London College of Music Examinations

Woodwind
Diplomas
Repertoire List
Valid from:
2019 until further notice

This repertoire list should be read in conjunction with the:

Music Performance and Teaching Diploma Syllabus
 WOODWIND DIPLOMAS
2017 – 2021
Contents
Page
LCM Publications .................................................................................................................................. 2
Overview of LCM Diploma Structure ............................................................................................. 3
Flute
DipLCM in Performance .................................................................................................................... 4
ALCM in Performance ......................................................................................................................... 5
LLCM in Performance ......................................................................................................................... 7
FLCM in Performance ......................................................................................................................... 7
Clarinet
DipLCM in Performance .................................................................................................................... 8
ALCM in Performance ......................................................................................................................... 9
LLCM in Performance ......................................................................................................................... 11
FLCM in Performance ......................................................................................................................... 12
Oboe
DipLCM in Performance .................................................................................................................... 13
ALCM in Performance ......................................................................................................................... 14
LLCM in Performance ......................................................................................................................... 15
FLCM in Performance ......................................................................................................................... 15
Bassoon
DipLCM in Performance .................................................................................................................... 16
ALCM in Performance ......................................................................................................................... 17
LLCM in Performance ......................................................................................................................... 18
FLCM in Performance ......................................................................................................................... 18
Recorder
DipLCM in Performance .................................................................................................................... 19
ALCM in Performance ......................................................................................................................... 20
LLCM in Performance ......................................................................................................................... 21
FLCM in Performance ......................................................................................................................... 21
Classical Saxophone
DipLCM in Performance .................................................................................................................... 22
ALCM in Performance ......................................................................................................................... 24
LLCM in Performance ......................................................................................................................... 27
FLCM in Performance ......................................................................................................................... 28

IMPORTANT INFORMATION:
This repertoire list should be read in conjunction with the Music Performance and Teaching
Diplomas Syllabus.
Copies are available free of charge from LCM Examinations (tel: 020 8231 2364) or from local
representatives, or on uwl.ac.uk/lcmexams.
Candidates should ensure that they have checked the full requirements for the
examination in the above syllabus. Please note that this repertoire list does NOT contain
full details of all examination components.
This repertoire list is valid from 1 January 2017 until 31 December 2021.
 LCM Examinations

University of West London

LCM Examinations
St Mary’s Road
Ealing
London
W5 5RF
tel: +44 (0)20 8231 2364

email: [email protected]
uwl.ac.uk/lcmexams

© Copyright 2017 by the University of West London, LCM Examinations

LCM Publications
The following LCM Publications are relevant to this syllabus:

• Specimen Sight Reading Tests for Flute (LL11873)

• Specimen Sight Reading Tests for Clarinet (LL11881)
• LCM Aural Handbook (LL205)
• Specimen Aural Tests (LL189)

LCM Publications are distributed by Music Exchange (tel: 0161 946 9301; email: [email protected]).
A complete list of titles may be found on their website – www.music-exchange.co.uk

Grateful thanks are due to Elaine Smith, Stuart Corbett and Felicity Stubbs, the principal syllabus compilers.

2
 Grade 5 Theory

DipLCM in Performance DipLCM in Teaching

1. Performance DipMusLCM 1. Teaching
2. Viva voce Theoretical Diploma 2. Presentation & demonstration
3. Sight reading and performance
3. Discussion

ALCM in Performance ALCM in Performance ALCM in Performance ALCM in Performance ALCM in

(Standard, Option 1) (Recital, Option 1) (Standard, Option 2) (Recital, Option 2) Teaching

1. Technical work 1. Performance 1. Technical work 1. Performance 1. Teaching

2. Performance 2. Essay 2. Performance 2. Viva voce 2. Essay
3. Viva voce 3. Viva voce 3. one other component 3. Presentation & demonstration
4. Sight reading (choice of Viva/SR/Aural) and performance
5. Aural tests 4. Discussion

LLCM in Performance LLCM in Performance LLCM in

(Standard) (Recital) Teaching
1. Performance 1. Performance 1. Teaching
two of: 2. Programme notes 2. Programme notes 2. Dissertation
3. Sight reading 3. Presentation & demonstration
4. Viva voce 4. Discussion

FLCM in Performance

1. Performance
2. Programme notes
 Flute
DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition:
• All candidates must perform at least one item from the Baroque or Classical period and at least one
item from the Romantic period or 20th/21st century.
• It is expected that Baroque pieces will be ornamented as appropriate to the period.

BACH, J. S. Partita in A minor, BWV1013 (Bärenreiter)

BACH, J. S. Sonata No. 4 in C (Chester/Music Sales)
BAX Four Pieces for Flute and Piano (Chappell)
BENDA Concerto in E minor (at least TWO movements) (Schott)
BENNETT, R. R.Summer Music (Novello/Music Sales)
BERKELEY Sonatina (at least TWO movements) (Schott)
BURTON, Eldin Sonatina (complete) (Carl Fischer)
CLARKE, Ian Hypnosis (IC Music)
DAIJA, Tish Rapsodi (Emerson)
GLUCK Concerto in G (at least TWO movements) (Amadeus/MDS)
HANDEL Halle Sonata No. 3 in B min (complete) (Bärenreiter)
HENZE Sonatine: First movement (Schott/MDS)
HONEGGER Danse de la Chèvre (Salabert/UMP)
LALO, Édouard Introduction et Allegretto from La Belle Époque (Schott)
LEROUX, XavierDeuxième Romance from La Belle Époque (Schott)
LOEILLET Sonata No. 3 from Hortus Musicus 43 (complete) (Barenreiter)
MOZART Flute Quartet in D KV285 (either movements 1 and 2 or 2 and 3) (Universal Edition)
MOZART Any of the six sonatas, K10–15 from Six Sonatas for Flute and Piano
(no more than one complete sonata to be performed) (G. Schirmer/Music Sales)
QUANTZ Sonata in E Minor (complete) (Schott)
RHENÉ-BATON Passacaille, Op. 35 (Durand/UMP)
RICHTER Sonata in D (complete) (Wiener Urtext)
SAINT-SAËNS Romance (UMP or Zimmerman)
STAMITZ, Karl Concerto in G Major Op. 29 (movements 2 and 3, Andante non troppo and Rondo allegro)
(IMC)
STAMITZ, Karl Concerto No. 3 in D (movements 2 and 3, Adagio and Rondo-moderato (Breitkopf)
TELEMANN Sonata in F minor TWV 41:F1 (Hortus Musicus/Bärenreiter)
TELEMANN Sonata in C TWV 41:C2 (Hortus Musicus/Bärenreiter)
VERACINI Sonata Prima OR Sonata Seconda (Boosey & Hawkes)
WARREN, Maggi A Sylvan Triptych (Reedimensions via Amazon)

4
 Flute
ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Candidates will perform EITHER two technical studies OR scales and arpeggios.

EITHER: Technical Studies

BOEHM Any TWO from 24 Capriccios (Ed. Wye) (Chester/Music Sales)

OR: Scales and Arpeggios

All to be played from memory. To be performed slurred, legato tongued or staccato, at the direction of the
examiner.

1. All major and minor (both forms) scales and arpeggios.

C major and C minor: range 3 octaves. All other requirements: range 2 octaves.
2. Chromatic scales starting on any note.
Starting on C: range 3 octaves. Starting on any other note: range 2 octaves.
3. Whole-tone scales starting on C and C©: range 2 octaves.
4. Diminished sevenths starting on any note.
Starting on C: range 3 octaves. Starting on any other note: range 2 octaves.
5. Dominant sevenths in any key. In the key of F: range 3 octaves. In all other keys: range 2 octaves.

Performance

• All candidates must perform at least one item from the Baroque or Classical period and at least one
item from the Romantic period or 20th/21st century.
• It is expected that Baroque pieces will be ornamented as appropriate to the period.

