ROR

Tunes & Dances

February 2020
Version 8cf0f94
History
Rhythms of Resistance take some of their inspiration from the "blocos-
afros" bands (e.g. Olodum or Ilê Aiyê) that emerged in the mid-1970s in
Salvadore, in the Bahia region of Brazil. These bands were formed as
expressions of black awareness, in defiance of a military dictatorship
which viewed any "cultural" group as potentially "communist" and
ruthlessly suppressed them. Blocos-afros bands were responsible for
blending traditional samba rhythms with reggae, salsa and merengue to
create the samba style now known as Samba Reggae. Today many of
these bands still campaign for freedom, human rights and equal
opportunities, and fight against social injustice and racism
The first Rhythms of Resistance band formed 2000 in London, in reaction
against the repression of Reclaim The Streets happenings by the police.
Rhythms of Resistance formed as part of the UK Earth First action against
the IMF / World Bank in Prague in September 2000. A Pink and Silver
carnival bloc, focused around a 55 piece band, detached itself from a
march of 67000 and outmanouvered police resources defending the IMF
annual summit. With an international ’black bloc’ and a large contingent
from the Italian movement, ’Ya Basta’, three diverse forms of direct action
worked towards a common goal and resulted in the shut down of the IMF
summit. From then on, along with the movement against capitalist
globalisation, one group after the other popped up – now we’re all over
Europe and occasional in the rest of the world.

The Network
The Rhythms of Resistance (RoR) network of activist samba drum bands
comprises more than 60 separate activist samba drum bands all over the
world. RoR is descended from the pink and silver "tactical frivolity" bloc
(aka the "silly stunts and fluffy stuff" section) of the anti-Globalisation
campaigns of the 1990s and early 2000s. As such, the use of tactical
frivolity, carnival and creativity are a defining hallmark of bands in the RoR
network (it is also why many of the bands in the RoR network wear pink
when out and about).
All the bands in the RoR network play the same tunes and try and use the
same hand signals. This means at large events, different bands can join
up to form a large and exuberant bateria.
RoR bands work on a decentralised and democratic basis. All decisions
within each band are made by consensus. No-one is "in charge" and those
who have just joined the band have the same voice as those who have
been members for many years. Each band operates independently, joining
campaigns and actions that they themselves support, but they may join
together for national demos etc. At large events, where multiple bands
meet up and play together, mestres may come from any of the bands
present, swapping in and out as mood and movement takes them.
Although each band in the network is a independent entity answerable
only to its members, they all share some common beliefs and values that
define the Rhythms of Resistance network as a whole :

Principles
We are a transnational anti-hierarchical anticapitalist, antisexist and
antiracist network fighting for social and ecological justice.
We are activists using tactical frivolity as a form of political action to
confront any system of domination.
We also directly support everybody experiencing or struggling against
exploitation, discrimination and oppression, without compromising our
principles.
Our tactics include drumming and dancing inspired by samba and
carnival.
We reject any false opposition between militancy and creative forms of
resistance.
Even if we are different bands operating in a decentralized fashion, we aim
to maximise participation in our collective process.
We are an open network to any people who share our principles.
Come with us! We have everything to play for!
Cultural Appropriation
Cultural appropriation is the adoption of elements of a minority culture by
members of a dominant culture, while using these elements outside of their
original cultural context. These cultural properties may be forms of dress,
music or art, religion, language, intellectual property or social behavior, all of
which may have deep cultural meaning to the original culture, but may be
used as fashion by those from outside that culture.
Often, the original meaning of these cultural elements is lost or distorted, and
such displays are often viewed as disrespectful, or even as a form of
desecration, by members of the originating culture. Cultural elements which
may have deep meaning to the original culture may be reduced to “exotic”
fashion or toys by those from the dominant culture. When this is done, the
imitator, who does not experience that oppression is able to “play”,
temporarily, an “exotic” other, without experiencing any of the daily
discriminations faced by other cultures. Appropriation and the “fetishizing” of
cultures, in fact, alienates those whose culture is being appropriated
(From Wikipedia)

Rhythms of Resistance takes its form of action and some aspects of its music
from a Brazilian Black liberation movement, while not being part of that
movement. Our selection of instruments is the same and our way of
maestrating similar to real batucadas. Custard, Samba Reggae and Sheffield
Samba Reggae are simplified versions of original Samba Reggae rhythms,
and Afoxê, Bhangra, Crazy Monkey, Hafla and probably others are based on
other styles of music from the Global South. The names Voodoo and Xango
have a religious background.
There is an ongoing debate in the RoR network about to what extent this is
cultural appropriation, and what consequences to draw from that. Many
bands have decided to stop calling themselves “Samba” or “Batucada”, but
rather use alternative phrases like percussion or drumming. Some bands
have decided to stop playing specific tunes.
Still it is important to acknowledge that our methods and music are inspired
by Samba and Carnival and are using many elements from it.
RoR Player
The RoR Player can be used on computers and smartphones to browse the
tune sheets of all RoR tunes, listen to them, combine them in differnet ways,
modify them, and even create own tunes and share them with others. It can be
found at https://player.rhythms-of-resistance.org/. It works directly in the
browser, and after being used for the first time it, it can also be opened without
an internet connection.
The player has two modes, which can be selected on top of the screen. In
“Listen” mode, you can listen and read a detailed description of each tune by
selecting one from the list on the left (on mobile devices, click on the menu
button on the top left first). By clicking on the pen symbol, you can see the
notes of a tune or break while it is playing. Some tunes have a video where
you can see how it is played and maestrated. You can find more videos and
upload your own on the RoR Tube: https://tube.rhythms-of-resistance.org/
By clicking the dropdown with the Equalizer symbol, you can make specific
instruments louder or quieter, adjust the playback speed, and add a whistle
sound on the 1 or on each beat.

In “Compose” mode, you can modify tunes/breaks, compose your own ones,
and listen to them in different combinations. On the left side, there is an
overview of all tunes and breaks, and on the right side you can compose a
“song”. A song is a sequence of tunes and breaks, which you can use if you
want to hear how different breaks would sound in combination.
To create a new tune, click the “New tune” button on the bottom left. To add a
new break to an existing tune, expand the tune on the left and click on the plus
icon underneath all its breaks. To edit an existing tune or break, click the pen
icon. The tune sheet is opened and you can modify it by clicking the individual
strokes, even while it is playing. You can also use the keyboard (for example
pressing X or Space) for faster composing.

