Konica Autoreflex T

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KONIOA
CONTENTS

Seven Basic Steps Hints for Unusual Exposure Situations


3 ..23
Operating Controls 4 Holding Your Camera . .24
Major Specifications 6 Focusing Your Subject ..25
Inserting Batteries, and Meter Switch 8 Depth-of-Field, and Self-timer . .26
Film Loading ..10 Depth-of-Field Tables . .28
Shutter and Aperture .. 13 FilmRewind ... . .29
Automatic and Non-automatic Controls ..15 Flash Photography ..30
"Control Center" Viewfinder ..16 Time Exposures . . 3l
AEC: Automatic Exposure Control ..... . ..18 Changing Lenses ..32
Safety Indicators in Viewfinder . .20 Hex anon I nterchangeable Lenses ..33
Optional Stopped-down Aperture Metering ..2r Filters ..35
Using Preset or Manual Lenses . .22 Accessories ..36
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KONtCAhtr cn
AUTOREFLEX II m
SEVEN BASIC STEPS m
TO PLEASURABLE z.
AEC* SHOOTING @
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cn
1. Insert the two 1.3 Volt Inercury batteries supplied with
-
your camera into chamber at bottom of camera to power o
the CdS meter. Turn switch to "on" position (red dot)
when shooting pictures. 3
m
'9
2. Load camera. Here "Insta$rip" take-up spool makes for o
sure, fumble-free operation.

3. Set ASA rating of your film in window on the top of the


shutter speed dial, by lifting and turning outer ring.

4. Make certain that lens is set at "EE" for effortless, correct


shooting, when automatic exposure is desired.

5. Select desired shutter speed. For most outdoor 'shots,


llI25 is recommended.
6. Focus and compose picture in finder. The bright image is
easy to focus, especially in the Micro Diaprism area,
where images snap in and out of focus smartly.

7. Shoot the pictures, as long as the needle in the right


margin of the finder is in a white area.

*AEC describes the optional total Automatic Exposure Control of the


KONICA
AUTOREFLEX-T which permits (l) Full use of wide open automatic aperture
lenses, (2) automaticallyselects and sets proper aperture at instant of exposure,
(3) automatically reopens aperture, and (4) provides Instant Return Mirror
action.
a
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OPERATING CONTROLS

( l) Shutter Release Button (13) Film Transport Lever

(2) Film Counter (14) Film Speed lndicator


Window (ASA)
(3) Meter Switch and
Shutter release Lock (15) Film Speed Indicator
Window (DIN)

(4) EE Mark
(16) Shutter Speed Scale

(s) Self-Timer Lever


( l7) Shutter Speed Dial
(6) Depth-of-Field Scale
\

(7) Distance Scale s f


\--
r
(18) Focal Plane Mark

(t .
(8) Optional Manual
Aperture Scale \'v'
-q..
\_
(19) Film Rewind crank

(20) Film Rewind Knob


(9) Hexanon Lens -
(21) Strap Eyelet
(10) Focusing Ring

(ll) Aperture Ring (22) Flash Synch Outlets (X) & (M)

( 12) EE Lock Button (23) Lens Release Button


www.butkus.us KONTCAqtr
A'TOREFLEX JI
(24) Back Covcr Lock (30) Iritm Guide

( 2s) Film Rewind Spindle (31) Sprocket

(26) Film Cartridgc (32) Irilm Take-up Spool


Chambe r
(IGL)
(27) Battcry Chcck
Button (33) Film Take-up Slits

(28; Eyepiece
(34) Pressure Plate

(29\ Shuttcr I

i\
\'t

Digitally signed by

9" mike
mike butkus
DN: cn=mike butkus,
o=orphancameras,
ou=29,
(35) Back Cover
butkus email=mike@butkus.
org, c=US
Date: 2017.10.29
21:38:19 -04'00'

(36) Film Rewind Button

(37) Depth-of-fiield Button

(38) Tripod Socket

(39) Mercury Battery Chaunber

5
MAJOR SPECI FICATIONS FOR KONICA AUTOREFLEX.T

Camgra Tvpe: precision, professional 35mm SLR with metal focal plane shutter and fully automatic CdS
Thlofth-Tfie:tens exposure meter operation.
.,

Picture Size: 24 x 36mm (1" x l'l12"').

