6

small study works

from the archive of
Claude Pascal
related to
Henri Dutilleux

published for information purpose

with the kind permission
of the family of Henri Dutilleux

typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
annotation

Claude Pascal (1921-2017) was a French composer. He was a musical prodigy and entered
the Paris conservatory already in 1931, a year before Henri Dutilleux enrolled there.
Both Pascal and Dutilleux were students in the harmony class of Jean Gallon and became
close friends over the time. When Claude Pascal won the Premier Premier Grand Prix de
Rome in 1945 it was Henri Dutilleux who visited him at the Villa Medici a year later. The
friendship of the two composers continued and Pascal and Dutilleux shared and discussed
thoughts and ideas throughout their lifetimes.

Shortly after Claude Pascal passed away in 2017 a large part of his musical estate was for
sale at a Parisian auction house where I bought it. The estate included also documents from
his time at the Paris conservatory. It seems Claude Pascal was a diligent, accurate person
because I found two large manuscript books with clean copies of compositional results of
his lessons. That includes not only his personal works but also results from his fellow
students. These notes by Claude Pascal are of enormous historical value because other
composers were not that diligent. So without these transcripts many student works were
lost nowadays.

Among the many transcripts penned down by Claude Pascal are six compositions that have
a reference to Henri Dutilleux - either he contributed the subject or the composition. With
interest I noticed that the Paul-Sacher-Stiftung also owns transcriptions by Claude Pascal
in their Dutilleux archive. I received the answer that the copies in the Paul-Sacher-Stiftung
are different to the ones in my archive. For that reason I decided to publish the
compositions for information purposes.

I would like to thank the Dutilleux family for their kind permission to publish these
compositions via my website.

2 typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
          



                           
 

             
S Coda


C.S.

   
             
Sujet de G. Hüe

           
Fugue de Dutilleux R

  
(Rome 1938)

         
 

     

          
R
10

     
   
  
        
     
      
  
   

                            
         
  
C.S.

  
                      
            
S

   

          
                   
          
1e divertissement (C.S.) Relatif

    
18

 
             
           S

                
                      
 
 
            
                

      

C.S.

      

                                   
     
   
26 C.S.

                          

              

               
                      
   
R


  
                                      
  
C.S.



typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information 3
     
                    
     
 
2e divertissement (Coda)

 
34

               
     
 
      
    
                       
              
 
             
                          
 

     
                     
   
4e degré


e
2 degré

 
42
S

                                     
     


 


     

                                        


    
C.S.


       
                 

         
  
S

             

              
                                 
3e divertissement (Sujet)

 
50

   
                               
  

          
                
        
   
                   
                 
  

             
  
             
             
  

58

                   
                
    


                         

    
            
             
            
            
        

4 typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
        
     
           
 
66 Stretto

        
                      
    
                
 
   
  

               
  
S

     
                  
                


         
   



                                  

2e Strette


1e Strette C.S.

 
74 S


                                
         
   

R

  
               
                
          
    R 
                         
      
           


         
   
                       
3e Strette (C.S.) 4e Strette (relatif)
83 R

  
                 
                  
   
S


                         
              
   
  
                                         

R

   


           
                         

R

    
92

  
            
        
               
      
      
   
    S 
            
   
                       
  

        

            
            
R

         


typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information 5
 
               
                                       
        
mvt. contraire

  
100 S

          
 
             
       


  
   

          
                     

                          


         

          
         


        
      

6 typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
         
 
110

 
           
R

                                         
  
Conc. de Rome

 
S
(Dutilleux) Coda

       
  

         
      
S
116

             Coda
    
                

C.S.

                                               
 
C.S.

       
 

                Coda
        
    
     
   
C.S.
122

                 
                         

         
                            

 
                      
 
R

                                       
  
1e divertissement (Coda) Relatif majeur

  
128

            
               
S

 
                       
 
   
                        
   

    

typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information 7
 
             

   
     
   
 
R
134

                   
            

     
                     
        
C.S.

                  
              
  
C.S.

                                        
2e divertissement

 
139

                 
            
cresc. poco a poco

           
               

                           
      
 
  
crescendo

         
                      
            
145

              
            
 dim.


     

C.S.

                                       


    
  
               
       
dim.