Any modifications that you make to existing tunes and any tunes that you
create are saved in your browser, so others cannot see them but they stay on
your computer. To share them with other people, click on “Tools” → “Share” to
generate a link that contains your tunes. When opening a link that someone
else sent you, use the “History” button on the top right to go back to the tunes/
songs that you had created before.
General Breaks
Silence 1 4 Beats of Silence
4 fingers

Double Silence 1 8 Beats of Silence

two hands show 2
4 fingers

Triple Silence 1 12 Beats of Silence

like “Double Silence” 2
one hand upside down 3

Quad Silence 1 16 Beats of Silence

like “Double Silence” 2
both hands upside down 3
4

Continue for One Bar 1 . . . . . . . . . . . . . . . . Continue 4 Beats

draw a horizontal line in the air with one finger

Continue for Two Bars 1 . . . . . . . . . . . . . . . . Continue 8 Beats

like “continue for one bar” 2 . . . . . . . . . . . . . . . .
with both hands

Continue for Three Bars 1 . . . . . . . . . . . . . . . . Continue 12 Beats

like “continue for two bars” 2 . . . . . . . . . . . . . . . .
and then “continue for one bar” 3 . . . . . . . . . . . . . . . .
in the opposite direction

Continue for Four Bars 1 . . . . . . . . . . . . . . . . Continue 16 Beats

like “continue for two bars” 2 . . . . . . . . . . . . . . . .
and then again in the 3 . . . . . . . . . . . . . . . .
opposite direction 4 . . . . . . . . . . . . . . . .

Boom Break 1 E
Show an explosion away from your body with both hands

Eight Up 1 E E E E E E E E E E E E E E E E from soft to loud

both hands move up 2 E E E E E E E E E E E E E E E E
while fingers shaking

Eight Down 1 E E E E E E E E E E E E E E E E from loud to soft

both hands move down 2 E E E E E E E E E E E E E E E E
while fingers shaking

Karla Break 1 E E E E E E E E E E E E E E E E from soft to loud

rabbit ears OR 2 E E E E E E E E E E E E E E E E
finger pistol shooting up 3 E E E E E E E E E E E E E E E E
4 E

Call Break E [EEE] E shout ...

... “oi”: two arms crossing, with OK-sign
... “ua”: two fists, knuckles hit each other

Cat Break m i a u
claws to left and right from high to low sound
Wolf Break 1 S S A S S S S A S
wolf's ears and teeth 2 S S A S S S A
3 S S A S S S S A
4 E E E E E a u - - -
< a-u = like a howling wolf

Democracy Break 1 E E E E E E E E E E E E E E E E
shout with your 2 E E E E E E E E E E E E E E E E from soft to loud
hands forming 3 E E E E E E E E E E E E E E E E
a funnel 4 This is what demo cracy looks like
5 E E E E E E E E E
6 This is what demo cracy looks like
7 E E E E E E E E E
8 This is what demo cracy looks like
9 This is what demo cracy looks like from soft to loud
10 This is what demo cracy looks like
11 E E E E E

Laughing Break ha ha ha ha ha ha ha ha ha ha ha ha ha laughter

fingers move up from high to low sound
coners of your mouth

Star Wars Break 1 ms ms ms ls hs

Move flat hand from top to bottom 2 ms ls hs ms
of face

Progressive Break 1 E E E E
5 fingers and other 2 E E E E E E E E
hand grabbing thumb 3 E E E E E E E E E E E E E E E E
(can be inverted by showing the sign upside down)

Progressive Karla 1 E E E E
rabbit ears OR finger pistol, 2 E E E E E E E E
the other hand is grabbing 3 E E E E E E E E E E E E E E E E
the thumb 4 E

Clave E E E E E
Point your thumb and index finger up as if indicating a distance of about 10 cm between them

Clave inverted E E E E E
Like “Clave”, but with the two fingers pointing down

Yala Break E E E E E
all fingertips of one hand gather and shake wrist

Dance Break E- very bo - dy dance now Everybody sings

Show a > with your index+middle finger and After the break, everyone continues to play
move it horizontally in front of your eyes. walking around dancing randomly for a while.

Hard Core Break 1 l l l l l l l E E

Both hands in the air, with E l l l l l l E E
index and pinky fingers E l l l l l l E E
pointing up. E l l l E E E E E E E E
2–4 E e e e e e e E E
E e e e e e e E E
3 × from soft to loud
E e e e e e e E E
E e e e E E E E E E E E
l = Agogô plays low e = everyone play softly
2nd time: everyone except Surdos
4th time: Agogô plays high
4 times from soft to loud When any break or sequence of breaks is shown followed by this sign, it should be
Hold one arm vertically in front of your body played 4 times, starting very quietly and getting louder each time.
and move the other up along the arm

Tamborim Stroke Everyone plays the line of the tamborim once

Make a circle with your index finger and
thumb, like “OK”

Play another instrument Show this sign followed by the sign of an instrument to make everyone play the line
Hold both hands in front of your face, and of that instrument.
wave your arms to cross each other

Switch Call/Response Calling and responding instruments switch roles. Only works in Call+Response
Point with both index fingers forward and wave breaks, for example Wolf Break or Funk Break 1.
your arms to cross each other.

In a loop When any break or sequence of breaks is shown followed by this sign, it should be
Hold one arm vertically in front of your body repeated continuously until the maestra instructs to play something else.
and make a wave over it with the other hand

Storming Break chosen instrument section plays sixteenths with volume indicated by maestra
show the arm as a measure with the other if you can't stand it anymore: scream
hand on ellbow don't make a fist

Alerting / Magic Wand Break Stop the Surdos. Give a sign for when the Surdos should hit once, by hitting the
show your flat hand and hit it with stick stick on the hand in the air. It's easier to follow if you paint a small loop in the air
with your stick, just before hitting. Start with just one hit every four beats, then add
more.

Chaos Break Everyone plays something chaotic, getting louder and louder. No Counting in!
Point with index finger at temple

Again Repeat the last break (combination)

Hit with flat hand on forehead

Improvisation Show all others what they should do in the meantime, so the length of the impro
Point at your nose and at the sambista who part is defined
can play freely

Notation
Call-Response E Everybody
A All others
S Surdos
ls Low Surdo
ms Mid Surdo
hs High Surdo
R Repinique
sn Snare
T Tamborim

Strokes x hit the skin with a stick

. hit the skin softly with a stick
hd hit the skin with your hand
sil silent stroke: hit the skin with a stick, while the other hand rests on the skin
0 put your hand on the skin to dampen the sound
fl flare: multiple hit with rebounding stick
ri hit the rim with a stick
w hit the skin with a whippy stick (Tamborim stick), if not available hit the rim
h Agogô: high bell
l Agogô: low bell
Afoxê tune sign: shaving the armpit

Groove 1 2 3 4 5 6 7 8

Low Surdo sil sil sil sil sil sil x x

Mid+High Surdo 0 x 0 x 0 x x x x x

Repinique fl hd sil ri fl hd sil ri fl hd sil ri sil ri sil ri

Snare x . . . x . . x x . . x . . . . x . . . x . . x x . . x . . . .