Fif m: Standard 35mm cartridges, 2O or 36 exposure.

Standard (Normal) Lenses: Hex_anon AR 57mm flr.2 (7 elements in six groups);Hexanon AR 57mm
ps);HexanonAR52mmf/1.s(6elementsinfivegroups);Allfocusfrom
infinity to 18 inches.
40.5mm.
Lens Mount: KoNIcA bayonet mount Type II. Diameter 47mm. Flange to film distance'

for focusing
Diaphragm Action: Fully automatic diaphragm. Automatic EE lenses reopen to full aperture
@'Manua1aperturecontrolandDepth.of-Fieldpreviewbuttonprovided.
Shuttgr: Hisynchro Metal Copal Square S. "B'o (Bulb), 1 to 1/1000 second, in even 1:2 progression.
(3) in locked (L) position.
ffi;ilp";Jai;i;" top of Sh.rttet Release locks when Meter switch is
"in"ru.
X - synchro for to
electronic flash 11125 second;
M - synchro for flastrbulbs to U1000 second.

area surounded by plain


Viewf inder: EyeJevel pentaprism. Fxtremely bright. Has central Micro Diaprism
circie. gatance is fine, almost invisiblJfresnel ground glass area. Meter needle, f/stops, shutter
Fr"aTlas" under- and overexposure malks, automatic and
fieed, tittery check, index point for stopped-down meterinf,
n--on-automatic mode signal visible outside focusing/viewing area.

6
www.butkus.us KONTCAtrTI
AUTOREFTEX II =
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MiffOr ACtiOn: Vertical travel. instant return g
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ExpOsure Metering: Center weighted dual CdS, Through-The-Lens. KONICA Hexanon AR lenses stop i:m
down automatically after shutter release is depressed. No need to match needle to a mark. Focusing, &o
metering at full lens aperture. Meter system coupled to film and shutter speeds. I,lith manual ond preset leis ll 'tl
operation, lens is stopped-down or Shutter Speed Dial (17) turned until meter needle reaches index mark 'c)
(opposite tll.4> in Viewfinder. Battery check visible in Viewfinder.
:-{
EE Coupling Range: Ev 1.5 (flr.2with 112 sec.) to EV 18 (f/16 with u1000 sec.) atASA 100 for flt.2 i,o
':Z
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Film Sensitivity Range: ASA 2s to 1600 (DrN ls to 33).

Fil=m Wind: Single stroke lever, cocks shutter and transports film. 1620 stroke. In operation, lever stops
30o from body position for fast shooting without removing eye from camera.

Film COUnter: Resets self to "Start" automatically as camera back is opened. Indicates number of shots
exposed. Dial is under glass, protected against dust and dirt.

Film Rewind: Film rewind crank. Rewind Button (36) in base of carnera remains depressed during
rewinding.

Dimensions and Weight:


with f/1.8lens: 5-314" (wide) x3-314" (hrgh) x 3-112" (deep). 34 ozs.
. with f/1.4 lens: 5-314" (wide) x 3-314" (hrgh) x 3-112" (deep). 36 ozs.
with f lI.2lens: 5-3/4" (wide) x 3-314" (high) x 3-314" (deep). 43 ozs.
INSERTING BATTERIES, AND METER SWITCH

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+ OFF

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INSERTING BATTER IES METE R SWITCH

The compound CdS meter of the KONICA Autoreflex-T The meter switch and Shutter Release Lock (3) are combined
operates on two Mallory No. PX-675 or Eveready EPX-675 in a single lever encircling the shutter release button. When
or equivalent l.3V mercury batteries. Handle batteries by the lever is rotated so that the black index mark lines up with
edges to keep current conducting surfaces clean. If soiled the red mark on the camera body, the meter battery is turned
wipe clean with soft, dry cloth. "on" and the shutter may be released.
When c:unera is not in use. the lever should be rotated so that
Turn the cover cf the Mercury Battery Chamber (39) the black index mark lines up with "L" (lock) mark on the
counterclockwise with a coin and detach it from the cameral This switches the mercury battery off, and locks
chamber. against accidental exposure.

