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    The modinha was a sentimental art song cultivated in Portugal and Brazil between the 18th and 19th centuries. It originated in the early 1700s and competed with the lundu to be one of the first truly Brazilian music forms. By the late 18th century, the modinha had taken on characteristics of the Italian opera aria through embellishments and more elaborate melodies. Eventually, the Brazilian modinha became a strongly lyrical folksong that embodied Brazilian romantic spirit and was an important salon genre alongside the lundu dance.

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    Modinha Behague PDF

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    The modinha was a sentimental art song cultivated in Portugal and Brazil between the 18th and 19th centuries. It originated in the early 1700s and competed with the lundu to be one of the first truly Brazilian music forms. By the late 18th century, the modinha had taken on characteristics of the Italian opera aria through embellishments and more elaborate melodies. Eventually, the Brazilian modinha became a strongly lyrical folksong that embodied Brazilian romantic spirit and was an important salon genre alongside the lundu dance.

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    The modinha was a sentimental art song cultivated in Portugal and Brazil between the 18th and 19th centuries. It originated in the early 1700s and competed with the lundu to be one of the first truly Brazilian music forms. By the late 18th century, the modinha had taken on characteristics of the Italian opera aria through embellishments and more elaborate melodies. Eventually, the Brazilian modinha became a strongly lyrical folksong that embodied Brazilian romantic spirit and was an important salon genre alongside the lundu dance.

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    56 views1 page

    Modinha Behague PDF

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    Aline
    The modinha was a sentimental art song cultivated in Portugal and Brazil between the 18th and 19th centuries. It originated in the early 1700s and competed with the lundu to be one of the first truly Brazilian music forms. By the late 18th century, the modinha had taken on characteristics of the Italian opera aria through embellishments and more elaborate melodies. Eventually, the Brazilian modinha became a strongly lyrical folksong that embodied Brazilian romantic spirit and was an important salon genre alongside the lundu dance.

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    of 1

    Modinha

    Gerard Béhague

    https://doi.org/10.1093/gmo/9781561592630.article.18840
    Published in print: 20 January 2001
    Published online: 2001

    A Portuguese and Brazilian sentimental art song cultivated in the 18th and 19th centuries. From the
    early 1700s it competed with the lundu to be the first truly Brazilian music form. Moda is a generic
    term applied vaguely to any song or melody. Particularly common in the 18th century were the modas a
    duo, for two sopranos, sung in parallel motion with harpsichord accompaniment and a possible
    doubling of the bass line by a low string instrument. In practice most printed modinhas in Portugal
    were accompanied by the guitar. During the Second Empire in Brazil the modinha acquired the
    character of the Italian opera aria, while in Portugal the same occurred about 1800. Under such
    influences the modinha began to lose its original simplicity, acquiring elaborate melodic lines with
    typically superficial ornamentation. Aspects of the opera aria were retained in the popularization of the
    modinha and came to be identified later in the 19th century as ‘national’ traits. Eventually the Brazilian
    modinha became a strongly lyrical folksong incarnating Brazilian romantic spirit. As a love song it was
    closely related to another popular genre, the lundu, a song and dance born of African origin which,
    together with the modinha, became the most important salon genre in Portugal and Brazil.

    Bibliography
    M. de Andrade, ed.: Modinhas imperiais (São Paulo, 1930/R)

    B. Siqueira: Modinhas do passado (Rio de Janeiro, 1956, enlarged 2/1979)

    M. de Araújo: A modinha e o lundu no século XVIII (São Paulo, 1963)

    E. de Alencar: A modinha cearense (Fortaleza, 1967) [score]

    G. Béhague: ‘Biblioteca de Ajuda (Lisbon) MSS 1595/1596: Two Eighteenth-Century Anonymous


    Collections of Modinhas’, YIAMR, 4 (1968), 44–81

    B. Kiefer: A mondinha e o lundu: duas raizes da música popular brasileira (Pôrto Alegre, 1977)

    G. Doderer, ed.: Modinhas luso-brasileiras (Lisbon, 1984) [score]

    M. Veiga: ‘O estudo da modinha brasileira’, LAMR, 19/1 (1998), 47–91

    See also

    Brazil, §III, 6: Popular music, Dance music of the north and north-east.

    Page 1 of 1
    Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an
    individual user may print out a single article for personal use (for details see Privacy Policy).

    Subscriber: Universidade de Sao Paulo (USP); date: 29 May 2020

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