SSO 2021 Season Brochure 06-04-21
SSO 2021 Season Brochure 06-04-21
SSO 2021 Season Brochure 06-04-21
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AUTUMN
ROMANCE BEGINS
TCHAIKOVSKY'S VIOLIN
CONCERTO
Daniel Röhn
TCHAIKOVSKY SIMONE YOUNG Our curtain raiser for 2021? Tchaikovsky’s Violin Concerto.
Violin Concerto conductor One of the most (if not the most) popular Romantic
violin concertos, it’s a beautifully lush piece – and almost
CONNOR D’NETTO DANIEL RÖHN impossible not to fall in love with. Tchaikovsky’s romantic
Fifty Fanfares Commission violin violin concerto is an opportunity to experience the Sydney
DVOŘÁK Symphony debut of the dazzling virtuoso Daniel Röhn.
Symphony No.9, Inspiring just as much passion is Dvořák’s New World
From the New World Symphony. A striking blend of his typical Bohemian style
and African American influences, Dvořák’s symphony
remains a universal favourite – even taken along with
Neil Armstrong on his journey to the moon.
6 Timothy Constable, Percussion; Noriko Shimada, Principal Contrabassoon; Marnie Sebire, Horn 7
GREAT MINDS REFLECTIONS OF LIGHT ONCE IN A LIFETIME CELEBRATING BACH
SIMONE YOUNG JONNY GREENWOOD DANE LAM CONDUCTS ANDREW HAVERON
CONDUCTS BEETHOVEN & SAINT-SAËNS SAINT-SAËNS PERFORMS BACH
BEETHOVEN SIMONE YOUNG LYLE CHAN DANE LAM LYLE CHAN DANE LAM BACH ANDREW HAVERON
Leonore Overture No.3 conductor Fifty Fanfares Commission conductor Fifty Fanfares Commission conductor Orchestral Suite No.2 director and violin
Ah! perfido LAUREN FAGAN JONNY GREENWOOD DAVID DRURY SAINT-SAËNS DAVID DRURY Concerto for Two Violins FIONA ZIEGLER
Symphony No.7 soprano Water organ Symphony No.3, organ Orchestral Suite No.3 violin
Organ Symphony EMMA SHOLL
SAINT-SAËNS
Symphony No.3, flute
Organ Symphony
Experience the fire and feeling kindled when two musical ‘Where any-angled light would congregate endlessly.’ When Saint-Saëns finished his Third Symphony, he knew Exquisite, serene, daunting, brilliant. Do we even have
spirits meet. As someone who’s spent years getting Sometimes even a glass of water can be your muse. it was his masterpiece: “What I have here accomplished, enough adjectives to describe Bach’s music? During his
inside Beethoven’s mind – even going so far as to learn Taking cues from Philip Larkin’s poem, we begin with I will never achieve again.” Imposing words for any conductor lifetime, the Baroque master composed more than
his language – Chief Conductor Designate Simone Young Radiohead’s guitarist Jonny Greenwood and his composition to wrestle with. But with the prodigious Australian Dane 1,000 pieces. Here, we revel in some of his greatest works,
pushes every button in her masterful interpretation of his Water. Here instead of seeing refractions of light, we hear Lam holding the baton, the French composer’s legacy Orchestral Suites No.2 and No.3, and the intricately
work. In this instance, it’s the dramatic Leonore Overture from them – cascading, skipping, sliding and overlapping one another. is in deft hands. Better known as the Organ Symphony beautiful Concerto for Two Violins. Concertmaster
Beethoven’s only opera, Fidelio, and one of his best-loved for its unusual – yet spectacular – use of the instrument, Andrew Haveron leads as soloist along with Fiona Ziegler
Refraction leads to reverberation with Saint-Saëns’
pieces, Symphony No.7. Motion, melody and a touch it seems only fitting we hear it on one of the largest organs and Emma Sholl.
Third Symphony, the French composer’s most famous work.
of mystery – music wouldn’t be the same without Ludwig. in the world.
Performed on one of the largest organs in the world, it’s a
resonant finish to a truly unique line-up. Dane Lam conducts.
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MUSICAL GENIUS SPIRITUAL UPLIFTING EXPRESSIONS A WINDOW TO THE SOUL
MOZART & SCHUMANN CONNECTIONS HAYDN & GABRIELI SIBELIUS SYMPHONY NO.2
HAYDN: SEVEN LAST WORDS
Andrew Haveron,
Alexandra Concertmaster
Dariescu
LACHLAN SKIPWORTH ASHER FISCH HAYDN ANDREW HAVERON BARBER HAYDN MARIA GRENFELL BENJAMIN NORTHEY
Fifty Fanfares Commission conductor Seven Last Words of Jesus director and violin Mutations from Bach Seven Last Words of Jesus Fifty Fanfares Commission conductor
on the Cross on the Cross
MOZART FRANCESCO CELATA GABRIELI MAX RICHTER
The Abduction from clarinet Canzon per Sonar ANDREW HAVERON On the Nature of Daylight
the Seraglio – Overture Primi Toni No.1 director and violin
SIBELIUS
MOZART LAURIDSEN Symphony No.2
Clarinet Concerto O Magnum Mysterium
SCHUMANN GABRIELI
Symphony No.2 Canzon per Sonar in
Echo Duodecimi Toni
Happiness is listening to Mozart – especially The Abduction A church interior draped in black cloth. One lantern Gabrieli’s canzoni are the pinnacle of early Baroque choral Simple but sublime, Max Richter’s minimalist
from the Seraglio. While his opera is known for its high lighting up the dark. A bishop giving a sermon on each of style, and in the 20th century American composers Samuel style makes him one of the most popular composers
energy and light-hearted mood, his Clarinet Concerto reveals Christ’s last words on the cross. This was the unusual Easter Barber and Morten Lauridsen looked back at these early alive today. On the Nature of Daylight is a strikingly
a gentler side. Laid back and lyrical, the Clarinet Concerto is tradition for which the Holy Cave Oratory in Spain asked choral styles for inspiration in their own music. While Barber beautiful piece, cinematic enough to be used in films
one of Mozart's most beloved pieces – and expertly showcased Haydn to compose music – commissioning seven pieces to and Gabrieli’s music was always meant for brass instruments, such as Shutter Island and Arrival.