Insert the two cells into the Mercury Battery Chamber, the a The meter uses two 1.3V. Mallory PX-675 or Eveready
" + " side up, according to the figure printed on the seal, EPX{75 Mercury battery cells. Be certain not to use
inside the chamber. similar looking batteries of different voltages.
o When not using the camera for a length of time, remove
the battery cells and store them in a cool, dry place.
After the cells have been put into position, put the cover on
the chamber and screw it tightly.
www.butkus.us KONTcAhR
AUTOREFTEX JI
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The service life of a mercury battery is generally over one Lift outer ring surrounding Shutter Speed Dial (17) and m
year of normal use. Therefore it is not necessary to check turn it to set ASA 100 in Filrn Speed Indicator Window {{
battery strength frequently. (14).
m
v
lf the meter needle fails to swing when switch is "on" and Set Shutter Speed Dial at l/125 sec. m
camera aimed at light, (ASA 400, shutter l/125) make o
battery check as follows: Depress the red Battery Check Button (27) onunderside of
carnera while looking into Viewiinder. If meter needle in
BATTERY CHECK finder stops at the Battery Check Mark (46) between f/8
and f/11 or beyond the check mark towards f/16, batteries
are serviceable. tf not, replace immediately.
Remove automatic lens by depressing Lens Release Button
(23), grip lens by silver-colored band and rotate it counter- Batteries may be checked with Meler Switch in "on" (red
clockwise. [t is not necessary to remove manual or preset dot) or "off" (L) losition.
(non-EE) lenses for battery check purposeS.
r FILM LOADING

dr
Nvdtr '0!

The KONICA Autoreflex-T takes standard 35mm film Pull the Back Cover Lock (24) and open the Back Cover
cartridges. (35) of the camera.

Place the film cartridge in Film Cartridge Chamber (26)


When loading avoid direct sunlight. Try to load camera in the
shade. If no shade is available, use your own body to shade
2 as shown in illustration (above, right).
the camera.

.10
www.butkus.us KONTCARil
AUTOREFLEX JI
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3 Draw firlm leader across film gate and insert tip into
any Slit (33) in the Film Take-up Spool (IGL-Insta- 5 After closing the camera, turn the Film Rewind Crank
(19) gently clockwise to take up the slack of the film
Grip Loading) (32). The film will be gripped instantly in the cartridge.
asyou...

4 Wind one tum of film onto the Take-up Spool by


turning the Film Transport Lever ( 13) Make sure that
the Sprocket Holes in the film engage the Sprockets
(31) in the camera before closing the camera back.

11
ta
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A To wind off the exposed frlm leader, operate the Film TO CH EC K FI LM ADVAN CE
v Transport Lever (13) several times, alternately depress-
ing the Shutter Release Button (1) until No. I appears Movement of the Film Rewind Knob (20) may be observed
opposite the mark in the Film Counter Window (2). to check if film is moving through the camera. First the slack
must be taken out of the film, as described on page (11). If
frlm is moving through the camera, the Film Rewind Knob
will rotate counterclockwise.
A single stroke of the Film Transport Lever moves the film
one frame forward, cocks the shutter, and advances the film
counter. The latter indicates the number of pictures that have
been taken. At the end of shooting, after the film has been
rewound, opening the camera back automatically returns the
film counter to "S" (Start) position.

