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    12 Suites From The London and Dresden Manuscripts

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    Maria Tellini F
    The document lists 12 suites and individual pieces from the London and Dresden manuscripts. The suites and pieces are organized by key (A minor, A major, D minor, D major, E major) and include genres such as suites, sonatas, overtures, fugues, fantasias, and tombeaus. Each piece is listed along with its source manuscript and page number.

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    © All Rights Reserved
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    12 Suites From The London and Dresden Manuscripts

    Uploaded by

    Maria Tellini F
    48 views1 page
    The document lists 12 suites and individual pieces from the London and Dresden manuscripts. The suites and pieces are organized by key (A minor, A major, D minor, D major, E major) and include genres such as suites, sonatas, overtures, fugues, fantasias, and tombeaus. Each piece is listed along with its source manuscript and page number.

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    ch238-c

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    The document lists 12 suites and individual pieces from the London and Dresden manuscripts. The suites and pieces are organized by key (A minor, A major, D minor, D major, E major) and include genres such as suites, sonatas, overtures, fugues, fantasias, and tombeaus. Each piece is listed along with its source manuscript and page number.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    48 views1 page

    12 Suites From The London and Dresden Manuscripts

    Uploaded by

    Maria Tellini F
    The document lists 12 suites and individual pieces from the London and Dresden manuscripts. The suites and pieces are organized by key (A minor, A major, D minor, D major, E major) and include genres such as suites, sonatas, overtures, fugues, fantasias, and tombeaus. Each piece is listed along with its source manuscript and page number.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    Contents

    12 Suites from the London and Dresden Manuscripts


    1. Suite in A Minor «L’infedele» (Dresden no. 15 - London no. 25). . . p. 2
    2. Suite in A Minor (London no. 10). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
    3. Suite in A Minor (Dresden no. 14). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
    4. Ouverture in A Minor (Dresden no. 33). . . . . . . . . . . . . . . . . . . . . . . . . . 29
    5. Sonata in A Major (Dresden no. 17 - London no. 8). . . . . . . . . . . . . . . . 40
    6. Suite in A Major (Dresden n. 20). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
    7. Suite in A Major (Dresden no. 25). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
    8. Suite in D Minor (Dresden no. 7) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
    9. Partita in D Minor (Dresden no. 6). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
    10. Suite in D Minor (Dresden no. 5) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
    11. Suite in D Major (London no. 14). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
    12. Suite in E Major (Dresden no. 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

    12 Individual Pieces from the London Manuscript


    1. Tombeau sur la mort de M: Cajetan Baron D’Hartig. . . . . . . . . . . . . . 122
    2. Tombeau sur la mort de M.ur Comte D’Logÿ. . . . . . . . . . . . . . . . . . . . 124
    3. Plainte de Mons: Weiss. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
    4. Largo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
    5. Fuga . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
    6. Fantasia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
    7. Ouverture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
    8. Capriccio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
    9. Angloise/ Bourrée (?). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
    10. Prelude. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
    11. Fuga . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
    12. Allegro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

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