Tpcastt Poetry Analysis
Tpcastt Poetry Analysis
Tpcastt Poetry Analysis
Title Before you even think about reading the poetry or ● The literal meaning of the words put together, a vicious attack against the supposed
trying to analyze it, speculate on what you think the
enemy side of a soldier’s belief
poem might be about based upon the title. Often time
authors conceal meaning in the title and give clues in the ● An attack of some sort that will involve murder and bloodshed, resulting in the
title. Jot down what you think this poem will be about… horror of the perceiver (Anderson)
● A failed attempt to be considered ‘manly’ or ‘strong’
Paraphrase Before you begin thinking about ● One of Anderson’s teammate shoots uncontrollably at a Vietnamese Cong soldier
meaning or tying to analyze the poem, don't overlook the
during the Vietnam War so that he makes sure the body is just a body with no signs
literal meaning of the poem. One of the biggest problems
that students often make in poetry analysis is jumping to of life whatsoever and has to concern over his life’s endangerment in the end.
conclusions before understanding what is taking place in ● Anderson explicitly describes the gruesome process of skin ripping from the
the poem. When you paraphrase a poem, write in your soldier’s head as the gunshots repeatedly fire at his face in particular.
own words exactly what happens in the poem. Look at ● The poem moves onto a brief stanza of piled corpses laying side by side one
the number of sentences in the poem—your paraphrase
another by a stream, a product of the attack that just occurred with Anderson’s
should have exactly the same number. This technique is
especially helpful for poems written in the 17th and 19th team.
centuries. Sometimes your teacher may allow you to ● After residing in a nearby village for some time after the attack, the men light a fire
summarize what happens in the poem. Make sure that to it as they all sit in silence as to what they know they just ‘achieved’ with the
you understand the difference between a paraphrase and dead bodies drowning the stream with blood and having to rid of any sort of
a summary.
evidence of their departure and their residence within the area.
● He concludes the poem with the delineation of a dragon lifting off into the heavens,
in reality, the smoke from the fire, and almost sees this as a sacrificing ceremony as
he notions once again of his awareness towards committed sins.
Craft This refers to any and all poetic devices, ● Motif =
focusing on how such devices contribute to the
○ Red/blood: “the stream running red with all the bodies in it,” “there was no
meaning, the effect, or both of a poem. You may
consider imagery, figures of speech (simile, metaphor, place that was not red” (9-15) = the constant mentioning of the blood just
personification, symbolism, etc), denotation and showcases how much blood was shed during the war, but, with the
connotation, point of view, and sound devices incomplete number of mentionings, it can be assumed that even the author
(alliteration, onomatopoeia, rhythm, and rhyme). It is does not know what to think as he almost gives a sense of irony to how little
not necessary that you identify all the poetic devices
he says ‘red’ or ‘blood,’ giving is a minuscule effect compared to the
within the poem. The ones you do identify should be
seen as a way of supporting the conclusions you are symbols of corpses.
going to draw about the poem. ○ Corpses: “The way he made that corpse dance,” “the way the corpse’s face
began to peel off like a mask,” “but he couldn’t stop killing that corpse”
(1-5) = although he explicitly utilizes the symbols of corpses as a source of
utter death and reality behind the treacheries of war, the general notion of
death also follows as it adds onto a moral that war is just death and
completely dead in the eyes of daily living and appreciation. But while
daily life is the sweeter side of the spectrum, war is the coldest,
stone-ridden, hard object that does not crack open for anybody, and only
those who experience it get to see the tiniest peek of what it could be,
believing it to be the largest.
● Imagery: “the way the corpse’s face began to peel off like a mask because the skull
had been shattered, brains spilled out” (3-5) = again, with the theme of brutal death
and savagery.
● Simile/metaphor: “the way the corpse’s face began to peel off like a mask,”
“watching the ancestral serpent rise over the village in black coils,” (3-19) = the
idolized images of both America and Vietnam, a man sporting a mask in the midst
of the battlefield and a dragon soaring higher and freer than these men mentioned
within the poem.
● Symbolism:
○ Masks: “the way the corpse’s face began to peel off like a mask” (3-4) =
again, the idea of false masculinity and concurrent ‘masks’ that
men/soldiers must sport in order to survive the intolerant war that forces
them to do so in order to prove a wretched point of masculinity and fictional
strength and national pride
Attitude Having examined the poem's devices and ● Tone words:
clues closely, you are now ready to explore the multiple
○ Aggrieved
attitudes that may be present in the poem. Examination
of diction, images, and details suggests the speaker's ○ Ambivalent
attitude and contributes to understanding. You may refer ○ Complex
to the list of words on Tone that will help you. ○ Depressing
Remember that usually the tone or attitude cannot be ○ Acerbic
named with a single word Think complexity.
○ Candid
○ Cautionary
○ Confused
○ Critical
○ Diplomatic
○ Thoughtful
Shift Rarely does a poem begin and end the poetic ● “the village burned,” (16) = So much has happened, and the author also makes that
experience in the same place. As is true of most of us,
very clear to us when he writes this entire poem based on the general idea of an
the poet's understanding of an experience is a gradual
realization, and the poem is a reflection of that attack within combat means, but, this aspect of the poem almost to represent the
understanding or insight. Watch for the following keys practice of letting something go or completely abandoning the memories of the past
to shifts: as these soldiers, although these memories are going to haunt them for the rest of
• key words, (but, yet, however, although) their life, choose to unwillingly let go (at the poem’s current time period) of it, as
• punctuation (dashes, periods, colons, ellipsis)
they begin to believe that the memories they make within the battlefield have no
• stanza divisions
• changes in line or stanza length or both purpose or benefit to themselves or their families back home.
• irony
• changes in sound that may indicate changes in meaning
• changes in diction
Title Revisited Now look at the title again, but this ● The complete memory of murder and vain death that lingers within the minds of
time on an interpretive level. What new insight does the
the soldiers, unable to contemplate or understand how they truly feel about their
title provide in understanding the poem.
role in life.
● Compared to the term, “Attack,” Anderson uses “Assault” as a way of relaying a
more violent, inconsiderate message to the reader and how their attacks on the
Vietnamese were not simple schemes of pride and power, they were murder
weapons that were used to unjustly end the lives others for a war he does not care
too well for.
Theme What is the poem saying about the human ● One of the first soldiers mentioned shoots another Vietnamese soldier multiple
experience, motivation, or condition? What subject or
times to make sure he is truly dead before the American soldier can start moving
subjects does the poem address? What do you learn
about those subjects? What idea does the poet want you once again.
to take away concerning these subjects? Remember that ○ Although Anderson mentions blood and corpses many times in the poem,
the theme of any work of literature is stated in a possibly hinting at his pity and remorse, he does not speak up nor really
complete sentence and expresses a clear lesson for the mentions ANYTHING to his fellow teammates and simply keeps his mouth
reader.
shut the entire time because he is aware that the others feel the same way.
○ There is no celebration, nor mourning happening with the death of the
Congs. There is no clarity, nor transparency as to how these men are
supposed to be seeing the situation. Even they do not know how to react.
● When riding on the back of a cart, every single soldier remains silent, despite the
fact that they had just burned down a harmless village and massacred numerous
Vietnamese soldiers that they left for dead nearby a stream.
Thesis Statement: By combining theme and craft, Through imagery and repetition of vile, gruesome delineations of murder, Doug Anderson
please construct a formal thesis statement
demonstrates the mindless and truly disconnected perceptions of virtue and rationality
within soldiers as their obsession with survival and the incessant fear of death overpowers
their free will as a natural being to think and perform clearly.