12
SHUTTER AND APERTURE www.butkus.us KONIGA
AT'TOREFLEX
F-number
r?1.4 is 2 2.8 4 5.6 I ll 16

Amount-of-
Lisht Ratio 2 1
+++++,+r
The KONICA Autoreflex-T is equipped with an all-metal, Intermediate speeds cannot be set on the Copal Square S
Hi-Synchro Copal Square S focal plane shutter. It controli strutter. However, speeds may be changed before or after
the length of time that light is permitted to enter the cocking the shutter.
camera and expose the film. A unique feature of the Copal
Square S shutter mounted in the KONICA Autoreflex-T is
that the Shutter Speed Dial (f Z) is located on top of the The amount of light that is allowed to enter the camera and
camera, where shutter qpeeds are changed with the camera strike the film is controlled by the iris diaphragm. The
at eye level for more convenient operation. The Copal relative size of the opening or aperture is usually indicated
Square S shutter is noted for exteme rylit second accuraly. by the use of f/stops. The larger the f/stop number the less
_Strgtter lpeeds are linearly proportional as follows: !, ll2,
light admitted. Thus f/16 admits less light than f/4.
u!, tlg, Llts, tl3o, u6o, Llt25, rl25}, 1/500, and
U1000 second, plus "B" (Bulb), used for-exposuies of When a KONICA Hexanon AR (EE) lens is mounted on the
more than I second duration. Autoreflex-T, the aperture is automatically closed to the
correct f/stop after the shutter release is pressed. The
The Copal Square S shutter is synchronized for electronic needle in the window indicates the f/stop io which the
flash speeds up to U tZS second. This figure is marked in aperture will close at the moment of exposure by the AEC
red on the shutter speed dial. Expendable flastrbulbs of (Automatic Exposure Control), through-thelens exposrre
l'M-" 1nd f'!'P" types may be used at all qpeeds up to and meter systern. It is not nocessary to match the needle to a
including U1000 second. mark when the EE lenses are used.

The "B" (BuIb) is used to make exposures longer than I Preset and manual diaphragm lenses may also be used with
second. A tripod or other support should be used for ..B" the AEC meterirg system. With these, the diaphragm is
and for all shutter speeds slower than l/30 second. stopped down manually until the meter needle is opposite
the mark near the f/1.4 setting in the finder.
r
Shutter and Film Speed Coupling Compensating Resistor Variable Resistor

Shutter and Compound CdS Cells


Film Speed Dial

Meter Switch Compensating Resistors

Meter Needle Variable Resistor

Mark for Indication of Differential Gear


f/stop at
Full Lens Opening

Shutter Speed Scale

Battery Check
Lever for Tranfer of
f/stop at Full Lens Onening f/stop Coupler Mercury Batteries
14
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AEC (AUTOMATIC EXPOSURE CONTROL} METERING AND KONTCA
NON.AUTOMATIC CONTROLS AUTOREFLEX :,c
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The Autoreflex-T is the world's first professional Through- Stopped-Down Exposure Metering: With KONICA and .t=
The-Lens metering 35mm Single Lens Reflex camera to other lenses having manual or preset diaphragm (not EE), as ID
have fully automatic AEC exposure control. The AEC well as with extension tubes and bellows, the Stopped- :-|
meter system establishes contact to all KONICA Hexanon Down method is used. Here the exposure is read at the ,()
AR lenses by means of a meter-actuated coupling lever. actual aperture used to make the picture. The needle in the
When the shutter release is depressed, the spring loaded Control Center is then simply brought to the Index Mark
aperture in the lens is tripped to close to the limit opposite the f lt.4 figure. This can also be done by changing z
determined by this coupling lever. This limit is the precise the shutter speed setting. Literally thousands of lenses can ,9
aperture required for a perfect exposure at that instant be used with this system. In addition to KONICA Auto- t.', z
when you press the button. Reflex lenses, lenses in mounts for KONICA FP, Pentax/
!.2
o
Praktica, Exakta/Topcon and Nikon/Nikkormat can be
With a KONICA Hexanon AR lens installed in your
Autoreflex-T there is no need to waste time before shooting
used for the Stopped-Down metering with the Autoreflex-T
via their respective KONICA Lens Adapters.
,i
to match the needle to a mark. You only need to focus and ;i
compose, then press the sttutter release-remaining assured ao-{
all the time that correct exposure is being taken care of. Manual Exposure Settings: Should you have some special r=
Full concentration can thus be made on the spontaneous or exposure idea in mind, you need only move the diaphragm
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esthetic needs of your photography. In actuality, the
KONICA AutoreJlex-T offers not one but three optional
ring of your KONICA Hexanon AR lens from the EE
setting to any f/stop desired. Thus, with this and the other
:6
methods of aniving at the coruect or desired exposure. metering systems just discussed, exposure with the KONICA ,.,
Autoreflex-T becomes a versatile tool which gives you
freedom to exploit its automation or to choose other
;o z
C)

