Stem Creator Manual English
Stem Creator Manual English
Stem Creator Manual English
The information in this document is subject to change without notice and does not represent a
commitment on the part of Native Instruments GmbH. The software described by this docu-
ment is subject to a License Agreement and may not be copied to other media. No part of this
publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose,
without prior written permission by Native Instruments GmbH, hereinafter referred to as Native
Instruments.
“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-
ments GmbH.
All other trade marks are the property of their respective owners and use of them does not im-
ply any affiliation with or endorsement by them.
Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but
in making this a better product.
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Table of Contents
1 Welcome to Stem Creator .......................................................................................... 6
1.1 Document Conventions ............................................................................................................... 6
1.2 Glossary of Terms ....................................................................................................................... 7
1.3 Stem Files ................................................................................................................................... 8
1.4 How Stem Creator Works ............................................................................................................. 8
1.5 In this Manual ............................................................................................................................ 9
2 Quick Start—Creating Your First Stem File .................................................................. 10
3 Overview of Stem Creator ........................................................................................... 15
3.1 Header Section ........................................................................................................................... 16
3.2 Stem Channel Section ................................................................................................................ 17
3.3 Preview Player ............................................................................................................................ 18
3.4 Stem Master Dynamics Section .................................................................................................. 18
3.4.1 Basic Mode ................................................................................................................ 19
3.4.2 Expert Mode ............................................................................................................... 20
3.4.2.1 Compressor ...............................................................................................21
3.4.2.2 Limiter .......................................................................................................23
4 Authoring Guidelines ................................................................................................. 25
4.1 Stem Part Arrangement .............................................................................................................. 25
4.2 Naming ....................................................................................................................................... 25
4.3 Colors ......................................................................................................................................... 26
4.4 Example Layouts ......................................................................................................................... 26
5 Creating Professional Quality Stem Files ..................................................................... 28
5.1 Some Words about Audio Quality and Mastering ........................................................................ 28
5.2 Preparing Stem Part Audio Files ................................................................................................. 28
5.3 Importing Audio files into Stem Creator ...................................................................................... 30
5.3.1 Renaming Stem Channels ......................................................................................... 31
The speech bubble icon indicates a useful tip that may often help you to solve a task
more efficiently.
The exclamation mark icon highlights important information that is essential for the giv-
en context.
The red cross icon warns you of serious issues and potential risks that require your full
attention.
3. Drag your prepared Master File into the Master File Channel.
5. In the Dynamics section select a mastering preset in the preset drop-down menu.
6. Click on Export.
7. In the Save As dialog enter the name for the Stem File and select the location where you
want to save the Stem File.
→ You have created your first Stem File with Stem Creator.
The aforementioned steps describe the fastest way to create a Stem File without making fine
adjustments to compression or limiting. In order to create more professional results, we recom-
mend you to read chapter ↑5, Creating Professional Quality Stem Files.
(1) Stem Creator icon: This icon shows the splash screen with version number of Stem Creator.
(2) Reset button: This button resets all edits and removes imported files in Stem Creator.
(3) Info button: This button opens the website www.stems-music.com where you can download
all Stem Creator related documentation.
(4) NI icon: This icon it shows the splash screen with version number of Stem Creator.
(5) Header section: In the Header section, you can add metadata and cover art for the Stem
File. For more information on the Header section, refer to ↑3.1, Header Section.
(6) Stem Channel section: In the Stem Channel section you can import your Stem Part audio
files and Master File. For more information on the Stem Channel section, refer to ↑3.2, Stem
Channel Section.
(7) Preview Player: Using the Preview Player you can preview the Stem Mix you are about to
create. For more information on the Review Player, refer to section ↑3.3, Preview Player.
(8) Stem Master Dynamics section: The Stem Master Dynamics section is for assisting in the
mastering of your Stem File by providing the final compression and limiting on the Stem Mix.
For more information on the Stem Master Dynamics section, refer to section ↑3.4, Stem Mas-
ter Dynamics Section.
(9) Export button: This button exports the resulting Stem File.
The More options drop-down menu expands the Header section for providing the additional
categories Remixer, Catalog Nr., Mix, Release Year, Producer, and ISRC Code.
(1) - (4) Stem Channels 1 to 4: The Stem Channels are dedicated for importing the Stem Part
audio files.
The label and color of each Stem Channel can be modified to match the style of the Stem Part
audio files, if you have a color convention which dictates for example, that drums are red, or
bass is yellow, you can change the color here. You can find recommendations for coloring and
naming Stem Parts in the authoring guidelines in section ↑4, Authoring Guidelines.