by our own Associate Principal Clarinet Francesco Celata. reflect each last ‘word’ of Jesus. Lauridsen’s choral masterpiece has lost none of its uplifting Composed during a winter spent in Italy, Sibelius’ Second
For more music ahead of its time, it’s onto Schumann. With the technical skill involved, Haydn was at his most power in this spectacular and unusual brass arrangement. Symphony is another meditative work from the enigmatic
Despite his generally fragile health, his Second Symphony daring – and at his most dramatic. “Each movement,” Commissioned to provide music for each ‘last word’ of Finnish composer. Quiet and simple to begin with, it melts
remains defiantly optimistic – a triumph of spirit reflected he declared, will move listeners “to the very depths of [their] Jesus for an unusual Easter tradition, this is Haydn at his most into some of his warmest music before rising to a glorious,
in the finale itself. soul.” As such a powerful expression of loss and sacrifice, we daring – and most dramatic. “Each movement,” he declared, expansive finale. Something Sibelius would later declare
defy you not to feel something – no matter what your beliefs. will move listeners “to the very depths of [their] soul.” “a confession of the soul.”
Wed 17 Mar, 8pm Fri 26 Mar, 11am Sat 27 Mar, 2pm Thu 22 Apr, 7pm Series Presenting Partner
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BOLD PAIRINGS HEAVENLY VOICES MUSICAL POETS FORCE OF NATURE
TCHAIKOVSKY & GRIEG MAHLER’S SCHUBERT & MAHLER BEETHOVEN’S
FOURTH SYMPHONY PASTORAL SYMPHONY
TCHAIKOVSKY SYDNEY SYMPHONY MARK HOLDSWORTH UMBERTO CLERICI SCHUBERT UMBERTO CLERICI JULIAN YU JOHANNES FRITZSCH
Souvenir de Florence ORCHESTRA MUSICIANS Fifty Fanfares Commission conductor Lieder selections conductor Fifty Fanfares Commission conductor
Kristy Conrau
GRIEG Marianne Edwards SCHUBERT JACQUELINE PORTER MAHLER JACQUELINE PORTER BEETHOVEN JOSHUA BATTY
String Quartet No.1 Graham Hennings Lieder selections soprano Symphony No.4 soprano Egmont Overture flute
Claire Herrick MAHLER NIELSEN
Stuart Johnson Symphony No.4 Flute Concerto
Wendy Kong
Timothy Nankervis BEETHOVEN
Leonid Volovelsky Symphony No.6, Pastoral
Sun Yi
Like the city that inspired the work, Tchaikovsky’s Souvenir Experience the might and magnificence of Gustav Mahler. There’s music in poetry, just as there’s poetry in music. Birdsong. Flowing rivers. Summer storms. In his Pastoral
de Florence is both lush and grand – mingled with cobbled Not one for half-measures, the composer believed a symphony For Schubert, the connection between the two was undeniable. Symphony, Beethoven has us stop and smell the roses.
corners of romance and innocence. It’s an impressive feat for should be like the world, “it must contain everything.” In his With over 600 songs and vocal works to his name, the Remarkable to think this was composed at the same time as
a piece written for only six instruments. Grieg’s First String Fourth Symphony, he takes us to the heavens themselves as we Austrian was well-known for setting poetry to music. his fire and brimstone Fifth Symphony, the work’s lush sense of
Quartet is similarly deceptive (in a good way) – brighter and travel through the gates of paradise and into angelic realms. Schubert’s compositions swell with all the wistful emotion, nature invites you to enjoy the country after too long in the city.
bolder than its small ensemble suggests, and a perfect pairing Mahler chose to do something no composer had ever done individualism and drama of the poetry of the Romantic era. When Danish composer Carl Nielsen heard the players of
for Tchaikovsky’s sextet. before by ending his symphony with a song for solo voice. In Mahler’s Fourth Symphony, we hear another poetry lover the Copenhagen Wind Quintet in performance he was so
Titled, ‘The Heavenly Life’, the song’s air of bright innocence at play. It’s the last of his symphonies inspired by songs impressed he decided to write a concerto for each of them,
captures the symphony’s overall sense of gemütlichkeit – from Des Knaben Wunderhorn (The Youth’s Magic Horn), starting with his Flute Concerto. Virtuosic and bold, yet tender
an untranslatable German word that suggests both belonging a collection of German folk poems. Hearing a voice woven and heartfelt, this music takes as many twists and turns as
and cosiness. Settle in as conductor Umberto Clerici leads us into a symphony is at once innocently nostalgic and powerfully Beethoven’s Symphony on its way to a happy conclusion.
to paradise. divine. Umberto Clerici leads us on this journey through poetic German conductor Johannes Fritzsch is no stranger to
music. Beethoven and brings his superb interpretative skills to this
performance with our Principal Flute, Joshua Batty as soloist.
