Yoruba Orisa Cults
Yoruba Orisa Cults
Yoruba Orisa Cults
P. R. McKENZIE
(University of Leicester, U.K.)
YORUBA Orish cults have been receiving attention for a long time
now, both singly, and together in more general treatments of Yoruba
religion. 2 But many questions remain. For example: census figures
may give an approximate number of non-Christians and non-Muslims
in Western Nigeria, 3 but the number of dris&cult-groups at any given
point in time has never, as far as I know, been ascertained, except in
the case of certain towns and cities. 4
Another question, of some significance, concerns the way the brisa
-the Deities-relate to one another in the context of an overall reli-
gious cosmology. Much controversy has been aroused over the question
of the Supreme Deity, 5 rather less over the status and interrelationship
* Note on Orthography.Limits have been imposed by the type available, such
that e represents both e and e, o represents both o and 0.
1 The following was presented for discussion at a meeting of the Africa section
of the British Association for the History of Religions in September 1976.
Acknowledgementis gladly made of assistance given in the preliminarystages by
the Research Board of the University of Leicester.
2 Noteworthy examples of these include Leo Frobenius'Die atlantische
G6tter-
lehre (Jena: E. Diederichs 1926) and The voice of Africa (London: Hutchison
I913), and W. R. Bascom's The sociological role of the Yorubacult group (Amer-
ican AnthropologicalAssociation, Memoir 63, 1944).
3 812,ooo (7.9%) in 1963.
4 Judith Gleason, in her Orisha: the gods of Yorubaland (New York: Athe-
neum 1971, p. 118), speaks of "about forty active orisha in Yorubaland".D. O.
Epega (The basis of Yoruba religion, Ebutemetta, Nigeria: Ijamido Publishers
1971) lists more than sixty. Winm. Bascom (The Yoruba of Southwestern Nigeria,
New York: Holt, Rinehart and Winston 1969), estimates the number of "white"
deities and hill deities alone at more than a hundred.
5 Apart from the standardwork of E. B. Idowu, Ol6ddimare:God in Yoruba
belief (London: Longman 1962), mention should be made of C. H. Long's The
West African high god: history and religious experience, History of Religion 3,
1963-64, 328-342; Pierre Verger, The Yoruba high god - a review of the
sources, Odu 2, 1966, 19-4o; and Robin Horton, Conference: 'The high god in
Africa', idem, 87-95. (It should be clearly recognized that the notion of a 'High
God' has not always proved helpful when applied in an African context.)
190 P. R. McKenzie
of the 6risd. Just as people have been content to give a notional answer
to the question of the number of riSsa-201, 4o01 and so on-so too,
we have tended to be content with some convenient model of the
Yoruba religious cosmology which grouped the 6risa cults together in
some kind of ordered way.
Three kinds of model have assumed some degree of prominence.
The first one, and by far the most popular and long-standing-one to
which I myself adhered for some years-was roughly triangular in
shape. The 6risshoccupied much of the space within the triangle, graded
according to their importance and power. Below them were the imahlk,
the spirits, many of whom were unpredictable and dangerous. Above
the risahwas Ol6run-Ol6ddiimare,the Supreme Deity, whose 'ministers'
the %risIwere, 6 and whose delegated power they deployed as mediators
between God and mankind. A second model, outlined by Morton-Wil-
liams, to some extent in reaction to the first one, 7 was more circular or
spherical in shape. In the upper hemisphere the scenario was little
changed: Ol6run-Ol6ddiimareiwas still above the greater and lesser
orisa. But there were two important modifications: two of the obrish,
Ifi and f'sii, were placed in a special position to one side; and below
the was a group of cults more closely related to the earth spirit.
formed the earthly counterpart to the sky deities and Supreme
6ris.'s
These
Deity. On the surface it all looks like some kind of Iranian dualism,
and it has, in fact, been likened to the latter, but I do not think the
author of this model saw the same kind of radical opposition in
Yoruba religion at all.
Morton-\Villiams believed that the revised model accorded better
with the cosmology implicit in the praise songs (oriki), chants and
prayers of the ortisa cults themselves, though he did not attempt to
substantiate this claim in detail. s Some years previously, however,
Pierre Verger, a French scholar, had taken the trouble to collect and
publish what is still perhaps the largest single collection of these oriki
and chants. 9 Reflecting on this first-hand material, Verger concluded
that the various 6risshwere separate deities in the full sense, juxtaposed
10
Ibid., p. ii, and Verger, The Yoruba high god... (1966), p. 24.
11 Verger, Notes sur le culte ... (957), 29f; and The Yoruba high god (1966),
35-40.