Tamborim x x x x x x x x x x x x x x x x x x

Agogô h h l l h h l l l h h l l h h l l l

Break 1 S A A A A S A A A A S A A A A E E E E E E

Break 2 S S S S S S S S
S = Mid and high surdos, everybody else continues playing!

Break 3 S S S S S S S S S S S S S S S S S S
S = Mid and high surdos, everybody else continues playing!

No Bra Break 1 R R R A A A A R R R A A A A
pulling off a bra 2 R R R A A A A E E E E E E E E E
R = call by Repinique
Bhangra tune sign: folded hands, like praying
this tune is a 6/8

Groove 1 2 3 4 5 6 7 8

All Surdos 1 x x x x x x
2 x x x x x x

Repinique 1 x s x s x s x s x s x s x s x s
2 x s x s x s x s x x x x x x x x

Snare 1 r . . l . . r . . l . . r . . l . . r . . l . .

Tamborim x x x x x x x x x x x x x x x x

Agogô h h h h l l l l

Shaker x x x x x x x x

s = soft flare

S S
Break 1 1 S S S S S S S A A S S
2 S S S S S S S A A S S
3 S S S S S S S A A S S
4 S S S S A A S S
sn sn sn sn sn sn sn sn

I say
do as I say, you old fool, dam dam, I say
 E E
Break 2 1 E E E E E E E E E
2 E E E E E E E
3 E E E E E E E E E
4 E E E E E E E
sn sn sn sn sn sn sn sn

pa - pa- dam, pa - pa- dam now --- I want

paa- pa- dam right now.

Break 3 1 E E E E E E E E

No Bra Break 1 R R R R R R R R R R R = Repinique

2 A A A A A A A A A A
3 R R R R R R R R R R
4 A A A A A A A A A A
5 R R R R A A A A
6 R R R R R R R R R R
7 S S S S S S S from soft to loud
8 A A A A A A A eh eh: shout
Angela Davis tune sign: pull two prison bars apart in front of
your face

Groove 1 2 3 4

Low Surdo 1 x x w w x w x w
Mid Surdo x x x x x x x x x
High Surdo x x x x

Repinique fl fl fl x x x

Snare . . . . x . . . . . . . x . . .

Tamborim x x x x x x

Agogô l h l h h
w = whippy stick (or rim)

E
Break 1 1 E E E E E E E E

Break 2 1 S A A A A A A A A S
2 S A A A A A A A A S
3 S A A A A A A A A E
4 E E E E E E E E

snare continues playing through the break!

Break 3 1 E E E E E
2 E E E E
3 E E E E E
4 E E E E
5 E E E E E E E E
repeat until cut
Cochabamba tune sign: drink from a cup formed with one hand

Groove 1 2 3 4 5 6 7 8

Low+Mid surdo x x 0 x x 0 x x 0 x x 0
High surdo 0 x x 0 x x 0 x x 0 x x

Repinique x x x x x x x x x x x x x

Snare/Shakers . . . . x . . . . . . . x . . . . . . . x . . . . . . . x . . .

Tamborim x x x x x x x x x x x x x

Agogô h h . l l . h h . l l . h . h . l l . h h . l l . h h . l . l .
. = clicking bells together

Make sure the off beat (2 and 4) is always very clear. The snares have to exaggerate this off beat
Make sure the high and low surdos fit together well; playing the offbeat with the left hand makes this easier.

Break 1 x x x x x x x x x x Everyone together … start soft and go louder!

(Iron Lion Zion Break) x x x x x x x x x x <
x x x x x x x x x x

No Bra Break c c c c c c c c A A c = call by maestro (on repinique or snare)

pulling off a bra c c c c c c c c A A A = All others answer
c c c c c c c c A A

Cross Kicks for surdos sign 'X' with the arms, waving towards the sky

high surdo 0 0 x x
low surdo x x 0 0
Crazy Monkey sign: scratch your head and your armpit at the same time like a monkey

Groove 1 2 3 4 5 6 7 8

Low Surdo 1 x x x x x x
Mid Surdo (x) x (x) x (x) x x x x x
High Surdo x x x x x x x x x x x x x x x x x x

Repinique fl hd x x x fl hd x x x fl hd x x x x x x

Snare . . . . x . x x . . . . x . x x . . . . x . x x x . x x . . (x) (x)

Tamborim x x x x x x x x x x x (x)

Agogô l h h h l l h h h l l l h h h l l [-hh] [hhh]

altnerative h l h h l l h l h h h

Shaker x x x x x x x x x x x x x x x

(x) = variations [ ] = triplet

Break 1 1 l h h h l l A A A l A = all others except agogô

2 l h h h l l A A A l E = everyone
3 l h h h A E h h h A ms = Mid Surdo
4 E h h E h h E A A ms
Break 2 1 . . . . sn . sn sn E . E E . . . . sn = snare
2 . . . . sn . sn sn E . E E . . . . . = dead note on snare
3 . . . . E . E E . . . . E . E E ms = Mid Surdo
4 . . . . sn . sn sn E . E E ms

Break 3 1 S S S A S S S A
2 E E E E E E E E E ms ms = Mid Surdo
l h l l h l l l l (h)

Bongo Break 1 1 S A S A S A A S A S A S A S S S A
play a bongo with l h l h l h h l h l h l h l l l h
one hand play as loop

Bongo Break 2 1 S S S S S S S S S S
play a bongo with A A A A A A A A A A A A A A A A
two hands l h l h l h h l h l h l h l l l h
play as loop

Monkey Break [UUU] [AAA] Shout like a monkey

like tune sign alternative: different rhythm or just chaotic voices
Custard tune sign: make an offer to the sky

Groove 1 2 3 4

Low Surdo 1 0 x 0 x x
Mid Surdo x 0 x 0
High Surdo x x 0 x x x 0

Repinique x x x x x x x x

Snare x . x . x . . x . x . . x . . .