Cocktail Hour Thursday Afternoon Symphony Great Classics Abercrombie & Kent Masters Series
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WINTER
BREAKTHROUGHS CELEBRATIONS
ADAMS & SHOSTAKOVICH AND FANFARES
SYDNEY SYMPHONY BRASS
If you’re trying to burst onto the scene, why not go big? Fabian Russell leads a program of celebration and fanfare
For the young John Adams in 1978, it was Shaker Loops that at Sydney Town Hall. As a tubist-turned-conductor, Russell is
turned heads – a pulsing and exhilarating minimalist ride. perfectly at home bringing out the glorious brightness of our
For the even younger Dmitri Shostakovich in 1926, it was his brass players alongside guest organist David Drury.
Petrograd Conservatory graduation effort, his First Symphony, We begin with Copland’s Fanfare for the Common Man.
which launched his career. Like all of his music, it is a piece A big, bold and majestic ode to America, it conjures up the
filled with wit, drama and tragedy. Fabian Russell conducts. vast plains, echoing canyons and unabashed optimism
of his home country. From here, we journey through 300 years
of music, from celebratory Handel to devout Messiaen,
and the Spanish suite of Bizet’s opera Carmen –
which includes the famously jaunty Toreador Song.
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QUARTETS FROM AMONG FRIENDS BANQUET OF SOUND HERE’S TO MOZART
THE HEART GRIEG’S PIANO CONCERTO BEETHOVEN & BRAHMS CLERICI CONDUCTS
MOZART & SHOSTAKOVICH MOZART & SCHUBERT
From one master to another. Mozart’s String Quartet No.19 While World War I typically inspired more sombre art, Beethoven’s Triple Concerto is one of the few pieces for His melodic genius. His dramatic timing. His mastery
is a worthy dedication to his mentor Haydn – the ‘Father Ravel’s piece celebrates the memory of lost friends joint soloists still performed today. From a quiet opening of every genre. With over 600 works to his name, Mozart
of the String Quartet’. Like matters of the heart, the piece with French baroque style. More joy follows with Grieg’s emerges music that’s all about the interplay between changed the course of Western music. Many composers
plays on our emotions and expectations, enticing us in Piano Concerto. From its dramatic opening to its lyrical soloists. This is a wonderful opportunity to hear the skills have paid homage to him – and tonight, we do too.
with a lilting dissonance, before unfolding into a spirited slow movement and spectacular ending, it captures the of Concertmaster Andrew Haveron, cellist Umberto Clerici Umberto Clerici conducts the night’s celebrations,
(and very Mozartian) first movement. essence of Grieg's Norwegian heritage – particularly in its and Australian pianist Piers Lane. beginning with Jacques Ibert’s commemorative
Emotional from start to finish, Shostakovich’s quartet folkdance finale. Unfairly overlooked by history, Schreker was one of the Hommage à Mozart, followed by Mozart’s Piano
dives deep into the heart as he reflects on his relationship Switching from serious to playful, innovating by twists most prominent Austrian composers of the early 20th Concerto No.17, and finishing with Schubert’s Fifth
with his third wife Irina Antonovna. and turns, the remarkable 104th was Haydn’s last symphony century thanks to sweeping, richly coloured works such Symphony – the most ‘Mozartian’ of all his symphonies.
– and remains one of his most popular. as this Intermezzo. Brahms’ Symphony No.3 provides
the perfect conclusion. From a dramatic and passionate
opening unfolds music that’s classically romantic.
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STANDING UP TO STALIN BRIGHT AND BOLD REIMAGININGS TRANSFORMATIONS
SHOSTAKOVICH’S FRANÇAIX & MOZART MOZART & BRAHMS SIMONE YOUNG CONDUCTS
SYMPHONY NO.10 BACH & BRAHMS
Premiered in 1953 after the death of Stalin, Shostakovich’s Quick, witty and lighthearted – Françaix’s quartet for Mozart’s Grande Sestetto is an unusual take on his already Chief Conductor Designate Simone Young creates a program
Tenth Symphony is a bumpy ride of emotion and inner turmoil. cor anglais, violin, viola and cello plays out like a conversation experimental Sinfonia Concertante. Recrafted for six of huge colour with these two evocative pieces. Bach’s The
Is it a depiction of Stalin himself? While debatable, it’s worth you might hear walking the streets of Paris in the 1900s. instruments by an anonymous arranger, it magically Musical Offering is the result of a famous challenge set by
remembering the dictator had Shostakovich denounced for his It’s unusually virtuosic. And unmistakably French. realises the grandeur of the orchestral original, reimagined Frederick the Great. Almost 200 years after its composition,
work several times. There is little doubt that experience left its We hear a similar liveliness in Mozart’s divertimenti, for the powerful intimacy of a small ensemble. Webern breathes new life into the piece – arranging the music
shadow on this explosive work. his famous collection of cheerful ‘amusements’. With his In Brahms, another pioneer emerges. By weaving a second for orchestral instruments in a way that brilliantly highlights
Dawn. Sunday morning. Moonlight. Storm. A changing imagination at play, this string trio is one of his brightest, viola and cello into the standard string quartet, this rich each of their distinctive sounds.
seascape of sound, Britten’s Four Sea Interludes masterfully boldest and most uplifting pieces of chamber music. and velvety writing takes on new meaning, blooming into In another powerful transformation, Schoenberg arranges
brings to life the Suffolk coast in all its vivid moods and arrangements of beauty that echo through the ages. Brahms’ First Piano Quartet for orchestra. A piece he loved
mystery. Taken from Peter Grimes, Britten’s 1945 opera about and thought performed too rarely, this orchestration brings
an outcast fisherman suspected of murder, this is music out the expressive colour of Brahms’ music, while keeping the
which powerfully hints at the psychological drama beneath. purity of a piece originally composed for four instruments.
