry you are using.
SALT: A salt is formed when an acid and a base (any base that are mixed and the acid
releases H+ ions while the base releases OH- ions. This process is called hydrolysis. This
action creates an ionic compound. The pH of the salt depends on the strengths of the
original acids and bases:
Acid Base Salt pH
strong strong pH = 7
weak strong pH > 7
strong weak pH < 7
weak weak depends on which is stronger
SATURATED SOLUTION: Definition of a solution that cannot accept any more solid
(solute), at a given temperature, without leaving sediment in the solution. An example of
this is the preparation of saturated potassium or ammonium dichromate for gum
bichromate sensitizing, e.g., potassium dichromate saturates at 10% to 13%.
SURFACTANT: An agent, such as Tween, that reduces the surface tension of a liquid
enabling it to more easily penetrate a paper substrate.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
HOW CHEMICALS CAN AFFECT THE BODY
• Breathing: Airborne chemical matter and vapors in the form of gases can
enter the body through your nose and mouth. Work in a well-ventilated environment,
preferably outdoors or using ventilation that will not pull the vapors past your face on
their way to an exhaust fan. Paper painter’s masks offer only a modest protection
against chemicals and practically none against harmful fumes.
• Ingestion: It is a bad idea to eat while working in the lab, or with chemistry,
because you are quite likely going to ingest this same chemistry. Eat somewhere else.
• Absorption: Chemistry can enter the body through the skin and get into the
bloodstream. Open cuts or healing wounds on your skin can be an avenue for absorption
as well. Wear barrier gloves and a mask when mixing chemistry. Gloves may present a
number of problems. Commonly available types are made from a variety of materials
not all of which provide an adequate barrier from specific chemicals. Gloves made of
nitrile, available from laboratory and chemical supply houses, work well for most
chemicals that you will use in alternative process. Except for mild chemical usage, avoid
latex or kitchen gloves, because these are susceptible to chemical reactions and are often
clumsy.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
type of separation such as tongs, splash goggles and nitrile gloves. Safety goggles are
essential when mixing powdered chemistry, because eyes will readily absorb and pass
contaminants along to the rest of the body. Be extra cautious if you wear contact lenses
to prevent the powders and chemical fumes from getting between your contact lenses
and your eyes.
FIRST AID
There is disagreement over the effectiveness of having the victim drink large
quantities of water. My friend, Dr. Jacek Mostwin, at Johns Hopkins, says that the water
simply makes the injury spread and that acid or alkali ingestion is not really a first aid
situation at all … you need professionals right away. One thing is for sure… DO NOT
INDUCE VOMITING. This is especially true for hydrofluoric acid ingestion.
That said, here are the basic immediate first aid recommendations for both acid
and alkali ingestion:
If a chemical splashes in the eye the immediate response is to flush the eye
repeatedly with warm water or first aid saline solution eyewash. If an acid, make a very
dilute solution of sodium bicarbonate and use that as well. If an alkali, repeatedly flush
with water, or saline solution, and rinse with a very dilute solution of boric acid. In all
cases, call for professional medical help.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
1. The victim has signs of shock, such as fainting, pale complexion or breathing in
a notably shallow manner.
2. The chemical burn penetrated through the first layer of skin, and the resulting
second-degree burn covers an area more than 2 to 3 inches in diameter.
3. The chemical burn occurred on the eye, hands, feet, face, groin or buttocks, or
over a major joint.
If you're unsure whether a substance is toxic, call the poison control center at this
number: (800) 222-1222. This is the telephone number for every poison center in the
United States. Call this number 24 hours a day, 7 days a week to talk to a poison expert.
If you seek emergency assistance, bring the chemical container or a complete
description of the substance with you for identification.
• Cover trays and tanks when not in use to prevent vapors from filling your
working space. Sheets of Plexiglas® work well. Label each sheet with the chemical that
it covers so that it is always used for the same chemicals.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
• Triple A. When mixing: Always Add Acid to water; never add water to
acid. In this way, which is the only way, heat produced by the acids will not cause a
splattering acidic liquid eruption.