ARRIEU, Claude Sonatine (complete) (Amphion)

BACH, J.C. Concerto in D (any TWO movements) (Universal Edition)
BACH, J. S. Sonata No. 5 in E minor (complete) (Chester/Music Sales)
BENDA Concerto in E minor (at least TWO movements) (Schott/MDS)
BENNETT, R. R. Lento and Allegro from Sonatina for Solo Flute (Universal Edition/MDS)
BERKELEY Sonatina (Schott/MDS)
BOCCHERINI Concerto in D, Op. 27 (at least TWO movements) (IMC/Barenreiter)
BOISDEFFRE, René de
Orientale Op. 31/2 from La Belle Époque (Schott)
CLARKE Orange Dawn (Just Flutes)
CLARKE, Ian The Mad Hatter (IC Music)
COOKE Sonatina (Oxford University Press)
DAMARE Le Merle Blanc, Op. 161 (for piccolo) (Billaudot/UMP)
DELUSSE Caprices for Solo Flute (no more than ONE to be performed) (Nova/Spartan Press)

5
FAURÉ Fantasie from Flute Music by French Composers (G. Schirmer/Music Sales)
FUKUSHIMA Mei (Zerboni/Elkin)
GAUBERT Fantasie from Flute Music by French Composers (G. Schirmer/Music Sales)
GLUCK Concerto in G (at least TWO movements) (Amadeus/MDS)
GODARD Suite de Trois Morceaux (Chester/Music Sales)
HANDEL Halle Sonata No. 2 in E minor (complete) (Bärenreiter)
HEAD By the River in Spring (Boosey & Hawkes)
HONEGGER Danse de la Chèvre (Salabert/UMP)
HOOVER Kokopeli (Presser/MDS)
HÜE Fantaisie (Billaudot/UMP)
IBERT Piece pour Flute Seule (Leduc/UMP)
KARG-ELERT Sonata (‘Appassionata’) in F© minor (Zimmermann/MusT)
KENNEN, Kurt Night Soliloquy (Eastman/Carl Fischer)
LLOYD WEBBER, William
Sonatina in D (complete) (Hinrichsen)
MATTHIAS, William
Sonatina (complete) (OUP)
MERCADANTE Concerto in E minor (at least TWO movements) (Zerboni)
MOWER Sonata Latino (Itchy Fingers/MDS)
MOZART Any of the six sonatas, K10–15 from Six Sonatas for Flute and Piano
(no more than one complete sonata to be performed) (G. Schirmer/Music Sales)
POULENC Sonata (Chester/Music Sales)
REINECKE Ballade, Op. 228 (Zimmerman/MusT)
RICHTER Franz Sonata in G Minor OR A Major (complete) (Wiener Urtext)
ROXBURGH The Curlew from Dreamtime (alto flute solo) (UMP)
STAMITZ, Karl Concerto No. 3 in D (movements 1 and 2, Allegro and Adagio) (Breitkopf)
STAMITZ, Karl Concerto in G Major, Op. 29 (movements 1 and 2, Allegro and Andante non troppo) (IMC)
TAFFANEL Andante Pastoral et Scherzettino from Flute Music by French Composers
(G. Schirmer/Music Sales)
TELEMANN Any Fantasia (no more than ONE to be performed) (IMC or Bärenreiter)
TELEMANN Concerto in F minor TWV 41:F1 (Hortus Musicus/Bärenreiter)
THOMAS Steeples in my Soul (alto flute solo) (Tetractys)
VARÈSE Density 21.5 (Ricordi)
VERACINI Sonata Prima OR Sonata Seconda (Boosey & Hawkes)
VIVALDI Concerto in D (complete) (Schott)

6
 Flute
LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition:
• All candidates must perform at least one item from the Baroque or Classical period and at least one
item from the Romantic period or 20th/21st century.
• It is expected that Baroque pieces will be ornamented as appropriate to the period.

ANDERSON The Colour of Pomegranates (alto flute and piano) (FaberPrint)

ARNOLD Flute Concerto No. 2, Op. 111 (complete) (Faber)
BACH, C. P. E.Concerto in G (IMC)
BACH, C. P. E.Hamburger Sonata, Wq 133 (Schott)
BACH, J. S. Sonata in E¨ (Chester/Music Sales)
BACH, J.S. Sonata in E (Chester/Music Sales)
BUSSER Prelude et Scherzo from Flute Music by French Composers (G. Schirmer/Music Sales)
CARTER Scrivo in Vento (Boosey & Hawkes)
CHAMINADE Concertino from Flute Music by French Composers (G. Schirmer/Music Sales)
CLARKE, Ian The Great Train Race (IC Music)
DOPPLER Chanson d’Amour, Op. 20 (Emerson)
DOPPLER Fantaisie Pastorale Hongroise, Op. 26 (Billaudot/UMP)
DUVERNOY Concertino Op. 45 from Flute Music by French Composers (G. Schirmer/Music Sales)
ENESCO Cantabile et Presto from Flute Music by French Composers (G. Schirmer/Music Sales)
FRANCK Sonata in A (IMC)
GANNE Andante et Scherzo from Flute Music by French Composers (G. Schirmer/Music Sales)
GAUBERT Nocturne et Allegro Scherzando from Flute Music by French Composers
(G. Schirmer/Music Sales)
HANDEL Sonata in C (Bärenreiter)
HANSON, Howard
Serenade, Op. 35 (Carl Fischer)
HARTY In Ireland (Boosey & Hawkes)
HAYDN Concerto in D (Schauer)
HINDEMITH Sonata (Schott/MDS)
JACOB, Gordon Concerto (complete) (Stainer & Bell)
JOLIVET Fantasie-Caprice (Leduc/UMP)
LEWIS, Paul Norfolk Idyll (Broadbent & Dunn)
MARTIN Ballade (Universal Edition/MDS)
McBIRNIE The Moon by Night (alto flute and piano) (Tetractys)
MESSIAEN Le Merle Noir (Leduc/UMP)
MOZART Flute Concerto, KV313 (Peters or Breitkopf)
MOZART Flute Concerto, KV314 (Peters or Breitkopf)
MUCZYNSKI Sonata for Flute and Piano, Op. 14 (Schirmer)
PERILHOU Ballade from Flute Music by French Composers (G. Schirmer/Music Sales)
POULENC Sonata for Flute and Piano (complete) (Chester/Music Sales)
PROKOFIEV Sonata No. 2 (Boosey & Hawkes)
REINECKE Sonata ‘Undine’ (G. Schirmer/Music Sales)
ROXBURGH Stardrift (UMP)

7
SCHUBERT Trockne Blümen Introduction & Variations D802 (Wiener Urtext)
SCULTHORPE Songs of Sea and Sky (FaberPrint)
TAFFANEL Sicilienne-Etude (PEM)
WIDOR Suite, Op. 34 (complete) (Ludwig Masters)

Flute
FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

8
 Clarinet
DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

ARNOLD Scherzetto (Queens Temple)

ARNOLD Sonatina (first and second movements OR second and third movements) (Lengnick)
BENNETT, R. R. Sonatina (unaccompanied) (Novello/Music Sales)
BERKELEY, L. Three Pieces for Clarinet (Chester/Music Sales)
BRAHMS Sonata in E¨, Op. 120 No. 2 (first OR third movement) (Boosey & Hawkes)
BRAHMS Sonata in F minor, Op. 120 No. 1 (first OR third movement) (Boosey & Hawkes)
BUSH Tributes (any TWO contrasting movements) (Thames/Music Sales)
DEBUSSY The Girl with the Flaxen Hair OR Reverie (Masters Music Publications)
DELLA JOIO Three Essays for Clarinet (any ONE) (Hal Leonard)
DICKINSON Lullaby (Novello)
DUBOIS Gavotte I AND Minuet from Suite Française (solo clarinet) (Leduc/UMP)
DUNHILL Phantasy Suite (second movement ‘Allegretto’ AND third movement ‘Allegro con fuoco’)
(Boosey & Hawkes)
GRYSPEERDT Two Pieces for Clarinet and Piano (Roberton Publications)
HARVEY Three Etudes on Themes of Gershwin (any ONE) (solo clarinet) (Emerson)
HAYES Totem (Stainer & Bell)
HINDEMITH Sonata (any TWO movements) (Schott)
HURLSTONE Four Characteristic Pieces (any TWO contrasting movements) (Emerson)
JACOB Five Pieces for Solo Clarinet (any THREE contrasting movements) (OUP)
KELLY Don Quixote Suite (complete) (Emerson)
LUTOSLAWSKI Dance Preludes (any TWO movements) (Chester/Music Sales)
LYONS Sonata for Clarinet and Piano (fourth movement, Vivace quasi una Samba) (Useful Music)
McCABE Three Pieces for Clarinet and Piano (any TWO contrasting movements)
(Novello/Music Sales)
MESSAGER Solo de Concours (Southern Music Co. SS282)
MOZART Concerto (any TWO movements) (Boosey & Hawkes)
PECI Meditation and Scherzo (Emerson)
RICHARDSON Three Pieces (any ONE) (Emerson)
SAINT-SAËNS Sonata Op. 167 (first and second movements OR first and third movements) (Durand/UMP)
SCHUMANN Fantasy Pieces (Nos. 1 and 3 OR Nos. 2 and 3) (B¨ or A clarinet] (Peters)
STANFORD Sonata (first OR third movement) (Boosey & Hawkes)
STRAVINSKY Three Pieces for Clarinet Solo (any ONE movement) (Chester/Music Sales)
TEMPLETON Pocket Size Sonata No. 1 (any TWO movements) (Emerson)
TEMPLETON Pocket Size Sonata No. 2 (any TWO movements) (Shawnee Press/Music Sales)
WALKER Sonatina (G. Schirmer/Music Sales)
WEBER Concerto No. 1 in F minor (first movement) (Boosey & Hawkes)
WHITNEY Clarinata (Spratt Music)

9
 Clarinet
ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Candidates will perform EITHER two technical studies OR scales and arpeggios.

