Redaction Criticism
Redaction Criticism
Redaction Criticism
REDACTION CRITICISM
Stephen S. Smalley
New Testament critics in the last century were preoccupied with the
sources of the Gospels, chiefly the synoptic Gospels. At the beginning of this
century they turned their attention to the first stages in the history of the
Gospel tradition, to the original form of the teaching of Jesus. 1 Tradition
criticism, as we have seen, was a special case of form criticism. Today, in a
relatively new approach to the analysis and study of the Gospels, the centre
of interest in New Testament criticism is moving from source criticism and
form criticism to an examination of what happened at the final stage in the
composition of the Gospels. Redaction criticism (Redaktionsgeschichte) has
come to birth. 2
These critical methods belong together, and any sharp distinctions drawn
between them must necessarily therefore be artificial. They arise out of each
other, and can be used to complement each other in the study of Gospel
origins. It is important to recognize this as we consider redaction criticism
on its own.
What is redaction criticism? The term "redaction" in Gospel criticism
describes the editorial work carried out by the evangelists on their sources
when they composed the Gospels. 3 It has been suggested by Ernst
Haenchen 4 that "composition criticism" would better describe the study of
this process. In fact, however, "redaction" and "composition" criticism,
although close together, are strictly speaking different disciplines. One
(redaction criticism) is the study of the observable changes introduced by
the Gospel writers into the traditional material they received and used. The
other (composition criticism) examines the arrangement of this material, an
arrangement which is motived by the theological understanding and inten-
tion of the evangelists. And some scholars expand the term "composition"
in this context to include the construction of wholly new sayings by the
Gospel writers, which are then (so it is claimed) attributed by them to
Jesus. 5 It is possible that in the future composition criticism will need to be
distinguished from redaction criticism, just as redaction criticism is current-
ly distinguished from form criticism. But meanwhile, and for convenience,
the term "redaction criticism" can be understood as the detection of the
evangelists' creative contribution in all its aspects to the Christian tradition
which they transmit.
181
NEW TESTAMENT INTERPRETATION
182
REDACTION CRITICISM
I. How it arose
Redaction criticism came to the fore after the second world war, and is
associated in the first place with the names of three prominent German New
Testament scholars: Giinther Bornkamm, Hans Conzelmann and Willi
Marxsen. 9 These critics worked independently of each other on the three
synoptic Gospels, Matthew, Luke and Mark respectively. It was Marxsen
who gave the common approach which resulted from these studies the Ger-
man name of Redaktionsgeschichte. 10
Giinther Bornkamm's work on the Gospel of Matthew marks the rise of
redaction criticism. As a pupil of Rudolf Bultmann, he proceeded from
form-critical assumptions to the further stage of analyzing Matthew's own
theological outlook and intention as this is to be discerned in his handling of
traditional material. In two articles which were later included in the volume
now translated as Tradition and Interpretation in Matthew, 11 Bornkamm
set out his conclusions about the first evangelist and his work. The earlier
essay 12 is a study of the episode of the stilling of the storm in Matthew
8:23-27, and attempts to show how Matthew treated the source from which
he derived this pericope (Mk. 4:35-41). The new context and presentation
given to the incident, Bornkamm claims, reveal the independent meaning it
has for the evangelist. The miracle thus becomes to him "a kerygmatic
paradigm of the danger and glory of discipleship". 13 The other essay of
Bornkamm 14 deals with the construction of the discourses of Jesus in
Matthew, and discusses the extent to which these are controlled by the
evangelist's own understanding of the church, the end, the law, Christ
himself, and the inter-relation of all four. Together, these two studies reflect
Bornkamm's dominant conviction that Matthew is a distinctive redactor; an
"interpreter of the tradition which he collected and arranged". 15
Hans Conzelmann's work as a redaction critic has been concerned main-
ly with Luke-Acts. His book Die Mitte der Zeit, first published in 1954, and
translated into English as The Theology of St. Luke, 16 marks a watershed in
Gospel studies and an important advance in the method of redaction
criticism itself; for it is an analysis of Luke's unique role as a theologian.