• When weighing chemicals on digital gram scales, never place raw chemicals on
the weighing platform of the scale. Always place a weighing paper or a plastic / paper
cup on the scale to hold the chemistry. Always weigh the paper or cup, before depositing
the chemical, and re-calibrate your scale to zero by pressing “TARE” so that the
chemical weight will be the only thing being weighed.
• Prior to working with any chemical that you are not familiar with, be sure to
read the chemical’s MSDS data sheet to understand that particular chemical’s traits and
how to deal with it in the event of an accident or emergency. Mix chemistry in glass or
plastic containers - never metal.
• Always wear gloves and safety glasses when weighing and mixing chemistry.
• Always use a plastic funnel to prevent spilling and splashing when transferring
chemistry, solids or solutions.
• Always clean all utensils and equipment that have been in contact with
chemistry.
• Always keep your mixed chemistry in labeled and sealed containers.
• Never keep your chemistry in a location that will be accessible to children, pets,
and guests. In other words, do not store your chemistry in your home refrigerator,
whether it is labeled or not. If your chemistry needs to be refrigerated buy a small dorm-
type unit for your lab and lock it.
• Always mix chemical formulas in the order that the components are listed.
There are exceptions to this but those exceptions should be noted along with the
ingredients in the formulas.
• Always have 911 or poison control numbers posted in your lab.
• As an artist, your eyes are your life. You must have an eyewash kit in your lab.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
NOTE: Please be aware that all chemicals are hazardous in one form or another and
any concerns you may have regarding their use and dangers can be found by
accessing MSDS Web sites or by requesting MSDS data sheets from the companies that
supply you with chemistry. If you intend to use any of these chemicals in a class
situation it is imperative and mandatory that you have MSDS data sheets on hand in
the event of an emergency.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
CHEMICAL ABSTRACT SERVICE REGISTRY (CAS)
The numbers following each chemical’s name are part of a worldwide indexing
system called Chemical Abstracts Services Registry (CAS). It is used here to insure that
everyone using a chemical is dealing with the same one when describing it for any
purpose. The CAS numbers for these, and other chemicals on earth can be found at
various sites that offer CAS numbers.
CHEMICALS
Note: Glacial acetic acid refers to very strong concentrated acetic acid, usually between
80 % to 99 %, with a pH of 2.4. At this concentration it is highly corrosive and a severe
poison.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Alcohol (Everclear)
Grain Alcohol (95% 190 proof ethanol) can be difficult to locate. It is not available
in all states. Everclear brand grain alcohol can be purchased over the Internet.
www.shoppersvineyard.com. It can also be purchased in liquor stores in several states
including New Mexico where it is often included in a wet plate collodion kit (as grain
alcohol) from Bostick & Sullivan. Do not drink this alcoholic liquid alone or as a
pea-brained additive to a punchbowl at a party.
Cesium Chloropalladite
Cesium is a double salt built on an alkaline metal compound. Cesium sits at the
lower end of Group 1 on the periodic table and is a very heavy metal used in the Ziatype
process (for the brown coloration). This chemical, found in certain non-silver processes,
is an irritant to the skin, eyes, and respiratory system. Seek medical attention if physical
distress accompanies its use.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
while using it, and flush any infected area with copious amounts of water. Seek medical
attention if symptoms persist.
We work with citric acid in a white powder form and it is colorless upon dilution.
It is also odorless with a strong acidic flavor. One gram is soluble in 0.5 ml water. The
pH of a 1% solution of the monohydrate is 2.3 and of a 1% solution of the anhydrous
form is 2.2. The Food and Drug Administration recognizes citric acid as safe.
Citric acid aids in the preservation of texture, color, aroma and vitamin content of
food products and is particularly useful as a chelant. Citric acid is the preferred
acidulant to ensure optimum gel formation in pectin products. This chemical is
commonly used in toners, as a clearing bath for some alternative processes, and is one of
the options to hydrochloric acid in platinum / palladium clearing. Citric acid is also used
to transfer photomechanical ink images, (Rauschenberg used it) via saturation and
rubbing the image on a clean piece of paper from the rear of the saturated paper. It is
not dangerous to work with but can cause irritations to eyes, skin, and respiratory
system if handled in a cavalier manner. However, do not mix citric acid with metallic
nitrates because the reaction may be explosive. It is also incompatible with carbonates,
copper, aluminum and zinc.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Collodion
Collodion is a viscous fluid that is used in photographic practice as a salted
binder for sensitizing wet plate, ferrotype, and Ambrotype glass plates. It is not
particularly dangerous but is very flammable and precautions should be made when
working with the material. Although it is possible to make collodion at home with
nitrated cotton, ether, and alcohol, I strongly advise that you do not do so. Instead,
purchase a prepared plain collodion.