EITHER: Technical Studies

Any TWO contrasting studies to be chosen from:

ALLARD Studies in Minor 7ths from Daily Studies for Clarinet (Gary Bovyer)
BAERMANN Nos. 34, 43 from Complete Method for Clarinet, Op. 63 (Carl Fischer)
BITSCH Any from Douze Études de Rhythme (Leduc/UMP)
BOURGEOIS Nos. 3, 6, 8, 9 from Fantasy Pieces for Solo Clarinet (Brass Wind)
CUNNINGHAM No. 10 Andante in F Minor from Music for Clarinet, 18 Preludes (Woodwindiana)
CUNNINGHAM No. 18 Sicilienne in C© Minor from Music for Clarinet, 18 Preludes (Woodwindiana)
CUNNINGHAM No. 6 in E Major and No. 10 in A¨ Major from Music for Clarinet, 15 Advanced Studies
(Woodwindiana)
GABUCCI Any from 20 Studies of Medium Difficulty (Ricordi)
JETTEL Any from The Accomplished Clarinettist Book 1 (Weinberger)
KELL Nos. 1, 5 from Thirty Interpretative Studies for Clarinet (IMC)
KELL Any from Staccato Studies (Schott/MDS)
LANGEY La Rêve (appendix section) from The Clarinet (Boosey & Hawkes)
MADDEN Nine Lives (Spartan Press)
MADDEN Not So Serious Now (Spartan Press)
MADDEN Procrastination (Spartan Press)
MULLER Nos. 24, 28, 29, 30 from 30 Studi in Tutte le Tonalita (Ricordi)
RAE Theme and Variations (complete) from 12 Modern Etudes (UE 18790/MDS)
SPARKE Swiss Mountain Air (No. 22) or Leapfrog (No. 19) from Super Studies (Anglo Music)
UHL Nos. 8, 14, 19, 23 from 48 Studies, Book 1 (Schott / MDS)

OR: Scales and Arpeggios

All to be prepared from memory. To be played slurred, legato tongued or staccato, at the direction of the
examiner.

All requirements starting on E, F, F© and G: range three octaves. All other requirements: range two octaves.

1. All major and minor (both forms) scales and arpeggios (root position only).
2. Chromatic scales starting on any note.
3. Whole-tone scales starting on C and C©.
4. Diminished sevenths starting on any note.
5. Dominant sevenths in all keys.

10
Performance
ABSIL Cinq Pièces Faciles (any TWO contrasting movements) (Lemoine)
ARNOLD Fantasy (Faber)
BENNETT, R. R.Sonatina (complete) (Novello/Music Sales)
BERKELEY Sonatina (complete) (solo clarinet) (Chester/Music Sales)
BERNSTEIN Sonata (Boosey & Hawkes)
BRAHMS Sonata in E¨, Op. 120 No. 2 (any TWO contrasting movements) (Boosey & Hawkes)
BRAHMS Sonata in F minor, Op. 120 No. 1 (any TWO contrasting movements)
(Boosey & Hawkes)
BUSH Tributes (any THREE movements) (Thames/Music Sales)
CIMAROSA Concerto en Ut Mineur (any TWO contrasting movements) (Billaudot/UMP)
COOKE Sonata in B¨ (any TWO contrasting movements) (Novello/Music Sales)
CRUSELL Concerto in F minor, Op. 5 (any TWO contrasting movements) (Sikorski)
DANKWORTH Suite for Emma (any TWO contrasting movements) (Chester/Music Sales)
DEBUSSY Reverie (Barnhouse)
DELMAS Promenade (Billaudot)
DELLA JOIO Three Essays for Clarinet (any TWO) (Hal Leonard)
DIBLASIO London Pride (Roncorp)
DUBOIS Prelude and Sarabande from Suite Française (solo clarinet) (Leduc/UMP)
DUNHILL Phantasy Suite (complete) (Boosey & Hawkes)
FINZI Five Bagatelles (any THREE movements, to include No. 5) (Boosey & Hawkes)
HARVEY Three Etudes on Themes of Gershwin (any TWO) (solo clarinet) (Emerson)
HINDEMITH Sonata (any THREE movements) (Schott ED3641/MDS)
HONEGGER Sonatine (complete) (Salabert/UMP)
HOOK Engelse Sonate (arr. Joosen) (complete) (Molenaar)
HOROVITZ Sonatina (any TWO contrasting movements) (Novello/Music Sales)
HURLSTONE Four Characteristic Pieces (any THREE movements) (Emerson)
JACOB Five Pieces for Solo Clarinet (complete) (Oxford University Press)
KOCH Sonatina (any TWO movements) (Southern Music)
KOVACS Armenian Lament and Dance (Darok)
KROMMER Concerto in E¨, Op. 36 (first and second movements OR second and third movements)
(Bärenreiter Praha)
KUBJECK Sonatine (first and second movements) (Dobblinger)
LEFÈBVRE Fantasie-Caprice Op. 118 (Leduc/UMP)
LUTOSŁAWSKI Dance Preludes (complete) (Chester/Music Sales)
LYONS Sonata for Clarinet and Piano (any TWO contrasting movements) (Useful Music)
McCABE Three Pieces for Clarinet (any TWO contrasting movements) (Novello/Music Sales)
MOZART Clarinet Quintet (any TWO contrasting movements) (Boosey & Hawkes)
POULENC Sonata (any TWO movements) (Chester/Music Sales)
REINECKER Sonata ‘Undine’ (first movement ‘Allegro’) (IMC)
RHEINBERGER Sonata (first movement ‘Allegro non Troppo’) (Schott)
RICHARDSON Three Pieces (any TWO) (Emerson)
RIMSKY-KORSAKOV Concerto (complete) (Masters Music Publications)
RISINGER Concerto (first movement, ‘Allegro’) (Fenton)
RODGERS Spanish Sonata (any TWO contrasting movements) (Stainer & Bell)
ROSSINI Introduction, Theme and Variations (Oxford University Press)
SAINT-SAËNS Sonata Op. 167 (second and fourth movements OR third and fourth movements)
(Durand/UMP)
SCHUMANN Fantasiestücke, Op. 73 (complete) (G. Schirmer/Music Sales)
11
SPOHR Concerto No. 3 (any TWO contrasting movements) (IMP)
SPOHR Concerto No. 4 (any TWO contrasting movements) (IMP)
STAMITZ Concerto (complete) (Schott)
STANFORD Sonata (first and second movements OR second and third movements) (Stainer & Bell)
STRAVINSKY Three Pieces for Solo Clarinet (complete) (Chester/Music Sales)
SUTERMEISTER Capriccio for Solo Clarinet (A clarinet) (Schott)
TARTINI Concertino (complete) (Boosey & Hawkes)
TEMPLETON Pocket Size Sonata No. 2 (complete) (Shawnee Press/Music Sales)
WALKER Sonatina (complete) (G. Schirmer/Music Sales)
WEBER Concertino (complete) (Fentone/De Haske)
WEBER Concerto No. 1 in F minor (any TWO contrasting movements) (Boosey & Hawkes)
ZANMELL Five New Orleans Sketches (any TWO) (Tenuto)
ZHAY WU Variations on a Modern Chinese Folk Song (Cramer Music)

12
 Clarinet
LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

AILLER Sonata (Southern Music)