Perhaps Dr. Norman Perrin goes too far when he concludes that as a result
of Conzelmann's work, "Luke the historian becomes a self-conscious
theologian, and the details of his composition can be shown convincingly to
have been theologically motivated." 17 Not everyone would dismiss so easily
the historical basis from which Luke writes in both his Gospel and Acts. IK
But undoubtedly Conzelmann has helped us to discern Luke's special con-
tribution to a proper understanding of the biblical history of salvation
(Heilsgeschichte), which is presented and developed by the third evangelist
in three distinct stages: the periods of Israel, Jesus and the church. The
problem which Luke answers by this scheme, with its greater degree of
"realized" eschatology, is alleged to be the so-called delay of the parousia. 1"
However we view some of Conzelmann's assumptions and final conclusions,
183
NEW TESTAMENT INTERPRETATION
he has at least helped us to see more clearly than ever the extent to which
history and theology, not one or the other, co-exist in Luke-Acts.
The third redaction critic in chronological order whose pioneering work
in this field must be mentioned is Dr. Willi Marxsen, whose book Der
Evangelist Markus (1959 2 ) 20 contains four studies of the second Gospel
which use the redaction-critical method. Like Bornkamm, and indeed
Conzelmann, Marxsen accepts the method and conclusions of form
criticism as a basis for his work. But once more, like them, he goes beyond
this to emphasize the important contribution made by Mark himself when
he collected together the independent units of the evangelic tradition and
wrote them up into a Gospel as such, characterized by his own theological
outlook. 21 That outlook is seen particularly, Marxsen claims, in Mark's
treatment of such features as the tradition about John the Baptist and the
geographical references in his narratives. (Galilee, for example, is "obviously
the evangelist's own creation". 22 ) Throughout, Marxsen sees the second
evangelist as a theologically motivated redactor, whose doctrinal inter-
pretations become clearer when the use by Matthew and Luke of the Mar-
can tradition and its interpretations is considered.
One of Marxsen's more important contributions to the whole discussion
of redaction criticism is his clarification of the threefold setting of all Gospel
material (in the teaching of Jesus, in the life of the early church and in the
writing and intention of the evangelists), of which mention has already been
made. In this as in many other ways, Marxsen laid down methodological
precedents which other redaction critics have followed. 23
These three scholars, Bornkamm, Conzelmann and Marxsen, have been
succeeded by others in redaction-critical studies of the synoptic Gospels.
For Matthew, Bornkamm has been followed (among others) by Gerhard
Barth and H. J. Held, both pupils of his. 24 (Two other pupils, H. E. Tode 5
and F. Hahn, 26 have also used this· method in the more general area of New
Testament christology.) For Mark, Marxsen has been followed among
others by the two English-speaking writers J. M. Robinson 27 and E. Best, 28
and by the Swiss schotar E. Schweizer. 29 And for Luke, Conzelmann has
been followed by H. Flender. 30 Redaction criticism has not been applied so
frequently to the study of St. John's Gospel as to the Synoptics, but a start
has been made in the work ofJ. L. Martyn/ 1 B. Lindars 32 and W. NicoV 3
184
REDACTION CRITICISM
One view of the problem of the four Gospels 36 will suggest that the writer
of Matthew has composed his Gospel by editing the sources Mark, Q and
M. But we can see that by the selection and arrangement of his material he
has imposed his own understanding and interpretation of the kerygma on
the underlying tradition with which he is working. This gives rise, for exam-
ple, to Matthew's characteristic christology (Jesus as both king and servant;
cf. Mt. 1:1; 12:15-21, et al.), his attitude towards the law (transcended and
yet remaining in force; cf. 5:38f.; 5:17-20, et al.), and his presentation of
the gospel itself (exclusive but also universal; cf. 15 :24; 8:5-13, et al.). 31 In
general, the evangelist works with the theme of fulfilment in mind. Evidently
he writes to present Jesus as the Christ, the Messiah who has absorbed the
functions of Moses and gone beyond them. 38 Taking full account of the
character of his over-all redaction, therefore, we can hazard a guess at the
position and needs of his audience. It is possible that he wrote for a cell-type
Jewish-Christian group under pressure from orthodox Jews for alleged an-
tinomianism, and that this accounts for some of the distinctive Matthean
ambivalences of which we have just taken note. 39
The same technique can be applied to one section of the first Gospel, with
similarly illuminating results. Take, for example, the account of the
transfiguration in Matthew 17: 1-8. Source-critical analysis tells us (on one
view, at least) that this comes from Mark 9:2-8. Redaction criticism reveals,
by a comparison of the two narratives, the editorial changes which Matthew
has made and further study may suggest the theological reasons for these
modifications.