  
S

        
 

            
      
   
 
S


150

                    
          
      
Coda

      
                          

                     
         
      

 

    
  
     
8 typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
                     
      
3e divertissement (Sujet)

          
   
155

                    
                

          
              

   
  

 dolce


                        
     
    
  

       
  
                          
    
161

                          



 
         
    
                 
 
cresc. molto

                
             
cresc. molto  dim. peu à peu

         

    
                           
1e strette 2e strette


167 Stretto R

        
             
S

    
         
             
 dolce

     
     
                 
                
S

     

                                    
           

C.S. C.S.
174 C.S.

           
                         

C.S. C.S. C.S.

    
                 
 
R

                       
       

C.S.

typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information 9
                 
      
   
 
S
180

                   
                  
 
R

       
      
                   
 
S

   
   
 
                      
         


                 
    
        
 
mvt.


186 Tempo S contraire

                

             
    
      S
                         
poco rit.
mvt. contraire



                              
 dolce

   
R

             
   


                      
      
  
Allarg.
192

  
              
                         



        
                          
 
  

  

 
    
   
   


  
    


10 typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
     
 
 
197

Alterné de Dutilleux          

    

    
 
 
C. Cassou o  legato

                          
30 Novembre 1936

      
   


 
  

    
   
       
    
200



       
    
     
      


      
           
 


                       
            
   

    

 
                               
    
204

  
   
            


  
en dehors


                      
  



          
          


 

          
                            
 
          
210


         
 
             
cresc. 
cresc. expressivo


                  
   
cresc. 


cresc. expressivo

    
             



typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information 11
 
              

 
     
         

216


  
                   
        
dim. 


 
                    
dim.


         
               


12 typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
     
 
 
Alterné de H. Dutilleux         

    

    
 
 
P. Bonneau o

                          
30 Novembre 1936

      
   
5 6 5 5 5 6 5 5 5 5 5 6 7 6 6 5 6 3 6
legato... piano... 4

      

         
225

      

       
  

         

         
  
 
                   
5

6 5 5 6 6 6 7 6 3 6 6 2 6 3 5 5 3 7
 4 4 5 7 6
+ 5 4

                             
 

          
Un peu plus vite

   
228 C.D.

         
       
    
dim.  poco


  

                       
dim.  poco

         


         
6 6 6 5


6 5 +4

7 +6 7 6 7
2 6 5 5
dim.  poco


 
                                             
        
233


                 
cresc. poco a poco
  dolce

                
 
cresc. poco a poco
 piano dolce

           
       
 
cresc. poco a poco

+6 7 2 +6 5 7 6 +4 9 +4 7 +4
6
 piano dolce 4 7 +
+

typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information 13
        
           
 
                          
  
240


 
             
 

        
dim. rall.

     
 rall. 

 
               
                


  
dim. dim. pianissimo 

 

  
 


     



pianissimo

     
     
9
7
7
+
9
7
6

7
+
7
9
 6
4
6
4

+ 3
+ + dim. 7
 dim. + pianissimo

14 typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
     
 
 
247 Andantino (sans lenteur)

Alterné de H. Dutilleux          

    

    
 
 
(Réal. de l'auteur)

                          
26 Novembre 1936

       
B.D.
  
 dolce expressivo


                    
      
 
250


       
         
      
cresc.


      
             

                       
           
   


 
                                      
     
Plus vite

  
C.D.
254

    
  
               
  


     
dim.  poco

                                  
        

dim. 

    
        


 


   


 
dim.

  

                                  
         
           
    
260

                 
     
 dolce cresc. molto  expressivo
dim.


        
        






                      
    
 

   

typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information 15
 
              

 
     
         

266


        
               
perdendosi

  


    

                
                 

 
perdendosi


          
        
en dehors


perdendosi

  

16 typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information
            
             
Assez vif (mt de minuetto)

       
       

dolce legato


272

   
   
                    
  
dolce
 legato


                   
    
Chant de H. Dutilleux

   
dolce  legato
(Réal. de l'auteur)

       
        



legato

  
                                
 

poco accel.
281

 
 
                                    
 subito expressivo

 
     
                             
 subito


poco accel.

       
   
 subito

       
poco accel.

 
 subito

                        
 

poco riten.

   
290

                    
               
 plus p. 

                   



 plus p. poco riten.

                               
   
 

   
plus p.

plus p. 
poco riten.

              


                    
Tempo
dolce

 
300

 
             
  
               
 
dolce

 

                                     
  
     
             
   

 
dolce

typeset from the archive of Claude Pascal by Tobias Broeker (2020) - see www.tobias-broeker.de for further information 17