HUM 1S Lesson 8: THEATER

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1. 1990's Writers continued to create theater texts using 18. children's It can also be community-based, which aims
the Filipino language. The themes of these plays theater to educate the children and the rest of the
still revolve in social, economic, political, and members of the community on basic rights of
cultural issues in the country. What year was it? the children and issues concerning them.
2. absurd It is related to the Brechtian theater in which 19. children's This may refer to school-based plays with
theater situations are deliberately exaggerated to prove theater children as actors. It may also include plays
an idea and whose characters are seen as types performed by adults for an audience of
instead of as individuals. children.
3. Audience It is the element of theater where the performers 20. dalumbayan Common among unions of peasants, groups
have to present for them and connect with them. of workers, and liberationist movements,
The performers tend to respond to their energy these theatrical forms include drama
while watching the play. simboliko, historical plays, plays with social
realism, teatrong bayan ng manggagawa,
4. Balagtasan It involves poems with four lines with 12
people's theater,
syllables per line.
nationalist/protest/propaganda theater, and
5. balitaw It later evolved into drama-balitaw, which street theater.
involves portraying a particular story on a stage
21. dalumbayan Plays under this type aim to improve current
with a minimal set.
systems of government.
6. balitaw It may refer to the song and its lyrics, or the
22. dalumbayan This is considered "theater in the context of
dance, but it may also refer to the entire
social movements."
performance itself since it exhibits an exchange
of words in a hypothetical situation. 23. dalumbayan It is also known as people's theater
7. balitaw It is a poetic debate between a man and a 24. dapit It involves escorting the image from the
woman. house of the caretaker to the church,
accompanied with music played by the brass
8. Bayok It is a Maranao mimetic joust.
band and dance.
9. bayok The singers, in this play, have to be careful in
25. dapit This refers to the tradition of fetching the
articulating verses in order to avoid heated
image of the community's patron saint.
conflict.
26. Design It s essential in placing the overall feel of the
10. bayok Two or more singers interpret the theme in a
production
spontaneous song-dance-debate.
27. Director He/she serves as an overseer to the entire
11. bayok The theme of the joust depends on the occasion
production
on when the joust is to be performed.
28. Director He/she ensures that the performers are doing
12. bertolt He was the inspiration of the Brechtian theater
their job well including understanding and
brecht
delivering the text.
13. bodabil Nowadays, it is performed during town fiestas,
29. documentary This is performed to connect historical
in film musicals, and in radio.
style persons and events to the present.
14. bodabil It is a stage presentation that consists of a range
30. drama This refers to allegorical nationalist drama
of musical and comedy acts, skits, and
simboliko which began during the American regime
monologues, novelty and acrobatic numbers,
solos, and chorus lines. 31. drama This was revived during the Marcos regime.
simboliko
15. brechtian This is also known as theater of instruction.
theater 32. dramatic Which involves one actor speaking while
monologue acting out his emotions and thoughts.
16. brechtian This play features a social orientation and
theater utilizes mime, dances, songs, stylized sets and 33. Dr. Prospero He is a Filipino anthropologist; developed a
costumes, and typical characters R. Covar typology of Philippine theater in which there
are four dramatic traditions based on where
17. brechtian Themes are usually taken from history, folklore,
contemporary theater takes place.
theater and other sources
34. Dulang In this category, theater is not viewed as a
pahiyang separate activity, but as part of life.
35. Dulang Rituals fall under this type 54. osana It is a short reenactment of the triumphal
pahiyang entry of Jesus Christ to Jerusalem.
36. Dulang Other forms include duplo, balagtasan, bayok, 55. paghuhugas ng This short ritual reenacts Christ washing
pahiyang and balitaw. paa the feet of his disciples before the Last
Supper
37. dula-tula Other characters are present to play all the
parts, and one actor simply acts as the narrator 56. paghuhugas ng This ritual demonstrates humility and
and is the only person speaking in the play. paa serving others.
38. dula-tula This is a variant of the dramatic monologue 57. pangangaluluwa This refers to a tradition involving
carolers who go to each house in the
39. Duplo It is described as a poetic debate in which the
community to act like souls in a
balagtasan was derived from.
purgatory and beg for alms
40. flores It may refer to the festival of flowers in honor of
58. panunuluyan This is a procession that reenacts Mary
Mary, mother of Jesus (Flores de Mayo) or the
and Joseph's search for an inn in
closing procession on the last Sunday of May
Bethlehem.
(flores de Maria).
