Thomas Fletcher

2016 CAMERA COMPARISON CHART Gary Adcock

Latitude
THOMAS FLETCHER Imager
ISO MFG 4 Frame Rates
Pixel Resolution of Recorded Bit Depth
Format & Time
Data Weight Power
Highlighted Positives
Notable
List Price
Camera Only
(Actual Size) Published Recorded Media (Per Min) (Body Only) Draw Credits
& GARY ADCOCK Spec
(Highest Internal Record @ 24 fps) (US Dollars)

OG 3424 x 2202 XT 1 12 Bit ARRIRAW XT/SXT True Anamorphic 4:3 Imager

100w XT
XT / SXT Open Wide Latitude Ideal for HDR Snowden
OG 3424 x 2202 SXT 29 min - 512GB OG XR Drive 14.1lbs 90w SXT Star Trek Beyond
CMOS 75 OG 90 4:3 2880 x 2160 XT 39 min - 512GB 4:3 XR Drive
Gate
XT
Gently Rolls Off Highlights
Arriraw
800 14+ 90 4:3 96
16.2/16.6 Proven Reliable, Post-Efficient Fast & Furious 8
33.6mm Ø 4:3 2880 x 2160 SXT 47 min - 512GB 16:9 XR Drive 4:3
SXT Option records ProRes in Log C, Game of Thrones
$82,180
Base Stops 96 6:5 96
28.3 × 18.2mm 16:9 2880 x 1620 XT 117 min - 2TB OG SXR Drive 13.7/13.7 14.3 lbs 100w XT 709 or 709 w/ look; allows 3
120 16:9 120 SXT 90w SXT
Man in the
16:9 3168 x 1782 SXT 142 min - 2TB 4:3 SXR Drive 16:9 independent MON outs: 709, 2020
ProRes High Castle
ARRI ALEXA SXT & XT Based on ARRIRAW 157 min - 2TB 16:9 SXR Drive 10.0/12.5 or Log C. Accepts 2TB SXR Drives

12 lbs 62w 8K, 6K, 4K De-mosaic Billy Lynn's Long

1 to 120 fps
8K 8192 x 2160 16 Bit ACES Workflow Halftime Walk
CMOS 800 14
Electronic Shutter
4K 4096 x 2160 F65RAW - LITE 8.5 GB Body Only Body Only
Rotary Shutter Café Society
$65,000
per
27.9mm Ø Base Stops
1 to 60 fps
2K 2048 x 1080 60 min- 512GB Minute
16 Bit Linear RAW A Series of
HD 1920 x 1080 120 min - 1TB 16 lbs 105w Ultra Wide Color Gamut Unfortunate
24.7 x 13.1mm Rotary Shutter
w/SR-R4 w/SR-R4 Build-In ND Filters Events
Sony F65
Guardians of the
1-60fps 8K 8K 8192 x 4320 Unique Large Format Aesthetic
16 Bit Galaxy Vol.2
CMOS 1-100fps 6K 6K 6144 x 3240 REDCODE - 8K FF @ 5:1 15.2GB
True Anamorphic
Allied 2
Internal REDCODE RAW
46.3mm Ø 1250 16.5 1-120fps 5K 5K 5120 x 2700 512GB SSD - 35 min per 3.3 lbs 70w
Compressed Raw recording
$ 59,500
40.9 x 21.6mm Base Stops 1-150fps 4K 4K 4096 x 2160 1TB SSD - 70 min Minute
Internal Dual Record Compressed Newly Released
1-300fps 2K 2K 2048 x 1080 (HDRx Cuts Time in Half) Raw w/ ProRes or Avid DNx Codecs Camera More
Red Weapon 8K VV (Dragon) Credits Coming Soon

1-60fps 8K 8K 8192 x 4320 16 Bit Allied 3

Internal REDCODE RAW
CMOS 1250 16.5
1-100fps 6K 6K 6144 x 3240 REDCODE - 8K FF @ 3:1 12.2 GB Compressed Raw recording
Transformers:
34.5mm Ø 1-120fps 5K 5K 5120 x 2700 512GB SSD - 41 min per 3.3 lbs 65w The Last Knight $ 49,500
Base Stops Internal Dual Record Compressed
29.9 × 15.8mm 1-150fps 4K 4K 4096 x 2160 1TB SSD - 83 min Minute
Raw w/ ProRes or Avid DNx Codecs Independence
Red Weapon 8K S35 (Helium) 1-300fps 2K 2K 2048 x 1080 (HDRx Cuts Time in Half) Day: Resurgence
23

