GIMPing Along Vol 1
GIMPing Along Vol 1
GIMPing Along Vol 1
1 2007 5
1.1 June . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Create a Realistic Looking Ticket (GIMP) (2007-06-18 13:14) . . . . . . . . . . . . . . . . . 5
Creating an Andy Warhol-like Effect with GIMP (2007-06-23 13:18) . . . . . . . . . . . . . 16
1.2 July . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Creating Text on a Sphere with GIMP (2007-07-05 15:30) . . . . . . . . . . . . . . . . . . . 21
Creating a brush with variable size (2007-07-09 16:18) . . . . . . . . . . . . . . . . . . . . . 27
Blending Two Images with GIMP (2007-07-17 13:13) . . . . . . . . . . . . . . . . . . . . . . 31
Grid on a Globe (2007-07-24 10:30) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Crop Tool Quick Tip (2007-07-25 09:25) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
1.3 August . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
How to delete saved settings from Levels, etc. (2007-08-03 08:23) . . . . . . . . . . . . . . . 42
Put on a Happy Sky (2007-08-25 11:27) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
1.4 December . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Lawn Care with GIMP (2007-12-02 10:16) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
2 2008 59
Filling Text With An Image (2008-12-28 14:01) . . . . . . . . . . . . . . . . . . . . . . . . . 59
3 2009 71
3.1 January . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Lomographic Effect (2009-01-10 15:59) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Brushes and Fonts for GIMP (2009-01-11 11:23) . . . . . . . . . . . . . . . . . . . . . . . . 83
Using GIMP’s Perspective Clone Tool (2009-01-18 19:15) . . . . . . . . . . . . . . . . . . . 84
3.2 April . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Two Tone GIMP (2009-04-06 18:54) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
3.3 July . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Create a Bright Neon Pattern of Repea... (2009-07-31 11:16) . . . . . . . . . . . . . . . . . 101
3.4 December . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Create an Attractive Star Field (2009-12-29 10:10) . . . . . . . . . . . . . . . . . . . . . . . 114
3
4 2010 121
4.1 March . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Just Too Big! (2010-03-01 16:41) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Responding to Comments (2010-03-01 17:09) . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Moon Shadow (2010-03-16 15:34) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
4.2 June . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Old Blue Eyes (2010-06-07 13:37) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
4.3 August . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
The Catch (2010-08-15 14:45) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
4.4 September . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Attack of the Clones! (2010-09-05 12:54) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
5 2011 149
5.1 January . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Quick and Easy Zoom Effect (2011-01-11 12:43) . . . . . . . . . . . . . . . . . . . . . . . . 149
Make GIMP the Default External Editor in iPhoto (2011-01-18 13:17) . . . . . . . . . . . . 151
5.2 February . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Create a Watermark and Place it in a Photo (2011-02-05 19:37) . . . . . . . . . . . . . . . . 153
Back in the Day (2011-02-08 11:32) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
4
Chapter 1
2007
1.1 June
• Portrait orientation
• Use the View menu to show the grid and snap to grid
Now the semi-circular perforation holes in the middle of each end of the ticket will be cut out
• Using the same procedure as in the last step, make a circular selection in the middle of each short side
Now we’ll add a very slight drop shadow for a realistic effect
Use Select Regions by Color tool to select the body of the ticket
• Select Design mode and check Polygonal so your lines will be straight
• Position the numbers near the end of the ticket with the Move tool
• Move this layer (the duplicate) to the other end of the ticket
Right click on this layer in the Layers dialog, choose Merge Down
• You’re finished!
15
Creating an Andy Warhol-like Effect with GIMP (2007-06-23 13:18)
° Includes:
• Using guides
• Resizing the canvas
• Threshold dialog
• Anchoring a Layer
• Part 1 - Prepare the base image to copy
From an existing image, make a square selection that will be the image used in your creation
Use the Rectangular selection tool
• Select ’Fixed aspect ratio’
• Set Width and Height to equal numbers ( I don’t think it matters what numbers)
• After you select Threshold, click anywhere in the image to open the dialog
• Set the middle slider so the lower bound (on the left) is 100
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• Edit - Copy (Ctrl+C)
• Part 2 - Create a new image
Create a new file, File - New
• By default, the Width and Height should be equal to the dimensions of the base image
From the image menu, Image - Guides - New Guide (by Percent) ...
• Select the Move tool and position the image in one corner
• Select red
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Edit -Paste (Ctrl-V)
• This places another copy of the base image on top of the red one
• Select the Move tool and position the image in another corner
• Select green
• Repeat these steps to fill and color the other two corners
• Anchor the copies to the background by using Layer - Anchor Layer (Ctrl+H)
1.2 July
Includes -
•Using guides,Text tool,Script-Fu drop shadow,Merging layers,Object mapping
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Part 1 - Create a new square image
•File - New
• Set Percent at 50 %
• Choose the color you want for your text as the Foreground Color
• Type the text you wish to appear on the image in the dialog box
• Use the Guides to position your text in the center of the square
23
Part 3a (Optional) - Add a drop shadow to the text
• Script-Fu - Shadow - Drop Shadow
• I simply used the default settings
You can now easily Copy and Paste into another image
The parameters I used throughout this lesson are a matter of personal preference. Feel free to experiment
and have fun. If you found this lesson useful, a small dontation would be greatly appreciated.
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When I first started to use [1]GIMP, one of the Photoshop® features I most missed was the ability to resize
a brush on-the-fly rather than having to reselect a different size brush or create a new one of the needed size.
I searched unsuccessfully for a way to do this.
Recently, as I was looking in the [2]GIMP manual online, I noticed an item [3]’Creating a brush with variable
size’. I hadn’t ever noticed this item before, so it’s either been recently added or I’m #@ % &. At any rate,
I’m presenting it here enhanced with screenshots for those of you who would like to make use of this handy
feature.
1. Start with opening the Brush dialog by double-clicking on the Brush area in Toolbox, or by File
Dialogs Brushes. Click on the New Brush button to open the Brush Editor dialog.
• Click on the Edit button to open a window that allows you to assign an action to the selected event.
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•
1. Click on the small triangle next to Context to drop the list down. Scroll through this list and select
the context-brush-radius-increase item.
2. Do the same to assign the ’context-brush-radius-decrease’ action to the ’Scroll down (Shift)’ event to
decrease the brush size.