When using collodion be sure to have adequate ventilation, wear gloves, and wear
a respirator if airborne concentrations are high. Collodion vapors can exist quite a
distance from the actual material and you must be sure that any ignition source is off
before use. Keep the collodion away from strong acids and oxidizers and take general lab
safety precautions when using it.
When you wish to dispose of unused collodion, spread some newspapers outside
in a non0windy place (I use a wheelbarrow in the garage) and pour out thin layers of the
collodion on the newspaper. It dries quickly as a thin skin. Repeat the step until your
collodion is gone and then clean your container with Everclear alcohol (190 proof). Do
not use the newspaper to start a campfire as it will be explosive.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Copper sulfate is a commonly included chemical in children's chemistry sets and
is often used to grow crystals in schools and in copper plating experiments. Copper
sulfate is also used to test blood for anemia.
For most of the twentieth century, chromated copper arsenate (CCA) was the
dominant type of wood preservation for uses other than deep driven piles, utility poles,
and railroad ties. It gives the treated wood a peculiar green coloration. To make
pressure-treated wood, a large cylinder is filled with an aqueous chemical bath. Copper
sulfate pentahydrate is dissolved in the water along with other additives prior to the
lumber being placed inside the cylinder. When the cylinder is pressurized, the chemicals
are absorbed by the wood, giving the wood fungicidal, insecticidal, and UV-light-
reflecting properties that help preserve it.
EDTA
Disodium EDTA (Disodium Salt Dihydrate) CAS# 6381-92-6
Also known as Ethylenediamine Tetracetic Acid, Disodium Salt. Used as a first
clearing bath for Pt / Pd. It may irritate the skin, eyes, and respiratory system. This
chemical is more of an irritant than a danger and should be handled in a similar manner
as its sibling tetrasodium EDTA.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
used in the recovery of used lead acid batteries and is found in cleaning compounds,
detergents, and in photography as an oxidizing agent.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Ferric oxalate is a green / transparent crystal and is light sensitive. All oxalates
are toxic and you should avoid breathing, touching, or ingesting them. They are
corrosive to all parts of your body and can cause ulcerations on the skin. Severe kidney
damage can be the result of large amounts of absorption or breathing fumes. Wear latex
or Nitrile gloves, respirator, and eye protection when working with oxalates. If you
happen to spill ferric oxalate on your skin, wash it well with clean water. If you spill it on
your clothing remove that clothing and wash it well. If it is ingested, call a doctor and
poison control. Be extra cautious when using any oxalate because it is a most serious
health hazard if used in a casual manner.
EDTA is a chelate that will dissolve ferric oxalate… an important thing to know
when you need to use it as a clearing bath.
Fumed Silica
Fumed silica (not to be confused with silica fume) is an amorphous (meaning it
has undefined shape and form), rather than crystalline, and is a vaporized form of clear
solid silica that behaves as if it were a liquid. Fumed silica is made by flame hydrolysis of
silicon tetrachloride. Silicon tetrachloride is a liquid at room temperature. It is
vaporized and then passed through a fuel/air flame at an extreme temperature to
produce fumed silica. Fumed Silica is essentially a harmless, non-carcinogen that is a
primary thickening ingredient in fast food milkshakes and as an anti-caking agent in
powders, an abrasion resister in concrete, and kitty litter. It also features light diffusing
properties, which is one of the reasons the dark end of the tonal scale looks so nice in an
alt pro print that employs it as a pre-coating. It is also found in cosmetics like lipstick
and toothpaste. When applying it with a hot-dog roller as a pre-coating to a process on
paper, it would be prudent to wear eye protection and a respirator.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Glyoxal CAS# 107-22-2
This chemical is recommended as a substitute for formalin / formaldehyde as a
hardening agent for gelatin in sizing for the gum bichromate process. It is an alternative,
in terms of reactivity and toxicity, to formalin but insufficient evidence has been offered
by the scientific community to allow you to treat it casually. Glyoxal should never be
mixed with sodium hydroxide or nitric acid and if heated in an enclosed container it is
explosive. It is also corrosive to all metals. Glyoxal should be used in well-ventilated
environments (such as outdoors) and all precautions should be taken to prevent
ingestion, contact with the skin and breathing its fumes. Note: just because glyoxal
doesn’t have an offensive odor like formaldehyde, does not indicate that it is safer and
that you can relax using it. Treat glyoxal with the same respect you would formalin.