Tamborim x x x x x x x x x

Agogô h h l l h h l l l

Break 1 1 S S S S A A A A A
2 S S S S A A A A A
3 S S S S A A A A A
4 E E E E E E E E E

Break 2 1 T T T T A A A A A
2 T T T T A A A A A
3 T T T T A A A A A
4 E E E E E E E E E

ONE instrument section continues while the rest of the band plays this break
Break 3 1-7 A A
+ instr. sign 2-8 A 4 x repeated
that continues 8 sn . sn . sn . . sn . sn . . sn sn sn sn

Break 5 1 sn . sn . sn . . sn . sn . . sn A
2 A sn . sn . . sn . sn . . sn A
3 A sn sn A A sn sn A
4 A sn A sn A sn A sn

Singing Break x x x x x x x x x
Signed as Break 1,
with a lot of 1 I've got cus tard in my und - erpants
blabla… 2 I've got cus tard in my und - erpants
3 I've got cus tard in my und - erpants
4 We've got cus tard in our und - erpants

Surdo players sing first half, same beats as they would play.
All other answer, same beats as they play.
Last part Everyone sings together.
Drum&Bass tune sign: with one hand in your ear lift the other and move it front and back

Groove 1 2 3 4 5 6 7 8

Low Surdo 1 x x x x x
Mid Surdo x x x x x x x x
High Surdo x x x x

Repinique x x x x x x x x x

Snare 1 . . . . x . . x . . . . x . . . . . . . x . . x . . . . x
2 . . . . x . . x . . . . x . . . x . x . x . x . x . x . x . x .

Tamborim x x x x x x x

Agogô l h l h l h l h l h l h

Dance Break 1 E- very bo - dy dance now Everybody sings and starts dancing
Show a > with your index+middle finger and move it horizontally in front of your eyes.

Break 2 1 S A S S A S A S S A x = hits on snare and repi

2 S A S S A x x x x

Break 3 1 E E E E
2 E E E E R = hit on repi sn = snare
3 E E E E Ri = repi hit on rim

Hip-Hop Break 1 S S A S S A S S A S S S A S
hit your chest 2 S S A S S A R Ri R Ri R Ri R Ri R R Ri Ri
3 S S A S S A S S A S S S A S
4 S S A S S A sn sn sn sn
Drunken Sailor tune sign: build an eyepatch with one hand in front of your eye

Groove 1 2 3 4 5 6 7 8

Low Surdo 1 X X X X X X X X
Mid Surdo X X X X X X X X
High Surdo X X X X X X X X

2 X X X X X X
X X X X X X
X X X X X X

Repinique fl x ri x x ri x fl x ri fl x ri x x ri x fl x ri

Snare x . . x x . . x x . . . . . . . x . . x x . . x x . x . x . x .

Tamborim x x x x x x x x x x

Agogô l l h l l h l l h l l l h l l h l l h l

Break 1 1 E E E E E E

Break 2 1 S A S A S A E E E

White Shark 1 S A S A S A
simulating 2 S A S A S A
a shark fin 3 S A S A S A S A S A S A S A S A
l l h l l h
4 S A S A S A S A S A E
l l h l l h
Funk tune sign: glasses on your eyes

Groove 1 2 3 4 5 6 7 8

All Surdos 1 X X X X X X X X X

Repinique fl hd fl hd fl hd fl hd fl hd fl hd fl hd X hd ri hd

Snare . . . . X . . . . . . . X . . . . . . . X . . . . . . . X . . .

Tamborim X X X X X X

Agogô l h l h h h l h l h h h

Break 1 1 S S A A S S A S S S A A S A A
2 S S A A S S A S S S A A S A A A

Break 2 1 E E E E E E E E

Call Break 1 E [EEE] E shout ...

... “oi”: two arms crossing, with OK-sign
... “ua”: two fists, knuckles hit each other
Hafla Sign: spread arms and shake your shoulders and hips

Groove 1 2 3 4 5 6 7 8

Low Surdo 1 x x x x x
Mid Surdo x x x x x
High Surdo x x x x x x

Repinique x ri ri x ri x ri ri ri ri x x ri ri ri

Snare . . x . . . x . . . . . x . . . . . x . x x x . . . . . x . x x
easier . . x . . . x . . . . . x . . . . . x . . . x . . . . . x . . .

Tamborim x x x x x x x x x x x x

Agogô l h h l h h h l h

Yala Break E E E E E
all fingertips of one hand gather and shake wrist

Kick Back 1 S A A S A repeat until cut

ag ag ag ag ag ag ag ag ag ag ag ag = Agogô, switch low and high every two bars

Kick Back 2 S A A S A A S A A S S A . .
. = Snare playing silent note

Break 3 sn sn sn sn A A sn sn sn sn A A sn sn sn sn A

Hook Break 1 S S A A A S A A A A A S A A A A A S S A A A
two fingers 2 S A A S A A S A A S A A S A A S A
hooked together
Hedgehog tune sign: spiky fingers on the head

Groove 1 2 3 4 5 6 7 8

Low Surdo 1 sil X sil X sil X X X X X

Mid Surdo X X X X X X X X
High Surdo X X X X X X X X

Repinique ri X X ri X X ri X X ri X ri X

Snare X . . X . . X . X . . X . . X . X . . X . . X . X . . . X . . .

Tamborim X X X X X X X X X

Agogô l h h l h h l h h l h l h

others continue playing

Break 1 1 count in from here S S S S

call something else here

Hedgehog Call 1 count in from here E H e d g e h o g
Hedgehog Tune sign
 tune sign: move index+middle finger like rabbit
Karla Shnikov ears and cover other fingers with other hand OR
point with finger pistol to head

Groove 1 2 3 4

All Surdos 1-3 x 0 x x 0

4 x 0 x x x x x x

Repinique x x x x x x x x

Snare . . . . x . . . . . . . x . . .

Tamborim 1 x x
2 x x x x x

Agogô 1 l l h l l l h l

>from soft to loud

Karla Break 1 E E E E E E E E E E E E E E E E
rabbit ears OR finger 2 E E E E E E E E E E E E E E E E
pistol shooting up 3 E E E E E E E E E E E E E E E E
4 E

Break 2 1 E E E E E E E E E E E E E E E E
2 E E E E
3 S S A S S A A A A
4 S S A S S A A A A

Break 2 inverted 1 E E E E E E E E E E E E E E E E
sign with two fingers 2 E E E E
pointing down 3 S S A S S A A A A
instead of up 4 S S A S S A A A A
5 S S A S S A A A A
6 S S A S S A A A A
7 E E E E
8 E E E E E E E E E E E E E E E E
No Border Bossa Sign: interlock your hands like a fence and then open it

Groove 1 2 3 4 5 6 7 8

All Surdos 1 sil sil h x x h sil sil h x x x h sil

Hand resting on skin . . . . . . . . . . . . . . . . . . . .
2 sil h x x h sil sil h x x h sil
Hand resting on skin . . . . . . . . . . . . . . . . . .