3. Click on the Save button in the Brush Editor to save your brush.
I am using a third-party mouse on my iMac and didn’t have success with the scroll wheel actions. However,
using the Main Keyboard tab I was able to assign increase and decease brush radius to the up- and down-
arrow keys. I also used the left- and right-arrow keys to decrease and increase the hardness of the brush.
30
If you work with a tool that has a ’Brush’ option and have selected your Variable Round brush, press the
Shift key and you will be able to vary the brush size by using the mouse wheel or the up- and down-arrow
keys. This change will be visible in real time in the brush area of the Toolbox and in the Brush Dialog.
Hope you found this useful. –tab
1. http://www.gimp.org/
2. http://docs.gimp.org/en/index.html
3. http://docs.gimp.org/en/gimp-using-variable-size-brush.html
• Resizing a Canvas
• Flattening an image
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• Break the Width/Height link by clicking on the chain icon
• If the two images are the same size you need to nearly double the width
Activate the second image which will be the overlay layer and copy it
• Edit - Copy (or Ctrl+C)
Activate the base image and paste the copy of the second image onto it
• Edit - Paste (or Ctrl+V)
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Anchor the floating pasted layer to the transparent Overlay layer
• Layer - Anchor Layer (or Ctrl+H, or click the anchor icon in the layers dialog)
Use the Move tool to position the Overlay layer so that it overlaps the base layer as much as you like
• Note that it’s helpful to slide the Overlay layer down a little so you can see how much overlap you’ve got
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• Draw a straight line (use Ctrl to constrain your line if necessary) from the left edge of the Overlap layer
to the right edge of the base image
This tutorial was adapted from a Photoshop® tutorial. There may be different and/or better ways to do
some of these things. Some of the methods I used were developed from trial-and-error. I try, too, to include
some less frequently used techniques if I can. I hope you find this tutorial useful and instructive. - tab
I saw a similar effect on a recent Newsweek cover and I was inspired to try replicating it with GIMP. After
a good bit of experimentation, I came up with a not-too-complex method which I have presented here.
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Part 1 - Preparation
The most tedious part of this exercise is preparing the images you plan to place on the sphere. You will need
twenty 100 pix by 100 pix square images. Of course, for the purpose of the exercise you could use just a few
images repeatedly. At any rate, you will need to select your images and crop each one to a square. Then all
the images will need to be resized to 100 x 100 pixels. I used Mac OS X’s Automater to create a workflow to
perform this second step. There are also a number of [1]freeware/shareware utilities to carry out this task,
as well, and an [2]Apple Script.
Part 2 - Create a new image for the picture grid
Create a new image 425 pixels by 530 pixels (height = 1.25 x width). Next turn on the grid and configure it.
1. View - Show Grid
2. View - Snap to Grid
3. Image - Configure Grid ...
Set Width and Height both to 108. This will allow an 8 pixel space between the images in the grid.
6. Re-
peat steps 4 and 5 until all the grid squares are filled.
7. When the grid is filled, flatten the image to a single layer.
Image - Flatten Image
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Part 3 -
Create a second image which will become the sphere
1. Create a new square image 1000 pix by 1000 pix. 2. Activate the grid image and copy it. Edit - Copy
(Ctrl+C) 3. Make the new empty image active and paste the grid image onto it. Edit - Paste (Ctrl+V) The
grid image is now a floating layer centered over the plain background layer. 4. Stretch the new layer (the
grid) vertically. Layer - Scale layer... Break the Width/Height link by clicking on the chain icon Set the
height to 850 (height = 2 x width)
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5. Anchor the floating selection to the background layer.
Layer - Anchor Layer (Ctrl+H, or click the anchor icon in the layers dialog)
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Part 4 - Map this
image to a sphere
1. Filters - Map - Map to Object...
Select Map to : Sphere
Check Transparent background
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2. Depending on the speed of your system, this may take a bit to render.
Use this as a jumping-off point. You may want to experiment with different aspect ratios for the individual
images, different numbers of images, different grid sizes, and so on. An idea I might work on is blending the
pictures rather than having distinct frames. – tab
1. http://graphicssoft.about.com/od/batchresizecrop/Batch_Resizing_Cropping_Tools_Tips.htm
2. http://www.macosxhints.com/article.php?story=2004092804461334
I had never understood how to use the Fixed aspect ratio option of the Crop tool correctly to retain the
image’s proportions. I learned this procedure from [1]Beginning GIMP: From Novice to Professional, Akkana
Peck, Apress, 2006.
1. Select the Crop tool and click in the image to open the Crop dialog.
2. Click on From selection to set the crop rectangle to the entire image.
3. Next check Fixed aspect ratio. Now you can drag on one of the resize handles (upper-left or lower-right)
to change the size of the crop rectangle while the proportions remain the same.
4. Then you can use one of the move handles to position the crop rectangle as desired.
1. http://www.amazon.com/Beginning-GIMP-Novice-Professional/dp/1590595874/ref=pd_bbs_sr_1/
002-8198665-9067258?ie=UTF8&s=books&qid=1185374522&sr=1-1
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1.3 August
Sometimes while working on a project you may want to save the settings you used in a Levels or other dialog
to use on other images in the project. When that project ends, you will probably want to delete those saved
settings.
I found myself in this situation recently, but I was unable to find any documentation explaining how to
delete these saved Levels settings. I was eventually able to determine these settings were stored in a folder
in /home/.gimp-2.2. I then learned that since this folder name begins with a dot, it is hidden by OS X.
Next, I had to figure out how to access this hidden folder. I found the following scripts which run from the
Terminal. Type this in the Terminal to show all hidden folders and files,
defaults write com.apple.finder AppleShowAllFiles TRUE
killall Finder
Then, open Finder from the Dock and navigate to the .gimp-2.2 folder. Open it and delete the saved profiles.
You’ll likely want to restore file/folder hiding. Run the following,
defaults write com.apple.finder AppleShowAllFiles FALSE
killall Finder
A note of warning, be careful when modifying hidden things. Backup first.
Hopefully, future versions of GIMP will have a simpler way to delete these no longer needed files.
In this lesson you will have the opportunity to learn a procedure to replace an overexposed sky in a photo
with a more attractive sky from another image.
Before -
After -
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Included in this lesson -
• Threshold tool
• Quick mask
• Adjusting a selection
• Moving layers
Open the photo with the unattractive sky (foreground image) and the image with the good sky you want to
use. It’s much easier if these images are the same size, so you may want to scale one or both images before
proceeding. For the time being, you may want to minimize the ”sky” image to reduce clutter.
