Annotated Bibliography
Annotated Bibliography
Annotated Bibliography
,
What is Enlightenment? 58-64
Immanuel Kant is undoubtedly the first thinker from the Enlightenment to question, not
only his own role in the historical era, but to question its goals. Perhaps one of the most
famous works of Kant, outside of his critiques, his essay (in response to a question posed
by the Berlinische Monatsschrift) starts off with one of his most acclaimed lines:
precision, and clarity from his definition recasted all writing about the Enlightenment,
and the goal of gaining knowledge and understanding. This essay is undeniably valuable
for comparing and understanding what the Enlightment was considered from within. The
conditions of the intellectual world at that time are almost impossible to understand
without sources from within the zeitgeist – who is better prepared for such a reflection
than Kant himself? The essay falls short when trying to discuss Kant’s contemporaries
arguments: unfortunately, Kant had not realized that many other authors had responded to
the work (including Moses Mendelssohn), and hearing his agreement/disagreement with
those authors would certainly prove useful. Nevertheless, understanding the era of the
Enlightenment, and separating it from the act of being “enlightened” originated in this
exemplary work.
Hegel finished the Phenomenology of Sprit while Napolean attacked Prussian forces in
the Battle of Jena. The chaotic origin of the work, may contribute to its intensely concentrated
and forward style, but the organization and Hegel’s goals are enormous, and fundamentally
change the course of philosophy after it. Hegel’s interest in this work is the progression of Spirit
(“geist”), and its interactions and growth as he treats it. Spirit, for Hegel, is the self-conscious
activity of history. The activity and constant development of history, and the ability for it to
unfold into forms of knowledge. One of the most interesting portions of the phenomenology is
when he discusses the Enlightenment – he makes clear that the notion of enlightment is closely
tied to the pure insight in opposition to faith. The diffusion of this pure insight, grapples and
overthrows the old knowledge prescent in consciousness, and iolently supplants it. Hegel’s
dialectic between pure insight and faith is intensely violent – and the struggle between both not
only redefine their conceptions, but define themselves. Spirit is the natural successor of the
markedly different form Kant’s, and is rightfully so. The context in which Hegel wrote this work
(in the shadow of the French revolution, and during a war) properly reflects the conflict tpresent
in his understanding of [the] Enlightenment. For Hegel, old knowledge and incorrect knowledge
are part of the same coin as new knowledge because of their means of acquiry – where new
knowledge subverts the old, through Enlightenment, is through its connection the self. This
deterministic self, bound to the progression of Spirit, is where the crux of [the] Enlightenment
lies. The problems with Hegel lie mainly in his language, and style of discourse. Hegel’s writing,
and means of analysis are punishingly difficult for those without understanding of his historical
context, and historical approach to his writing. The work is lugubrious in pace, and the language
is undoubtedly challenging. While this means the work has a significant barrier of entry, every
person who analyzes Hegel will come out of it with different interpretations of his intent. While
this makes concurrency a rarity, the value of these perspectives help determine the nature of
Hegel’s thought.
Habermas, “Taking Aim at the Heart of the Present: On Foucault’s Lecture ‘What is
Enlightenment?’”, in The New Conservatism: Cultural Criticism and the Historians’
Debate 173-180