Matthew handles his Marcan source for the transfiguration individually,
185
NEW TESTAMENT INTERPRETATION
3. A SAYING IN MATTHEW
The method of redaction criticism may also be used, finally, for the ex-
amination of individuallogia within the Gospel of Matthew. We may con-
sider briefly, as one instance, the crux interpretum Matthew 16:16. Peter's
confession at Caesarea Philippi, according to Matthew's account, reads
"You are the Christ, the Son of the living God." Mark (8 :29) has "You are
the Christ", and Luke (9:20) "(You are) the Christ of God."
One explanation of these variations is to say that Matthew has simply ex-
panded Mark. (This assumes, of course, that Peter did not make different
confessions on the same occasion.) In that case, the expansion was either
the result of a Q tradition containing both elements of the confession (Christ
and Son of God), and reflected in the Lucan version, or due to a straight-
forward explanatory redaction on Matthew's part. 45 Knowing his approach
as we do, it need not surprise us if Matthew at such an important moment as
this should heighten as well as deepen his christology, and remind his
readers of the real and exalted status of the central figure in his Gospel. 46
186
REDACTION CRITICISM
187
NEW TESTAMENT INTERPRETATION
narrative in the Gospels as historical (he uses Mk. 8:27-9: 1 par. as his
main sample), is set over against a redaction-critical approach to it. 49 But
the use of the Christian tradition as it stands, without editorial shaping, may
be just as much an indication of the evangelist's theological outlook. In such
a case we must assume that the tradition expressed his intention and un-
derstanding so clearly that alteration was unnecessary. 50 We do not need,
that is to say, to equate "redaction" in the Gospels with unhistorical
theologizing. It can involve the use of sources as they stand. 51
188
REDACTION CRITICISM
contrary, sensitive to what was historical and what was kerygmatic (as there
are real grounds for supposing), 54 it is unlikely that they would have treated
their traditional sources for the words and works of Jesus with anything but
respect. All the more would respect have been shown by the evangelists, in-
deeed, if (as is probable) eyewitnesses were still around. These con-
siderations lead us to the second implication of the redaction-critical method
to be considered.
189
NEW TESTAMENT INTERPRETATION
190
REDACTION CRITICISM
The final implication of redaction criticism for the study of the Gospels
concerns the intention of the evangelists. Again, this question arises out of
some of the issues already discussed in detail.
The work of redaction critics such as Bornkamm, Marxsen and
Conzelmann has helped us, as we have seen, to appreciate the theological
themes and concerns which motivated the evangelists when they wrote their
Gospels. Just as form criticism enables us to detect the shaping of individual
sayings of Jesus or pericopes about him in the course of their transmission,
so redaction criticism makes it possible to uncover this process of shaping in
each of the Gospels as a whole.
This point can be developed in one further direction. By examining the
theological perspective of an evangelist, and the way he has selected and
used his material, it is also possible to suggest why he wrote his Gospel in
the first place. We have already applied this test to Matthew. The aim of the
other Gospels may be similarly investigated. On the basis of a redaction-
critical approach it may be guessed that Mark wrote his Gospel for
would-be or present disciples, to supplement Paul's kerygma; 61 that Luke's
intention was the kerygmatic and didactic presentation of gospel history for
the benefit of mostly non-Christian Gentile readers; 62 and that John wrote
for an audience that was in the end as wide as it could be, to enable his
readers to "see" that Jesus was the Christ, the revealing and glorified Word
of God, and so to live. 63 Broadly speaking the intention in each case is
evangelistic, but redaction criticism focuses attention on the precise inter-
pretation and therefore presentation of the kerygma by the four writers,
which gives their theology its individual character. 64 In fine, we no longer
need to spend time trying to "harmonize" the Gospels. Their differences, un-
covered by the redaction critical approach, stand as a positive pointer to the
distinctive outlook of their writers, and their unique understanding of and
witness to the Jesus tradition.
V. Some Conclusions
Our discussion of redaction criticism as a method of studying the Gospels
has made one point clear at least. It has both advantages and disadvantages.