Step 1 - Decompose the background image to HSV
Select HSV in the dialog. This will create a new image with the same name as your original foreground
image but which has HSV appended.
Be sure the Value layer is active (white border) in the layers dialog
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Step 2 - Apply the Threshold tool to the Value layer
Push the middle slider to the right until the sky is white and the foreground is black. Use one of the Paint
tools (pencil, brush) to make any adjustments needed.
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Step 3 - Apply Quick Mask to the foreground image
Select your original foreground image and toggle the Quick Mask ON by clicking in the bottom left corner
of the image window (Shift+Q OR Select - Toggle Quick Mask).
The entire image should now be covered by a translucent red layer.
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Step 4 - Copy the Decomposed image and paste it onto the Quick Mask in the foreground image
Select the Decomposed HSV image and copy it.
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Right now the sky is selected, but you want the foreground to be selected.
You should see a floating selection at the top of the layers dialog.
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Put this on a new layer of its own.
Layer - New Layer ... (or click the New Layer icon at the bottom of the layers dialog)
48
Name this layer ”foreground”.
Step 7 - Copy the new sky from the other image to the foreground image
Activate the image containing the sky you wish to use and copy it.
Layer - New Layer ... (or click the New Layer icon at the bottom of the layers dialog)
You now have the sky image on its own layer. Name this layer ”sky”.
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Step 8 - Reposition the sky layer
Move the ”sky” layer below the ”foreground” layer in the stack by either dragging it or using the down button
at the bottom of the layers dialog.
Step 9 - Finish up
If you want to save your image in JPG or PNG format you’ll need to flatten it to a single layer first.
1.4 December
In this short tutorial, you’ll learn a technique you can apply to fixing many kinds of photo problems. In this
lesson you’ll use ...
• Feather a selection
• Move a selection
• Move a layer
• Floating Selection
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• New Layer
• Merge Down
In this photo you’ll notice a couple of bad patches of lawn that detract from the appearance of the picture.
We’re going to repair the larger patch to the left.
1. Use the Lasso selection tool to draw a border surrounding the area to be repaired.
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2. Feather the edge of the selection by at least 10 pixels, Select - Feather...
3. The selection needs to be dragged to a patch of good grass. Click the Move tool’s icon then click the
Selection icon so the move affects the selection only ...
53
... then drag the selection to a patch of good grass that will be placed over the bad patch.
4. Usethe keyboard shortcuts Control-C to copy that patch of good grass, then immediately Control-V to
paste it as a Floating Layer on top of itself.
5. Use the Move tool again, but this time with the Layer icon chosen for Affect ...
... and position the copied patch of good grass over the bad patch.
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6. Now, put the Floating Selection on a new layer of its own. In the Layers palette, be sure the Floating
Selection is active, then click the New layer icon in the bottom left corner ...
... so the Floating Selection becomes a Pasted Layer in the Layers palette
...
... and the selection boundary has disappeared. (The layer boundary is still visible.)
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7. Position this layer exactly as you want it, then merge this layer with theBackground layer by right-clicking
the Pasted Layer in the Layers palette and selecting Merge Down from the context menu.
8. Repeat this process to repair the other bad spots, then flatten the image, Image - Flatten Image, and
save your work.
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I haven’t had much time for writing tutorials recently, but I’ve wanted to share this for some time. I hope
you learn something you can use.
This is likely the last tutorial I’ll write until I get GIMP 2.4 and learn about it.
57
58
Chapter 2
2008
In this lesson you will learn how to use [1]GIMP to fill text with an image as in this example ...
• Selecting by Color
• Anchoring a layer
59
• Flattening an image
Though there are a number of ways to accomplish this effect, this method is quick, simple, and flexible.
Step 1 - Create a new image
File > New Use the setting Width 420, Height 300, Fill with : Foreground Color
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Step 3 - Select the text
Choose the Select by Color tool Click anywhere inside the white text and all of the white text is selected.
61
Step 5 - Open the fill image
Open the image you want to fill the text with. I found an image of fireworks to use as my fill. This image
should be about the same size as your new image or a bit larger. It may be necessary to scale this image.
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Step 7 - Paste the fill image into the selection
From the new image’s menu, Edit > Paste Into This fills the selection with the fireworks image as though
the text has been cut out and and the fireworks image is behind it.
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Step 8 - Adjust the position of the fill image
You may use the Move tool to slide the pasted layer around to get the best effect.
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Step 9 - Add a drop shadow
Filters > Light and Shadow > Drop Shadow ... Adding a bit of a drop shadow will enhance the effect.
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Step 10 - Drop Shadow dialog settings
I used Offset X: 2, Offset Y: 2, Blur radius: 8, Color: Red, Opacity: 80 (Offset X controls the horizontal
position of the shadow. Offset Y controls the vertical position.)
67
The finished product ...
68
You can use this method to fill shapes other than text, too. In this example, I filled stars with an American
flag. I created the stars with a third-party [2]brush, otherwise the procedure is identical.
I hope you found this lesson useful and that you will share it with
others.
[3]
1. http://www.gimp.org/
2. http://launchpadlibrarian.net/10450317/gimp-brushes_0.0.1%7Eppa1.tar.gz
3. http://reblog.zemanta.com/zemified/6f99d4f3-e5a4-4c1c-a063-8bc3dd4574c3/
69
70
Chapter 3
2009
3.1 January
71
This lesson includes the following:
• And more
Begin by duplicating the background. I always like to duplicate the background image. In case anything
goes horribly wrong, I can easily recover my original layer.
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5) The next step is to invert the selection.
Using the image menu, Select > Invert.
6) Now use the Bucket Fill Tool to fill the whole selection with black
(FG color).
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7) In the Layers palette, set the Opacity of the vignettelayer to 60 %
8) From the image menu, turn off the selection, Select > None.
This is what you should have at this point ...
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PART 2 Create the
hard, brassy color effect.
1) Flatten the image to a single layer, Image > Flatten Image.
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3) Using the Curves Tool , Colors > Curves...,
4) Create a New Layer called grain using the Foreground color (black) as the Layer Fill Type.
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5) For the grain layer set the Mode to Grain merge and the Opacity to 20 %.
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Part 3
Sharpen the image a bit and finish.
Again, flatten image to a single layer, duplicate the layer and rename it sharpen.
1) From the image menu, Filters > Enhance > Unsharp mask...
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2) Use the settings shown below, Radius: 20, Amount: 0.7, and Threshold: 0.
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3) Flatten the image once more and Save.
Your finished product should look something like this ...