Repinique x ri fl hd fl hd fl x ri fl hd fl hd fl

Snare x x . . x x . . x x . . x x . . x x . . x x . . x x . . x x . . x

Tamborim x x x x x x x x x x

Agogô h h h x l l l x h h h x l l l x h

Surdos: only 1 Stick in one hand; h = other hand hits skin

Break 1 E E E E E E E E E E E

Surdos only, Rest continues sil

Break 2 sil sil sil sil sil sil sil sil
repeat until cut with Break 2*
Surdos only, Rest continues sil
Break 2* sil sil sil sil sil sil sil sil
from soft to loud

No Bra Break R R R R R R R R A A A A
Menaiek tune sign: put three fingers on your other upper arm (like covering a police badge)

Groove 1 2 3 4 5 6 7 8

Low Surdo x 0 x x 0 x x 0 x x 0 x
Mid Surdo 0 x 0 x x
High Surdo x 0 x 0 x

Repinique ri ri 0 sil fl fl fl x hd ri x hd r x hd

Snare x . . x x . . x x . . x x . x . x . . x x . . x x . . x x . x .

Tamborim x x x x x x fl fl [xxx]

Agogô l h l l h l l l

[ ] = triplet

Break 1 E E E E E E E E E

Break 2 1–3 l h l l h A A A A A A A A
4 l h l l h l l l
Double Break
Make a T with both hands
Low Surdo x 0 x x 0 x x 0 x x 0 x
Mid Surdo 0 x 0 x x Like the groove, but double speed.
High Surdo x 0 x 0 x Everyone else continues playing normally.
Agogô l h l l h l l l h

Kick Back 1
Surdos x x x x x x
Agogô l h h l h h l h
All others x x [xxx]
repeat until cut

Mozambique Break
Point both index fingers away from mouth (like bug antennas)
Surdos sl hd sl hd
All others ri ri ri ri ri ri ri ri ri ri
sl = slap with thumb (by rotating the hand)
Nova Balança tune sign: fists before breast, open hands
and arms

Groove 1 2 3 4

Low Surdo x x
Mid Surdo x x x
High Surdo x x

Repinique x x x x

Snare . . . . x . . . x x . . x . . .

Tamborim x x x x x x x x

Agogô l l h l l l h l

No Bra Break sn sn sn sn E sn sn sn sn E
Intro sn sn sn sn E sn sn sn sn E

> from soft to loud!

Break 1 E E E E E E E E

Break 2 S E S E S E E S E

n
Orangutan tune sign: monkey, both hands in armpits

Groove 1 2 3 4

Low Surdo x x x x x x x x
Mid Surdo x x x x x x x
High Surdo x x x

Repinique x ri ri x ri ri ri ri ri x ri

Snare . . x x . . x x . . x x . . x x

Tamborim x x x x x x x x

Agogô l h l h h l h l l

Funky gibbon 1 S S S S S S
Upside down 2 S S
'3 creature’ 3 S S S S S S
4 S
1–4 . . sn . . . sn . . . sn . . . sn .
1–4 ri ri ri ri
Repeat until cut
ri = Everyone else hits the rim

Monkey Break oo E E E E oo E E E E
One hand in armpit oo = Shout Ook!

Break 2 S A A S A A A A A S A

Speaking Break
Make monkey noises
Ragga tune sign: fists together, thumbs to the left and to the right

Groove 1 2 3 4 5 6 7 8

Low Surdo 1 X X 0 X X 0 X X 0 X X 0
Mid Surdo 0 X X 0 X X 0 X X 0 X X
High Surdo 0 X 0 X 0 X 0 (X) (X) (X) (X) X

Repinique x x x x x x x x x (x) x
an additional variation . x . x . x . x . x . x . x . x . x . x . x . x . x . x . x . x

Snare . . x x . . x . . . x x . . x . . . x x . . x . . (x) x x (x) . x .

Tamborim x x x x x x (x) x x (x) x

Agogô l h l h l h h l h l h l l l l h l

Kick Back I S S A S S A S S A S S A
thumb back over shoulder repeat until counting in for Kick Back II

Kick Back II S A S S A S A S S A S A S S A S A S S A
like Kick Back I,
but with two thumbs h h h h h h h h h h h h h h h h h h h h h h h h h h h h h h h h
repeat until cut with one of the breaks

Break 1 1 S A S A S n' in: this break is only two counts

1 2 3 4 long – afterwards continue
normally with the first beat
Break 2 1 E E E E

Break 3 1 S S S A A A

Zorro-Break S S S S S S
sign 'Z' in the air others continue playing repeat until cut with one of the breaks
 tune sign: V with 4 fingers (vulcan salute) on both
Sambasso hands, slide the gaps into each other
Groove 1 2 3 4

All Surdos x w x w x w x w

Repinique x . . x . . x . . x x . . x x .

Snare x . . x . . x . . . x . . x . .

Tamborim 1 x x x x x x x x x
2 x x x x x x x x

Agogô l h h l l h l l h

Shaker x x x x x x x x
w = whippy stick

No Bra Break 1–4 RR R R R A A A A ×4

Intro 5–14 R . . R . . R . . R . . [RRRRRR]
6–15 R A A A A A A A ×4
7–16 A A A A A
Last beat overlaps with first Repi beat

Keep playing groove during first 2 beats

Break 1 Pr pr pr E E E E
Pr = long whistle pr = short whistle

Break 2 1–4 S S S S S A A A A
repeat 4 times
Rope Skipping sign with both hands a rotating rope and jump up and down

Groove 1 2 3 4 5 6 7 8

Low Surdo x x x x x x x x x x x x
Mid Surdo sil sil x x sil sil x x
High Surdo x x x x x x x x x x x x

Repinique sil x x fl sil x x fl sil x x fl x x x fl

Snare . . . . x . . . . . . . x . . . . . . . x . . x x . . x x . . .

Tamborim 1 x x x x x x x x x x x x x
2 x x x x x x x x x [xxx]

Agogô h h h l l l l h h h h l l l l h

Oh Shit E Oh Shit sign: two little fingers show horns of taurus

Fuck Off E Fuck Off sign: one litte finger

Break 1 S A S S A S A S S A A

Break 2 S S A A S S A A S S A A S A A S S A A S S A A S S A

Break 3 S A A S A A S A A S
Küsel Break S S S S S S S S A A A A A A A A
hands twist head sn . sn sn . . sn sn . . . sn . sn . sn . sn . sn . sn . sn . sn . sn . . .
all players turn around 360° while playing the break

Skipping Agogô h h h h h h h h h l h l l l l l l l l l h l

I like to move it l l l l h R R R h R h
curling hands Repi and Agogô play as a loop
up and down
Surdos (High, Middle, Low), Snare
Eye of the 1 hs hs ms hs hs ms hs
tiger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
claws left and 2 hs ms ls Agogô beating fast between both bells... ...until here
right . . . . . . . . . . . . . . . . snare stops here
Samba Reggae tune sign: smoking a cigar/joint

Groove 1 2 3 4

Low Surdo 1 0 x 0 x x
Mid Surdo x 0 x 0
High Surdo 0 x 0 x x x x

Repinique x x x x x x x x

Snare x . . x . . x . . . x . . x . .