ABSIL Pieces Facilés (complete) (Lemoine)
BAX Sonata (Chapell/Studio Music)
BENJAMIN Le Tombeau de Ravel (Boosey & Hawkes)
BERG Four Pieces, Op. 5 (Universal Edition/MDS)
BOWEN Clarinet Sonata, Op. 109 (Emerson)
BURGMÜLLER Duo (Simrock)
BUSH Tributes (complete) (Thames/Music Sales)
CAMILLERI Concertino (Metropolis)
CARPENTER Sonata (Camden Music/Spartan Press)
COPLAND Concerto (Boosey & Hawkes)
CROSSE Night and Day (Oxford University Press)
CRUSELL Concerto in F major, Op. 5 (Sikorski)
DAVID E-Type Jag (Potenza)
DAVIS Clarinet Concerto (TWO contrasting movements) (Faber)
DEANSORI Paysage au Clair de Lune (Billaudot)
DEBUSSY Première Rhapsodie (Chester/Music Sales)
DELLA JOIO Three Essays for Clarinet (complete) (Hal Leonard)
DENISOV Sonata (Breitkopf & Härtel)
DÉRÉ Andante and Scherzo (Southern Music)
DIEMER A Quiet Lovely Place (See Saw Music)
DUBOIS Sonata Breve (Leduc/UMP)
DUBOIS Suite Française (Gigue and TWO other movements) (Leduc/UMP)
ELLERBY Sonata (Maecenas Music)
FRANCAIX Tema con Variazioni (Eschig/UMP)
GERSHWIN (arr. Harvey) Three Studies on Themes by Gershwin (Emerson)
HARTLEY Sonatina Giocosa (1987) (for tuba/bass saxophone; may be played on bass clarinet)
(UMP)
HOFFMANN Suite (W Boeyvens series) (De Haske)
HOROVITZ Sonatina (Novello/Music Sales)
HOWELLS Sonata (Boosey & Hawkes)
IANNACCONE Concertante (Tenuto/Presser)
IRELAND Fantasy-Sonata (Boosey & Hawkes)
JEANJEAN Andantino (Southern Music Co.)
KAUFMANN Ballade (Billaudot)
KORNGOLD Much Ado About Nothing (complete) (Masters Music)
KRENEK Suite (complete) (Broude International)
KROMMER Concerto in E¨, Op. 36 (Bärenreiter Praha)
KUBJEK Sonatina (complete) (Doblinger)
KUFFNER Introduction, Theme and Variations (Darok)
LAWSON Song of the Northern Marsh Orchid (Roberton)
LYONS Sonata for Clarinet and Piano (Useful Music)
13
MARCELLO Concerto in C minor (Molenaar)
MAYAR Raga Music (Lengnick)
MILHAUD Sonatina (Durand/UMP)
MOZART Concerto (Boosey & Hawkes)
NEUKOMM Fantasie (Edition Hug)
PATTERSON Conversations (Weinberger/Elkin)
PERSICHETTI Parable (solo clarinet) (Elkan Vogel/UMP)
POULENC Sonata for Clarinet and Piano (Chester/Music Sales)
REINECKER Sonata ‘Undine’ (TWO contrasting movements) (IMC)
RHEINBERGER Sonate (complete) (Schott)
RICHARDSON Three Pieces (all THREE) (Emerson)
RISINGER Concertino (complete) (Fanton)
ROXBURGH Wordsworth Miniatures (UMP)
SAINT-SAËNS Sonata, Op. 167 (Durand/UMP)
SPOHR Concerto No. 3 (IMP)
SPOHR Concerto No. 4 (IMP)
STANFORD Concerto (Cramer)
SUTERMEISTER Capriccio (Schott/MDS)
SZALOWSKI Sonatina (Chester/Music Sales)
WEBER Concerto in E¨, Op. 74 No. 2 (Peters D818)
WEBER Concerto No. 1 in F minor (Boosey & Hawkes)
WEBER Grand Duo Concertante (Boosey & Hawkes)
WEINER Peregi Verbunk, Op. 40 (Editio Musica Budapest)
YULE Capricho Pintopesio (Music Sales America)

Clarinet
FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

14
 Oboe
DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition it is expected that Baroque pieces will be ornamented as appropriate to the period.

ALBINONI Concerto in D minor, Op. 9 No. 2 (complete) (IMC)

ARNOLD Sonatina (first movement ‘Leggiero’) (Lengnick)
BACH, J. S. Sonata in G minor (first movement) (Nagels)
BELLINI Concerto in E¨ Major (complete) (Boosey & Hawkes)
BERKELEY Sonatina (any TWO movements) (Chester/Music Sales)
BRITTEN Any three pieces from Six Metamorphoses After Ovid (Boosey & Hawkes)
GROVLEZ Sarabande et Allegro (Leduc)
HANDEL Sonata in C Minor (complete) or Sonata in G Minor (complete) (Novato Music Press)
HAYDN Concerto in C (first movement) (Breitkopf & Härtel)
HUBER Romanze (for cor anglais) (Eulenberg)
HURD Concerto da camera (any TWO movements) (Novello/Music Sales)
JACOB Sonatina (any TWO movements) (Oxford University Press)
MARTIN, Frank Petite Complainte (Hug & Co.)
MOZART Concerto in C Major (first movement) (Boosey & Hawkes)
NEILSEN Fantaisiestücke, Op. 2 (Music Sales)
RICHARDSON French Suite (any TWO movements) (Oxford University Press)
SAINT-SAËNS Sonata, Op. 166 (any TWO movements) (Durand/UMP)
SCHUMANN Adagio and Allegro in A¨, Op. 70 (ed. Rothwell) (Emerson)
SCHUMANN Three Romances (any ONE movement) (Schott)
TELEMANN Sonata in A minor (complete) (Barenreiter)
USHER Nos. 1 (Mistral) AND 2 (Sirocco) from A Reed in the Wind (Primavera/Tutti)
VAUGHAN WILLIAMS Concerto for Oboe (first movement ‘Rondo pastorale’) (Oxford University Press)

Oboe
ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Scales and Arpeggios

All to be performed from memory. To be performed slurred, legato tongued or staccato, at the direction of the
examiner.

15
1. All major and minor (both forms) scales and arpeggios. Starting on G, G© and A: range a twelfth. Starting
on B¨ and B: range 2 octaves and a fifth. Starting on all other notes: range 2 octaves.
2. Chromatic scales starting on any note. Starting on G, G© and A: range a twelfth.
Starting on B¨ and B: range 2 octaves and a fifth. Starting on all other notes: range 2 octaves.
3. Whole-tone scales starting on C, C© and D: range 2 octaves.
4. Diminished sevenths starting on any note: range 2 octaves.
5. Dominant sevenths in all keys. In the keys of C, C© and D: range 1 octave.
In all other keys: range 2 octaves.

Performance

It is expected that Baroque pieces will be ornamented as appropriate to the period.

ARNOLD Sonatina (complete) (Lengnick)

BACH, J. S. Concerto in C (first movement ‘Allegro moderato’) (Sikorski)
BERKELEY, M. Three Moods (Oxford University Press)
BOZZA Fantasie Pastorale (Leduc / UMP)
BRITTEN Two Insect Pieces (Faber)
DORATI Cinq Pieces Pour le Hautbois (any TWO pieces) (Boosey & Hawkes)
DUTILLEUX Sonata (third movement) (Leduc)
HANDEL Any ONE of the ‘Authentic Sonatas’ (complete) (Nova/Spartan Press)
LUFF The Wake: Movements 1–3 OR 4–7 (Primavera/Tutti)
MARTINU Concerto (first movement) (Max Eschig)
MOZART Concerto in C, K314 (first movement and second movements) (Bärenreiter)
POULENC Sonata (complete) (Chester/Music Sales)
REIZENSTEIN Humoresque and Rhapsody from Three Concert Pieces (Boosey & Hawkes)
RICHARDSON Elegy and Alla burlesca from Three Pieces, Op. 22 (cor anglais) (Emerson)
SCHUMANN, Clara 3 Romances, Op. 22 (sometimes incorrectly listed as Op. 21) (Breitkopf & Hartel)
SEIBER Improvisation (Schott)
STRAUSS Oboe concerto (first movement ‘Allegro moderato’) (Boosey & Hawkes)
TELEMANN Sonata in E Minor (Schott)
TELEMANN Concerto in D (oboe d’amore) (Leuckart)
TOMASI Evocations (Leduc)
USHER No. 5 (Khamsin) from A Reed in the Wind (cor anglais) (Primavera/Tutti)
VAUGHAN WILLIAMS
Concerto (complete) (Oxford University Press)
YORK BOWEN Sonata (first OR second movement) (Chester)

16
 Oboe
LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition it is expected that Baroque pieces will be ornamented as appropriate to the period.

ARNOLD Concerto (complete) (Paterson’s Pub. Ltd)

ARNOLD Fantasy (Faber)
BACH, J. S. Sonata in G minor (Nagels/Bärenreiter)
BRITTEN Six Metamorphoses After Ovid (Boosey & Hawkes)
BRITTEN Temporal Variations (Faber)
DORATI Cinq Pieces Pour le Hautbois (complete) (Boosey & Hawkes)
DUTILLEUX Sonata for oboe and piano (Leduc/UMP)
FRANÇAIX The Flower Clock (l’Horloge de Flore) (Editions Musicales Transatlantiques/Music Sales)
GREGSON Oboe Sonata (Emerson)
HINDEMITH Sonata for cor anglais and piano (Schott)
HOWELLS Sonata (Novello/Music Sales)
JACOB Sonata for oboe and piano (Musica Rara)
KALLIWODA Concertino in F (Musica Rara)
LUTOSŁAWSKI Epitaph (Chester/Music Sales)
MACONCHY Three Bagatelles (oboe and harpsichord or piano) (Oxford University Press)
MARCELLO Concerto in D minor (complete) (Schott)
MARTINU Concerto (complete) (Max Eschig)
MAXWELL Pibroch for oboe and drone (Emerson)
MOZART Oboe quartet (arrangement for oboe and piano) (Peters Edition)
PIERNE Fantaisie Pastoral (UMP)
POULENC Oboe sonata (Chester/Music Sales)
READ Alice Lisle, her Pavane (oboe d’amore) (Fand Music Press)
READE Aspects of a Landscape (Nova)
REIZENSTEIN Sonatina for oboe and piano (Lengnick)
RODNEY BENNETT After Syrinx (Novello)
RUBBRA Sonata in C, Op. 100 (Lengnick)
SAINT-SAËNS Sonata, Op.166 (Durand/UMP)
SALTER Abstractions IV: Diptych (oboe/cor anglais and piano) (Usk Edition)
SCHUMANN Romances (complete), Op. 90 (Billaudot)
STRAUSS Oboe Concerto (Boosey & Hawkes)
TELEMANN Method Sonata in C minor (Bärenreiter)
VIVALDI Sonata in C minor (Schott/MDS)
YORK BOWEN Sonata (complete) (Chester)

Oboe
FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

17
 Bassoon
DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition it is expected that Baroque pieces will be ornamented as appropriate to the period.