(5) Master File Channel 5: The Master File Channel is dedicated for importing the Master File.
You can add Stem Part audio files and the Master Fileeither by clicking on the plus icons or
simply by dragging them into the Stem Channels.
The Stem Channels and the Master File Channel must contain the required audio files
otherwise the Stem File export will fail.
(1) Preview Selector Switch: For toggling preview between Stem Mix and Master File.
(2) Play/Pause button: Start or pause playback of the Stem Mix or Master File preview.
(3) Transport Bar: The white playhead Indicates current preview position on the Transport Bar.
You can also perform seeking by dragging the white playhead along the Transport Bar.
(1) Basic: Enables the Basic mode of the Dynamics section. This mode is enabled if Basic is
underlined.
(2) Expert: Enables the Expert mode of the Dynamics section. This mode is enabled if Expert is
underlined.
(3) Bypass: bypasses the dynamics so you can hear the Stem Mix without the effects.
(1) Presets drop-down menu: Available presets are Punchy, Crisp, Flat.
(2) Input knob: This value determines the input level of the signal into the Compressor.
(3) Dry/Wet knob: This is the balance between the dry (uncompressed) and wet (compressed)
signals. Setting this to 100 % wet means the audio is entirely processed through the process-
or. Setting this control to a lower value allows some of the original uncompressed audio to be
blended with the compressed audio. At 0 %, the compressor is bypassed.
(4) Output knob: This is the output level of the Compressor which then feeds into the Limiter.
Rotating this knob up will push the audio harder into the Limiter while rotating it this knob
down will reduce the level into the Limiter (thus reducing the effect of the Limiter).
(5) Input level meter: The Input level meter indicates the input volume level (in dB) from the
Compressor.
(6) GR: The GR level meter indicates the gain reduction currently applied by the Compressor to
the input signal.
(7) Threshold: This slider determines at which input level the Compressor should start applying
gain reduction. The lower the setting, the harder the Compressor will work.
(8) Output level meter: The Output level meter indicates the output volume level (in dB) from
the Compressor.
(1) Compressor: You can use the Compressor for controlling the dynamic range of your Stem
Mix to make it sound as the Master File. For more information on using the Compressor, refer
to section ↑3.4.2.1, Compressor.
(2) Limiter: The Limiter determines the maximum output volume level of the Stem Mix. For
more information on using the Limiter, refer to section ↑3.4.2.2, Limiter.
3.4.2.1 Compressor
You can use the Compressor for controlling the dynamic range of your Stem Mix to make it
sound as the Master File. In the middle you will find the Compressor Settings. Its parameters
are separated into two pages.
(2) Compressor Settings: The Compressor settings contain eight parameters located into two pa-
ges.
(3) Input level meter: The Input level meter indicates the input volume level (in dB) from the
Compressor.
(4) GR: The GR level meter indicates the gain reduction currently applied by the Compressor.
(5) Threshold: This slider determines at which input level the Compressor should start applying
gain reduction. The lower the setting, the harder the Compressor will work.
(6) Output level meter: The Output level meter indicates the output volume level (in dB) from
the Compressor.
► Click the left or right arrow aside the on the Compressor Settings.
(1) Arrows left/right: Allow you scroll through Compressor Settings pages 1 and 2.
(2) Input knob: This knob adjusts the input volume level of the original signal into the Com-
pressor.
(3) Dry/Wet knob: This is the balance between the dry (uncompressed) and wet (compressed)
signals. Setting this to 100 % wet means the audio is entirely processed through the process-
or. Setting this control to a lower value allows some of the original uncompressed audio to be
blended with the compressed audio. At 0 %, the compressor is bypassed.
(4) Output knob: This is the output level of the Compressor which then feeds into the Limiter.
Rotating this knob up will push the audio harder into the Limiter while rotating it this knob
down will reduce the level into the Limiter (thus reducing the effect of the Limiter).
► Click the left or right arrow aside the on the Compressor Settings.
(1) Arrows left/right: Allow you scroll through Compressor Settings pages 1 and 2.
(2) Ratio: This value determines the compression ratio for the Compressor between 1.5 and
10.0.
(3) HP Cutoff: This knob specifies the cutoff frequency to the high-pass filter for the Compres-
sor. Increasing this value causes the compressor to ignore audio at frequencies below the cut-
off frequency, for example, by rotating up the knob, heavy bass in attack will be ignored by the
compressor. By rotating down this knob to 0 Hz, the filter is bypassed.