Tamborim x x x x x

Agogô l h h l l h h h l

No Bra Break 1 fl R R R R R A A
2 fl R R R R R A A
R = hit on repinique 3 fl R R R R R A A
fl = flare on repinique 4 T T T T T
T = Tamborim 5 T T T T T
sn . . sn . . sn . . . sn . sn . . .
6 T T T T T
sn . . sn . . sn . . . sn . sn . . .
7 T T T T T ls
sn . . sn . . sn . . . sn . sn . . .
ls = low surdo picks up

Clave 1 E E E E E

CALL by repi
Break 1 1 x x x x x x x x x x
2 A A A A A A
3 x x x x x x x x x x
4 A A A A
5 sn . . sn . . sn . sn . . sn . . sn .
6 sn . . sn . . sn . sn A A
7 sn . . sn . . sn . sn . . sn . . sn .
8 sn . . sn . . sn . sn A A
9 sn . . sn . . sn . sn . . sn . . sn .
10 sn . . sn . . sn . sn A A
11 sn sn sn sn hs hs hs hs
hs = high surdo picks up

CALL by repi
Break 2 1 x x x x x+A A A A
2 x x x x x+A A A A
3 x x x x x+A A A A
4 x x x x x+A A A A
 snare continues playing this trough the break
Break 3 1 sn . . . sn . . . sn . . . sn . . .
2 S S S S S S S S S
3 A A A A
4 S S S S S S S S S
5 A A A A
fl = flare on repinique 6 S S S S S fl R R R
R = hit on repinique T+h T+h
7 S S S S S fl R R R
T+h = Tamborin + high agogô bell T+h T+h
8 S S S hs hs hs hs
hs = high surdo picks up

SOS Break 1 S A A A A S A A
signed by waving 2 S A A A A S A A
the palms diagonal 3 S A A A A S A A
across one shoulder 4 S A A A A S A A ls
ls = low surdo picks up

after which the repinique picks up this rhythm and plays in the tune:
x x x x x x
... until next time the SOS break is played. Then it goes back to:
x x x x x x x x

Knock on the door Break snare continues playing this or the rhythm of Bra Break
knock with the knuckles of your 1 E [EEE]
right hand on your flat left hand sn . . sn sn . . sn sn . . sn sn . . sn
2 E
sn . . sn sn . . sn sn . . sn sn . . sn
3 E E E E E E
sn . . sn sn . . sn sn . . sn sn . . sn
4 E
sn . . sn sn . . sn sn . . sn sn . . sn
last run: repis plays this → R R R R R R R R R
repeat until cut

Dancing Break The players wo don't play dance (see left)

sign by showing the dance: 1-7 S S S S S
arms down to the right, and 2-6 A A A A A
to the left – then arms up to 8 A A A A A ls
the right, and left .. and go! ls = low surdo picks up
(start down right)
 tune sign: smoke a joint like
Sheffield Samba Reggae a cup of tea (with thumb and
index finger)
Groove 1 2 3 4

Low Surdo x x x x x x
Mid Surdo x x
High Surdo 1 x x x x
2 x x x x x x x x

Repinique x . . x . . x . . . x . . x . .

Snare x . . x . . x . . . x . . x . .

Tamborim 1–3 x x x x x x
4 x x x x x x x x x

Agogô h l l h h l h l
I like to play the A go go

No Bra Break 1 R R R R R R R R R R
Intro 2 R R R R R A A A
3–5 A RR R R R R RR R R R A
6 A A A A A RR R R E A

Surdos only, loop until told otherwise. Everyone else carries

on with the main groove.
Break 1 S

Break 2 1 R R ri R R R ri R R R ri R R ri
S A A A A
2 R R ri R R R ri R R R ri R R ri
S A A A E
3 R R ri R R R ri R R R ri R R R ri R
S A A A A A
4 R R R R RR R R R R
E A A A A A
Snare plays the same as Repi

Break 3 1 S S S A A A
2 S S S A A A A A A

Whistle Break S A S S A S S S A S S A
Point to whistle Loop until told otherwise

Outro E
Fist like “Stop playing”, 1 E E E E E RR R R R E
with thumb sticking out E then stop playing
 tune sign: form a roof with your hands, interlace the fingers and
The Roof Is on Fire wiggle them like flames

Groove 1 2 3 4 5 6 7 8

Low Surdo x x x x x
Mid+High Surdo x x x x x x x x x x x

Repinique x x x x x x x x x x x x x x

Snare . . . x x . . . . . x . . . x . . . . x x . . . . . x . . . x .

Tamborim x x x x x x x

Agogô l h l h l h h h h (l)

The
Break 1 Roof E E the Roof E E the Roof is on Fi- re E

No Bra Break 1–3 R . . R . . R . R . . R . . R . A A A

×3
1–3 l l h h h
4 R R R R Burn!
Tequila tune sign: Shake salt onto your hand

Groove 1 2 3 4 5 6 7 8

Low Surdo x 0 (0) (0) x 0 x x 0 (0) (0) x 0 (x)

Mid Surdo x x x x x x x x
High Surdo x x

Repinique x hd x x x x ri x hd

Snare . . . . x . . . . . . . x . x . . . . . x . . . . . . . x . . .