BOISMORTIER Rondeau I, Paysane AND Rondeau III from Acht Kleine Stücke, Op. 40 (Peters)
COOKE Sonata (first movement ‘Allegro non troppo’) (Emerson)
DUCLOS Fagottino: Serenade for bassoon and piano (Leduc/UMP)
FOGG Concerto (Emerson)
GALLIARD Sonata IV from Six Sonatas for Bassoon and Piano (Peters)
GROVLEZ Sicilienne et Allegro Giocoso (Leduc/UMP)
HURLSTONE Sonata in F (any TWO movements) (Emerson)
LEWIS Sonata Poppiflora (Roberton/Goodmusic Publishing)
MOZART Concerto in B¨, K191 (any TWO movements) (Bärenreiter)
NERUDA Concerto in C (first movement ‘Allegro spiritoso’) (Musica Rara/Breitkopf & Härtel)
RIDOUT Caliban and Ariel, for solo bassoon (Chappell)
RIDOUT Concertino (at least TWO movements) (Emerson)
TUČAPSKÝ Rondo Capriccioso (Roberton/Goodmusic Publishing)
VIVALDI La Notte, Concerto for Bassoon in B¨ (G Schirmer)

18
 Bassoon
ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Scales and Arpeggios

From memory. To be played slurred, legato tongued or staccato, at the direction of the examiner.

1. All major and minor (melodic and harmonic) scales and arpeggios.
B¨, B, C, D¨ and D: range 3 octaves. All other keys: range 2 octaves.
2. Chromatic scales from any note.
From B¨, B, C, D¨ and D: range 3 octaves. All other requirements: range 2 octaves.
3. Whole-tone scales starting on A¨, A and B¨: range 2 octaves.
4. Diminished sevenths from any note.
Starting on B¨, B, C, C© and D: range 3 octaves. All other requirements: range 2 octaves.
5. Dominant sevenths in all keys.
In the keys of E¨, E, F, F© and G: range 3 octaves. All other keys: range 2 octaves.

Performance

It is expected that Baroque pieces will be ornamented as appropriate to the period.

BOZZA Fantaisie (Leduc/UMP)

DUTILLEUX Sarabande et Cortege (complete) (Leduc/UMP)
ELGAR Romance Op. 62 (Novello/Music Sales)
FRANÇAIX Divertissement (to include fourth movement ‘Allegro’) (Schott/MDS)
GIAMPIERI No.1 from 16 Daily Studies for the Perfection (Ricordi)
JACOB Partita (complete) (Oxford University Press)
LARSSON Concertino for Bassoon, Op. 45 No. 4 (complete) (Gehrmans/Elkin)
LEWIS Concerto Burlesco (any selection to include third movement) (Goodmusic Publishing)
MARCELLO Sonata in A minor (complete) (IMC)
MILDE No. 3 and/or No. 7 from Concert Studies Op. 26, Vol. 1 (IMC/Universal)
TELEMANN Sonata in F minor (any movement or selection of movements except first movement only)
(IMC)
WEBER Concerto in F, Op.75 (to include third movement) (Peters)

19
 Bassoon
LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition it is expected that Baroque pieces will be ornamented as appropriate to the period.

ARNOLD Fantasy for Bassoon (Faber)

BITSCH Partita (Leduc/UMP)
GORB The Dying of the Light (Lengnick/Elkin)
HUMMEL Concerto in F (IMC)
SAINT-SAËNS Sonata in G, Op. 168 (Peters/Durand/UMP)
TAÏRA Monodrame 2 (solo bassoon) (Editions Choudens Paris/Music Sales)
VIVALDI Concerto in A minor, RV497 FVIII, No. 7 (Ricordi)
WEBER Andante and Rondo Ungarese, Op. 35 (Peters/IMC/MDS)
WOLF-FERRARI Suite-Concertino in F, Op. 16 (Ricordi)

Bassoon
FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

20
 Recorder
DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition it is expected that Baroque pieces will be ornamented as appropriate to the period.
At least two different sizes of recorder should be used.

BACH, J. S. Sonata in F Major, BWV 1035 (Schott)

BALL Pagan Piper (treble or tenor version) (Peacock)
BARSANTI Sonata in B¨, Op. 1, No. 6 from Italian Baroque Music for Treble Recorder (Barenreiter)
BENDER Sonata (Schott)
BERGMANN Sonata for Treble Recorder (Schott)
BOISMORTIER Sonata in G Minor, Op. 44/4 (Barenreiter)
BULLARD Cloth Cap Galop from Hat Box (Forsyth)
CIMA Sonata No. OR Sonata No. 2 from Two Sonatas (descant) (London Pro Musica/Amadeus)
CORELLI Sonata II Op. 5 No. 10 (Moeck)
CROFT, W Sonata in G from Sonatas by Old English Masters, Volume 2 (Barenreiter)
DORNEL, L. A. Suite No. 2 in D Minor (Schott)
DUBERY Mrs Harris in Paris (Peacock Press)
DUBERY Sonatina (Peacock Press)
ELLIS Fred’s Blue Ginger Staircase Music (Peacock Press)
FORTIN Il Flauto Latino from No. 10 Top Fourteen (tenor) (Doblinger)
FORTIN Serenata Quasi Facile (descant) (Doblinger)
HANDEL Sonata in F major Op. 1 No. 11 from Four Sonatas Op. 1 (Schott)
HANDEL The Harmonious Blacksmith Variations from Concert Collection (Schott)
HEWITT-JONES Suite in F from Pieces for Solo Recorder Vol. 1 (Forsyth)
JACOB Suite (Peacock Press)
KLEIN Sonatine in C (Hanssler Verlag)
KRÄHMER I of Two Original Themes with Variations (Dolce)
KRUG Sonatine from Blockflöte 4 (descant) (Verlag Neue Musik Berlin)
LOEILLET DE GANT Sonata in C, Op. 3 No. 1 (Schott)
MARSHALL Four Haiku from Pieces for Solo Recorder Vol. 1 (descant/treble/tenor) (Forsyth)
MATTEIS Ground After the Scotch Humour (Dolce)
ROSE Kid from Venezuela (Universal Edition)
RUBBRA Meditazioni Sopra ‘Coeurs Desolees’ (Legnick)
SAMMARTINI Sonata in B¨ (Peacock Press)
TELEMANN Fantasia 7 in F Major from The Baroque Solo Book/The Solo Recorder Vol. 1 (Dolce/Peacock)
TELEMANN Sonata in D minor (Schott)
THORN Chocolate Bulbul (Orpheus)
VAN EYCK Amarilli mi Bella from Der Fluyten Lusthof Vol. 1 (Dolce)
VAN EYCK Boffons, No. 105 from Der Fluyten Lusthof Vol. 3 (Dolce)
WALKER A Rune for St Mary’s (Peacock Press)

21
 Recorder
ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Candidates will perform either two technical studies or scales and arpeggios.

EITHER: Technical Studies

COOPER Nos. 5 and 6 from 10 Advanced Studies (Peacock Press)

OR: Scales and Arpeggios (Treble Recorder)

From memory. To be played slurred, legato tongued or staccato, at the direction of the examiner.

1. The scales and arpeggios of B, D¨, D, E majors and B, C©, D, E¨ and E minors, range one octave and down to
the dominant. Major scales of G, A¨, A, B¨, and minor scales of F©, G, G©, A, B¨, C, range a twelfth. F major and
F minor, range two octaves.
2. Chromatic scales starting on any note, range 2 octaves turning on top and bottom F.
3. Whole-tone scale starting on F, range 2 octaves.
4. Diminished sevenths starting on G and A¨, range 2 octaves.
5. Dominant sevenths in the keys of B¨ and C, range 2 octaves; and in all other keys, range 1 octave.

Performance

It is expected that Baroque pieces will be ornamented as appropriate to the period.

At least two different sizes of recorder should be used.