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I hope you acquired at least one new skill or idea from working through this lesson. If you liked it, please
share it.
[3]
1. http://en.wikipedia.org/wiki/Lomography
2. http://www.flickr.com/photos/22979569@N08/3185928712/sizes/o/
3. http://reblog.zemanta.com/zemified/e16460ee-0001-43ef-a870-404a9faf5c3c/
[3]
GIMP and PS brushes from [4]BlendFu[5]
Extensive collection of fonts at [6]dafont.com
[7]
To install on a Mac: Simply download and extract the brush or font files and put them in the appropriate
folder.
user/library/application support/gimp/brushes
user/library/application support/gimp/fonts
For Windows users, click [8]here.
83
[9]
1. http://www.gimp.org/
2. http://browse.deviantart.com/resources/applications/gimpbrushes/?alltime=yes&order=9
3. http://img.skitch.com/20090111-ksf7n1xn5uiuswdxdk8w8529yx.jpg
4. http://www.blendfu.com/
5. http://img.skitch.com/20090111-txmwatht6fesyyuqsqc2yqe7ti.jpg
6. http://www.dafont.com/
7. http://img.skitch.com/20090111-rpwnnni3hsy5xgcpsdrw89s44i.jpg
8. http://www.metacafe.com/watch/1033539/howto_install_gimp_brushes/
9. http://reblog.zemanta.com/zemified/0fd37b67-a481-4a37-96b5-5aaeea03ea0e/
In this simple exercise you’ll see how to use the Perspective Clone tool. This tool allows you to clone in
an image with distinct perspective lines. First, set the wanted vanishing lines in the same way as with
thePerspective tool. Then clone a source area in the same way as with the Clone tool.
In this image there are strong parallel lines receding from near to far. There’s a blemish in the middle of the
image which can be fixed using the Perspective Clone tool.
3) By grabbing the corners, drag the perspective lines to match those in the image, as shown here.
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4) Next, in the tool options for the Perspective Clone tool, change the Mode to Perspective Clone. Be
certain the source is set to Image. Select a brush large enough to cover the area you are going to fix.
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5) Set the clone source by Control-clicking on the ”Background Copy” layer.
6) Create a new layer named ”Clone” with the Layer Fill Type set to Transparency.
7) Be sure the ”Clone” layer is the active layer. Click near the center of the area you want to cover. Don’t
worry if the cloned image is not quite lined up the way it should be.
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8) Select the Move tool set to Affect: Layer and adjust the ”Clone” layer
to the desired position.
9) That looks better, but the cloned area obviously doesn’t blend too well. I
just used the Brightness & Contrast tool to make a quick adjustment to the brightness to get a better overall
match. There are better ways to do this, but they’re outside the scope of this example.
10) Finally, in the Layers palette, right-click on the ”Clone” layer and merge it with the layer below.
This has been a very rudimentary example of using the Perspective Clone tool. To get a really good result,
you would need to experiment and make some variations. Still, I hope you found it useful.
[2]
1. http://img514.imageshack.us/img514/8113/planksexercisecf0.jpg
2. http://reblog.zemanta.com/zemified/3bddcf8d-c1f7-4d23-863c-631aa5dc2a79/
3.2 April
• Desaturate an image
• Layer mask
• Blend tool
First open an RGB (color) picture to use as the base image for this tutorial. I found this nice image of kids
playing football, but you can apply this technique to just about any RGB image.
89
Step 1 - Desaturate the image and adjust the brightness and contrast
90
Next, Colors - Brightness-Contrast...
91
In the Brightness-Contrast
dialog, set the Brightness to 15 and the Contrast to 18. You may want to adjust these settings to work
92
Step 2 - Set three horizontal guidelines to help define the tinted regions
93
Set a Horizontal guide at 25 %.
Set two more guides in the same way, one at 50 %, one at 75 %.
94
Note the percentages are 0 % at the top and left to 100 % at the bottom and right.
Step 3 - Apply a green tint to the lower half of the image
Create a new transparent layer named Green tint, Layer - New Layer...
95
Now fill this layer with green. You’ll need to select the Bucket Fill tool and set the foreground color to
green (00cb2f).
Your picture should now be solid green. From the Layers palette select Multiply from the Mode dropdown
96
list.
You should now see your picture with a green tint applied to the entire image. Next, you’ll use a layer mask
to limit the tint to the lower portion of the image.
Layer - Mask - Add Layer Mask... Be sure White (Full Opacity) is selected in the dialog.
Next you need to paint a black to white gradient on the layer mask Select the Blend tool and be sure the
colors are reset to the default black foreground and white background.
Draw your blend line from thetop down to the 75 % guide to get the following result.
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Step 4 - Apply a yellow tint to the upper half of the image
Create a new transparent layer named Yellow tint in the same way you created the Green tint layer in Step
3, then fill this layer with yellow (ffff00).
Apply alayer mask to the Yellow tint layer as described in the previous step, but draw the blend line from
the bottom up to the 25 % guide to achieve the following.
98
Finally, remove all the guidelines. Image - Guides - Remove all Guides.
99
Finish up by flattening the image and saving it as a JPG.
100
That’s it. I think it’s a nice effect to use in some images. You might like to experiment with applying the
two-tone effect vertically or even diagonally, maybe even along a curve.
Hope you picked up a new skill or idea. If you liked this lesson, please share it.
I’m trying something new. I’m embedding the map I used to write this tutorial. It might be a good post-
tutorial reference.
[2]
1. http://share.xmind.net/_embed/xmath2007/two-tone-tutorial-1/
2. http://reblog.zemanta.com/zemified/2bc9cb58-2560-48d7-808a-b2ce75fa9467/
3.3 July
In this lesson you will learn how to create an image in which a simple shape is repeated in a variety of glowing
colors on a black background. This is our goal ...
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[1]
To complete this exercise you will need to have the GIMP Layer Effects plug-in installed. If you don’t have
it, you can download it [2]here.
You will also need a simple black-and-white line art shape like these ...
[3][File?id=ajdvptpwtc6m_1228r42zsfvk_b]
[4]Download
[5][File?id=ajdvptpwtc6m_1229dg3tdtgw_b]
[6]Download
Download either shape or use one of your own. I chose to use the star shape.
Some of the things you’ll do in this lesson ...
• Move layers
• Rename layers
• Merge layers
• Shrink a selection
• Use guides
1) From the image menu, click Image > Image Properties to get the dimensions of your chosen shape image.