Tamborim x x x x x

Agogô h h l h h h l l h h l h
Low Surdo starts with an upbeat before the 1
(0) = Can be played optionally to make the rhythm easier to understand

Break 1 1 l l l l l l h Tequila! (ls)

Shake salt on number 1
Surdos start with 3 upbeats before the 1 ls ms ms
Break 2 1 hs ms ls ms ms hs ms ls ms ms
. . . . . . . . . . . . . . . .
2 hs ms
. . . . . . . . . = Shaker

No Bra Break 1–3 R R A R R R A A Repeat 3 times R = call by Repinique

pulling off a bra
Walc(z) tune sign : draw a triangle in the air with one hand
this tune is a 3/4

Groove 1 2 3 4

Low Surdo x x x x x x x x x x
Mid+High Surdo x x x x

Repinique x x x x x x x x x x

Snare . . x . x . . . x . x . . . x . x . x x x x x x

Tamborim x x x x x x x

Agogô l h h l h h l h h l

Shaker x x x x x x x x x x x x x

Break 1 E E E

Break 2 ls ls ls ms ms ms hs hs hs A A A A A A

No Bra Break 1 R R R A R R R A
2 R R A R R A R R A A

Break 3 1 S S S A S S S A
2 S S A S S A E E E E

Break 5 . . sn . sn . . . sn . sn . . . sn . sn . E E E E E E

Cut-throat Break S A A S A A S A A
Sign like cutting your throat with a finger

Cut-throat Break S A A S A A S A A S A A S A A S A A
Fast
Wolf tune sign: drawing big “V” in the air with both hands (from up to down)

Groove 1 2 3 4 5 6 7 8

Low Surdo x x x x x x x x
Mid Surdo x x x x x x x x x x
High Surdo x x x x x x x x x x x x x x

Repinique x x x ri x x x ri ri x x x ri x x x x ri ri

Snare fl . x . . . x . . . x . . . x . fl . x . . . x . . . x . . . x .

Tamborim 1 x x x x x x x x x x x
2 x x x x x x x x x x x x x x x x

Agogô l l l l l h h h l l l l l h h h

Shaker x . x . x . x . x . x . x . x . x . x . x . x . x . x . x . x .

Pat 1 (2)
Low Surdo x x x x x x
Mid Surdo x x x x
High Surdo x x x x x x x x x (x) (x) (x) (x)
(x) = added in pat 2

Break 1 1 sn S S S S S S sn S S S S S S S S
2 sn S S S S S S sn S S S S S S

Break 2 1 S S A S S S S A S S S A S S S A
2 S S A S S S S A E E E E E Oi!
Oi! = Everybody shouts “Oi”
Van Harte pardon! tune sign: heart formed with your hands

Groove 1 2 3 4 5 6 7 8

Low+Mid Surdo 0 x x 0 x 0 x x 0 x x
High Surdo sil x sil x sil x sil sil sil x

Snare 1 / Repinique . . x . . . x . . x . x . . x . . . x . . . x . . x . x . . x .

Snare 2 / Shakers x . . x . . x . x . . x . . x . x . . x . . x . x . . x . . x .

Tamborim x x x x x x x x x x

Agogô h . l l l . h h . l . l l . l l l . h h h . l l . h . h h . h h

Break 1 g . . r . . o . . o . . v . e . E E E E E E hey!
Everybody sings this shout:

Silence Break ls ls ls = low surdo

the sign is 4 fingers up ag ag ag = agogô

Break 2
Low Surdo x sil x x sil x
High Surdo x sil x sil
Snare / Repinique x . . x . . x x x x . x x . x . x . . x . . x x x x . x x . . .
Tamborim x x x x x x x x x x x x x
Agogô h h h h o h h o o o o h o

repeated on and on until maestra calls off:

together
Low Surdo x sil x x sil sil sil sil sil sil x x
High Surdo x sil x sil sil sil sil sil sil x
Snare / Repinique x . . x . . x (x) x x . x x . x . x . . x . . x x x x . x x . . .
Tamborim x (x) x x x x x x x x x x x
Agogô h (h) h h o h h o o o o h o
back into the groove
Cross Break – Surdos
sign 'x' with the ams
1 2 3 4 5 6 7 8
Low Surdo x sil x x sil x
High Surdo x sil x sil
repeated until cut

Cross Eight Break – Surdos

sign 'x' with arms showing
Eight Up x x x x x x x x from soft to loud …
Voodoo tune sign : aureole – make a circle around head with your index finger down

Groove 1 2 3 4 5 6 7 8

Low Surdo x x 0 x x 0 x x 0 x x x 0
Mid+High Surdo 1 sil sil x sil sil x sil sil x sil sil x

Snare x . . x . . x . x . . x . . x . x . . x . . x . x . . x . . x .

Repinique x x x x x x x x x x x x

Tamborim x x x x x x x x x x

Agogô h h l l l h l l l h h l l l h l l l

Scissor Break E E E E E E E E E
Signed like scissors 1 2 3 4 in my un- derpants
Xango tune sign : rain trickling down, with 10 fingers

Groove 1 2 3 4

Low Surdo 1 sil x x x

Mid Surdo x x
High Surdo x x x x

Repinique x x x x x x x x x x x x
if too hard play tamb. Part
Snare x . . x . . . . x . x x . . . .

Tamborim 1 x x x x x x x x
2 x x

Agogô l h l l l h l

Intro
building a tower with fists Everyone hits the rims
on top of each other, ri ri ri ri ri ri ri ri ri
upwards repeat until cut

Surdo Part of Intro 1 S S S S

flat hand on head 2 S S S
3 S S S S S
can be remembered by: 4 S (S)
start: 1 – 4 – 3 – 5 not before before Boum Shakala Break repeat
then: 2 – 4 – 3 – 5 :||

Boum Shakala Break 1 S A A A S A A A S A

Crossed fingers 2 S A A A S A A A S A
3 S A A A S A A A S A
4 sn . . sn . . sn sn sn hs hs hs hs

Break 2 1 S S S S S S S S S S S
2 S S S S S A A A
3 S S S S S S S S S S S
4 S S S S S A A A
5 S S S S S S S S S S S
6 S S S S S A A A hs hs
Żurav Love tune sign : open and close the beak of a bird with your hands

Groove 1 2 3 4 5 6 7 8

Low+Mid Surdo x x x x x x
High Surdo x x x

Repinique fl hd x fl hd fl hd x fl hd

Snare x . . . x . . . x . . . x . . . . . x x x . . . x x x . x . . .

Tamborim x x x x

Agogô h h h l h h h l h h h

Shaker x x x x x x x x

No Bra Break 1–3 fl hd ri hd ri S A A

4 E E E E E
4 . . sn sn sn . . . sn sn sn . sn . . .

Kick Back 1 R R R R R R A

Kick Back 2 R R R R R R
A A
Dance 1
Mirror & Rainbow > Pizza > Tutu & Aeroplane > Boundary

1 2 3 4 5 6 7 8

1 Mr Mr Rl
Mr Mr Rl
2 Pr Pr Pl Pl
Pr Pr Pl Pl
3 Tr Tr Al
Tr Tr Al
4 DBr DBr DBr DBr DBr DBr DBr DBr DBl DBl DBl DBl DBl DBl DBl DBl
DBr DBr DBr DBr DBr DBr DBr DBr DBl DBl DBl DBl DBl DBl DBl DBl