BACH Sonata in A minor (Noetzel/Peters)

BARSANTI Sonata No. 3 in G Minor from Six Sonatas Book 1 (Barenreiter)
BLAVET Sonata in D Minor, Op. 3/2 (Doblinger)
BOWEN Sonata (Emerson)
DIEUPART Suite No. 3 in F Major from 4 Suites (Amadeus)
EVANS A Rose in Phrygian Nines (Orpheus)
FONTANA Sonata III from Six Sonatas (Amadeus)
FORTIN Appalaschische Sonate (Doblinger)
FULTON Scottish Suite (Schott)
GEBAUER Movements III and IV from Sonate (1812) (descant) (Moeck)
GENZMER Zweite Sonate (Schott)
GLANVILLE-HICKS
Sonatina (Schott)
GOLLAND Bossa Nova from New World Dances (Forsyth)
GREGSON Three Matisse Impressions (Forsyth)
HANDEL Sonata in A minor Op. 1 No. 4 from Four Sonatas (Schott)
HEBERLE Concerto in G major (Edition Wilhelm Hansen/Music Sales)
JACOB Sonatina (Studio Music)
KRÄHMER Introduction and Variations Brillantes Op. 23 (Dolce)
22
LINDE Music for a Bird (Schott)
MAYS Moon Dances (Moeseler)
MONTALBANO Sinfonia from Masters of the Early Baroque (Schott)
ROSE I’d Rather Be in Philadelphia (Universal Edition/MDS)
SCOTT Aubade (Schott)
STAEPS Virtuose Suite (Schott)
SWANN Rhapsody from Within (Peacock Press)
TELEMANN Fantasia 8 in G Minor from The Baroque Solo Book/The Solo Recorder Vol. 1 (sometimes
appears in A minor, but G minor is the correct version) (Dolce/Peacock)
TELEMANN Methodical Sonata No. 2 in C Major from Sonate Metodiche (ornamented version of first
movement must be played) (Dolce)
TELEMANN Sonata C5 TWV 41 from Complete Original Recorder Sonatas (Dolce)
VAN EYCK d’Lof-zangh Marie, No. 12 from Der Fluyten Lusthof Vol. 1 (Dolce)
VAN EYCK Prins Robberts Masco, No. 74 from Der Fluyten Lusthof Vol. 2 (Dolce)
VERACINI Sonata in A Minor from 3 Sonatas of the Italian Baroque (Schott)
VITALI Chaconne from Baroque Masters of Variation (EMB)
VIVALDI Concerto No. 1 in F Op. 10 No. 1 RV433 (Schott/MDS)
ZAHNHAUSEN Lyrische Szenen (Moseler)

Recorder
LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition it is expected that Baroque pieces will be ornamented as appropriate to the period.
At least two different sizes of recorder should be used.

ALBINONI Sonata in A Minor from 3 Sonatas of the Italian Baroque (Schott)

BABELL Sonata in G Minor from 2 Sonatas Op. post 1) (Dolce)
BACH Partita BWV1013 from The Baroque Solo Book (Dolce)
BACH Sonata BWV1032 (Universal Edition/MDS)
BERKELEY Sonatina (Schott)
BLAVET Sonata IV, La Lumague (Robert Lienau)
CASTELLO Sonata 2 from 2 Sonatas (descant) (Amadeus)
CORELLI La Follia (Schott)
DORWARTH Birdbook (soprano/descant/treble/bass) (Moeck)
FONTANA Sonata 2 from 6 Sonatas (descant) (Amadeus)
GEBAUER Movements I and II (Theme and four variations of the candidate’s choice) from Sonate
(1812) (descant) (Moeck)
GENZMER Klange der Nacht (Schott)
GREGSON Aztec Dances (Novello)
HANDEL Sonata in C major Op. 1 No. 7 from Four Sonatas (Schott)
HEBERLE Sonate (1808) for Descant Recorder Solo (Moeck)
HIROSE Meditation (Zen On)
HOPE Concerto (Birthday Concerto) (Peacock Press)
HOTTETERRE Suite in F Major, Op. 2 No. 1 (European Music Archive/Pelikan)
ISHII Black Intention (Zen On)
JACOB Variations (except Variation V) (Breitkopf & Hartel Musica Rara)
23
KRÄHMER Rondeau Hongrois Op.28 (Dolce)
LEENHOUTS Daido (Ascolta)
LINDE Fantasien und Scherzi (Schott)
McCABE Desert IV: Vista (tenor/soprano) (Novello)
MEIJERING Game of Love (descant) (Moeck)
PIERRE DANICAN PHILIDOR
Cinquieme Suite (Pelikan)
ROSE Medieval Nights (Carus)
SAMMARTINI Concerto in F (Schott)
SELMA Y SALAVERDE
Canzona from Masters of the Early Baroque (descant) (Schott)
SHINOHARA Fragmente (Schott)
STAEPS Furioso, Gigue and Aria (descant/treble) (Doblinger)
STAEPS Sonata in E¨ (Universal Edition/MDS)
TELEMANN Fantasia 6 in F Minor from The Baroque Solo Book/The Solo Recorder Vol. 1 (this appears in
some editions in G minor, but the F minor version should be played) (Dolce/Peacock)
TELEMANN Methodical Sonata No. 4 in F Major from Sonate Metodiche (ornamented version of first
movement must be played) (Dolce)
TELEMANN Sonata in F minor from Der Getreue Musickmeister (Hortus Musicus/Bärenreiter)
THORN The Voice of the Crocodile (bass) (Moeck)
TRAD. Isabella from Mittelaterliche Spielmannstanze aus Italien Vol. 1 (Moeck)
TURNER A Short Sprint (descant) (Forsyth)
VAN EYCK Comagain, No. 32 from Der Fluyten Lusthof Vol. 1 (Dolce)
VAN EYCK Doen Daphne III, No. 56 from Der Fluyten Lusthof Vol. 2 (Dolce)
VIVALDI Concerto in C RV443 (Schott)
WERNER Le Chant de Pan from Collection Panorama Flute a Bec Alto 2 (Billaudot)
YOSHIMINE Mudai (tenor) (Mieroprint)
ZAHNHAUSEN Jahreszeichen I (Spring Music) (Moseler)
ZAHNHAUSEN Jahreszeichen IV (Winter Images) (Moseler)
ZIEGENMEYER Hommage an Hildegard von Bingen OR Lost in Space from The Delayed Flute (with delay effect,
candidate to bring equipment) (Moeck)

Recorder
FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

24
 Classical Saxophone
DipLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition it is expected that Baroque pieces will be ornamented as appropriate to the period.
Candidates may use any selection of saxophones. Where the pieces listed are published for other saxophones,
these versions may also be used.

The following pieces may be performed on any saxophone:

AYSCUE Three Pieces (any ONE) (Artisan Press)

Soprano saxophone:
BACH, J. S. Suite No. 1 (Prelude AND any other movement) (unaccompanied) (Lemoine/UMP)
COWLES The Legends of Avalon (first, second and fifth movements) (Ricordi)
FAURÉ Berceuse (Leduc/UMP)
IBERT L’Age d’Or (Leduc/UMP)
KELLY Don Quixote Suite (complete) (Emerson)
MAGGIO Where You End and I Begin (any ONE movement) (Thoedore Presser)
PIERNÉ Piece in G minor (Southern Music)
PROUST Prelude et Larghetto (Billaudot/UMP)
ROSS Aria and Dance (Southern Music Co.)

Alto saxophone:
BACH, J. S. Suite No. 1 (Prelude AND any other movement) (unaccompanied) (Lemoine/UMP)
BINGE Concerto for Alto Saxophone (any TWO contrasting movements) (Weinberger)
BURNETTE Nuage Musique (Roncorp)
COWAN Morceau de Genre (Boosey & Hawkes)
COWLES The Legends of Avalon (first, second and fifth movements) (Ricordi)
DUBOIS Pièces Caracteristiques en Forme de Suite (any one) (Leduc/UMP)
FAURÉ Berceuse (Leduc/UMP)
GHIDONI Pièce Brève (Leduc/UMP)
HOLCOMBE Blues Concerto (first movement) (Studio Music)
JACOB Variations on a Dorian Theme (Emerson)
JEANJEAN Heureux Temps (Editions Musicales Andrieu Freres/UMP)
LANTIER Sicilienne (Leduc/UMP)
LESIER Air Tendre and Air Gai (Billaudot)
PROUST Prelude et Larghetto (Billaudot/UMP)
SCHULHOFF Hot-Sonata (any TWO contrasting movements) (Schott/MDS)
TELEMANN Sonata in E¨ (any TWO contrasting movements) (Leduc/UMP)
WIEDOEFT Valse Vanite (Hunt)

Tenor saxophone:
BACH, J. S. Suite No. 1 (Prelude AND any other movement) (unaccompanied) (Lemoine/UMP)
CLERISSE A l’Ombre du Clocher (Leduc/UMP)
CLERISSE Serenade Variée (Leduc/UMP)
COWLES The Legends of Avalon (first, second and fifth movements) (Ricordi)
DE SCHRIJVER Exotic Pavane (De Haske)
25
FAURÉ Berceuse (Leduc/UMP)
JOPLIN Bethena (Lemoine/UMP)
PIERNÉ Piece in G minor (Southern Music Co.)
PROUST Prelude et Larghetto (Billaudot/UMP)
RICH/RANDOLPH Yakkety Sax (Hal Leonard)
ROSS Aria and Dance (Southern Music Co.)
SCHMITT Songe de Coppelius (Lemoine/UMP)
TELEMANN Sonata in E¨ (any TWO contrasting movements) (Leduc/UMP)
TUTHILL Sonata (any TWO contrasting movements) (Southern Music Co.)
WAGNER/BAERMANN Adagio (Southern Music)

Baritone saxophone:
BACH, J.S. Suite No. 1 (Prelude AND any other movement) (unaccompanied) (Lemoine/UMP)
FAURÉ Berceuse (Leduc/UMP)
HANDEL Sonata No. 6 (first movement ‘Adagio’) (Leduc/UMP)
HARTLEY Sonata for Baritone Saxophone and piano (any ONE movement) (Dorn)
JEX Three Dances for Baritone saxophone and piano (any ONE movement) (Wingett Jones)
JOPLIN Bethena (Lemoine/UMP)
NIEHAUS No. 9 (Jazz Waltz) from Jazz Solos for Baritone Sax (Kendor/Elkin)
SCHMIDT Movts. 3 (Dirge), 4 (March) from Serenade for Baritone Saxophone
(Western International)
TELEMANN Sonata in A minor: Vivace from Classic Festival Solos (Warner Bros.)