Wed 14 Jul, 8pm Fri 16 Jul, 6pm Series Presenting Partner Fri 23 Jul, 6pm Series Presenting Partner Thu 29 Jul, 7pm Supporting
Simone Young in 2021
Thu 15 Jul, 1.30pm Sat 17 Jul, 6pm Sat 24 Jul, 6pm Fri 30 Jul, 11am
Fri 16 Jul, 8pm Utzon Room, Sydney Opera House
Utzon Room, Sydney Opera House Sydney Town Hall
Sat 17 Jul, 8pm
Sydney Town Hall Series Presenting Partner
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HEART OF BRAHMS SACRED GROUND BOLD INTIMACY ARCTIC WINDS
SIMONE YOUNG SIMONE YOUNG CONDUCTS BRITTEN & SHOSTAKOVICH SIBELIUS & TCHAIKOVSKY
CONDUCTS BRAHMS MOZART’S REQUIEM
There are perfectionists. And then there’s Brahms, It’s one of the most famous Classical choral works we have. Britten created a dynamic between boldness and intimacy A cool wind emerges from the opening notes of Sibelius’ Violin
who famously took 21 years to write his first symphony. But the story of Mozart’s Requiem Mass remains something like few others. From his smaller ensembles to larger string Concerto. In the powerful music that follows, the beauty of the
In his Variations on a Theme of Joseph Haydn, we see him of a mystery. How much of it did he actually finish? To add to arrangements, we can often hear this tension at play. Finnish landscape stretches out before us. It’s a challenging,
experimenting with orchestral writing of scale – providing us the intrigue, Mozart himself did not know from whom he had It’s unmistakably Britten. Andrew Haveron leads with exciting work – and one performed by Australia’s own Grace
with music that’s as moving as it is masterly. Over 60 years received the commission. Principal Horn Ben Jacks, and globally renowned tenor Clifford. At 22, she is one of the world’s brightest young stars,
later, Schoenberg arranged Brahms’ First Piano Quartet Unfinished at the time of his death, the music we hear today Andrew Goodwin who both feature in Britten’s Serenade. and returns home for this performance.
for orchestra. A piece he loved and thought performed too reveals Mozart’s highly charged state. As Beethoven put it, Rudolf Barshai’s arrangement of Shostakovich’s Tenth String Tchaikovsky’s Fifth Symphony whirls us away into an exploration
rarely, this orchestration brings out the expressive colour of “If Mozart did not write the music, then the man who wrote Quartet for string orchestra adds depth to its most intimate of Fate. From a dark and brooding opening emerge some of his
Brahms’ music, while keeping the purity of a piece originally it was a Mozart.” Chief Conductor Designate Simone Young moments and power to its most brazen. greatest melodies, a dazzling waltz and a gale-force finale.
composed for four instruments. leads our four Australian soloists and choir.
Abercrombie & Kent Masters Series Abercrombie & Kent Masters Series
Great Classics Thursday Afternoon Symphony Emirates Classics in the City Thursday Afternoon Symphony
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SPRING
RUSSIAN GREATS FLYING COLOURS
TCHAIKOVSKY & PROKOFIEV STEPHEN HOUGH
PERFORMS TCHAIKOVSKY
Before The Nutcracker and Swan Lake, Tchaikovsky composed Soaring melodies. Vibrantly rich colour. And a heart-pounding
his First String Quartet. One of his earliest works, its slow start. Tchaikovsky’s First Piano Concerto remains a favourite
and melancholic second movement was stirring enough to for good reason. This season, one of the world’s foremost
bring Leo Tolstoy to tears. pianists, Stephen Hough, brings his unique insight to the piece
From Russia we travel to Paris, where Sergei Prokofiev with his phenomenal musicianship.
was asked to create a chamber ballet for a circus troupe. Next, it’s onto another favourite, Shostakovich’s Fifth
With only five instruments to work with, the result was Symphony. Is it really an act of rebellion against Stalin’s rule?
a wonderfully innovative composition he later adapted While we may never know what Shostakovich had in mind with
into this strangely playful quintet. this symphony, that only makes us listen more closely for clues.
A story of darkness and light. Despair and defiance. And the
choices we make in swallowing our reality or questioning it.
Konstantin Shamray
Three geniuses of the Germanic repertoire are celebrated The riches of the Venetian empire weren’t just silk and Intense might be an understatement. Notoriously challenging With Polaris, we open to the sounds of a night sky twinkling
in this program. Mendelssohn’s voyage isn’t all calm, with gold – composers Monteverdi and Gabrieli dazzled with to play, Rachmaninov’s Piano Concerto No.3 is a torrent with the infinite. It’s a piece that perfectly showcases one of
creeping notes of drama before, at last, the breeze picks their pioneering Baroque music. Vivaldi’s flamboyant concerti of emotion, melody and colour and demands a truly virtuosic the modern stars of music, British composer Thomas Adès.
