Folk Art of India

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Folk Arts and Crafts of India

1.Madhubani

Also called Mithila art, it originated in the kingdom of Janak (Sita’s father in Ramayana)
in Nepal and in present-day Bihar. It is one of the most popular Indian folk arts,
practiced mostly by women who wanted to be one with God. Characterised by
geometric patterns, this art form wasn’t known to the outside world until the British
discovered it after an earthquake in 1930’s revealed broken houses with Madhubani
paintings. It mirrored the work of Picasso and Miro, according to William G. Archer.
Most of these paintings or wall murals depict gods, flora and fauna.

2.Miniature Paintings

These paintings are characterized by its miniature size but intricate details and acute
expressions. Originating in the Mughal era, around 16th century, Miniature paintings are
influenced by Persian styles, and flourished under Shah Jahan and Akbar’s rule. Later,
it was adopted by Rajputs, and is now popularly practiced in Rajasthan. As with other
art forms, the paintings depict religious symbols and epics. These paintings stand out as
humans are portrayed with large eyes, a pointed nose and a slim waist, and men are
always seen with a turban.
3.Phad

Originating in Rajasthan, Phad is mainly a religious form of scroll painting depicting folk
deities Pabuji or Devnarayan. The 30- or 15 feet-long canvas or cloth that it is painted
on is called phad. Vegetable colours and a running narrative of the lives and heroic
deeds of deities characterize these paintings.

4.Warli

Originated by the Warli tribes from the Western Ghat of India, in 2500 BCE, this is easily
one of the oldest art forms of India. It is mainly the use of circles, triangles and squares
to form numerous shapes and depict daily life activities like fishing, hunting, festivals,
dance and more. What sets it apart is the human shape: a circle and two triangles. All
the paintings are done on a red ochre or dark background, while the shapes are white in
color.
5.Gond

Characterized by a sense of belonging with nature, the Gondi tribe in Madhya Pradesh
created these bold, vibrantly colored paintings, depicting mainly flora and fauna. The
colours come from charcoal, cow dung, leaves and colored soil. If you look closely, it is
made up of dots and lines. Today, these styles are imitated, but with acrylic paints. It
can be called an evolution in the Gond art form, spearheaded by Jangarh Singh Shyam,
the most popular Gond artist who revived the art for the world in the 1960’s.

6.Kalamkari

Literally meaning ‘drawings with a pen’, Kalamkari is of two types in India:


Machilipatnam, which originates from Machilipatnam in Andhra Pradesh and
Srikalahasti, which originates from Chitoor in the same state. While the former refers to
block-printed form of art, the latter is a free flowing art with a pen on fabric. Today,
Kalamkari art is used on sarees and ethnic clothing, and depicts anything from flora and
fauna to epics such as Mahabharata or Ramayana.
7.Tanjore

From down South, Tanjore or Thanjavur paintings originated in 1600 AD, encouraged
by the Nayakas of Thanjavur. You can recognize a Thanjavur painting by its use of gold
foil, which glitters and lends the painting a surreal look. These panel paintings on
wooden planks depict devotion to gods, goddesses and saints. It borrows its styles from
Maratha and Deccani art, as well as European styles.
8. Cheriyal Scrolls

Originating in present-day Telangana, this dying art form is practiced by the Nakashi
family only, where it has been passed down for many generations. The tradition of long
scrolls and Kalamkari art influenced the Cheriyal scrolls, a much more stylized version
of Nakashi art. Depicting puranas and epics, these 40-45 feet scrolls were an essential
visual accompaniment as saints wandered around singing or narrating the epics. They
resemble modern-day comic panels, with about 50 on each scroll. They use primary
colours and a vivid imagination, a stark contrast from the traditional rigor of Tanjore or
Mysore paintings.

9.Kalighat Paintings

A recently discovered painting style, it originated in the 19th century Bengal, from
Kalighat. It was the time when upheaval against the British was a possible, exciting
idea. These paintings, on cloth and pattas, at first depicted Gods and Goddesses, but
then took a turn towards social reform. With cheap paper and paint colours, squirrel hair
brushes and color pigments, the art was characterized by flawless strokes, brushwork,
and simple but bold drawings. It sought to raise awareness about social conditions in its
viewers – rich zamindars were depicted drinking wine with women, while priests were
shown with ‘unchaste’ women and police babus being sloppy.
10.Patachitra

A cloth-based scroll painting from Odisha and West Bengal, these paintings with sharp,
angular bold lines depict epics, Gods and Goddesses. Originating from the fifth century
in religious hubs like Puri and Konark, around the same time that sculpturing began,
considering there was no known distinction between an artist and sculptor back then.
What’s unique about this art form is that the dress style depicted in the paintings has
heavy influence of the Mughal era.

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