As you see, the star image is 479 pixels high by 455 pixels wide.
102
[7]
2) You’re going to create a new image (File > New...) based on multiples of these dimensions. To get the
height of the new image, multiply the star’s height by 1.2. 479 x 1.2 = 575. The width of the new image is
4 to 6 times the width of the shape to allow plenty of room to work. If you multiply the star’s width (455)
by 6, you’ll get 2730, or about 2800 pixels.
[8]
3) Now return to the star image. Use the Select by Color tool to select the black star shape.
103
[9]
104
[10]
105
[11]
6) Now switch to your new image and paste the star as a new layer, Edit > Paste as > New Layer.
[12]
You should now see the pasted layer in the upper left corner of the new image.
106
[13]
If, as in the screenshot above, you aren’t seeing all of the new image in the window, the key combo Ctrl-
Shift-E will fit the entire image into the window.
8) Use the Move tool to slide the star to the right edge of the image and position it roughly vertically cen-
tered.
[14]
At this point you should rename this layer in the Layers Palette to make things easier to keep sorted out.
Double-click on the name ”Clipboard” in the layer list and rename it as ”blue”.
107
[15]
9) drag a Guide down from the top ruler to help you align the rest of the stars.
[16]
Now you can begin creating the neon effects using the Layer Effects plugin.
10) First you’ll give the star a bright blue outer glow. Script-Fu > Layer Effects > Outer Glow...
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[17]
11) Click the color swatch in the Outer Glow dialog and choose a bright blue. I chose 142ffb for the example.
[18]
109
[19]
There should now be just a single blue layer. Make the Background layer visible again by clicking where the
eye should be.
[20]
This is what you should have right now, the black star with a blue glow around it.
110
[21]
Your next task will be to add a second star with a green glow.
14) Repeat step 6 to get another star and position it with the Move tool. Judge the amount of overlap you’d
like to your taste. (You should not need to copy the star from the original image again. It should remain on
your clipboard throughout this exercise.)
15) Rename this layer ”green” as shown previously in step 8.
16) Repeat step 10 to open the Outer Glow dialog.
17) Click the color swatch and choose a bright green. In the example I used 0bf805. The Size: should again
be 8, other settings are defaults.
18) Do the inner shadow as in step 12 using a darker shade of green (144716).
19) Hide the non-green layers and merge the three green layers into a single layer (See step 13).
[22]
You should now see two completed stars in the new image when you make all the layers visible again.
111
[23]
Continue this process until you’ve added as many shapes as you like to your new image.
To finish up, you need to paint the Background layer black with the Bucket Fill tool. You may be wondering
why I didn’t simply create a black background in the first place. I could have done, but manipulating the
black stars on a black background ..., well, you see the point :-).
20) Be sure the Background is the active layer in the Layers Palette, the default color swatches are shown in
the Toolbox, and the selected Fill Type is FG Color Fill. Now paint the Background layer.
[24]
[25]
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[26]
You likely have a bit of unused canvas so you’ll probably want to crop the image to suit your needs. In the
immortal words of Porky Pig,”That’s all, f-f-f-folks!”
Hopefully, you’ve learned something new in this tutorial. If you found it useful, please share it with others.
Any constructive comments are appreciated as well as donations through PayPal.
1. http://docs.google.com/File?id=ajdvptpwtc6m_1227f9wtsrht_b
2. http://registry.gimp.org/node/186
3. http://docs.google.com/File?id=ajdvptpwtc6m_1228r42zsfvk_b
4. http://img20.imageshack.us/img20/6510/starksd.png
5. http://docs.google.com/File?id=ajdvptpwtc6m_1229dg3tdtgw_b
6. http://img124.imageshack.us/img124/4096/heartc.png
7. http://docs.google.com/File?id=ajdvptpwtc6m_1230hc3qjkc8_b
8. http://docs.google.com/File?id=ajdvptpwtc6m_1231gv7frkgn_b
9. http://docs.google.com/File?id=ajdvptpwtc6m_1233dtvnw3q8_b
10. http://docs.google.com/File?id=ajdvptpwtc6m_1232gx8w2zcq_b
11. http://docs.google.com/File?id=ajdvptpwtc6m_1234486crkp5_b
12. http://docs.google.com/File?id=ajdvptpwtc6m_1235ngtnjpcq_b
13. http://docs.google.com/File?id=ajdvptpwtc6m_1236dxm2j6cw_b
14. http://docs.google.com/File?id=ajdvptpwtc6m_1237gcd8sbc7_b
15. http://docs.google.com/File?id=ajdvptpwtc6m_1239p9wv9gv4_b
16. http://docs.google.com/File?id=ajdvptpwtc6m_1238fpscczdp_b
17. http://docs.google.com/File?id=ajdvptpwtc6m_1240cvzctccp_b
18. http://docs.google.com/File?id=ajdvptpwtc6m_1242fjdrccfb_b
19. http://docs.google.com/File?id=ajdvptpwtc6m_1244dn6jjtcx_b
20. http://docs.google.com/File?id=ajdvptpwtc6m_1245gcvxwnfp_b
21. http://docs.google.com/File?id=ajdvptpwtc6m_1243gfpk9gdb_b
22. http://docs.google.com/File?id=ajdvptpwtc6m_1246chcgdkd6_b
23. http://docs.google.com/File?id=ajdvptpwtc6m_1247cs88qwc3_b
24. http://docs.google.com/File?id=ajdvptpwtc6m_1248hntkn4g9_b
25. http://docs.google.com/File?id=ajdvptpwtc6m_1249cf47kfg9_b
26. http://docs.google.com/File?id=ajdvptpwtc6m_1250d77k33dv_b
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3.4 December
In this tutorial, as in most of my lessons, the emphasis is not on the product you will end up with, but on
the tools, techniques, and skills you will use in completing the activity. You should feel free to experiment.
Deviate from the ”recipe” and see what happens if you make some changes.
Some or all of these techniques may already be familiar to you, but hopefully, you’ll learn something new.
So, here we go ...
1) Create a new image using the default settings (640 x 400, white fill).
2) Set the FG color swatch to a rich shade of medium dark blue. I used 1f4d64 (the HTML color code).
3) Use the Bucket Fill Tool to paint this as the background color of the image.
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4) Reset the FG and BG color swatches to the default black and white.
4) Feather the selection by 25 pixels. (Selection -> Feather...) 5) Set the FG color to a light medium blue.
My choice is adc3dc. Fill the selection. 6) Set the Layer Mode to Burn, Opacity to 50 %.
