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    Tachi-waza are further subdivided into te-waza (手技, hand techniques)

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    Jitendra Pandey
    The document categorizes judo techniques into throwing techniques (nage-waza), grappling techniques (katame-waza), and striking techniques (atemi-waza). Throwing techniques are further divided into standing techniques (tachi-waza), techniques requiring sacrificing an upright position (sutemi-waza), hand techniques (te-waza), hip techniques (koshi-waza), and foot/leg techniques (ashi-waza). Grappling techniques include holding techniques (osaekomi-waza), strangulation techniques (shime-waza), and joint techniques (kansetsu-waza). Judo pedagogy emphasizes free practice (randori) of

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    Tachi-waza are further subdivided into te-waza (手技, hand techniques)

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    Jitendra Pandey
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    The document categorizes judo techniques into throwing techniques (nage-waza), grappling techniques (katame-waza), and striking techniques (atemi-waza). Throwing techniques are further divided into standing techniques (tachi-waza), techniques requiring sacrificing an upright position (sutemi-waza), hand techniques (te-waza), hip techniques (koshi-waza), and foot/leg techniques (ashi-waza). Grappling techniques include holding techniques (osaekomi-waza), strangulation techniques (shime-waza), and joint techniques (kansetsu-waza). Judo pedagogy emphasizes free practice (randori) of

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    Judo 4

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    The document categorizes judo techniques into throwing techniques (nage-waza), grappling techniques (katame-waza), and striking techniques (atemi-waza). Throwing techniques are further divided into standing techniques (tachi-waza), techniques requiring sacrificing an upright position (sutemi-waza), hand techniques (te-waza), hip techniques (koshi-waza), and foot/leg techniques (ashi-waza). Grappling techniques include holding techniques (osaekomi-waza), strangulation techniques (shime-waza), and joint techniques (kansetsu-waza). Judo pedagogy emphasizes free practice (randori) of

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    74 views3 pages

    Tachi-waza are further subdivided into te-waza (手技, hand techniques)

    Uploaded by

    Jitendra Pandey
    The document categorizes judo techniques into throwing techniques (nage-waza), grappling techniques (katame-waza), and striking techniques (atemi-waza). Throwing techniques are further divided into standing techniques (tachi-waza), techniques requiring sacrificing an upright position (sutemi-waza), hand techniques (te-waza), hip techniques (koshi-waza), and foot/leg techniques (ashi-waza). Grappling techniques include holding techniques (osaekomi-waza), strangulation techniques (shime-waza), and joint techniques (kansetsu-waza). Judo pedagogy emphasizes free practice (randori) of

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    Traditionally, nage-waza are further categorised into tachi-waza (立ち技, standing techniques),

    throws that are performed with tori maintaining an upright position, and sutemi-waza (捨身技,


    sacrifice techniques), throws in which tori sacrifices his upright position in order to throw uke.[28]
    Tachi-waza are further subdivided into te-waza (手技, hand techniques)[29], in
    which tori predominantly uses his arms to throw uke; koshi-waza (腰技, hip techniques)[30] throws
    that predominantly use a lifting motion from the hips; and ashi-waza (足技, foot and leg
    techniques)[31], throws in which tori predominantly utilises his legs.[28]

    Harai goshi (払腰, sweeping hip), a koshi-waza

    Te-waza (手技)
    hand techniques

    Tachi-waza (立ち技) Koshi-waza (腰技)
    standing techniques hip techniques

    Nage-waza (投げ
    Ashi-waza (足技)
    技)
    foot and leg techniques
    throwing techniques

    Ma-sutemi-waza (真捨身技)
    rear sacrifice techniques
    Sutemi-waza (捨身技)
    sacrifice techniques
    Yoko-sutemi-waza (橫捨身技)
    side sacrifice techniques

    Katame-waza (grappling techniques)[edit]
    Katame-waza is further categorised into osaekomi-waza (抑込技, holding techniques), in
    which tori traps and pins uke on his back on the floor; shime-waza (絞技, strangulation
    techniques), in which tori attempts to force a submission by choking or strangling uke;
    and kansetsu-waza (関節技, joint techniques), in which tori attempts to submit uke by painful
    manipulation of his joints.[32]
    A related concept is that of ne-waza (寝技, prone techniques), in which waza are applied from a
    non-standing position.[33]
    In competitive judo, Kansetsu-waza is currently limited to elbow joint manipulation.
    [34]
     Manipulation and locking of other joints can be found in various kata, such as Katame-no-
    kata and Kodokan goshin jutsu.[35]

    Juji gatame (十字固, cross lock)(armbar), a kansetsu-waza

    Osaekomi-waza (抑込技)
    holding or pinning techniques

    Katame-waza (固
    Shime-waza (絞技)
    技)
    strangulation techniques
    grappling techniques

    Kansetsu-waza (関節技)
    Joint techniques (locks)

    Atemi-waza (striking techniques)[edit]
    Atemi-waza are techniques in which tori disables uke with a strike to a vital point. Atemi-waza are
    not permitted outside of kata.[36]

    Pedagogy[edit]
    Randori (free practice)[edit]
    Judo pedagogy emphasizes randori (乱取り, literally "taking chaos", but meaning "free practice").
    This term covers a variety of forms of practice, and the intensity at which it is carried out varies
    depending on intent and the level of expertise of the participants. At one extreme, is a compliant
    style of randori, known as Yakusoku geiko (約束稽古, prearranged practice), in which neither
    participant offers resistance to their partner's attempts to throw. A related concept is that of Sute
    geiko (捨稽古, throw-away practice), in which an experienced judoka allows himself to be thrown
    by his less-experienced partner.[37] At the opposite extreme from yakusoku geiko is the hard style
    of randori that seeks to emulate the style of judo seen in competition. While hard randori is the
    cornerstone of judo, over-emphasis of the competitive aspect is seen as undesirable by
    traditionalists if the intent of the randori is to "win" rather than to learn.[38]

    Kata (forms)[edit]
    Kanō Jigorō and Yamashita Yoshitsugu performing Koshiki-no-kata

    See also: Kata

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