(4) Attack: This value determines how fast the Compressor reacts to incoming signals.
(5) Release: This knob adjusts the length of Compressor's release phase, i.e. the time it takes
for the Compressor to return to its standby state.
3.4.2.2 Limiter
The Limiter determines the maximum output volume level of the Stem Mix. The Output signal
of the Compressor is automatically fed into the Input signal of the Limiter.
Attention: We highly recommend that you always leave the limiter switched on when cre-
ating content for distribution and/or sale to other users. When the Limiter is switched
off, there is no limitation for the overall output volume applied. Without limitation the
resulting output volume level may be too loud and cause audible clipping. If you intend
to leave the Limiter switched off, make sure that output volumes of all Stem Part audio
files are below 0 dB when exported from your DAW.
4 Authoring Guidelines
This chapter provides a number of authoring techniques and guidelines in order to provide a
consistent, simple, and quality user experience with your Stem Files.
4.2 Naming
Once all Stem Part audio files have been loaded into Stem Creator, you can give each Stem
Part a label that clearly describes its contents. It is recommended to use short, descriptive
names for these labels, preferably a name taken directly from the following list whenever possi-
ble:
▪ Drums, Kick, Hi-hat, Snare, Toms, Clap, Tops, Loop, Bass, Bassline, SubBass, Reece,
Synths, Pads, Chords, Drone, Comp, Guitar, Melody, Hook, Lead, Stabs, Hits, Acid, Donk,
Noise, Atmos, Vocals, Voices, SFX, FX.
4.3 Colors
Each Stem Part also has an RGB color definition to be used by software and hardware as an
additional identifier for the content. In general, the color chosen is based on the subjective fre-
quency content of the Stem. For example, low-frequency/bass Stem Parts are shades of red
while high-frequency/treble Stem Parts are shades of blue.
Vocal House/Disco/Pop
Harmonies and Melodies must be grouped to allow soloed acappellas.
▪ Stem Part 1 contains drums (colors: reds)
▪ Stem Part 2 contains basses (colors: pink/Purple spectrum)
▪ Stem Part 3 contains melodies and harmonies (colors: green spectrum)
▪ Stem Part 4 contains vocals (colors: orange spectrum)
Minimal/Esoteric Music
Unique sounds should be discretely spaced across tracks to allow effective soloing.
▪ Stem Part 1 contains drums and percussive elements (colors: reds)
▪ Stem Part 2 contains basses (colors: pink/purple spectrum)
▪ Stem Part 3 contains sounds with sharp plucked attacks (colors: green spectrum)
▪ Stem Part 4 contains sounds with soft attacks like pads and ambience (colors: blue spec-
trum)
Correct Volumes
With all mastering plug-ins engaged the output level of each stem has to remain green (below
0 dB) and must not peak in the red (above 0 dB). If peaking is observed, the level of all Stem
Parts has to be reduced by the same value until peaking is no longer observed, or a limiter/
maximizer has to be utilized with a threshold of 0 dB to prevent audible clipping.
It is necessary that all five audio files share the same sample rate. Otherwise, the import
of the audio files fails.
3. Drag and drop the Master Fileinto the Master File Channel. Alternatively you can click on
the + icon to open the Import File dialog.
If a Stem Channel or the Master File Channel does not contain the required file, then
the Stem File export cannot be executed.
► Double-click on the Stem Channel’s name and type in the desired one.
→ You changed the Stem Part’s color. If desired, repeat the aforementioned steps for the
remaining Stem Parts.
2. Drag the Stem Part audio file to the desired Stem Channel and drop it there. While drag-
ging the Stem Part audio file over the desired Stem Channel, the existing Stem Part in
that channel jumps into the vacated Stem Channel.
→ You have changed the arrangement of the Stem Parts. If desired, repeat the aforemen-
tioned steps for the remaining Stem Channels and rename the Stem Channels when nec-
essary.
2. Click on Delete to remove the Stem Part audio file from the Stem Channel.
3. Click on Replace to open the Import File dialog and for loading another Stem Part audio
file.
2. Click the Preview Selector Switch to alter the audio between Stem Mix and Master File for
an A to B comparison.
While you compare, you can apply dynamics to your Stem Mix as explained in the following
section.
