Working With Your Camera: Topic 2 - Introduction To Lenses

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Working with your Camera

Topic 2 – Introduction To Lenses

Learning Outcomes
By the end of this topic you will have a basic understanding of what lenses you need for
specific types of shot. You will also be able to distinguish between prime lens and zoom
lenses and have a better understanding of the language used in conversations between
photographers when discussing lenses.

Components of a lens

The structure of a lens.

Lens Mount – This is the area of the lens that we attach to the camera body. It is a hugely
sensitive area and when you dismount a lens from a body, always ensures that you cover
this with a lens cap.

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Zoom Ring – This applies to lenses that have a ranging focal length. The zoom ring
adjusts the focal length of the lens, allowing you to move closer or further away from
your subject.

Distance Scale – The distance scale is simply an accurate reading of what your
zoom ring is doing. It will tell you what focal length you are at if you are unsure.

Autofocus/ Manual Focus Switch – This is simply a switch which allows you to
shoot your subject using autofocus or it gives you the opportunity to manually
control focus yourself.

Manual Focusing Ring – This ring will help you to adjust the focus of your subject,
but only if you are using the manual focus mode. On a zoom lens, this ring will adjust
the focus at whatever focal length you are zoomed into.

Bayonet For Lens Hood – This is simply the opposite to the lens cap. The lens hood
is another cap which protects the glass on the lens from dust or any unwanted
fingerprints or scratches.

Front Lens Element – This is simply the glass on the front of the lens that I just
mentioned. The lens hood covers this. This element is what allows light to enter the
camera.

Thread For Lens Filters – This thread is used for applying lens filters to your lens.

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Types of Lenses

Kit Lenses – These days the lens that is offered as a package with the DSLR is
generally called the 'kit lens'. It is generally an entry level quality zoom lens. They are
usually a general-purpose lens designed for everyday shooting. They are perfectly
fine to use as an introduction to photography but they will struggle in low light
conditions and lack the dynamism of other quality lenses that are available to you.

Normal Standard Lens – A normal or standard lens is a lens that matches the angle
of view of human vision that is in focus (50 degree view). On a full frame DSLR a
50mm lens gives us this 50 degree view of the world. The lens that gives us this view
varies slightly in mm depending on your sensor size.

Wide Angle Lens – A lens with field of view wider than the angle of focused human
vision or standard lenses (50mm). Lenses with a focal length between 24mm and
50mm are considered Wide Angle.

Telephoto Lens – A lens with field of view narrower than the angle of focused
human vision or standard lenses (50mm). Lenses with a focal length from 50mm up
to 1000mm are considered telephoto.

Zoom Lens – A lens with a variable focal length. Zooms lenses can be wide,
telephoto or cross both the wide and telephoto range. Example of a wide zoom lens
14mm- 24mm. Example of a telephoto zoom lens 100mm to 400mm. Example of a
zoom lens that goes from wide to telephoto 24mm to 105mm.

Prime Lens – A lens with a fixed focal length. This is a lens that cannot zoom and
only has one view. Examples of prime lenses include17mm, 24mm, 100mm, 300mm.

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Super Wide Angle Lens – A lens with a focal length wider than 24mm. Examples of
super wide lenses 10mm, 14mm, 16mm.

Fish Eye Lens – A lens with an angle of view of about 180 degrees. Recognisable for
their extremely curved front glass. They give us an extremely wide view of the world.
In order to achieve this wide view the images are very heavily distorted which is very
prominent around the edges.

Macro Lens – A lens that allows you to get extremely close to subject while still
maintaining its ability to focus on the subject. You’ll often see this used in wildlife
photography that focuses on minute insects.

Fast Lenses – The speed of a lens and how ‘fast’ it is refers to the maximum
aperture of the lens in question. The larger the maximum aperture, the faster the lens
is going to be.

When a lens is talked about it, it generally is described with its focal length (for
example it could be a 50mm lens or a 90mm lens). We also talk about its maximum
aperture (usually it will be a number with an ‘f’ in front of it – for example f/1.8 or f/4
or f/5.6). As we’ve seen, the smaller the number is, the bigger the maximum aperture
is.

Why would you want a fast lens?

Fast lenses can be really advantageous over slower ones in certain shooting
conditions and types of photography. They really shine on their own when there is
either low light (for example if you need to shoot indoors but can’t use a flash) or
where you need to use a fast shutter speed (for example in sports or even wildlife
photography). They are especially useful when you need both a fast shutter speed in
low light (ie indoor sports). In general – a fast lens is any lens with a maximum
aperture of f/4 or more (ie f/2.8, f/1.8, f/1.4 etc.).

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What have we learned today? A Summary

We have had a goof introduction to the types of lenses on the market and we have
learned all about what these lenses are used for. We have also revised the various
parts on a lens’s body and how important it is to keep the rear and front element of
the lens covered when not using the lens.

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