Mirror Tutu
Hold your arms streched out to Hold your arms at your waist,
your left, your hands at right palms down. Step to a side
angels to your arms, the right and move both hands,
hand on your left. Move the describing a tutu (skirt).
right hand to the front of your (Similar to pizza)
face. Look on it, it’s a mirror!
Aeroplane
Rainbow Hold your arms like wings of
Turn 90° to the right. Draw a an aeroplane. Twist your
rainbow with your hands from body to a side. Each beat a
the bottom over your head to step.
the other side (starting point of
mirror). You have to turn your Define a boundary
body :-) Step to a side, each beat two
steps. Hold the
Pizza corresponding arm streched
Hold your arms at your waist, out to the front. (Define the
palms up. Step to a side and boundary.) Hide the other
move one hand, as if you’d arm behind your back.
deliver a pizza.
Dance 2
Push to sides > Star > Jump & Aeroplane > Queen

1 2 3 4 5 6 7 8

1 Sr Sr Sl Sl
Pr Pr Pl Pl
2 St St
St St
3 J & Ar J & Al
J & Ar J & Al
4 Qr Ql
Qr Ql

Step to the lower right. [4] Move

Step to a side. (Every second your left leg to the left side of
beat a step) your other. (initial point).
Move both arms to the lower
Push left. Comment: Your feet
Step to a side, every second draw a square.
beat a step. Move both hands
to the side, as if you’d give sth. Jump
a push. Jump with both feet.

Star Aeroplane
[1] Move your right leg to the See Dance 1
front, across you left leg. Move
your right arm to the upper Queen
right. [2] Move your left leg on Hold your arms streched out
the right side of your other leg to both sides. [1] Touch with
(cross in the front). Move your one streched out leg the
left arm to the upper left. [3] ground in front of you. (Don’t
Move your right leg behind your step) [2] Now step with that
left leg. (initial point, you don’t leg and walk side- wards. (3
have to cross) Move both arms steps, cross behind the leg.)
Dance 3
Shower > Afro Pump > Wheels > Seeds & Sun

1 2 3 4 5 6 7 8

1 G T G T
G T G T
2 APr APl APr APl
APr APl APr APl
3 Wr X Wl X
Wr X Wl X
4 Se Se Se Se Su Su Su Su
Se Se Se Se Su Su Su

Get the water Seeds

Do a long step with your right Cross with your right foot to
leg to the front. Move your body the left. Step from one foot to
down. Take bucket of water. the other (each beat two
Straighten yourself again and steps). Move your hands
Take a Shower. (together 4 down and shake them (you’re
beats) sowing seeds).

Afro Pump Sun

Move one foot up and down Cross with your left foot to
(pump). Move your hands the right. Step from one foot
beside your knees. to the other. Move your
hands to the top and shake
Wheels them (you’re adoring the
Move both arms in circles to a sun).
side. (Hold your hands down
first and move them to the
side.) [4] Move your hands
fitfully to you chest. (X)
Dance 4
Lead Pipe > Puke > Shower > Swords

1 2 3 4 5 6 7 8

1 L L
L L Go
2 P P
P P
3 G T G T
G T G T
4 SWl SWr SWl
SWr SWl X

Lead Pipe (You end this movement at

Hold your left arm to the front, beat 3.) [3] Jump with your
the right to the back, palms up right leg back. Your body
(as if you are carrying a big seems to fall back. [4] Step to
pipe). Move your right foot to the front onto your left leg
the front and swing the pipe. Go again.
back to your initial position (4
beats). At “Go” you throw the Swords
pipe away and twist around. [1] Move one leg in front of
Comment: After the move you the other leg. Move the
stand a bit ahead of your initial corresponding arm down (it’s
position. a sword). The other arm is
bowed. [2] Step on the other
Puke leg. Bow the streched out
Hold your hand as if you’d arm. Stech out the other
catch a big ball in front of your down. [3] Step on the other
face. [1] Jump with your right leg (you’re now back on the
leg to the front. Twist your initial position.) Bow the
hands 360° to the front. (You streched out arm. Strech out
end with your palms up, as if the other. [4] Here another
you’d carry a pile of paper). swords-move starts, or in
Move your body down. [2] Step case of “X” you just step on
back onto you left leg. Your the other leg. Comment: 16
hands to the same move as at beats are good for this move.
beat 1 but reverse.
Dance 5
Snowboots & Hips > Step & Kick > Tiger > Winding Plants

1 2 3 4 5 6 7 8

1 Sn Sn Sn J
Hi Hi Hi Hi J Hi Hi Hi Hi J
2 Sn Sn Sn J
Hi Hi Hi Hi J Hi Hi Hi Hi J
3 S S Ki S S S Ki S
S S Ki S S S Ki S
4 Ti Ti Ti Ti
Ti Ti Ti Ti
5 Wir Wil
Wir Wil

Snowboots + Hips Jump to the right with claws,

3 steps forward as if stumping turn and jump back with
through deep snow (half pace). claws, jump to the left with
Jump right on 4th step. Shake claws (should have jumped
hips back and forth for 4 beats, once around you to all 4
jump left, shake hips for 4 sides with claws). Repeat
beats, jump + turn 180° around. once
3 snow steps backwards, jump,
hips, jump, hips, jump. On last Winding Plants
beat turn 180° around to face Start with elegantily crossing
front again. your arms infront of your right
hip. Then wind your arms up
Step Kick like climbing plants, forming
4 steps forward, kick forward on waves within 4 beats. When
the 3rd step, then 4 steps you reach the top, open
backward, kick backward on the hands to a bowl. While you
7th step. Repeat. are doing that, take 2 steps
forward and 2 steps
Tiger (with claws) backward. Then repeat
Jump forward. Arms are winding up on the left side.
stretched out front. hands form Once again right side and left
tiger claws and scratch. side.
Dance 6
Löyly & Hot > Mosquito > Murder > Sun & Baby & Windy

1 2 3 4 5 6 7 8

1 Löyly right Löyly right Hot left

Löyly right Löyly right Hot left
2 Mosquito right Mosquito left
Mosquito right Mosquito left
3 Murder right Murder left
Murder right Murder left
4 Sun front left Sun front right Baby back
Sun front left Sun front right Windy back

Löyly hand behind your back. Then

Pour water onto the sauna with step to the side while pulling
both of your hands while apart the prison bars.
stepping sideways.
Sun
Hot Jump on one leg while
Wave some air towards your waving the other foot and
head while stepping sideways. hand in the air.

Mosquito Baby
Both hands together fly up into Make a 360° turn while
the air like a mosquito, then holding a baby in your arms.
clap in the air. Step sideways at
the same time. Windy
Vertically rotate both your
Murder arms backwards twice.
First touch your foot with your