You can quickly use a preset to apply Dynamics to your Stem Mix:
1. In the Preset area click in the left side to display the preset drop-down menu.
2. Select one of the presets Punchy, Crisp, Flat, Custom.
→ With your selection, the current parameters change in the Parameter area.
Apart from using presets you can also perform the following actions to fine-tune the Compres-
sor:
► Click and drag the Input knob to adjust the input volume level of the original signal into
the Compressor.
► Click and drag the Dry/Wet knob to crossfade between the uncompressed (dry) signal and
the compressed (wet) version of the same signal.
► Click and drag the Output knob to adjust the output level of the Compressor.
► Drag the Threshold knob to determine the threshold at which the Compressor starts to
work.
Besides from previewing you can monitor your edits with the following level meters:
▪ The Input level meter indicates the input volume level (in dB) from the Compressor.
▪ The Output level meter indicates the output volume level (in dB) from the Compressor.
The view of the Stem Master Dynamics section changes to the following appearance:
The Compressor
You can use the Compressor for controlling the dynamic range of your Stem Mix to make it
sound as the Master File:
► Click the left and right arrow to select Compressor Page 1 or Compressor Page 2 to ac-
cess all of the compressor’s parameters.
Compressor Page 1
The image below shows Compressor Page 1.
Compressor Page 1
► Click and drag the Input knob to adjust the input volume level of the original signal into
the Compressor.
► Click and drag the Dry/Wet knob to crossfade between the uncompressed (dry) signal and
the compressed (wet) version of the same signal.
► Click and drag the Output knob to adjust the output volume level of the Compressor.
Compressor Page 2
The image below shows Compressor Page 2.
Compressor Page 2
► Click and drag the Attack knob to determine how fast the Compressor reacts to the in-
coming signal.
► Click and drag the Release knob to adjust the length of Compressor's release phase, i.e.
the time it takes for the Compressor to return to its standby state.
► Click and drag the HP Cutoff knob to specify the high-pass cutoff frequency between 0.0
Hz and 500.0 Hz.
► Click and drag the Ratio to determine the strength of the compression above the thresh-
old from 1.5 to 10.0.
You can monitor your edits with the following level meters and set the compressor’s start point:
▪ The Input level meter indicates the input volume level (in dB) from the Compressor.
▪ GR level meter indicates the gain reduction currently applied by the Compressor to the in-
put signal.
▪ The Output level meter indicates the output volume level (in dB) from the Compressor.
Clipping is indicated
1. Click on the red bar to delete it from the Output level meter.
2. Adjust the parameters to reduce the output volume level of the Compressor.
The Limiter
With the Limiter you can determine the maximum output volume of your Stem Mix:
► Click and drag the Release knob to adjust the length of Limiter's release phase, i.e. the
time it takes for the Limiter to return to its standby state.
► Use the Ceiling slider to determine the maximum output volume level–the limitation.
▪ GR: An additional GR level meter indicates the gain reduction currently applied by the Lim-
iter to the input signal.
You can monitor your settings with the following level meters and determine the compressors
start point:
▪ The Input level meter indicates the input volume level (in dB) from the Limiter.
▪ The Output level meter indicates the output volume level (in dB) from the Limiter.
Attention: We highly recommend that you always leave the limiter switched on when cre-
ating content for distribution and/or sale to other users. When the Limiter is switched
off, there is no limitation for the overall output volume applied. Without limitation the
resulting output volume level may be too loud and cause audible clipping. If you intend
to leave the Limiter switched off, make sure that output volumes of all Stem Part audio
files are below 0 dB when exported from your DAW.
→ The Stem Creator tool exports and packages the audio files including metadata and the
dynamics settings into the final Stem File. A dialog showing the current progress of the
export appears.
6 Error Messages
In this chapter you can find explanations to the several error messages that might appear when
working with Stem Creator.
It is necessary that all five audio files share the same sample rate. Currently, one or more of
the imported files does not match:
▪ If you try to import an audio file that does not match the sample rates of those already
loaded.
▪ If you load a batch of files at once which have mis-matched sample rates.
The Stem File export requires five audio files. This error message appears if one or more audio
files are missing when you try to export the Stem File.
One or more of the audio files you just attempted to load is unreadable.
Stem Creator only accepts WAV, AIFF, and Apple Lossless files as inputs.
If an image file is unreadable upon import, an error message appears referring to a corrupted
image file.
Stem Creator simply attempts to use the default audio device on your computer for playback.
This message will appear if no audio device is available which can sometimes occur if the au-
dio device is in use by another application.