116
[File?id=ajdvptpwtc6m_1686dkk5h6f3_b]
[File?id=ajdvptpwtc6m_1687dp9hdmhr_b]
The Stars Layer 1) Create a new layer named ”Stars”. 2) Reset the color swatches to the defaults and swap
them so the FG is white, the BG is black. 3) Select the Brush Tool: Shape Star 06, Spacing 180, Scale:
0.4 4) Expand the Brush Dynamics settings: Pressure: Opacity, Random: Opacity and Size 5) Check Apply
Jitter, set the Amount to 5.00.
[File?id=ajdvptpwtc6m_1688n296kcc2_b]
[File?id=ajdvptpwtc6m_1689phgxn8g2_b]
10) Use the Blend Tool (FG to Transparent) to apply a gradient to the layer mask from just below the lowest
star to the top.
117
The Blue Stars Layer
1) Create a new layer called ”Stars Blue”.
2) Select the Brush Tool (which should still be showing the settings used earlier) and choose a light blue for
the FG color. Something like c0d9f4.
3) Paint some blue stars in the upper third of the image.
4) Apply the same Motion Blur to this layer.
118
If you followed the directions fairly closely, your image should look something like this:
119
120
Chapter 4
2010
4.1 March
Some things, like the Eiffel Tower, are just too big to fit in the borders of
a single picture! In this fairly easy exercise, you’ll learn how to make it appear as though the tower was
photographed in three separate images which have then been laid out on a table.
Among the skills used in this lesson …
• Using guides
• Stroking a selection
[1]Download this picture of the Eiffel Tower by Tom Leadbeetter which I got at [2]Stock.Xchng, or use a
picture of your own.
121
[3]
Use Image > Image Properties to find the dimensions of your picture.
122
Create a new image 10 % larger than the the original picture with a black (FG color) background.
Return to the original picture and drag guides down from the top to divide the image roughly into thirds.
123
See how to do this in a short [4]video.
Use the Rectangle Select Tool to select and copy most of the bottom third of the original picture. Switch to
the new image and paste this into it as new layer named ”bottom”, Edit > Paste as > New Layer.
Select the Move Tool and drag this to the bottom of the new image.
124
IMPORTANT: Swap the default color swatches.
Select the ”bottom” layer, Select > All. Now stroke the selection to paint a white border around the ”bottom”
layer, Edit > Stroke Selection… Set the line width to 40 pixels.
125
See how to do this in a short [5]video.
Return to the original picture and select the middle portion of the tower (but not the full width of the
picture). Copy this and paste it into your new image as a new layer named ”middle”, drag it to the middle
of the new image.
Create a white border for the ”middle” layer in the same way as you did for the ”bottom” layer.
Use the Rotation Tool to spin this layer slightly clockwise (place the center of rotation in the bottom right
corner).
With the Move Tool position the ”middle” layer slightly overlapping the ”bottom” layer.
From the original picture select the top portion of the tower, copy it, paste it into the new image as a new
layer, ”top”.
Once again, paint a border around this layer, tilt it a little counterclockwise, and move it to overlap the
”middle” layer.
126
To complete the project, with the Crop Tool cut away some of the excess black background, then flatten the
image, Image > Flatten image.
Now you can save it as a .png, .jpg, or whatever format you like, File > Save as…
[6]
Note: I exaggerated the rotations and overlapping a bit to accentuate the effect. You may not want to
apply as much change in your own project.
A new feature has been added to this lesson, very short video clips to demonstrate some of the steps in the
tutorial. Hope you like them.
I hope you find this, as well as my other tutorials, instructive and useful. I try very hard to create lessons
that will be beneficial to both GIMP beginners and more advanced users. My aim is to make my tutorials
complete, correct, and easy to follow.
127
If you have found these lessons to be helpful and worthwhile, a small donation via PayPal (Please use the
button on the left) would be very much appreciated.
1. http://yfrog.com/euetowerj
2. http://www.sxc.hu/
3. http://docs.google.com/File?id=ajdvptpwtc6m_1929gwpv9fdv_b
4. http://screencast.com/t/OTYyY2VmZTkt
5. http://screencast.com/t/YWM4MzhhOW
6. http://docs.google.com/File?id=ajdvptpwtc6m_1940dj2pmggb_b
[1] Some of you have posted comments in which you have asked questions about
the tutorials. I have not responded to these because I had not been aware of them. Though I have very little
time to devote to this blog, I plan to try to do a better job with this.
I have made some changes to the commenting and comment notification procedures that I hope will help in
this. Please bear with me.
I appreciate those of you who visit here whether regularly or just occasionally. I’d love to do more tutorials.
Good tutorials take a lot of time, and I just can’t fit them in very often. I have many notes on tutorials for
the future. Ahh, maybe someday.
1. http://4.bp.blogspot.com/_cL2Mo6y31lw/S4xCfyEaL_I/AAAAAAAAFX8/q-rYPFBhVeE/s1600-h/hourglass
I had a request to show how an extracted image can be placed on a plain background with a realistic shadow.
As always, there are different ways to accomplish this. This, I think, is a relatively simple and straight-
forward method.
128
[1]
• Using Guides
• Feathering a selection
• Rearranging layers
129
[3]
Selecting and copying the moon from the source image are not a part of this tutorial. Assume you are ready
to paste the copied selection into a new image.
So, you’ll need to create a new image larger than the object you’re going to paste. In this example, the new
image is 900 by 900 pixels with a default white background.
Paste the moon into your new image as a new layer named ”moon”, Edit > Paste as… > New layer
Use the Move Tool to position the object so that it is about horizontally centered and a bit above the vertical
center.
130
Scale the size of this layer to match the overall size of the image, Layer > Layer to image size
Drag in vertical guides to mark the left and right edges of the moon. Place horizontal guides to mark the
bottom and middle of the moon.
The guides form a rectangular box containing the bottom half of the moon. Use the Ellipse Select Tool to
make a selection bounded by that rectangle.
131
See how to do this in a [4]short video
Feather the selection by about 50 pixels, Select > Feather…
Create a new transparent layer named ”shadow”.
Set the Background color to a dark gray. I used 626262.
Be sure the ”shadow” layer is active, highlighted in the Layers palette.
Choose the Blend Tool, settings FG to BG, linear gradient. Drag the Blend Tool from the top left corner
132
to the bottom right corner of the rectangle formed by the guides.
