History of Dances
History of Dances
History of Dances
PE12 A18
HISTORY OF DANCES
Boogie
Boogie Dance, or Boogie-woogie is a form of swing from the dance. Most rules suggest that the
dancing that was originally known as “Barrelhouse” couples have to maintain some contact during the
dancing. It is called boogie-woogie in Europe, but acrobatics, which helps to avoid moves like
this dance is more commonly known as East Coast double/triple flips, commonly seen in Acrobatic
swing in the United States. During the 1950s, rock ‘n’ roll (like the name suggests).
today’s boogie-woogie would have been known as
“rock ‘n’ roll.” Although the dance can go with Boogie-woogie can be slow or fast. When fast
boogie-woogie music, it’s more often paired with beats are used, boogie-woogie often moves into
rock music. Because rock ‘n’ roll dance was already East Coast swing, Hollywood style and jitterbug.
established in dance competitions (Acrobatic Rock Many people confuse it with the lindy hop, which it
n’ Roll), boogie-woogie had to find an alternate closely resembles. Although lindy hop has had a
label. It adopted a name based on the music with great influence on boogie woogie, the two are not
which it was often paired: fast-paced, boogie- interchangeable. Another misconception is that as
woogie style piano. a form of swing dancing, boogie-woogie must be
fast paced. Boogie-woogie dance and music can,
Boogie-Woogie dancing was a response to this new however, be slow.
sound – but didn’t really evolve until Rock ‘n’ Roll
music came into existence in America and Europe
in the 1950′s. It’s popularity grew and grew as the
fledgling Rock ‘n’ Roll stars such as Elvis and Jerry
Lee Lewis replaced the old Swing music on the
radio and in nightclubs.
Tango
Tango is a dance that has influences from European and African culture. Dances from the candombe
ceremonies of former slave peoples helped shape the modern day Tango. The dance originated in lower-class
districts of Buenos Aires and Montevideo. The music derived from the fusion of various forms of music from
Europe. The word "tango" seems to have first been used in connection with the dance in the 1890s, possibly
related to the Latin word "tangere" but more likely related to the African slave word "tango" (drum or dance
place).
Initially it was just one of the many dances, but it soon became popular throughout society, as theatres and
street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds
of thousands of European immigrants.
In the early years of the 20th century, dancers and orchestras from Buenos Aires travelled to Europe, and the
first European tango craze took place in Paris, soon followed by London, Berlin, and other capitals. Towards
the end of 1913 it hit New York in the US, and Finland. In the US around 1911 the word "tango" was often
applied to dances in a 2/4 or 4/4 rhythm such as the one-step. The term was fashionable and did not indicate
that tango steps would be used in the dance, although they might be. Tango music was sometimes played, but
at a rather fast tempo. Instructors of the period would sometimes refer to this as a "North American tango",
versus the so-called "Argentine Tango". By 1914 more authentic tango stylings were soon developed, [which?]
along with some variations like Albert Newman's "Minuet" tango.
In Argentina, the onset in 1929 of the Great Depression, and restrictions introduced after the overthrow of the
Hipólito Yrigoyen government in 1930 caused tango to decline. Its fortunes were reversed as tango became
widely fashionable and a matter of national pride under the government of Juan Perón. Tango declined again
in the 1950s as a result of economic depression and the banning of public gatherings by the military
dictatorships; male-only Tango practice—the custom at the time—was considered "public gathering". That,
indirectly, boosted the popularity of rock and roll because, unlike Tango, it did not require such gatherings.
In 2009, the tango was added to the UNESCO Intangible Cultural Heritage Lists.
Lindy hop was fast and intricate, to match the there was a huge revival in the USA during the
music being produced by the big bands. But over 1990s, spawning breakthrough neo-swing pop acts
time the bands got smaller and the dancing such as Indigo Swing, Swingerhead and The Brian
The Waltz is the oldest of the ballroom dances, dating from the middle of the Eighteenth Century. The German
"Lander", a folk dance, is supposed to be the forerunner of the Waltz. During this time period a dance
developed which was called the "Walzer", a word owing its origin to the Latin word Volvere, which indicates a
rotating motion. Napoleon's invading solders spread the waltz from Germany to Paris; then the dance glided
across the channel to England and finally made its way to the United States.
When the Waltz was first introduced into the ballrooms of the world in the early years of the Nineteenth
Century, it was met with outraged indignation, for it was the first dance where the couple danced in a
modified Closed Position - with the man's hand around the waist of the lady.
Beginning about 1830, the waltz was given a tremendous boost by two Austrian composers Lanner and
Strauss. They set the standard for the Viennese Waltz, a very fast version played at about 55 - 60 measures per
minute. The fast tempo did indeed present problems. Much of the enjoyment of the new dance was lost in the
continual strain to keep up with the music.
It is not known exactly when the waltz was introduced to the United States. It was probably brought to New
York and Philadelphia at about the same time, and by the middle of the Nineteenth Century was firmly
established in United States society.
During the later part of the Nineteenth Century, Waltzes were being written to a slower tempo than the
original Viennese rhythm. Around the close of the Nineteenth Century, two modifications of the waltz
developed in the United States. The first was the "Boston", a slower waltz with long gliding steps; there were
fewer and slower turns and more forward and backward movement than in the Viennese Waltz. This version
eventually stimulated the development of the English or International Style which continues today. The
American Style Waltz is similar to the International Style except the American Style has open dance positions
and the dancers legs pass instead of close. The second modification was the "Hesitation Waltz", which involves
taking one step to three beats of the measure. Although the "Hesitation Waltz" is no longer danced, some of
it's step patterns are still in use today.
Today both the faster Viennese Waltz, made forever popular by the Strauss family, and the slower American
and International style waltzes are extremely popular today with dancers of all ages.