26
 Classical Saxophone
ALCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

Technical Work
Candidates will perform EITHER technical studies OR scales and arpeggios.

EITHER: Technical Studies

Any TWO contrasting studies to be selected from the following:

BOIS La Moldau (La Noce) Smetana from 25 Airs en Guise D’Etudes (Lemoine)
BOIS Shéhereherazade (extract 3, movement 3) from 25 Airs en Guise D’Etudes (Lemoine)
BOIS Kopsakov from 25 Airs en Guise D’Etudes (Lemoine)
BOZZA Nos. 6, 7 from Douze Études Caprices (Leduc/UMP)
BUSSER Nos. 8, 9 from Douze Études Melodiques (Leduc/UMP)
BUSSI No. 1 Allegro Moderato from 27 Virtuoso Studies for Saxophone or Oboe (Fischer)
BUSSI No. 3 Largo from 27 Virtuoso Studies for Saxophone or Oboe (Fischer)
DUBOIS No. 3 Le Coucou from 24 Etudes Capries Vol. 1 (Billaudot)
DUBOIS No. 5 Farandole from 24 Etudes Capries Vol. 1 (Billaudot)
KLOSE Nos. 22, 23, 24, 25 from 25 Études de Mecanisme (Leduc/UMP)
LABANCHI Any from 33 Concert Études (C Fischer)
LACOUR Nos. 18 & 24 (counts as one choice), 20 from 24 Études Atonales Façiles (Billaudot/UMP)
MADDEN Nine Lives (Spartan Press)
MADDEN Not So Serious Now (Spartan Press)
MADDEN Procrastination (Spartan Press)
MULE Etudes Variées (any) (Leduc/UMP)
MULE Nos. 40, 47, 49 from 48 Études (Leduc/UMP)
NIEHAUS Etude 7 (ad lib. rubato) OR 17 (Moderato waltz tempo) OR 20 (Moderately fast)
from Advanced Jazz Conception for Saxophone (Try)
RICKER Nos. 2, 3 from Études sur la Gamme Diminuée (Leduc/UMP)

OR: Scales and Arpeggios

All to be performed from memory. To be performed slurred, legato tongued or staccato, at the direction of the
examiner.

1. All major and minor (both forms) scales and arpeggios (root position only).
Requirements beginning on F©, G, G©/A¨ and A: range a twelfth.
All other requirements: range 2 octaves.
2. Chromatic scales starting on any note.
Starting on B¨: range 2 octaves and a fifth. Starting on F©, G, G© and A: range a twelfth.
All remaining requirements: range 2 octaves.
3. Whole-tone scales starting on C and C©: range 2 octaves.
4. Diminished seventh arpeggios starting on B, C, D¨, D, E and F: range 2 octaves.
5. Dominant seventh arpeggios in all keys.
In the keys of B, C, D¨ and D: range 1 octave. All other keys: range 2 octaves.

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Performance

It is expected that Baroque pieces will be ornamented as appropriate to the period.

Candidates may use any selection of saxophones. Where the pieces listed are published for other saxophones,
these versions may also be used.

The following pieces may be performed on any saxophone:

AYSCUE Three Pieces (any TWO) (Artisan Press)
KAWINSKY Te’amim (Southern Music)
MERIOT Valse Romantique (Billaudot)
NAULAIS Vacances en Bourgogne (Edition Robert Martin)
SNYDER Variations (Artisan Press)

Soprano saxophone:
BACH, J. S. Allemande and Sarabande from Suite No. 1 (Lemoine/UMP)
COWLES Sonata for Soprano Saxophone (any TWO movements) (Spartan Press)
DE SCHRIJVER Exotic Pavane (De Haske)
FELD Elégie (Schott/MDS)
GHIDONI Far West Adventure (Leduc/UMP)
GUILHAUD First Concertino from Concert and Contest Collection (Rubank/Hal Leonard)
GUIOT Opium (Billaudot/UMP)
HANDEL Sonata in G minor (trans. Londeix) (Leduc/UMP)
HARVEY Contest Solo No. 4 (Studio Music)
JOLAS Points d’Or (Billaudot/UMP)
JOPLIN Ragtime Favourites (New Rag AND one other) (Fentone/De Haske)
KREISLER Loves Joy from Lieberslied (Schott)
MAGGIO Where You End and I Begin (any TWO contrasting movements) (Theodore Presser)
VILLA-LOBOS Fantasia for Soprano Saxophone (Peer Mair)
WIGGINS, C. Soliloquy XI (Neuschel Publications/Studio Music)
WILSON Drive (Camden/Spartan Press)

Alto saxophone:
ABSIL Fantaisie-Caprice (Lemoine/UMP)
AUBIN Nocturne in the Form of a Blues (Robert Martin/UMP)
BACH, J. S. Allemande and Sarabande from Suite No. 1 (Lemoine/UMP)
BACH, J. S. Sonata in G minor (at least TWO contrasting movements) (Universal Edition/MDS)
BARNES The Young Maestro (Boosey & Hawkes)
BERNIER Hommage á Sax (Leduc/UMP)
BINGE Concerto for Alto Saxophone (complete) (Weinberger)
BOURGEOIS Caprice for Alto Saxophone and Piano, Op. 119 (Brass Wind)
CHAILLEUX Andante and Allegro (Leduc/UMP)
COATES Saxo-Rhapsody (Studio Music)
DE DÉRÉ Andante and Scherzo (Southern)
ECCLES Sonata (at least TWO contrasting movements) (Elkin Vogel/UMP)
HARVEY Contest Solo No. 2 (Studio Music)
JACOB Miscellanies (complete) (Emerson)
JOLAS Points d’Or (Billaudot/UMP)
JOLIVET Fantaisie-Impromptu (Leduc/UMP)
LAMONTE Caprice (Billaudot)
LANTIER Allegro, Arioso et Final (Lemoine/UMP)
MILHAUD Danse from Contemporary French Recital Pieces for Saxophone and Piano, Volume 2
(International Music Corp)
MILHAUD Scaramouche (any TWO contrasting movements) (Salabert/UMP)
NEIHAUS Harlequinade (Kendor)
NICHOLAS Mad Sax (Robert Martin)
RICHARDSON Three Pieces (Emerson)
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SCHULHOFF Hot-Sonata (Schott/MDS)
TCHÉREPNIN Sonatine Sportive (Leduc/UMP)
VUATAZ Incantation from Recital Pieces of the Twentieth Century for Saxophone and Piano, Volume 1
(International Music Corp)
WHITNEY Introduction and Samba (Bourne Co., New York)
WHITNEY Rumba (Bourne Co., New York)
WIGGINS, C. Soliloquy XI (Neuschel Publications/Studio Music)
ZINOWSKY Hommage á Bach (Noetzel/Peters)

Tenor saxophone:
ANDERSON Sonato (any TWO movements) (Southern Music)
BACH, J.S. Allemande and Sarabande from Suite No. 1 (Lemoine/UMP)
BACH, J.S., arr. Nichols
Sonata da Gamba (any TWO contrasting movements) (Saxtet)
BACH, J.S. Sonata in G minor (at least TWO contrasting movements) (Universal Edition)
BELLARD Fantasie (Billaudot)
BLAVET Adagio and Presto (Southern Music)
BOCCHERINI Adagio (Leduc/UMP)
FIOCCO Concerto (any TWO movements) (Schott)
GOCHT Novelle Fur F from Impressions for Tenor Saxophone and Klavier (Breitkopf/Hartel/DVFM)
GUILHAUD First Concertino from Concert and Contest Collection (Rubank/Hal Leonard)
GUIOT Opium (Billaudot/UMP)
HARVEY Contest Solo No.1 (Studio Music)
JOLAS Points d’Or (Billaudot/UMP)
KREISLER Loves Joy from Liebestiad (Schott)
LEMSLANT Epitaph to John Coltrane (Billaudot)
NIEHAUS Tenor Soundscape (Kendor/Elkin)
OSTRANSKY Prelude and Allegro from Concert and Contest Collection (Rubank/Hal Leonard)
PETIT Premier Étude de Concours from Concert and Contest Collection (Rubank/Hal Leonard)
SCHMITZ Memory Suite (second and third movements) (Deutscher Verlag)
STERNBERG Capriccione from Impressions for Tenor Saxophone and Klavier (Breitkopf/Hartel/DVFM)
TELEMANN Sonata in E¨ (complete) (Leduc/UMP)
WIGGINS, C. Soliloquy XI (Neuschel Publications/Studio Music)