Super Lightweight Carbon Body Empire

OG - .75-30 fps OG 3424 x 2202 12 Bit ARRIRAW ALEXA Sensor Lattitude and Ice
CMOS 800 14+
ARRIRAW .75-48 fps
4:3 ProRes .75-50 fps
4:3 - 2880 x 2160 8.7 GB HDR image quality
Bates Motel
33.6mm Ø UHD 16:9 3840 x 2160 ProRes4444XQ UHD per 5 lbs 45-75w Integrated Lens Motor Control $45,000
Base Stops 16:9 .75-200 fps
16:9 2048 x 1152 Minute Motorized ND filters Doctor Strange 2
28.3 × 18.2mm 6:5 ProRes.75-150 fps 256GB CFast - 20 min
8:9 ProRes.75-150 fps 16:9 1920 x 1080 Records Classic ALEXA formats Exchangeable Lens Mounts Fear of the
ARRI ALEXA Mini Perfect for Gimbals & Multicopters Walking Dead

4.8 GB Exceptional Low Light Performance

The Duece
Dual Bad Santa 2
CMOS 800 1-120 fps
4K 4096 x 2160 12Bit AVC-Intra4K
12 Bit
4:4:4
11 lbs 69w
Clean Signal @ 5000 ASA
In-Camera Color Grading/Dailies Master of None
27.8mm Ø 14+ UHD 3840 x 2160 256GB Express P2 Card
& AVC-Intra 4K & w/AVC w/AVC Dual Codec Records Un-graded Death Note $45,000
Stops 2K 2048 x 1080 45 min 4:4:4 | 90 min 4:2:2
24.6 x 12.9mm 5000 V-RAW 10 Bit
2.4GB Intra Rec. Intra Rec. 4K Master & HD Just Add Magic
HD 1920 x 1080 124 min - ProRes HD V-RAW Uncompressed via attach-
Base 4:2:2 Orange is the
able, formfitting Codex Recorder
Panasonic VariCam 35 10 Bit
New Black
Ultra Wide Color Gamut
16 Bit 49w Blacklist
1-120fps @ 4K 4K 4096 x 2160 7.1 GB 7.7 lbs Lightweight and Small Profile
CMOS 1250 14 1-180fps @2K UHD 3840 x 2160
512GB AXSM
4K Raw- 60min
4K RAW F55 & R7
System
1250 ISO Sensor w/ Global Shutter Marco Polo
27.1mmØ 2x Anamorphic De-Squeeze Big Bang Theory $42,688
Base Stops 1-180fps @HD 2K 2048 x 1080 4K-X-OCNST -84min
25w
2.3 GB 5 lbs 2K Mode Uses Full Image Sensor Sense8
24 x 12.7mm 1-240 @2K Raw HD 1920 x 1080 XAVC 10 Bit 4:2:2 Body XAVC -ProRes - DNxHD - MPEG -
4K 2K HD
4K XAVC F55 Kevin Can Wait
Sony F55 w/R7 Only RAW

1
Future 2Select Shots 3 6K Version 4 Manufacturer’s Published Spec Camera must be available for sale | Data based on 24fps and highest INTERNAL record. 2016 Camera Comparison Chart v35
 Thomas Fletcher
2016 CAMERA COMPARISON CHART Gary Adcock

Latitude
THOMAS FLETCHER Imager
ISO MFG 4 Frame Rates
Pixel Resolution of Recorded Bit Depth
Format & Time
Data Weight Power
Highlighted Positives
Notable
List Price
Camera Only
(Actual Size) Published Recorded Media (Per Min) (Body Only) Draw Credits
& GARY ADCOCK Spec
(Highest Internal Record @ 24 fps) (US Dollars)

1-60 fps ALEXA Image Quality ideal for HDR Ballers

CMOS 4K UHD
3840 x 2160 12 Bit
8 GB Lightweight Comfortable Handheld The Ivory Game
27.2mm Ø 800 14+ 3200 x 1800 ProRes 4:4:4 UHD
per 9.2 lbs 50w 4K UHD & 3.2K Record Options A Bite of China $35,000
23.8 × 13.4mm Base Stops 2048 x 1152 Powerful In-Camera Color Grading
.75-200 fps Minute Goat
1920 x 1080 128GB CFast - 14 min 200 fps Slow Motion
ARRI AMIRA (Premium Version) ProRes NFL Films

8K 8192 x 4320 Pro Res Workflow Option

16 Bit
1-30fps 8K Custom OLPF Filters
CMOS 800 14+ 1-75fps 6K
6K 6144 x 3240 REDCODE - 6K FF @ 5:1 5.2GB 3.3 lbs HDRx High Dynamic Range
Camera Newly
34.5mm Ø 5K 5120 x 2700 512GB SSD - 52 min per Carbon 60-65w Released Credits $29,500
Base Stops 1-120fps 4K Well Established R3D workflow
30.7 × 15.8mm 4K 4096 x 2160 1TB SSD - 104 min Minute Fiber
Modular Design Coming Soon
1-240fps 2K
Red Epic-W 8K S35 (Helium) 2K 2048 x 1080 (HDRx Cuts Time in Half) High Frames per Second