12 First, in Man, 1962, Art. no. 219, 137-140; later in African conversion,
Africa 41, 1971, Ioiff.
13 Examination of the
praise-songs addressedto the 3rispireveals a wide range
of attributes.It is not the case, thus, that Ogi'n is simply a "god of iron and war".
He is also a god of fertility and the earth. Similarly with respect to their sub-
ordination to O16run-O16diimari.We find, as early as 1848, that followers of
Idagbe (Dangbe) near Badagry hasten to assure the Sierra Leonian William
Marsh, who has reproachedthem concerning the 'vanity' of worshipping 'idols',
that their intention was 'to worship the Almighty God through Idagbe' (CMS
CA2/o67 W. Marsh, Jnl. Q.E. 25.9.1848).
14 Ogrin, for instance, is called Master of the World and Owner of the Earth
(Oris Onilei) in an Ishidi chant (Verger, Notes sur le culte, 196-198). The
'active' brtiv;clearly tend to accumulateattributes.
15 P. Verger, The Yoruba high god... (1966), pp. 34f.
192 P. R. McKenzie
S~ng6, 0giin and other brist do the same. 16 Apart from these specific
features, one has the feeling that the second model is almost as tightly
enclosed as the first one.
Verger's loose juxtaposition of different cult-groups, linked by the
common belief in the power of medicinal substances conveying ask,
is attractive in a number of ways: it at least gives the ris~hcults an
independent status. Perhaps it over-values the importance of ask,
though this does form apparently a widespread feature of the Yoruba
cults. 17 Perhaps, too, it under-values the inter-relatedness of the cults
and the specialization of particular cult-groups, such as Ifi and Isii.
But it has the merit of providing a useful base-line for following up
the suggestion put forward by Morton-Williams: namely, to look at the
extent to which the oriki and chants of drigsacults support a given
cosmological model: in particular, how often they mention other drisa
as well, and also O16run-Ol6duimare,the Supreme Deity, or Onilk, the
earth goddess. The assumption is that these oriki and chants are
speaking of what is important to the members of the particular 3risa
tradition concerned. Or--to use the German proverb-Wes' das Herz
voll ist, des' geht der Mund iTber.18 If the answer should be strongly
positive, this should tend to argue for a more unified cosmological
model of the triangular of circular pattern. If not, then we shall have
to think in terms of Verger's or some variant of this.
I should like to begin with a brief reference to my own-admittedly
limited-experience in 1972 and 1975 of cult celebrations of Sing6 and
Onile, two &risa associated with the sky and earth respectively. 19
(Further contacts with the cult-groups of Eguinguin,Orils•-Oko and
Ok&-Oriri, Hill Divinity at Iwo, 20 do not alter the general picture
found with these two orisa.) At the time, and afterwards as I studied
the text of the oriki and chants, it became plain that Sing6 was himself
the object of devotion in his own right, and that Onilk was equally the
object of devotion in her cult-group as well. No other &ris&received
attention to any great extent. In the case of the S~ng6 festivals, there
were references, as we might expect, to Ifa and Ish. There was a
comparison of Sing6's power with that of Ogrin, and at the end of one
of the festivals, there was an oriki to Yemoja, the goddess of waters,
in mythology the mother of Sing6. The purpose of this was, doubtless,
to define S~ng6's place in the Urzeit, and to exert a "cooling" effect on
rituals which might tend to get dangerously overheated with a "hard"
or "hot" deity like There was however no reference at all to
S.ng6.In the case of the Ogboni ritual, the theme
Ol6duimare or to Onile.
throughout was simply "Hail to the Earth Deity (HPkepeaMalel)".
There were brief references to Ogrin, S6ponna and Irok6 (a
dendromorphic odrisa), that they should
S.ing6,
not harm cult members of
Onile. But there was no reference to Ol6dumare.
The concept of deity reflected in the cult celebrations of these two
drisa in Oyo state may perhaps best be described by a term used by
Friedrich Heiler, namely subjective theism. 21 However, as other bris
were mentioned in the oriki it is important to go on to qualify the kind
of subjective theism of the drtisa in the light of other collections of
oriki and chants.
