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    Spain: Composer 153

    Uploaded by

    yaboi
    This document appears to be a musical score containing notation. It consists of multiple lines with symbols representing notes, rhythms, dynamics, and other musical elements. The score has sections marked by repeat signs and uses various techniques such as glissandos. It is composed of complex rhythmic and melodic passages involving a range of pitches and dynamics over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Spain: Composer 153

    Uploaded by

    yaboi
    80 views3 pages
    This document appears to be a musical score containing notation. It consists of multiple lines with symbols representing notes, rhythms, dynamics, and other musical elements. The score has sections marked by repeat signs and uses various techniques such as glissandos. It is composed of complex rhythmic and melodic passages involving a range of pitches and dynamics over its duration.

    Original Description:

    the airmen of note recording

    Original Title

    Spain

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This document appears to be a musical score containing notation. It consists of multiple lines with symbols representing notes, rhythms, dynamics, and other musical elements. The score has sections marked by repeat signs and uses various techniques such as glissandos. It is composed of complex rhythmic and melodic passages involving a range of pitches and dynamics over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    80 views3 pages

    Spain: Composer 153

    Uploaded by

    yaboi
    This document appears to be a musical score containing notation. It consists of multiple lines with symbols representing notes, rhythms, dynamics, and other musical elements. The score has sections marked by repeat signs and uses various techniques such as glissandos. It is composed of complex rhythmic and melodic passages involving a range of pitches and dynamics over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    spain

             
      
    Composer

       
    
         
     = 153 gliss.

                    
        
    3

     
    gliss. g li s s .
    5

                     
                    
    3

    
    9

                      
             
    
    13

                  

      
    3 3

       
    17

                               
      
    3 3

      
    21

                
          
         
       
    25

                    
         

    

    

    



       
    29

          

                   
     
              
         
    33
    g li

    3
       
    ss.

                 
     
                
    3

       
    39
            
               
       
    
    46

                
          

     

     

     

      
    50


                  
         
             
     
    54

              

       
           
     
         
          
    59

                        

    3

              
     
    65

          
           
                 
     
    70

           
                      
        
    
    76

        
                     
    3 3 3

          
    
    82


                        
    3

         
    
    88

                               
      
    3 3 3

         
    
    93

    2
                   
     


     

       
    

    ss.
    g li
    98


          
                  
        
      
             
    s.
    g li s
    104

           
    3

           
            
          
    
    111

    3 3 3 3 3

     
         
    
    120

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