Orientalism: Q-2: The Latest Phase of Orientalism
Orientalism: Q-2: The Latest Phase of Orientalism
Orientalism: Q-2: The Latest Phase of Orientalism
In 1910 Arthur James Balfour addressed his qualifications for being "superior with
regard to people you choose to call Oriental." He argued he was able to speak
regarding the Orient based on his knowledge of the Orient civilization.
Said sets up his argument against Orientalism by focusing on the views of two
early Orientalists, Arthur James Balfour and Lord Cromer. By beginning the text
with specific definitions of Orientalism, Said sets the tone for the rest of the text.
Rather than focus on flushing out a purely theoretical argument, he uses specific,
textual examples to support his ideas. While previous scholarly works had
broached similar ideas regarding Orientalism, the strength of Said's text—and
why it continues to be considered one of the seminal anthropological works—is
the level of detail he provides across a wide span of history. In order to do this,
Said provides sections of Balfour and Cromer's speeches, breaking down their
arguments sentence-by-sentence and word-by-word. From the outset, he
provides historical evidence for the use of the terms Orient and Orientalism
within literature.
Thus, Said is able to make the argument that these terms have a historical basis
found in literature. This is a fundamental concept for his argument that
Orientalism was formed from previously conceived definitions and
understandings. These archaic understandings of a complex group of people,
clumped under the term Orient, were continuously used for centuries and up to
the present day. Said claims their basis is in original, literary texts such as
"Chaucer and Mandeville ... Shakespeare, Dryden, Pope, and Byron."
This is fundamental to Said's argument. From the outset, the understanding of the
Orient was derived not from the people, but rather a perception about the people
of the Orient based on cultural attributes. This understanding is inherently flawed,
especially from the postcolonial standpoint Said is taking here. The voice of the
Orient was being created by, and spoken through, the words of the West. Said
draws on literary texts, specifically two plays, The Persians and The Bacchae, to
illustrate this point. He analyzes how East and West are depicted, respectively,
describing the literary devices used to do so, such as the "motif of the Orient as
insinuating danger." Thus, the West was concerned mainly with an unknown or
potentially threatening culture. Here, Said is using literary analysis to describe
exactly how the Orient is being framed, drawing on Dante's Divine Comedy and
other texts to detail how a physical, cultural geography is created through words.
He later extended this line of analysis to contemporary media studies in Covering
Islam.
Thus, everything that was good about the Orient was framed as the product of a
European connection. The book emphasized the heroic nature of Napoleon and
the greatness of the project he was undertaking in a nation that had fallen into
barbarism. The pervading idea at the time was that once Egypt was restored to its
former glory, other Oriental nations would fall in line. Said argues that Napoleon's
journey marked the point at which the language used to discuss the Orient shifted
from descriptive to "a means of creation." He claims this shift can clearly be seen
in the conception of the Suez Canal by Ferdinand de Lesseps. The enormous
amount of money and effort required to build the canal was justified by the
benefits de Lesseps argued would be passed on to people who "could never have
done for themselves."
Moving on from the literary tradition of Orientalism, Said discusses the first texts
to arise out of European and Eastern contact as the first Orientalist texts. Despite
"going beyond the comparative shelter of the Biblical Orient," these initial works
detailing contact with individuals were written in a way to reinforce the Oriental
"myth." For instance, Said notes how Simon Ockley's History of the Saracens
focuses on describing Islam as "heresy." Said posits that prior to contact with the
Orient, there was very little to be done to prepare except to read the early literary
works. This reinforced the view surrounding the Orient and did nothing to dispel
the "threat" of Islam.
Said also claims the major change resulting from Napoleon's expedition was that
it "destroyed the Orient's distance," symbolized by the creation of the Suez Canal,
which was completed in 1869. The Orient was no longer the "other," but was a
physical location the West now had power over. Equally, the Orient had become a
product of Orientalism based on the literature of the period. The problem with
this characterization, as Said argues in future chapters, is that the basis of
knowledge remained the same despite changing relations with the Orient. Said
uses this chapter to set the premise for how Orientalism changed throughout
history.
Said emphasizes that while the "official intellectual genealogy of Orientalism"
would fail to include travel literature, these works were fundamentally important
to the understanding of how Orientalism was constructed. The dichotomy
between East and West has served to lump the entire Orient into one category
that fails to acknowledge the legitimate distinctions between groups. Equally, the
same characterizations of the Orient that Orientalists originally developed are still
in play because of a commitment to this "textual attitude." Said provides a
portion of a lecture given by H.A.R. Gibb in 1945 at the University of Chicago, and
another lecture given in 1963 at Harvard University, in which he uses the same
discriminatory language used to characterize the Orient. Said's aim is to describe
the pervasiveness of these text-based paradigms over time.
Orientalism has persisted in a form relatively unchanged since its initial
conception. Said is able to break down the components of Orientalism, using
techniques drawn from his background in literary comparison because the basis
of Orientalism is not only inherently textual in nature but also sustained through
text. Despite physical encounters with the Orient, Orientalists prefer to rely on
their textual knowledge at the expense of adapting to actual conditions. Said
draws on Foucault, Napoleon, and de Lesseps to illustrate how textual knowledge
creates the very reality described. In this case, the Orient was something wild that
needed to be controlled. However, this was the case only because it was defined
as such within the texts.
Said also draws on contemporary scholars to support his ideas. For instance, he
describes how Anwar Abdel Malek used the history of Orientalism to describe
how the Orient became an "object" of study. At the same time, it is clear the issue
is a contemporary one with opposing sides, as evidenced by Said's reference to
H.A.R. Gibb.