We may summarize the disadvantages as follows. (1) The traditio-critical
criteria on which the redaction method normally depends are often open to
question because of the assumptions involved in them. (2) It is too often
presupposed that redaction on the part of an evangelist means "com-
position", in the sense of invention. This is unwarranted. (3) Redaction
critics are at times too subtle and subjective in their approach to the
Gospels, and in their assessment of the evangelists' motives and methods.
This is the reason for the wide variation in their results; although this need
not surprise us with a discipline still in its infancy. 65 Caution is obviously
needed in the analysis of any editorial activity, particularly when, as in the
191
NEW TESTAMENT INTERPRETATION
case of the Gospels, we are not always sure who the "editor" is, or the exact
nature of his sources. 66
On the other hand, there are positive advantages to be gained from using
this approach. (I) It treats the Gospels whole, and is a useful method for dis-
covering the exact contribution of the evangelists to their traditions. In this
way it is an extremely fruitful aid to exegesis, which helps us to perceive
more clearly the evangelists' many-sided witness to Christ. (2) It also helps
us to see precisely how the evangelists handled their sources, with or without
shaping them. (3) We can also detect more easily by this method the inten-
tion of the Gospel writers, and see the reason for the existence of four
variations on one theme; four Gospels illuminating one gospel from different
stand points.
Clearly we must use redaction criticism in any serious study of the
Gospels. But we must use it with care. It is not a question of redaction or
history in the New Testament, but both. If we accept that, the method of
Redaktionsgeschichte can be a positive aid to understanding the four
Gospels, and using them intelligently for Christian preaching and teaching.
By this method also further light can be thrown on the crux of the whole
matter, the origins of Christianity itself.
NOTES
I. SeeP. Benoit, Jesus and the Gospel, vol. 1 (E.T. London 1973), pp. 11--45.
2. The flowering of redaction criticism was in fact anticipated long ago by New Testament
scholarship in both Germany and the English-speaking world. F. C. Baur, for example, in
Das Markusevangelium nach seinem Ursprung und Charakter (Tiibingen 1851), saw Mark
as a (non-historical) late compilation dependent on Luke and Matthew, written to reconcile
the differences, reflected in the other Synoptists, between the Gentiles and the Jews. Early in
this century W. Wrede's study of Mark, Das Messiasgeheimnis in den Evangelien (Gottingen
1901; E.T. The Messianic Secret, Cambridge and London 1971), suggested that the so-called
"messianic secret" in Mark was a dogmatic intrusion and not an historical account. Cf. also
the latter part, on "the editing of the traditional material", of R. Bultmann's form-critical
3
study, Die Geschichte der synoptischen Tradition (Gottingen 1958 ), pp. 347fT., esp.
393--400 (E.T. The History of the Synoptic Tradition, Oxford 1963, pp. 321fT., esp. 368-74).
From England, the work of R. H. Lightfoot, in his famous Bampton Lectures for 1934
(published as History and Interpretation in the Gospels, London 1935) foreshadows redac-
tion-critical method. We also have redaction criticism under another name, no doubt, in the
work of B. W. Bacon (e.g. Studies in Matthew, London 1931), N. B. Stonehouse (e.g. The
Witness of Luke to Christ, London 1951), P. Carrington (e.g. According to Mark: A running
commentary on the oldest Gospel, Cambridge 1960) and A. M. Farrer (e.g. St. Matthew and
St. Mark, London 1966\ See J. Rohde, Rediscovering the Teaching of the Evangelists,
(E.T. London 1968), pp. 31--46.
3. The method of redaction criticism can also be applied to the study of other parts of the
New Testament, notably Acts and Revelatiqn.
4. E. Haenchen, Der Weg Jesu (Berlin 1968 ), p. 24.
5. So N. Perrin, What is Redaction Criticism? (London 1970), p. 66. See the whole section
on "Redaction and Composition", pp. 65-7.
6. Dr. Ernest Best's redaction-critical essay, The Temptation and the Passion: The Markan
Soteriology (Cambridge 1965), falls into this trap in its declared aim of "understanding the
Markan theology", and by taking Mark himself to be essentially an "author and theologian"
(see pp. xi f.).