After sizing your gum paper with gelatin and glyoxal, hang it to dry in well-ventilated
space outside of your living area. It requires an off-gas period of 24 hours. Once dried,
label each sheet as glyoxal sized and store the sized paper in a zip lock bag.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
exposure to light, the gum and the ammonium dichromate solution will harden in
proportion to the exposure of UV light.
Mercuric chloride is toxic, white, and a soluble salt of mercury (at 6%). It has
been used in disinfectant, as a fungicide, as a treatment for syphilis before antibiotics,
and in photographic fixers. It’s also odorless, colorless, and really dangerous which is
why I’m letting you know about it here. Take all safety precautions when working with
this chemical.
Take all necessary precautions when using oxalic acid because it is toxic. Oxalic
acid's primary role in your life is likely to be as a cleaning and bleaching agent…
especially for the removal of rust / iron deposits. In alternative processes, oxalic acid is
also used as a reducing agent in the platinum / palladium process. The principle toxicity
risk when using oxalic acid is due to kidney failure, which may cause precipitation of
solid calcium oxalate, the main ingredient of kidney stones. That said, wear nitrile or
safety examination gloves and eyewear when using this chemical.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Exposure to potassium cyanide can be rapidly fatal. It has whole-body (systemic)
effects, particularly affecting those organ systems most sensitive to low oxygen levels:
the central nervous system (brain), the cardiovascular system (heart and blood vessels),
and the pulmonary system (lungs).
NOTE: To neutralize a 1.2% potassium cyanide fixer solution (standard dilution for wet
plate collodion): Put on eye protection, respirator, and nitrile gloves and place
potassium cyanide in an empty and clean dry wall bucket or large glass beaker. Slowly
add 60o ml of drugstore grade 3% hydrogen peroxide to a liter of used potassium
cyanide. In a short time you will have converted a heavily regulated chemical to a non-
hazardous, un-regulated, potassium cyanate.
Please read the section on potassium cyanide in the fixing section in the wet plate
collodion chapter.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Potassium ferricyanide is an orange-red crystal and has no odor. It is also called
Red Prussiate of Potash and is used in reducers, bleaches, toners and many alternative
and non-silver processes, specifically iron based. Ruby red in color, potassium
ferricyanide is a low toxicity level chemical. It is the Part A (bleaching agent) of sepia
toner and one of the primary ingredients in cyanotype. Potassium ferricyanide is
poisonous in high concentrations. Take all necessary precautions in its use and
handling. Do not expose it to acids, because it may release a cyanide gas (hydrocyanic
acid). If potassium ferricyanide is swallowed, administer a tablespoon of 3% hydrogen
peroxide. Have the patient inhale ammonia fumes, provide artificial respiration if
necessary, and call a doctor. Potassium ferricyanide is incompatible with extreme heat
and can release fumes of cyanide and oxides of nitrogen. It is also incompatible with
ammonia. Use standard safety precautions when using this chemical.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Silver nitrate appears as a colorless and odorless crystal and discolors on
exposure to light. Silver nitrate is highly corrosive. This chemical can cause severe skin
and eye problems and is particularly destructive to mucous membranes and the upper
respiratory tract. It is the primary silver salt found in photographic emulsions,
alternative processes (i.e., van dyke, salted paper, kallitype, albumen, calotype, etc.) and
intensifiers. Silver nitrate will discolor your skin, is a caustic substance, and may cause
blindness if it gets into your eyes. If you get silver nitrate on your skin you may
experience redness and eventual henna like brown stain that will last for several days.
On exposure, wash the area well with repeated rinses of water. Rubbing the area of
exposure with sodium chloride (table salt) will help lessen the damage to a degree and
with stain removal.