First, let us look at Verger's collection, drawn from many different
parts of Yorubaland. In this truly great work, 22 Verger studied
twenty-six brisa' cults, plus the figure of Ol6run. For nine of these
and also for Ol6run he has included no oriki, so these we shall have to
leave out of account. Of the remaining eighteen drisa, no fewer than
half are themselves the sole objects of devotion, no other brifs4being
mentioned. Such include the oriki addressed to Oditdiiwi, Ositmare
and Yemoja. Seven of the remaining nine fissi, have oriki that contain
references to between one and three other brisa'. In some cases these
are in any case usually associated, and are cited by way of defining
the position of the brisatconcerned. The seven include Oguin,Orany~n,
Osun, Oya and S6p6nna. The last two brisa, Obatalt and Sang6, stand
out from the rest in that they are associated with no fewer than eight
and twelve other drtisi respectively. These two have clearly a special
21 F. Heiler, Erscheinungsformen und Wesen der
Religion. Stuttgart: Kohl-
hammer Verlag, 1961.
22 P. Verger, Notes sur le culte... (1957).
194 P'. R. McKenzie
Another observer of the 3drsh cults who has reported on their fes-
tivals in a particular area of Oyo state, is the Austrian Ulli Beier.
At i'de between 1952 and 1956 he found that the festivals of three
cult groups were no longer observed, nine others he was able to
describe. 25 On the whole the festivals were separate, but in one case,
dancers from another cult-group played a part in the entertainment. In
another case two other brisa were referred to in the oriki verses
quoted. In the second town, Ilobu, 26 the cults were similarly
separate for the most part. The oriki extract aris':
for Erinle, the town's most
important brish, was addressed solely to the hunting divinity himself.
Oya was, however, seen in association with Sang6, a feature we should
expect since she is his consort. Then, in addition to 1sui and Ifit, the
Ibeji cult of twins seemed to be represented among the other cults,
not so much in the oriki verses as in the form of visual images. The
Eguinguincult group seemed to be the most open in membership at
Ilobu and also at Osogbo, numbering among its members Muslims and
Christians as well. Another feature found at Ilobu was the festival of
the images, which provided an opportunity for an ecumenical gathering
of members of the nine cult groups of the town which had images in
their shrines. Osun, and Obitaila were not included. 27 If there is
a connection betweenOgrin
artistic and religious vitality, Ulli Beier found in
this one small Yoruba town in the I950s no fewer than nine flourishing
cult-groups.
Ulli Beier discusses the cult-groups and the at Osogbo, not far
brrisa
from Ilobu, in a recent work, The Return of the Gods. 28 This study
is concerned with the interesting and controversial attempt by Susanne
Wenger, a convert to the brisa, to provide homes (shrines and images)
for the brish to settle in, after a long period of uprootedness. Susanne,
an Ogb6ni elder and a priestess of Obtailti, has also done much for the
official cult of Osogbo, isun. She has given support to the brtisanot
only by encouraging astonishing works of art, but also by formulating
a kind of universalist bris&doctrine. Her cosmology appears to be a
kind of pantheism or panentheism, with Ol6di~mareas the total of the
All including the brish, and with each brisa a personalization of the
25 Ulli Beier, A year
of sacred festivals in one Yoruba town. Nigeria Maga-
zine, Lagos, special issue 1959.
26 Ulli Beier, The
story of sacred wood carvings in one small Yoruba town.
Nigeria Magazine, Lagos, special issue, July I957.
27 Ulli Beier, Festival of the Images, Nigeria Magazine no. 45, 1954, 14-20.
28 Ulli Beier, The return
of the gods: the sacred art of Susanne Wenger,
Cambridge: CambridgeUniversity Press 1975.
196 P. R. McKenzie
APPENDIX B
Drumming: Pottery:
lii Iyra Map6
Fertility and Children: Roads:
Dada Ona
Gelede Sacrifices carried to
K6ri O16d'imar':
Oronfe (Ond6) Ose Tiira
Hunting: Speech, Success,
Ore Weaving:
Os66si *Obldflf'n
Medicine and sickness: Trade:
AjiAAj
Arbni i-$.Sulg
tminal Orisa-Founders:
*S6pbnna Oba-i'-ta (Ijebu)
*(OdUlduwa)(Ife)
Morality: (O16fin) (tk6)
*Aiy61ila (Okitipupa) Ond6foyi (Imali)
Oreluere (Ife)
Wood carving:
New Yams: Epa (tkiti)
(Oginyafi) (Ejigbo)
*(Yemoja) lukfi
Adimu'nOris (GZeled)
*Amaiyegun Igunnukun
(Egi'ngi'n) *Or6
Aribeji (Ilaje Oro) *Dangbe (Python deity)
Egb6 Epa (masks ?re)
Yoruba Orisa Cults 205
Abilfi
Egbere
Epa
Ewele
206 P. R. McKenzie
Baba Sigidi
RtminalI
*Irunmale
Orb Igi
*Sbpbnna
Yoruba Orisa Cults 207
Note: Sources consulted for the above lists include the following: