Analysis of Trapping of Color Sequences of Multicolor Offset Printing
Analysis of Trapping of Color Sequences of Multicolor Offset Printing
Analysis of Trapping of Color Sequences of Multicolor Offset Printing
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Abstract
Ink trapping is defined as the amount of the second ink transferred on top of the first ink during
process color printing. It is estimated optically with the use of densities.
The problem of this paper was to compare quality of printed products of print attributes (Ink
Trapping) of multicolor litho-offset printing, as a limited specific condition study, in Egypt
market . It was found from the review of literature that color sequence of multicolor printing
process had differences on the quality issue. The density-based is defined as the ratio of the ‘wet-
on-wet’ ink trapping. Density-based ink trapping ratios are compared. The effect of ink sequence
and ink trapping ratio on overprint colors are examined.
Keywords
color trapping, color printing sequence, process inks, multicolor offset printing, ink trapping ratio
Introduction believe that not only the results, but also the
After several years of market hesitation, litho- methodology is of interest to the engineers
offset multi color presses and scientists working with printing
have now become common. In today’s technology.
printing market, where tend to multi-color In our local printing market, there are no
objects, medium and long run, shorter make basic color sequence rule to print multi color
ready times and stability of quality are being (wet on wet) using process inks, which
demanded. provides a poor print quality.
It is important for customers of multi-color Therefore, the research question could be
press to be able to take into account the formulated as follows, “Does density-based
quality of the press, typically to be able to ink trapping correlate with each other?” . It is
make a trade-off between price and quality. assumed therefore that, if ink trapping can be
The total quality of a printing machine is, determined from ink density and their ink
however, a very complex entity, involving sequence, a designer or a printer may predict
technical aspects such as expected lifespan, the overprint colors of any two inks.
printing speed, accepted media, as well as Printing is about transferring ink from an
customer relation aspects such as service image carrier to substrate. At the printing nip,
agreements. the ink splits. A portion of the ink transfers to
In our study we have evaluated the color the substrate while the rest remains on the
image quality of one of commercially image carrier (Chung and Hsu 2008) p 67.
available multi- color litho-offset presses. We In the printing industry today, tradition and
have decided to publish the names of the the concept of printing as an ability are both
press and devices under test, also all still valid, though the concept of printing by
experimental conditions. However, we also the numbers and standardization is more
typical. In regard to offset ink sequence, it is
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1- K C M Y 7- C K Y M 13- M C K Y 19- Y M K C
2- C K M Y 8- M C Y K 14- Y C M K 20- K C Y M
3- C M Y K 9- M C K Y 15- Y C K M 21- K M Y C
4- C Y M K 10- M K C Y 16- Y K C M 22- K M C Y
5- C M K Y 11- M K C Y 17- Y K M C 23- K Y M C
6- C Y K M 12- M Y C K 18- Y M C K 24- K Y M C
Figure 3: X- Rite DensiEye 700
We identify the ratio as ink trapping ratio Table 1: Experiments different color sequences
(ITR). The density-based ITR is defined as Ink trapping attributes that utilize screening
the ratio of the ‘wet-on-wet’ ink trapping. ink patches only were not compared, as one
Density-based ink trapping ratios are could expect similar results from different test
compared. The effect of ink sequence and ink samples of test form. The findings of this
trapping ratio on overprint colors are study represent specific printing or testing
examined, and measure the trapping attribute, conditions.
according to the Preucil equation: % Apparent After print finished, the test samples remain
trap (3). for eight hours to be completely dry, and
measure the trapping attributes for randomly
10 samples for different ٢٤ test samples, as
totally 240 different samples. The
measurement conditions according to ISO 5-3
Where: DOP = Density of 2-color overprint, (9)
, which samples should be at 23°C ± 2 and
minus paper density 50% RH ± 5, by used X-rite reflection
D1 = Density of 1st ink down, minus paper Densitometer, model DensiEye 700, after
density calibrated by standard certified sheet.
D2 = Density of 2nd ink down, minus paper
density Results
A pilot test was conducted to achieve the The study has examined whether the color
target ink density values (+/- 0.10) according impression for such a spatial color sequence
to ISO 12647-2 standards (ISO 12647-2: 2004). could be expressed using simple adjectives
During the experimental tests, 2400 sheets (or adverbs). Table (2) shows twenty four
were printed as a total for all experiments, possible color sequences in the three-
which are printed for 24 different color dimensional RGB trap. One (indirect) path is
sequences, as shown in table (1), each state selected randomly (as a complimentary colors
for 100 sheets. Once the density values were in Fig.2). The twenty four trap go round are
achieved according to the standard ink density obviously different.
(SID) values, the press was run continuously
Table 1: Experimental Results
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Figure 10: Compare between standard result and test 19,20 and 21
Figure 11: Compare between standard result and test 22,23 and 24
Conclusions
The main reason for carrying out such a
study on density-based ink trapping is to
be provide the knowledge and know how
on the ability to predict overprint colors in
Figure 8: Compare between standard result and test 13,14 and 15 wet-on-wet printing. The Preucil formula
ink trapping formula requires optical
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References
1- Robert Chung and Fred Hsu, A Study of Ink
Trapping and Ink Trapping Ratio, Test
Targets, Rochester Institute of technology,
2008.
2- Evan Andersen, Effect of Ink Sequence on
Offset & Digital Printing, Test Targets,
Rochester Institute of technology, 2008.
3- X-Rite. 2010, A Guide to Understanding
Graphic Arts Densitometry, X-Rite. 2010
4- Robert Chung, Fred Hsu, Daniel Clark, and
Khalid Husain, Weight-based Ink Trapping
Assessment, TAGA, 2009.
5- Viggiano, J.A. S. and Prakhya, S. H, Pre-
diction of Overprint Spectra Using Trapping
Models: A Feasibility Study, TAGA 2008 (a
student technical journal), pp. 113-133.
6- ISO 12647-1 (2004). Graphic technology —
Process control for the production of half-tone
colour separations, proof and production
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