1-30 fps
Dual AVC-Intra 4K422 Exceptional Low Light Performance
4K 4096 x 2160 10Bit Million Dollar
CMOS 800
14+
1-60fps
UHD 3840 x 2160 512GB Express P2 Card 2.3GB
Clean Signal @ 5000 ASA
Quartet
27.8mm Ø & AVC-Intra 4K422 LT 6 lbs 47w LT RAW via Convergence Design
Stops 2K 2048 x 1080 180 min -AVC-Intra4K422 4:2:2
Odyssey 7Q, 7Q+ and Atomos
A.P.B. $18,000
5000
24.6 x 12.9mm 23.98, 24, 25, 29.97 HD 1920 x 1080 124 min - ProRes HD Shogun Inferno Only Temporary
Base
Panasonic VariCam LT fps 2K 12Bit

10 Bit 4:2:2 Pro Res HD Workflow Option

Closed Course
CMOS 2000 14 1-60fps @ 4K
4K 4096 x 2160 XAVC-I HD, UHD 2.3GB Optional Externak
Annabelle Hooper
27.1mmØ UHD 3840 x 2160 QXD 128GB = 55min 4K 4.5 lbs 19w 12bit 4KRaw Recorder $13,199
Base Stops 1-180fps @HD and the Ghosts of
23.5 x 13.7mm HD 1920 x1080 ProRes 4:2:2 HQ XAVC Affordable Media - High FPS
Nantucket
Sony FS7 QXD 128GB = 74min (FS7 II Coming January 2017)
1.7 GB Canon Log 2 HDR Exposure Our Souls at
1-120 fps @
12/10 Bit RGB
4096 x 2160 per Latitude Night
2K/HD XF-AVC-Intra 4:4:4
4.4 lbs Exceptional Sensitivity
CMOS 800 15 3840 x 2160 128GB CFast - 75 min
Minute
(PL 21.2w Three Wide Color Gamuts
Divided America
$11,999
Base Stops 2048 x 1080 10 Bit YCC 4:2:2 Transparent
29.8mm Ø 1-30 fps @ 3.1 GB Version) OLED Viewfinder
1920 x 1080 XF-AVC Intra Canon RAW via external recorder Six
Canon EOS C300 Mark II 26.4 x 13.8mm 4K/UHD 128GB CFast - 40 min
per
Minute 2/4/6/8/10 Stop ND Filters Jason Bourne 2
2
24p, 25p, 30p, 8 Bit 4K Uncompressed Output w/ Fast 8
CMOS 850 12 50i, 60i @ HD
1920 x 1080 MPEG2 MXF - 50Mbps 0.4 GB Wide Variety of External Recorders Kong Skull Island
2

29.8mm Ø Base Stops Outputs 2K & 4K

128GB CF - 320 min per 4 lbs 23.9w PL or EF mount The Man from $9,999
Minute High Dynamic Range
26.4 x 13.8mm 24, 25, 30, 50, 60, 120 to External Recorder U.N.C.L.E 2
@ 4K to Ext. Recorder 4K 10Bit w/ External Recorder Small Self Contained Ideal for 3D
Canon EOS C500 Before the Flood
2
1-60 fps 4.6K
4.6K 4608 x 2592
12 Bit 4.6K S35 Image w/ High Latitude ID: Resurgence
CMOS Cinema DNG 10.8 GB Super compact lightweight design The Fosters 2
800 15 4K 4096 x 2304
29.1mm Ø Base Stops
1-120fps 2K
UHD 3840 x 2160
256GB CFast per 5 lbs 45w Dual RAW & ProRes CFast recorders Hunters 2 $4,995
25.3 x 14.2mm &HD RAW 3:1 - 25 min Minute Professional 12G-SDI Connectors
HD 1920 x 1080 Various Regional
Blackmagic URSA Mini 4.6K (Windowed ) RAW 4:1 - 31 min Includes DaVinci Resolve Studio
& National Spots
1-150 fps 6K Westworld
Full Aperture 16 Bit (Linear) 4:4:4 Color Sampling
Arri 435 4K Girl on the Train FILM
31.1mm Ø 500 15-16 10 Bit (Log) 25 lbs 55w Established Workflow
2K N/A Loving .77 ₵
24.9x18.1mm Base Stops
1-60 fps Uncompressed
3P 14m48s 1000' 400' Load ARRICAM Widest Available Latitude
The Magnificent per foot
4P 11m06s 1000' Proven Archival Value
35mm Film Sync Sound Body (via Scanner) Seven

1
Future 2Select Shots 3 6K Version 4 Manufacturer’s Published Spec Camera must be available for sale | Data based on 24fps and highest INTERNAL record. 2016 Camera Comparison Chart v35