Right now the ”shadow” layer should be the top layer in the Layers palette. Drag it down so that it is under
the ”moon” layer (but above the background layer).
133
To finish, I cropped the image, then filled the background layer with a light blue color (95c0f1). Flatten the
image if you want to save it as a .jpg or .png file.
The basic techniques of this procedure are presented here without regard for the finer aesthetic points. Refining
the image for its best, most realistic appearance is left to you.
If you have found these lessons to be helpful and worthwhile, a small donation via PayPal (Please use the
button on the left) would be very much appreciated.
1. http://docs.google.com/File?id=ajdvptpwtc6m_2003hn7sbnct_b
2. http://yfrog.com/27moonqj
3. http://docs.google.com/File?id=ajdvptpwtc6m_2004cnf3s4hd_b
4. http://screencast.com/t/M2FjZTQx
5. http://screencast.com/t/NzVlYzQ0YjYt
4.2 June
Using GIMP’s Filter Pack it’s easy to change someone’s eye color to almost anything you like. In this
exercise you’ll change the girl’s green eyes to a bright blue.
[File?id=ajdvptpwtc6m_2189cwj29cdv_b]
[File?id=ajdvptpwtc6m_2190frdbtrg8_b]
IMPORTANT: In the Toolbox, click on the Subtract from the current selection icon.
Again, using the Free Select Tool, draw a selection around the pupil. This cuts that region out of the selec-
tion. Feather the selection by 1 or 2 pixels, Select > Feather...
135
The selected region should only be the colored iris.
Now use the Filter Pack to modify the color of the iris, Colors > Filter Pack… You’ll see the original selection
and the modified selection which, at this time, are the same. Check Hue under Windows.
The Hue Variations window opens showing six possible changes to the iris. Click on Blue.
136
The Hue Variations window now shows six new possible hues for the iris. Choose the Cyan variation.
137
This is the color you’re looking for, so click OK in the Filter Pack Simulation window to see the new eye
color applied in the image.
I’ve only modified one eye for illustration purposes. You would obviously want to apply this method to both
eyes. Use the Add to/Subtract from the current selection options to select the irises of both eyes.
138
The Filter Pack can be a fun tool with which to play and experiment. You can use it to alter the color of
anything without affecting the light and shadows.
1. http://www.sxc.hu/photo/1192481
4.3 August
In this lesson, you’ll use a number of GIMP’s tools to create an effect in which a football player ”leaps” out
of a ”picture frame” to catch the ball.
Before
After
• Use a guide
• Hide a layer
4. Create a new layer named ”black” and fill the whole selection with default black using the Bucket tool.
Deselect everything, Select > None.
7. Create a new layer, ”white.” Fill the trapezoidal selection with default white.
8. Shrink the selection by 35 pixels. Using the Perspective tool again, adjust this trapezoid to give the
appearance that the the top border of the ”frame” is farther from you than the bottom edge.
9. Clear the white fill from the inner selection, Edit > Clear.
All that remains is to delete the part of the white ”frame” that covers the leaping player.
10. Hide the ”white” layer (click the ”eye” in the Layers palette). Use the Lasso tool to select the portion of
the football player which is under the border (be generous). Be sure to accurately select the left and right
edges of the player. Feather the selection by 3 pixels. I chose to do this in pieces, but you could do it all at
once.
11. Make the ”white” layer visible again (be sure it’s the active layer). Use the Eraser tool to remove the
selected area of the white border from over the player.
That’s it!
Dolphins and whales are great subjects for this effect. I think you could do some nice things with basketball
players and soccer goalies, too. Have fun!
1. http://i221.photobucket.com/albums/dd67/xmath_photos/Uncategorized/leapingint00.jpg
2. http://img06/
140
4.4 September
In this easy lesson, you will learn how to create an image which appears to show the same person appearing
in multiple locations in a scene.
Ideally you would begin with a photo of the scene without the person in it to use as the background image.
141
You will need at least two pictures of the same scene with the person you plan to clone appearing in a
different location in each photo.
Tip: For best results, set up the camera using a tripod and keep its position and settings fixed for all the
photos.
Step 1. Using the Free Select Tool (Lasso) roughly select the person you plan to clone in one of the photos
in which she appears. Feather the selection by a few pixels, Select > Feather...
The selection needn’t be precise. In fact, having some of the surrounding content makes it easier to properly
position the pasted layer.
Step 2. Copy the selection,Edit > Copy, then paste it into the background image as a new layer, Edit >
Paste as > New Layer.
142
Step 3. Use the Move Tool (in Layer mode) ...
... to properly position the clone over the background. Zoom in and use some key points to accurately align
the clone layer.
143
Repeat Steps 1-3 to copy, paste, and position the person you are cloning from an image in which she appears
in a different place.
Step 1
144
Step 2
Step 3
145
You now have a picture in which the same person appears in two different places!
If you have more photos of your person, try placing her in various locations in the scene to get the most
interesting results.
146
The challenge comes when one of your clones is to appear in front of another. In this case, your selection
must be precise in the areas where the forward clone layer overlays the rear one. But, you can create a really
interesting effect this way.
147
148
Chapter 5
2011
5.1 January
In this tutorial you’ll create the effect of having zoomed in on a portion of a screenshot to emphasize some-
thing in that area.
This lesson was inspired by Jessica Cam Wong’s very good [1]tutorial on this effect. In this exercise your
product may be be less elegant, but you’ll achieve what I believe is a satisfactory and pleasing result a bit
more easily and quickly.
A portion of this procedure includes using the GIMP Layer Effects plugin. If you don’t have the Layer
Effects plugin installed, you can get it [2]here at the GIMP Plugin Registry.
Some of the skills you will use in this exercise:
• Grow a selection
You will, of course, need a screenshot on which to work. You can capture a screenshot in GIMP using File >
Create > Screenshot… . Capture an approximately 700-800 pixel square screenshot using whatever method
you prefer.
Begin by using the Ellipse Select tool to define the ”zoomed in” area.
149
Then copy and immediately paste this selection (Ctrl+C, Ctrl+V). It looks as though nothing has happened,
but in the Layers pallet you should notice a ”Floating Selection”.
Create a new layer (Layer > New Layer…) which will turn this floating selection into a new layer, name it
Zoom. Expand this layer to the full image size, Layer > Layer to Image Size.
In the Layers pallet, select the Background layer. Scale this layer down to the desired size, Layer > Scale
Layer… . I made the Background layer 400 pixels wide.
Right-click the Zoom layer in the Layer pallet and select Alpha to Selection. This creates a selection from
the zoomed in area.