192
REDACTION CRmCISM
193
NEW TESTAMENT INTERPRETATION
Contributions to the Study of the Markan Redaction (Louvain 1972); R. P. Martin, Mark:
Evangelist and Theologian (Exeter 1972), esp. pp. 84-162.
30. H. Flender, Heil und Geschichte in der Theologie des Lukas (Miinchen 1965; E.T. St.
Luke: Theologian of Redemptive History, London 1967). Cf. also I. H. Marshall, Luke:
Historian and Theologian (Exeter 1972).
31. J. L. Martyn, History and Theology in the Fourth Gospel (New York 1968)~ also id.
"Source Criticism and Redaktionsgeschichte in the Fourth Gospel", in D. G. Miller and D.
Y. Hadidian (ed.), Jesus and Man's Hope, Vol. I (Pittsburg 1970), pp. 247-73. Cf. also M.
Wilcox, "The Composition of John 13:21-30", in E. E. Ellis and M. Wilcox (ed.),
Neotestamentica et Semitica: Studies in Honour of Matthew Black (Edinburgh 1969), pp.
143-56.
32. B. Lindars, Behind the Fourth Gospel (London 1971); id., The Gospel of John (London
1972).
33. W. Nicol, The Semeia in the Fourth Gospel: Tradition and Redaction (Leiden 1972).
34. See also N. Perrin's redaction-critical analysis in What is Redaction Criticism?, pp.
40-63.
35. Cf. R. H. Stein, "The Proper Methodology for Ascertaining a Markan Redaction
History", loc. cit.
36. In these days of the "new look" on John, this is a more acceptable description of the in-
ter-relation of the Gospels than "the synoptic problem". SeeS. S. Smalley, "The Gospel of
John in Recent Study", Orita 4 (1970), pp. 42f.
37. Cf. the study of Matthew's theology in D. Hill, The Gospel of Matthew (London 1972),
pp. 60-72.
38. Cf. W. D. Davies, The Setting of the Sermon on the Mount (Cambridge 1964), pp. 92f.
39. So C. F. D. Moule, "St. Matthew's Gospel: Some Neglected Features", in F. L. Cross
(ed.), Studia Evangelica 2 (TU 87, Berlin 1964), pp. 91-9, esp. 92-4.
40. Cf. W. D. Davies, op. cit., p. 56.
41. Ibid. For this whole section, see pp. 50-6.
42. 0&6; eaTI'v o vt'Ot; pov dy<lmJTot; may also mean (as in RSVm8 )"This is my Son, myl(or
the) Beloved".
43. Cf. the bath qol in Mt. 3:17, at the baptism of Jesus.
44. In Mark, the mention of the disciples' reaction is made after the transfiguration and sub-
sequent vision; in Luke, it comes after the descent of the cloud. Notice, however, the use of
Kve•e in Mt. 17:4 (Mark has 'Pa{J{Jit and Luke 'ExtOTaTa).
45. For another explanation of the conjunction of "Christ" and "Son of the living God" in
Mt. 16:16, see 0. Cullmann, Petrus, Jiinger-Apostel-Miirtyrer: Das historische und das
theologische Petrusproblem (Ziirich 1952), pp. 190-206 (E.T. Peter: Disciple, Apostle, Mar-
2
tyr, London 1962 , pp. 176-91). As always when using the method ofredaction criticism, the
source-critical presuppositions involved (in this case, the use of Mark by Matthew) will to
some extent affect the conclusions reached.
46. See further G. M. Styler, "Stages in Christology in the Synoptic Gospels", NTS lO
(1963-64), pp. 404-6. Despite his heightened christology, Matthew does not give to this inci-
dent the same climactic significance as Mark.
4 7. On the other side see B. Gerhardsson, Memory and Manuscript (Uppsala 1961), esp. pp.
324-35. Gerhardsson argues for the place and importance of (Jewish-Christian) tradition in
the primitive transmission of the Gospel material.
48. For a critique of the assumptions involved in the tradition-historical approach, see
further D. Guthrie, op. cit., pp. 208-ll; also I. H. Marshal!, "The Foundations of
Christology", loc. cit., pp. 29-34. See also D. R. Catchpole's article in this volume.