59. panunuluyan This involves using two kano or floats
41. flores It is presented in the month of May and has
which bear the images of Mary and
three variations
Joseph, and singing of one male and one
42. flores de It is the closing procession on the last Sunday female singer accompanied by a brass
maria of May. band
43. flores de It is the everyday offering of flowers to the 60. pastores This is a reenactment of shepherds
mayo image of the Virgin (alay) honoring the infant Jesus. This is typically
44. hudas This refers to the burning of the image of Judas presented before Christmas Day.
Iscariot, which is popular in Bulacan, Pampanga, 61. pastores In some areas, pastores involves a group
and Cebu. of singers dressed as shepherds who go
45. hudas This is usually held on the evening of Black to every house in the area singing and
Saturday or on the morning of Easter Sunday. dancing to Christmas songs.

46. huling This is an actual supper enacted to 62. Performance It may also refer to the space for the
hapunan commemorate the last supper of Jesus with his space audience to sit or stand.
disciples on the night before His crucifixion. 63. Performance This element may refer to the space in
47. indigenous It has mostly Malay qualities and is performed space which the actors can perform.
theater in communities that comprise about 5% of the 64. performers These are persons who are onstage and
country's populations. portray their characters in a convincing
48. indigenous This type of theater is usually seen in the form way for the audience.
theater of rituals, mimetic customs, and dances. 65. Performers, What are the six elements of a theater?
49. komedya It is a play in verse that portrays the lives of audience,
saints director,
performance
50. komedya It may also depict actual events, or tales about
space, design, &
royalty in the kingdoms of Africa, Europe,
text
Arabia, and Persia.
66. Philippine It is described as a wide range of mimetic
51. moriones This is a short street play portraying the capture
theater performances that were created and
and beheading of Roman soldier Longinus, who
presented during occasions.
was involved in the crucifixion of Jesus Christ.
67. plays with These plays include drama, komedya,
52. Nonvisual An aspect of design which primarily includes
spanish sinakulo, and sarswela
aspect the sound.
influence
53. opera This is another example of theater as art which
refers to a form of musical theater that was
introduced in the Philippines during the late 19th
century.
68. presentational It focuses on discussing social issues and 81. street This refers to theater that is presented outside
play ideas. It can be categorized into theater the theater building and without the stage
documentary style, Brechtian theater, area.
Dula-tula, and traditional forms such as
82. street The political theater is a form of this type of
sinakulo and komedya.
theater theater.
69. puppet theater This is frequently performed in schools
83. sunduan It is another variant of flores which involves
and is a form of drama in which puppets
males fetching young ladies and going
portray the roles of the characters in the
together with the procession. People
story. These puppets can be flat figures
participating in this carry beautiful
that cast shadows on screen. Rounded
arrangements of flowers.
miniature figures that are controlled by the
puppeteer can also be used. These 84. tatlong hari This is a reenactment of the travel of the Magi
rounded figures can be manipulated using to worship the Infant Jesus in Bethlehem.
hands, rods, strings, or wires. 85. teatrong This is usually performed depending on the
70. representational It involves making an illusion of reality pansimbahan events in the church calendar (Catholic,
play with well-rounded characters. This can be Protestant).
psychological, which gives emphasis on 86. teatrong This type of theater is concerned with
the problem of individuals, or social, pansimbahan spirituality
which focuses on individual problems
87. Text This refers to the script.
within the context of the society.
88. Text This must be present in a particular play or
71. Ritual It is described as a way to communicate
production.
with gods or spirits.
89. theater It refers to an art form that involves
72. Ritual This involves a shaman, usually a
performing carefully planned actions and
babaylan or an albularyo, calling the
emotions in front of an audience.
spirit and being possessed by that spirit.
90. theater with This comprises of bodabil, and modern
73. salubong This short reenactment focuses on the
Anglo- Filipino plays written in English and in Filipino.
meeting of Mary, mother of Jesus, and
american
Jesus Christ who rose from the dead.
influence
74. Salvador Beral He is a famous performer of the
91. Up They first performed the Dula-Tula during the
Philippine theater
repertory early 1970s.
75. sarswela It is considered to be the most popular company
form of musical theater in the Philippines.
92. via crucis This tradition is a way of remembering the
76. sarswela It is generally describes as a musical play events leading to Christ's death and burial.
with a particular structure and standards.
93. Visual An aspect of design which include the
77. sarswela Themes depicted in this play usually Aspect lighting, set, and costumes.
revolve in Filipino domestic and social
situations.
78. siete palabras This is a reenactment of the last three
hours of Jesus Christ on the cross. It was
during this time when the Seven Last
Words were stated.
79. sinakulo It is a play performed during the Holy
Week. It depicts the story of salvation,
starting from the creation of the world up
to the life, death, and resurrection of Jesus
Christ.
80. soledad This procession, which is usually
performed late in the evening, portrays
Mary's grief after burying Jesus Christ.