This is more serious… If you get silver nitrate in your eyes, immediately flush
with copious amounts of water, or saline solution, and continue doing so while medical
attention is summoned. If you get a bad silver nitrate stain on anything but your eyes,
you can eliminate the black stain by washing the area with a solution of 2 teaspoons of
sodium bisulfite in a quart of water. Be cautious of the sulfur dioxide gas that will be
created by this act of cleansing. If you happen to ingest silver nitrate you will experience
great distress, burning, shock, and coma. Do not induce vomiting. Force feed strong
salted water concentrations.
Silver nitrate is a very strong oxidizer. It will combust and explode if allowed to
come into contact with any ammonia compounds, such as ammonium hydroxide (the
strong concentration of ammonia used in mordançage). Never mix silver nitrate
solutions with metals such as aluminum or zinc. Use extreme safety precautions
especially by wearing gloves, respirator, and goggles or safety glasses when working with
this chemical.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
toxic. Be careful not to let this chemical come into contact with your eyes and don’t use
it as a fragrance behind the ears as one of my students once did.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Tartaric Acid CAS# 87-69-4
Tartaric acid is a white, crystalline powder with a strong fruit acid flavor,
approximately 10% stronger than citric acid can be manufactured synthetically or
recovered from natural sources. It is highly soluble in water, but only slightly
hydroscopic. This acid gives apples their sour flavor. It is only mildly toxic and general
safety precautions should be used in its handling and use. Tartaric acid is used in several
formulas in order to prevent the highlights from getting muddy. It is not used for
making tartar sauce… and I will not relate the story that goes along with that warning.
Thymol is only slightly soluble in water, but it is readily soluble in surgical spirit
(rubbing alcohol in USA) which is ethanol to which a small amount of methanol has
been added, to render it unfit to drink. It is normally used to sterilize surfaces and to
cleanse skin abrasions and to toughen skin. Thymol is a skin irritant. In the event of a
spill or a splash, wash everything well with warm water for at least 15 minutes and
consider getting medical attention.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
Tri-sodium Phosphate CAS# 7601-54-9
Tri-sodium phosphate is white, odorless, solid, and strongly alkaline. It is
commonly found in photographic developers, water softeners, scouring powders,
laundry soaps, and dish washing compounds. In an alternative process application, it
works as a yellow toner for cyanotypes.
Vinegar
Vinegar strength commonly is measured in "grains." In the United States, this
refers to the percent acid times 10. For example, 100-grain vinegar contains 10% acetic
acid, 90% water. Distilled vinegar strength ranges from 50 to 300 grains. Specialty
vinegars range from 40 to 100 grains. The color of distilled vinegar ranges from a straw
color to water white. Most vinegar is 5%.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014
A Simple Test for Residual Silver Using Sodium Sulfide
One way of determining whether or not you have fixed your print long enough is
to give it a simple sodium sulfide drop test. Mix up a 10% solution of sodium sulfide (10
g of sodium sulfide with 100 ml of distilled water) and place a drop of it on a light area
of your image. If the drop of sodium sulfide turns brown, this means that you still have
residual silver salts in your paper and that additional fixing time is necessary.
Reader Responsibility
I have placed warnings and considerations throughout the entire text to alert you
to possible chemical and health concerns. For a complete overview of all chemicals in
use, and their individual MSDS and CAS documentation, please refer to the previous
chemical descriptions or to the chemical research sites that have been provided. These
sites have connections and links to many MSDS databases and each of these databases
have MSDS sheets for individual distributors of that chemical. If you are a teacher, using
these chemicals, you must have MSDS documentation in your lab. If you have a question
or a concern about a particular chemical, it is solely your responsibility to find out about
that chemical before using it. It is completely and entirely the responsibility of the
reader to take prudent and appropriate caution in preparation, usage, and disposal
when using chemistry of any kind. Although I have made every effort to give you clear
and safe instructions I have no way of knowing if your being is adversely affected by
certain chemicals. If you are unsure of your sensitivity, or of the chemistry you are about
to use in a process, you must stop and take the responsibility of researching that
chemical.
© Christopher James, The Book of Alternative Photographic Processes: 3rd Edition, 2014