49. N. Perrin, What is Redaction Criticism?, p. 40.
50. See I. H. Marshal!, Luke: Historian and Theologian, pp. l9f.
51. The dangers involved when redaction critics base their conclusions on presuppositions
such as those outlined, are highlighted in Dr. Norman Perrin's work, Rediscovering the
Teaching of Jesus (London 1967). Using the redaction-critical approach, Perrin formulates
three stringent and questionable criteria for establishing the authentic elements in the
teaching of Jesus (dissimilarity, coherence and multiple attestation), and on this foundation
194
REDACTION CRITICISM
reaches the doubtful conclusion that the parables of Jesus in their earliest form, the kingdom
of God sayings and the tradition of the Lord's Prayer can be accepted as a genuine part of
the dominical teaching, but little else. For a critique of Perrin's general method, and its
results, see M. D. Hooker, "Christology and Methodology", NTS 17 (1970-71), pp. 480-7.
The commentary by Barnabas Lindars, The Gospel of John, important as it is, exemplifies
the likelihood of subjectivity in redaction criticism. See further G. N. Stanton's article in this
volume.
52. See F. F. Bruce's article in this volume.
53. Against e.g. N. Perrin, Rediscovering the Teaching of Jesus, pp. 234-48.
54. See further. C. F. D. Moule, The Phenomenon of the New Testament: An Inquiry into the
Implications of Certain Features of the New Testament (London 1967), pp. 43-81, for a
positive discussion of the continuity between the Jesus of history and the Lord of faith.
55. See, inter alios, J. A. T. Robinson, "The New Look on the Fourth Gospel", inK. Aland
(ed.), Studia Evangelica, Vol. 1 (TU 73, Berlin 1959), pp. 338-350, reprinted in J. A. T.
Robinson, Twelve New Testament Studies (London 1962), pp. 94-106; also S. S. Smalley,
"New Light on the Fourth Gospel", Tyn. B 17 (1966), pp. 35-62.
56. This passage is part of a complete section of the Gospel, Mark 1:1-3:6.
57. The saying in Mk. 2:20 (with its mention of the bridegroom being taken away) is
probably an exception, and may derive from a later setting. For Mark's redactional use of
this verse, see R. P. Martin, op. cit., pp. 184-8. See also the treatment of this passage (seep·
tical, however, in the form-critical conclusions on which it is based) in E. Schweizer, op. cit.,
pp. 59-77.
58. It is possible that the "assembly" in Mk. 2:1-3:6 was wholly or in part pre-Markan (set'
2
V. Taylor, The Formation of the Gospel Tradition, London 1935 , pp. 177-81), in which
case we cannot be sure about the redactional interests which guided this early Sammler. But
even if the collection were pre-Marcan, it is likely that Mark took it over unchanged because
it fitted his interests so exactly.
59. See further on this passage D. Hill, op. cit., pp. 124f., 280f.; also R. Bultmann, op. cit.,
E.T. pp. 132, 148.
60. On the general issue of New Testament authority, see R. E. Nixon's article in this
volume.
61. Cf. R. P. Martin, op. cit., pp. 140-62, esp. 161f.
62. As it happens, T. Schramm's study, Der Markus-Stoff bei Lukas: Eine Literarkritische
und Redaktionsgeschichtliche Untersuchung (Cambridge 1971) sounds a note of caution in
the use of Redaktionsgeschichte for discovering the intention of Luke. See also C. H. Talbert,
"The Redaction Critical Quest for Luke the Theologian", in D. G. Miller and D. Y. Hadidian
(ed.), op. cit., pp. 171-222.
63. Cf. S. S. Smalley, "Diversity and Development in John", NTS 17 (1970-71), pp. 289f.
64. See further, C. F. D. Moule, "The Intention of the Evangelists", in A. J. B. Higgins (ed.),
New Testament Essays (Manchester 1959), pp. 165-79; reprinted in C. F. D. Moule, The
Phenomenon of the New Testament, pp. 100-14.
65. This is clear from the most cursory reading of J. Rohde's book, Rediscovering the
Teaching of the Evangelists.
66. Cf. C. F. D. Moule, "The New Testament", in F. G. Healey (ed.), Preface to Christian
Studies (London 1971), pp. 50f.
195
BIBLIOGRAPHY
CHAPTER XI
REDACTION CRITICISM
CHAPTER XII