Create a new layer, Border, and use the Bucket Fill tool to fill the selection on the Border layer with black,
the foreground color.
In the Layers pallet drag the Border layer below the Zoom layer.
Apply the Inner Shadow script from the Layer Effects plugin, Script-Fu > Layer Effects > Inner Shadow…
with the default settings. You can skip this step and still get a fairly nice effect if you don’t want to install
the plugin.
Remove the current selection, Ctrl+Shft+A. Now apply a Drop Shadow to the Zoom layer, Filters > Light
and Shadow > Drop Shadow… . Use the default settings.
The next step is to merge the Drop Shadow, Border, and Zoom layers. In the Layers pallet, click the eye
icon for the Background layer to hide it temporarily. Right-click any of the visible layers and select Merge
Visible Layers…, then click the Merge button.
Make the Background layer visible again (click where the eye should be) and select that layer.
From here, I’m going to present two different ways to finish this effect. Background Blur
Blur the Background layer just a bit, Filters > Blur > Gaussian Blur… , set the Blur Radius at 2 for both
Horizontal and Vertical.
150
Background Dim
Create a new layer, named Dim, in the Foreground Color (black). Set the Dim layer’s opacity to about 25
%.
Finally, crop out the transparent region around the perimeter, flatten the image, and save it as a JPG or
PNG for web use.
Experiment with different settings, filters, and colors to get an effect you like. As always, I’ve tried to use
one or two less familiar tools or techniques. Hope you learned something and are inspired to try something
new.
1. http://www.makeuseof.com/tag/create-simple-zoomed-effect-screenshots-gimp/
2. http://registry.gimp.org/node/186
Apple’s iPhoto has some really good editing tools, but sometimes you need the far more powerful tools
available in GIMP. You can easily make GIMP the default editor for iPhoto images.
Open the iPhoto Preferences window and you’ll see an option ”Edit photo:”.
If, like me, you don’t want to launch GIMP for minor editing and adjustments, you can reset iPhoto to
default to its internal editor when you click the Edit icon. Simply go back to the Preferences window and
reset the ”Edit photo:” option to ”In main window”.
However, if you Cmd-click or right-click on the photo to display its contextual menu, choosing ”Edit in
external editor” will still open the image in GIMP, giving you the best of both worlds!
152
DISCLOSURE OF MATERIAL CONNECTION: http://cmp.ly/0
5.2 February
In this two-part exercise, you will learn how to make a simple watermark image and place it in a photo.
• Using Guides
• Merging layers
• Resizing a selection
Right-click the text layer in the Layers pallet and choose Layer to Image Size.
Set guides at 75 pixels from the left and right edges, 150 pixels from the top and bottom.
155
With the Ellipse Select tool select an oval inside the rectangle (Tip: Use a corner of the box as the starting
point.).
156
Add a new layer, Oval. Switch the foreground and background colors by clicking the two-headed arrow next
to the swatches (foreground color is white). Fill the selection with white using the Bucket Fill tool.
157
Shrink the selection by 10-15 pixels, Select > Shrink… Then delete the selected area, use the Delete key or
Edit > Clear and deselect, Select > None, or Ctrl+Shft+A.
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Merge the Oval layer down onto the Text layer. Right-click the Oval layer, choose Merge Down. You can
drag off the guides now with the Move tool.
With the Select by Color tool, click anywhere in the black color.
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In the Layers pallet, select and delete the original layer, Background, with the Trash Can icon. Deselect and
you now have a white watermark image on a transparent background.
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Save the image as a PNG file to retain the transparent background, File - Save as....
II. Watermarking an image
Open the image you want to watermark. Open the watermark image you created as a new layer, File >
Open as Layers....
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Adjust the opacity of the watermark layer to about 30-40 %.
You may want to reposition or resize the watermark layer to suit your needs. Merge the watermark layer
down into the Background layer and you have successfully placed a watermark in your photo.
Make an image look like it’s 70 years old with a vintage effect in this lesson.
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Some of the skills used in this exercise:
Download and open the [4]original image, a picture of two women (or use an image of your own). Start by
making the picture a little blurry, Filters > Blur > Gaussian Blur…, set the radius at about 2 or 3.
Now, add a little noise to the picture, Filters > Noise > RGB Noise..., select Correlated noise, uncheck
Independent RGB, move the sliders left to 0.10.
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Add a new transparent layer, Layer > New Layer..., named Gradient. Select the Blend tool and find the
preset gradient Yellow Orange in the Gradients pallet. Apply the gradient to the Gradient layer from upper
left to lower right then adjust the opacity to about 33 %.
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Give the picture a paper-like texture.
Download and open the [5]Paper Texture image. Scale the texture image to match the dimensions of the
original picture (1000 x 755, if you’re using my picture), Image > Scale Image....
Copy the scaled image then paste it into the original picture, Edit, Paste as > New layer. Name that layer
Paper. Change the layer Mode to Grain Extract with an opacity of 40 %.
Select the Background layer and reduce the contrast to -15, Colors > Brightness and Contrast.
Use the Rectangle Select tool to make a selection with rounded corners (corner radius of 50) about 50 pixels
inside the edges of the image.
Feather the selection about 100 pixels, Select > Feather... , and invert the selection, Select > Invert.
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Add a new transparent layer named Vignette. With the Bucket Fill tool, fill the selection with black. Adjust
the opacity to 50 %.
You should now have a fairly authentic looking ”vintage” picture. There’s a lot of room to play with different
settings in layer modes and opacity. Have fun!
1. http://i221.photobucket.com/albums/dd67/xmath_photos/GIMP%20Blog/Vintage%20Effect/OBV_WW2_14.jpg
2. http://i221.photobucket.com/albums/dd67/xmath_photos/GIMP%20Blog/Vintage%20Effect/PaperTexture1600x1200.
jpg
3. http://i221.photobucket.com/albums/dd67/xmath_photos/GIMP%20Blog/Vintage%20Effect/Sctratches1600x1200.png
4. http://i221.photobucket.com/albums/dd67/xmath_photos/GIMP%20Blog/Vintage%20Effect/OBV_WW2_14.jpg
5. http://i221.photobucket.com/albums/dd67/xmath_photos/GIMP%20Blog/Vintage%20Effect/PaperTexture1600x1200.
jpg
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6. http://i221.photobucket.com/albums/dd67/xmath_photos/GIMP%20Blog/Vintage%20Effect/Sctratches1600x1200.png
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