up and we continue our beautiful voyage – straight onto delighted even Bach, while Corelli’s glittering concerti grossi performance. Who better to perform it than fellow Russian, From night skies it’s onto the sparkling sounds of Lisa Illean
Beethoven’s Third Piano Concerto. While stormy to begin with, are among the finest of the form. This ‘Italian style’ echoes Konstantin Shamray – winner of First Prize and People’s and Claude Debussy. Illean’s Land’s End captures the
by the end the clouds have scattered and we’re left enjoying in French composer Rebel’s audacious Les élémens – a vivid Choice at the 2008 Sydney International Piano Competition? ever-changing nature of the sea through subtle and gentle
the sunshine. Stephen Hough is our guide on this journey of creation story unlike anything you’ve heard before. Conductor In another patriotic pairing, Englishman Mark Wigglesworth music that rolls like waves. A musical Monet, Debussy
emotions. Mozart’s final symphony is undoubtedly one of his Benjamin Bayl, a specialist in this repertoire, is our guide. conducts one of the finest British works, Elgar’s First paints his own delicate impression of the sounds of the
greatest and optimistic from start to finish. Symphony. While it took Elgar ten years to write, its instant sea. Feel the breeze ruffle the ocean as bright young talent
worldwide success proved it was worth the wait. Finnegan Downie Dear takes us on a voyage through
starlight and salt spray.
Sat 25 Sep, 2pm Wed 29 Sep, 7pm Wed 13 Oct, 8pm Thu 4 Nov, 7pm Series Presenting Partner
24 25
SERIES
ENDLESS BEAUTY SUMMER BREEZES
SIBELIUS’ FIFTH SYMPHONY SYDNEY SYMPHONY
WOODWINDS
PACKS
26 27
ABERCROMBIE & KENT ROMANCE BEGINS
TCHAIKOVSKY'S
MUSICAL GENIUS
MOZART & SCHUMANN
FORCE OF NATURE
BEETHOVEN’S
BANQUET OF SOUND
BEETHOVEN & BRAHMS
MASTERS SERIES
VIOLIN CONCERTO PASTORAL SYMPHONY
Andrew Haveron, Concertmaster; Shefali Pryor, Associate Principal Oboe; Harry Bennetts, Associate Concertmaster
Wed 10 Feb Wed 17 Mar Wed 12 May Wed 16 Jun
Fri 12 Feb Fri 19 Mar Fri 14 May Fri 18 Jun
Sat 13 Feb Sat 20 Mar Sat 15 May Sat 19 Jun
10 7 10 5 10 7 10 5
Page 7 Page 10 Page 13 Page 17
10 7 10 7 5 10 7 10 5
Page 18 Page 20 Page 21 Page 23
Experience the ultimate journey 10 CONCERT PACK – THE ULTIMATE JOURNEY FROM RACHMANINOV ENDLESS BEAUTY
Not only will you have access to the best music and biggest WITH LOVE SIBELIUS’
Our 2021 Masters Series charts a journey through 250 years of SHAMRAY PERFORMS FIFTH SYMPHONY
nights, you’ll also receive benefits including priority access to music, from the height of the Classical era to the present. We focus RACHMANINOV
seats and great offers on parking, dining options and travel. on the masters of their art and the musical innovators who forged
new musical paths and reformed traditions. Each concert is a new ANDREW ARONOWICZ CHRISTOPHER SAINSBURY
Fifty Fanfares Commission Fifty Fanfares Commission
When 8pm on Wednesdays, Fridays or Saturdays journey with a world premiere performance as part of our Fifty
RACHMANINOV SIBELIUS
Where Sydney Town Hall Fanfares Australian commissioning project. Piano Concerto No.3 Valse Triste
Pack sizes Choose between 10, 7 or 5 concerts 7 CONCERT PACK – MOZART & ROMANTIC VISIONS ELGAR JAAKKO KUUSISTO
Fully flexible Yes Mozart’s Requiem is the departure point for this collection of Symphony No.1 Violin Concerto
concerts that explore the spirit of Romantic music. Beethoven’s MARK WIGGLESWORTH SIBELIUS
conductor Symphony No.5
Pastoral Symphony, the high Romanticism of Tchaikovsky and
KONSTANTIN SHAMRAY DALIA STASEVSKA
Dvořák, the empathetic music of Elgar and Rachmaninov, piano conductor
the bold voices of Britten and Shostakovich – in all these concerts ANDREW HAVERON
you’ll hear the heart and soul of the composer shining through. violin
5 CONCERT PACK – PIONEERS AND TRAILBLAZERS
Experience live performances of masterpieces by the composers
who took music to new heights. After Mozart, master of the Wed 13 Oct Wed 10 Nov
Fri 15 Oct Fri 12 Nov
Classical style, Beethoven paves the way to the innovation of Sat 16 Oct Sat 13 Nov
Schumann and Schubert. After Tchaikovsky and Brahms
Series Presenting Partner
come Schreker, Sibelius and Shostakovich who are each unique 10 7 10 7 5
voices of the 20th century. Jaakko Kuusisto and our Australian
Fifty Fanfares composers represent the voices of today. Page 25 Page 26
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THURSDAY AFTERNOON GREAT MINDS
SIMONE YOUNG
MUSICAL GENIUS
MOZART & SCHUMANN
HEAVENLY VOICES
MAHLER'S
BANQUET OF SOUND
BEETHOVEN & BRAHMS
SYMPHONY
CONDUCTS BEETHOVEN FOURTH SYMPHONY
9 5 9 4 9 5 9 4
Page 8 Page 10 Page 12 Page 17
9 5 9 4 9 5 9 4
Page 18 Page 20 Page 21 Page 23
9 5
Page 25
30 31
TEA & SYMPHONY
32 33
GREAT GREAT MINDS
SIMONE YOUNG
UPLIFTING EXPRESSIONS
HAYDN & GABRIELI
MUSICAL POETS
SCHUBERT & MAHLER
AMONG FRIENDS
GRIEG’S PIANO CONCERTO
CLASSICS
CONDUCTS BEETHOVEN
6 4 6 6 4 6 4
Page 8 Page 11 Page 13 Page 16
BRAHMS MENDELSSOHN
Variations on a Theme Calm Sea and Prosperous Voyage
of Joseph Haydn
BEETHOVEN
BRAHMS arr. SCHOENBERG Piano Concerto No.3
Piano Quartet No.1
MOZART
SIMONE YOUNG Symphony No.41, Jupiter
conductor
BENJAMIN BAYL
conductor
STEPHEN HOUGH
piano
6 6 4
Page 20 Page 24
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SYMPHONY HOUR
NATALIE NICOLAS
Fifty Fanfares Commission
THOMAS ADÈS
Polaris
Thu 4 Nov
Series Presenting Partner
Page 25
Noriko Shimada, Principal Contrabassoon
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EMIRATES
CLASSICS IN THE CITY
From the Baroque to the Romantics, Classics in the City 4 CONCERT PACK – INTIMATE CLASSICS
explores the most intimate orchestral music. Perfectly located Meet the best music from the Baroque to the 20th century.