Baritone saxophone:
BACH, J. S. Allemande and Sarabande from Suite No. 1 (Lemoine/UMP)
BERGER Ballade (Adagio Music)
DONJON Invocation (Cundy-Bettoney/Carl Fischer)
GUIOT Opium (Billaudot/UMP)
HARTLEY Sonata for Baritone Saxophone and Piano (any TWO movements) (Dorn)
HARVEY Contest Solo No. 5 (Studio Music)
JEX Three Dances for Baritone Saxophone and Piano (any TWO) (Pub. Wingett Jones)
JOLAS Points d’Or (Billaudot/UMP)
JOPLIN Ragtime Favourites (Ragtime Dance AND one other) (Fentone/De Haske)
PETIT Premier Étude de Concours from Concert and Contest Collection (Rubank/Hal Leonard)
SCHUBERT Allegro Moderato from Arpeggione Sonata (transcribed: S Davis)
(Western International Musica)
SKOLNIK Elegy (UMP)
TARTINI Grave from Cello Concerto in D Major, transcribed for Alto or Baritone Saxophone: Lee Patrick
(Carl Fischer)
WIGGINS, C. Soliloquy XI (Neuschel Publications/Studio Music)

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 Classical Saxophone
LLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.
In addition it is expected that Baroque pieces will be ornamented as appropriate to the period.
Candidates may use any selection of saxophones in the programme.

The following pieces may be performed on any saxophone:

ANDREWS Three Nos. (Shawnee)
AYSCUE Three Pieces (all THREE) (Artisan Press)
DUBOIS No. 10 Tranquillo from Etudes Caprices Vol. 1 (Billaudot)
DUBOIS No. 17 Comme un Fado from Etudes Caprices Vol. 1 (Billaudot)
MADDEN Atonement (Spartan Press)
MADDEN Blue to Purple (Spartan Press)
MADDEN Turn to the Sun (Spartan Press)
SAINT-SAENS Carnival des Animaux (Voliere) (Lemoine)
SCARLATTI Sonata en Do (Pieces for Clavelin) from 25 Airs en Guise D’Etudes Ed. Chris Bois (Lemoine)

Soprano saxophone:
BONNEAU Caprice en Forme de Valse (Leduc/UMP)
COWLES Sonata for Soprano Saxophone (Spartan Press)
DI PASQUALE Sonata (Southern Music Co.)
HARVEY Concertino for Soprano Saxophone (Maurer/UMP)
IBERT (trans. Nicole) Symphonie Concertante (Leduc/UMP)
KARLINS Introduction et Passacaille (Leduc/UMP)
KREISLER Loves Joy and Loves Sorrow from Lieberslied (Schott)
MAGGIO Where You End and I Begin (Complete) (Theodore Presser)
MACMILLAN After the Tryst (Boosey & Hawkes)
MIHALOVICI Chant Premier (UMP)
NYMAN Shaping the Curve (Chester/Music Sales)
PAUWELS Serenade (Editions Andel/UMP)
RIMSKY-KORSAKOV The Flight of the Bumblebee (Rubank/Hal Leonard)
TURNAGE Sarabande (Schott/MDS)
UDELL Elegy and Ecossaise (Southern Music)
VILLA-LOBOS Fantasia for Soprano Saxophone (complete) (Peer Music)
VIVALDI Sonata No. 4 in B¨ (Masters Music Publications)

Alto saxophone:
ARNOLD Saxophone Concerto (Goodmusic)
BONNEAU Caprice en Forme de Valse (Leduc/UMP)
BONNEAU Pièce Concertante (Leduc/UMP)
CARPENTER Sonata (Camden/Spartan Press)
CESARNI Fantasie (De Haske)
CRESTON Sonata, Op. 19 (Shawnee)
DAMASE Concertstück (Leduc/UMP)
FRANÇAIX Cinq Danses Exotiques (at least THREE movements) (Schott/MDS)
GALLOIS-MONTBRUN Six Pièces Musicales d’Études (complete) (Leduc/UMP)
GRUNDMAN Concertante (Boosey & Hawkes)
HARTLEY Concerto (Tenuto/Presser)
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HARVEY Concertino for Alto Saxophone (Maurer/UMP)
HEIDEN Sonata (Schott/MDS)
HERBIN Dance from French Recital Pieces of the Twentieth Century, Vol. 1 (IMC)
IBERT Concertino de Camera (Leduc/UMP)
IBERT Divertissement (Leduc/UMP)
LACOUR Pièce Concertante (Billaudot/UMP)
MARTIN Ballade (including cadenza) (Universal Edition/MDS)
MILHAUD Scaramouche (complete) (Salabert/UMP)
MONTI Csárdás (transcribed: C. J. Roberts) (Carl Fischer)
MYERS Three Short Pieces (complete) (Artisan Music Press)
PENRI-EVANS Bayou Blues (Da Capo Music)
PERSICHETTI Parable (solo alto saxophone) (Elkin Vogel/UMP)
PLANEL Prélude et Salterelle (Leduc/UMP)
RABAUD Solo de Concours (Southern Music Co.)
ROREM Picnic on the Marne (complete) (Boosey & Hawkes)
SCHULHOFF Hot-Sonata (complete) (Schott/MDS)
VIVALDI Sonata No. 4 in B¨ (Masters Music Publications)
WHITNEY Introduction and Samba (ed. Rascher) (Bourne)
WOODS Sonata for Alto Saxophone and Piano (Kendor/Elkin)

Tenor saxophone:
ANDERSON Sonata for Tenor Saxophone and Piano (complete) (Southern Music Co.)
BONNEAU Caprice en Forme de Valse (Leduc/UMP)
CURTIS Kolomezka and/or Bay A Glezele Mashke (Advance Music)
DEVIENNE Adagio and Rondo (arr. W. Jaeckel) (Southern Music)
DI PASQUALE Sonata (Southern Music Co.)
FERRAN Jovintud (Fantasy for Tenor Saxophone and Piano) (Iber Musica)
FIOCCO-BAZELAIRE Concerto (trans. Londeix) (Schott/MDS)
GUILHARD First Concertino (Rubank)
HANDEL Sonata in G minor (Leduc)
HARVEY Concertino for Tenor Saxophone (Maurer/UMP)
KARLINS Introduction et Passacaille (Leduc/UMP)
KREISLER Loves Joy and Loves Sorrow from Liebeslied (Schott)
MAGGIO Where You End and I Begin (complete) (for soprano or tenor sax) (Theodore Presser)
PAUWELS Serenade (Editions Angel)
PRESSER Sonatina (Tenuto)
PRESSER Rhapsody (Tenuto)
SINGELEE Solo de Concert, Op. 83 (Rubank/Hal Leonard)
TUTHILL Sonata (Southern Music Co.)
VILLA-LOBOS Fantasia (Emerson)
VIVALDI Sonata No. 4 in B¨ (Master Music Pub.)

Baritone saxophone:
ANDERSON Sonata for Baritone Saxophone (Southern Music Co.)
BACH, J. S. Suite No. 1 (to include ‘Prelude’, ‘Allemande’ and ‘Courante’) (Lemoine/UMP)
BONNEAU Caprice en Forme de Valse (Leduc/UMP)
BOZZA Divertissement (arr. A Ephross) (Southern Music Co.)
CORBETT, I. Something Serious (Emerson)
FASCH Sonata in C for Bassoon (Peters)
FRANCAIX Divertissement for Bassoon (Schott/MDS)
GINER Yod (Durand)

31
HARTLEY Sonata for Baritone Saxophone (complete) (Dorn)
HARVEY Concertino for Baritone Saxophone (Maurer/UMP)
JEX Three Dances for Baritone Saxophone and Piano (complete) (Pub. Wingett Jones)
JOLAS Petit Masquerade Chevet (Billaudot)
LONG Undercurrent ‘Theme and Variations’ (Rubank)
PAUWELS Serenade (Editions Angel/UMP)
PIAZZOLLA Le Grande Tango (Bergen)
RABAUD Solo de Concours (Southern Music Co.)
TANSMAN Sonatine for Bassoon (Eschig/UMP)
VIVALDI Concerto in A minor for Bassoon (Ricordi)

Bass saxophone:
HARTLEY Sonatina Giocosa (1987) (may be transcribed for baritone saxophone)
(Tenuto/Presser)

Classical Saxophone
FLCM in Performance

Refer to the syllabus for full guidelines on examination components and selection of repertoire.

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