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    Code:: Sin Sin Sin Sin Sin

    Uploaded by

    Freddie Mendez
    The document contains code to generate waveforms by summing sinusoids with increasing numbers of harmonics. In the 5th harmonic waveform, the wave looks like a sine wave. As more harmonics are added in the 8th and 12th cases, the wave begins to resemble a square wave more closely. By the 15th harmonic waveform, the wave is taking on a clearer square wave pattern. The conclusion is that adding more sinusoids results in a better approximation of a square wave.

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    © All Rights Reserved
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    Code:: Sin Sin Sin Sin Sin

    Uploaded by

    Freddie Mendez
    26 views3 pages
    The document contains code to generate waveforms by summing sinusoids with increasing numbers of harmonics. In the 5th harmonic waveform, the wave looks like a sine wave. As more harmonics are added in the 8th and 12th cases, the wave begins to resemble a square wave more closely. By the 15th harmonic waveform, the wave is taking on a clearer square wave pattern. The conclusion is that adding more sinusoids results in a better approximation of a square wave.

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    ASWF

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    QWEvghj

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    The document contains code to generate waveforms by summing sinusoids with increasing numbers of harmonics. In the 5th harmonic waveform, the wave looks like a sine wave. As more harmonics are added in the 8th and 12th cases, the wave begins to resemble a square wave more closely. By the 15th harmonic waveform, the wave is taking on a clearer square wave pattern. The conclusion is that adding more sinusoids results in a better approximation of a square wave.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    26 views3 pages

    Code:: Sin Sin Sin Sin Sin

    Uploaded by

    Freddie Mendez
    The document contains code to generate waveforms by summing sinusoids with increasing numbers of harmonics. In the 5th harmonic waveform, the wave looks like a sine wave. As more harmonics are added in the 8th and 12th cases, the wave begins to resemble a square wave more closely. By the 15th harmonic waveform, the wave is taking on a clearer square wave pattern. The conclusion is that adding more sinusoids results in a better approximation of a square wave.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    of 3

    5th Harmonics

    Code:
    V = 1; w = 2*pi*1;
    t = 0:0.1:10;
    W = 4*V/pi * (((sin (w*t)) + (1/3 * sin (3*w*t)) + (1/5 * sin (5*w*t)) + (1/7 * sin (7*w*t)) + (1/9 * sin
    (9*w*t))));
    plot (t,W)

    Result:

    8th Harmonics
    Code:
    V = 1; w = 2*pi*1;
    t = 0:0.1:10;
    W = 4*V/pi * (((sin (w*t)) + (1/3 * sin (3*w*t)) + (1/5 * sin (5*w*t)) + (1/7 * sin (7*w*t)) + (1/9 * sin
    (9*w*t)) + (1/11 * sin (11*w*t)) + (1/13 * sin (13*w*t)) + (1/15 * sin (15*w*t))));
    plot (t,W)

    Result:
    12th Harmonics
    Code:
    V = 1; w = 2*pi*1;
    t = 0:0.1:10;
    W = 4*V/pi * (((sin (w*t)) + (1/3 * sin (3*w*t)) + (1/5 * sin (5*w*t)) + (1/7 * sin (7*w*t)) + (1/9 * sin
    (9*w*t)) + (1/11 * sin (11*w*t)) + (1/13 * sin (13*w*t)) + (1/15 * sin (15*w*t)) + (1/17 * sin (17*w*t))
    + (1/19 * sin (19*w*t)) + (1/21 * sin (21*w*t)) + (1/23 * sin (23*w*t))));
    plot (t,W)

    Result:

    15th Harmonics
    Code:
    V = 1; w = 2*pi*1;
    t = 0:0.1:10;
    W = 4*V/pi * (((sin (w*t)) + (1/3 * sin (3*w*t)) + (1/5 * sin (5*w*t)) + (1/7 * sin (7*w*t)) + (1/9 * sin
    (9*w*t)) + (1/11 * sin (11*w*t)) + (1/13 * sin (13*w*t)) + (1/15 * sin (15*w*t)) + (1/17 * sin (17*w*t))
    + (1/19 * sin (19*w*t)) + (1/21 * sin (21*w*t)) + (1/23 * sin (23*w*t)) + (1/25 * sin (25*w*t)) + (1/27 *
    sin (27*w*t)) + (1/29 * sin (29*w*t))));
    plot (t, W)

    Result:

    Conclusion:

    Our goal is to prove that the square wave is the summation of all the sinusoids in this activity. In the 5 th
    harmonics, the wave looks much more like a sine wave. In the 8 th and 12th harmonics, the sine wave is
    starting to look a little like a square wave. In 15 th harmonics, the wave is slowly forming a better square
    waveform. I conclude that the more sinusoids we add, the better the square wave pattern we will get.
    Or the best if we could add infinite sinusoids for better results.

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