in the heart of the city, the City Recital Hall provides intimacy On our way, we’ll encounter Italian masters from Venice,
matched by glorious acoustics. Bach, the master of the late Baroque, Mozart, the jewel
of the Classical era and Britten, who brings Baroque style
When 7pm on Wednesday or Thursdays into the 20th century.
Where City Recital Hall
Pack size 4 concerts
Fully flexible Yes
HOUR
MOZART & SHOSTAKOVICH
6 3A 6 3B 6 3A 6 3B
Page 12 Page 16 Page 18 Page 19
TCHAIKOVSKY BARBER
String Quartet No.1 Summer Music
PROKOFIEV PAUL STANHOPE
Quintet in G minor Aftertraces…
SYDNEY SYMPHONY POULENC
ORCHESTRA MUSICIANS Sonata for Clarinet and Bassoon
Alice Bartsch HARRY SDRAULIG
Harry Bennetts Hat-trick
David Campbell
Kristy Conrau LIGETI
Alexander Morris Six Bagatelles
Alexander Norton SYDNEY SYMPHONY
Shefali Pryor ORCHESTRA MUSICIANS
Amanda Verner Joshua Batty
Justin Williams James Burke
Diana Doherty
Todd Gibson-Cornish
Ben Jacks
Alexandre Oguey
Shefali Pryor
Fri 10 Sep Fri 12 Nov
Sat 11 Sep Sat 13 Nov
6 3B 6 3A
Page 23 Page 26
Get closer to the music in Cocktail Hour. In the intimate 6 CONCERT PACK – VOICES OF CHANGE
setting of the Sydney Opera House’s Utzon Room The individual voices of our musicians shine through in
surrounded by stunning harbour views, you’ll experience this collection of music in which every composer has
us up close and personal as we perform this collection something extraordinary to say. You’ll hear some of Mozart’s
of chamber music. most revolutionary pieces, Romantic masterpieces by
Brahms and Tchaikovsky, and the contemporary voices
When 6pm on Fridays or Saturdays of Australians Paul Stanhope and Harry Sdraulig.
Where Sydney Opera House, Utzon Room
Pack sizes Choose between 6 or 3 concerts 3 CONCERT PACK A – WINDS OF CHANGE
Fully flexible Yes The cobbled streets of Florence and languid summer
nights in America; this is music that’s evocative and beautiful,
but also pushes boundaries – with classics by Mozart and
Tchaikovsky alongside music by Australians Paul Stanhope
and Harry Sdraulig.
40 41
CREATE YOUR OWN PACK
The music you love. At a time and day that works for you. MOOD GUIDE
Create a custom season pack that includes everything Whether you’re looking for adventure or the familiarity of your
you want. favourite music, our mood guide will help you find the concerts
that suit your taste and mood.
Concerts Whichever you like
Pack size Choose 4 or more concerts Joy Music has the power to feed the soul
and lift our spirits. This is music that will
Good to know: If your plans change, you can swap take you beyond the everyday.
your concerts with no additional fees.
Adventurous
Great music pushes boundaries – it provides
intrigue and a sense of wonderful discovery,
and makes us feel something new. For the
curious and open-minded.
Bold There’s nothing more electric than a
symphony orchestra at full flight. This music
is boldly expressive and thrilling.
Warm
Music to warm your heart – for music that
will move you, look no further.
42 43
SAFETY IS OUR PRIORITY PRICING – SERIES PACKS
PRIORITY STANDBY STATUS FOR SUBSCRIBERS 5 475 415 300 200 140 430 375 270 180 140 175
Where we can’t confirm your reservation for a concert
immediately, you will have Priority Standby status. General General
Symphony Hour 36 5 215 215 175
This means our subscribers will receive any new seats Admission Admission
as soon as they become available.
EVENINGS AT CITY RECITAL HALL
NEW FLEXIBLE PAYMENT PLAN: PAY-AS-YOU-GO Emirates
39 4 350 300 210 175 140 315 270 190 155 140 140
We have also introduced more flexible payment arrangements Classics in the City
so that your account will be billed for your tickets only when
AFTERNOONS AT SYDNEY TOWN HALL
they are confirmed and issued.
ACCESS 9 925 800 650 430 315 835 720 590 390 315 315
If you would like to book wheelchair or accessible seating
spaces at either venue, please call us on (02) 8215 4600. Thursday Afternoon
30 5 550 490 330 225 170 495 440 305 210 170 175
Symphony
INFORMATION
For more information regarding accessibility services 4 465 410 310 200 135 420 365 280 180 135 140
at our venues, visit sydneysymphony.com/access
6 640 550 410 275 210 580 495 370 250 210 210
Great Classics 34
4 465 415 300 200 140 420 375 275 180 140 140
SYDNEY TOWN HALL CITY RECITAL HALL EVENINGS AT THE UTZON ROOM, SYDNEY OPERA HOUSE
General General
EASTERN 6 410 370 210
GALLERY LEVEL 3 Admission Admission
(LEVEL 1)
General General
Cocktail Hour 40 3A 210 190 105
Admission Admission
LEVEL 2 General General
3B 210 190 105
Admission Admission
LEVEL 1
NORTHERN GALLERY (LEVEL 1)
STAGE
STAGE
44 45
PRICING – CREATE YOUR OWN PACK APPLICATION
OFFICE USE ONLY
CSR DATE SEATED
FORM
DAY PKG. RESERVE
PAYMENT OPTIONS: FULL 20% PARTIAL
Banquet of Sound
N 17 115 100 65 45
Beethoven & Brahms Suburb Postcode Suburb Postcode
Standing up to Stalin
18
Shostakovich’s Symphony No.10 Daytime phone Daytime phone
Arctic Winds
21
Sibelius & Tchaikovsky
Mobile Mobile
From Rachmaninov with Love
25
Shamray performs Rachmaninov
Email Email
Endless Beauty
26
Sibelius’ Fifth Symphony
I wish to claim a concession as a: I wish to claim a concession as a:
Romance Begins
7
Tchaikovsky's Violin Concerto Pensioner Full-time student Youth (30 & under) Pensioner Full-time student Youth (30 & under)
Great Minds Please enclose photocopied proof of age and/or student card and/or pension details. Please enclose photocopied proof of age and/or student card and/or pension details.
8
Simone Young conducts Beethoven
lease email me Stay Tuned for news, special offers and
P lease email me Stay Tuned for news, special offers and
P
Force of Nature information about concerts information about concerts
13
Beethoven’s Pastoral Symphony
O 130 110 80 55 Special Assistance: Please include your requirements with this booking form if you require special seating.
Sacred Ground
20
Simone Young conducts Mozart’s Requiem
Flying Colours
23 STEP 2. CHOOSE A SYMPHONY SERIES PACK (2A) OR CREATE YOUR OWN PACK (2B)
Stephen Hough performs Tchaikovsky
German Genius Nominate your preferred Series Pack or a Create Your Own Pack.
24
Stephen Hough performs Beethoven
STEP 2A. I WOULD LIKE TO PURCHASE THESE SERIES PACKS
T Tea & Symphony – any concert 32 70 60 50 40
For Series Pack options, seat prices and venue maps see page 45.
U Cocktail Hour – any concert 40 75 Series name Pack size Day Reserve No. of Price
(Premium/A/B/C/D) packs
Subtotal $
46 47
STEP 2B. I WOULD LIKE TO PURCHASE A CREATE YOUR OWN PACK
THERE’S A NEW FUTURE
FOR MUSIC
Choose a minimum of four concerts to make up a pack. Include the same number of seats and reserve for all the concerts
you select. To calculate the total price see page 46.
1.
STEP 4. TOTAL
Total Amount $
PAYMENT
STEP 5. SELECT A PAYMENT OPTION
Pay-As-You-Go option: 20% on order and the cost of my ticket deducted as each concert is confirmed
I have enclosed a cheque (payable to Sydney Symphony Orchestra Holdings Pty Ltd) for the sum of $
Cash: do not mail; please pay in person at the Sydney Symphony Orchestra Box Office
For terms and conditions of sale and general conditions please visit sydneysymphony.com/terms or call (02) 8215 4600 (Mon – Fri 9am – 4pm).
Sydney Symphony Orchestra Holdings Pty Ltd. ABN 70 072 864 067
49
THANK YOU Principal Partner
RECONNECT
in 2020 has helped us return to
what we love – sharing the music.
PRINCIPAL PARTNER GOVERNMENT PARTNERS
The Sydney Symphony Orchestra is assisted by the The Sydney Symphony Orchestra is
PREMIER PARTNER
SILVER PARTNERS
E V E N T H I R E
Let’s get back to the things we’ve missed. Fly to your next destination with
confidence knowing that your health and safety is our top priority at every
step. And we’ll even give you free COVID-19 cover while you’re away*.
VANGUARD PARTNER HOTEL PARTNER REGIONAL TOUR PARTNER
*COVID-19 cover is valid until 31 December 2020. The travel regulations are changing frequently. Check our current destinations and services, our safety measures and the latest travel requirements for
Dubai and all our destinations on emirates.com
50
MUSICIANS OF THE CHAIR PATRONS
SYDNEY SYMPHONY
ORCHESTRA
“Without you, our beloved Sydney
Symphony Orchestra would not have
survived this period. Your generosity
Simone Young am
Chief Conductor Designate
Andrew Haveron
Concertmaster
FIRST VIOLINS VIOLAS CLARINETS CHAIR PATRONS Diana Doherty Fiona McNamara
Principal Oboe Bassoon
Harry Bennetts Associate Concertmaster Tobias Breider Principal James Burke Principal Emma Dunch
Sun Yi Associate Concertmaster Anne-Louise Comerford Francesco Celata Associate Principal Chief Executive Officer John C Conde ao Chair Nelson Meers Foundation Chair
Lerida Delbridge Assistant Concertmaster Associate Principal Christopher Tingay I Kallinikos Chair Todd Gibson-Cornish Timothy Nankervis
Fiona Ziegler Assistant Concertmaster Justin Williams Assistant Principal Principal Oboe Cello
BASS CLARINET Andrew Haveron
Kirsten Williams Sandro Costantino Nelson Meers Foundation Chair Dr Rebecca Chin & Family Chair
Concertmaster
Associate Concertmaster Emeritus Rosemary Curtin Alexander Morris Principal Vicki Olsson Chair Rebecca Gill Elizabeth Neville
Jenny Booth Jane Hazelwood
Violin Cello
Brielle Clapson Graham Hennings BASSOONS Joshua Batty
Sophie Cole Stuart Johnson Principal Flute In memory of Reg & Jeannette Bob Magid oam & Ruth Magid Chair
Todd Gibson-Cornish Principal Lam-Po-Tang Chair
Claire Herrick Justine Marsden Karen Moses Chair Alexandre Oguey
Matthew Wilkie Principal Emeritus
Georges Lentz Felicity Tsai Harry Bennetts Carolyn Harris Principal Cor Anglais
Fiona McNamara
Nicola Lewis Amanda Verner Associate Concertmaster
Flute Mackenzie’s Friend Chair
Emily Long Leonid Volovelsky CONTRABASSOON Dr Barry Landa Chair
Judy & Sam Weiss Chair Mark Robinson
Alexandra Mitchell
CELLOS Noriko Shimada Principal Victoria Bihun Jane Hazelwood Associate Principal
Alexander Norton
Viola Timpani/Section Percussion
Anna Skálová Catherine Hewgill Principal Violin
HORNS Bob & Julie Clampett Chair, Sylvia Rosenblum Chair,
Léone Ziegler Leah Lynn Assistant Principal Sylvia & the late Sol Levi Chair
In memory of Carolyn Clampett In memory of Rodney Rosenblum
Kristy Conrau Ben Jacks Principal Kees Boersma
SECOND VIOLINS Fenella Gill Geoffrey O'Reilly Principal 3rd Claire Herrick Rachel Silver
Principal Double Bass
Kirsty Hilton Principal Timothy Nankervis Euan Harvey Council Chair
Violin Horn
Marina Marsden Principal Elizabeth Neville Marnie Sebire Russell & Mary McMurray Chair Sue Milliken ao Chair
Marianne Edwards Associate Principal Christopher Pidcock Rachel Silver Tobias Breider
Principal Viola
Catherine Hewgill Emma Sholl
Emma Jezek Assistant Principal Adrian Wallis Principal Cello Associate Principal Flute
Alice Bartsch David Wickham TRUMPETS Roslyn Packer ac &
Gretel Packer am Chair The Hon. Justice AJ & Robert & Janet Constable Chair
Victoria Bihun David Elton Principal Mrs Fran Meagher Chair
Rebecca Gill DOUBLE BASSES Anthony Heinrichs James Burke Matthew Wilke
Emma Hayes Kirsty Hilton Principal Emeritus Bassoon
Kees Boersma Principal Principal Clarinet
Shuti Huang TROMBONES Oranges & Sardines Foundation Chair
Principal Second Violin Nelson Meers Foundation Chair
Alex Henery Principal
Monique Irik Drs Keith & Eileen Ong Chair Justin Williams
David Campbell Ronald Prussing Principal Nick Byrne
Wendy Kong Steven Larson Scott Kinmont Associate Principal Scott Kinmont Assistant Principal Viola
Trombone
Benjamin Li Richard Lynn Nick Byrne Associate Principal Trombone Robert & L Alison Carr Chair
Nicole Masters Robertson Family Chair
Jaan Pallandi Audrey Blunden Chair
Maja Verunica Benjamin Ward BASS TROMBONE Anne-Louise Comerford
Associate Principal Viola
Emily Long
Christopher Harris Principal Violin
FLUTES White Family Chair
Dr Margot Harris Chair
Joshua Batty Principal TUBA Timothy Constable
Emma Sholl Associate Principal Percussion
Leah Lynn
Steve Rossé Principal Assistant Principal Cello
Carolyn Harris Christine Bishop Chair
TIMPANI Sydney Symphony Orchestra
OBOES Rosemary Curtin Vanguard Chair (lead For a full listing of our Sydney
Mark Robinson Viola support from Seamus R Quick) Symphony family of donors, please visit
Diana Doherty Principal Associate Principal/Section Percussion John & Jane Morschel Chair sydneysymphony.com/our-supporters
Shefali Pryor Associate Principal Nicole Masters
PERCUSSION Lerida Delbridge Violin To discuss your giving or learn
COR ANGLAIS Assistant Concertmaster Nora Goodridge oam Chair which areas most need your support,
Rebecca Lagos Principal Simon Johnson Chair
Alexandre Oguey Principal Timothy Constable please contact our Philanthropy
team on 02 8215 4674 or
[email protected]
52 53
SEASON 2021 CALENDAR
FEBRUARY JULY
54 55
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