AEC Metering: With a KONICA Hexanon AR (Electric- exposure methods. (See page 2l).
;-{
Eye) lens, the needle in the viewfinder serves only to let
you know at which f/stop the fully automatic metering j:o7t
".
system will make the picture for you. Shutter and
.l-
diaphragm are cross-coupled. Thus if you choose a high icn
shutter speed to stop action, the diaphragm will be set for a l;:
wider opening automatically. On the other hand, should NOTE: With extremely fast films, the electric eye of the i.'
il
you need a smaller stop for greater Depth-of-Field, simply Autoreflex-T will not couple to the wider apertures of i*.

turn the Shutter Speed Dial (17) to a slower speed. The the lens diaphragm at very slow strutter speeds.'This is i;'
needle in the information center of the Viewfinder will automatically indicated in the viewfinder which strows
keep you informed. At the same time, you can read the the maximum apertures at which the meter is coupled
slrutter speed setting below the viewing area (see page 17). under those conditions. i;l

i15
::l:l
,,CONTROL CENTER'' VI EWFINDER

CORRECT EXPOSURE RANGE FOR T11,2 HEXANON INDEX POINT FOR STOP-DOWN READINGS: Thisisused
LENSES: With a Hexanon AR f/1.2 lens mounted on the when Non-Electric-Eye (EE) lenses are mounted on the
KONICA Autoreflex-T, correct exposure will be obtained so Autoreflex-T. In this case the lens is set for manual operation
long as the needle is opposite or between f/numbers in the and the diaphragm ring turned until the meter needle is
white portion of the scale. Underexposure will result when opposite the Index Point for Stopped-Down Lens Aperture
the needle swings into the upper red area (40). Overexposure (41). If it is desired to work at a fixed f/stop, the needle can
will result when the needle swings into the lower red area be brought into place by changing the shutter speed.
(48).

CORRECT EXPOSURE RANGE FOR LENSES SLOWER MANUAL APERTURE INDICATOR: When a Non-Electric-
THAN t11.2: When a KONICA Autoreflex-T lens, slower Eye (EE), manual or preset diaphragm lens is mounted on the
than fll.2 is installed on the camera, a red Maximum KONICA Autoreflex-T, or extension tubes and bellows are
Aperture Indicator Band (44) will drop into place (i.e. tn the used, a white letter "M" (43) appears at the top of the scale.
diagram at the right, the maximum aperture indicator sttows When the "M" is visible, the Stop-Down method of exposure
that the maximum aperture available is f/1.8). With lenses determination must be used as described above.
slower than f 11.2, the needle must be in a white area below
the maximum aperture indicator.
NOTE: Hexanon AR (EE) lenses for previous KONICA
Auto-Reflex czuneras may be modified to work properly with
BATTERY CHECK MARK: The Battery Check Mark (46) is the Autoreflex-T AEC exposute automation. Your dealer can
located between f/8 and f/11. See instructions for checking give you full information and service, or you can contact our
battery strength on page 9. service centers.

16
www.butkus.us K()NICA
AUTOREFLEX ct
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(40) Underexposure Warning tbr f/1.2 Lens (43) When in
Non-Automatic
z
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Exposure Mode,
an "M" Appears o
r
here.
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(41) Optional m
Stopped-Down Metering Index Mark f/1.2 Mark v
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(44) Maximum €
Aperture Iz
ffi (D
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rt
x
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tD
Indicator

(45) Meter Needle


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oa
(D

(46) Battery Check Mark

(47) Aperture Scale

(42) Shutter Speed Scale (48) Overexposure Warning


la
AEC: AUTOMATIC EXPOSURE CONTROL

Full Aperture, AEC Metering: Ve


q
The focusing screen of the KONICA Auto- v
:3
reflex-T is always at maximum brightness
when a KONICA Hexanon AR (EE) lens is
used, since exposure determination is made
with the lens at its widest or maximum
aperture. J
The correct ASA or DIN film speed setting 1 Set the Determine the shutter sped
must be set in the Film Speed lndicator ' film speed (ASA or DIN)
2
Window ( 14) on top of the Shutter Speed
Dial (17), before taking pictures in order to Lift the outer collar surrounding the Select the proper shutter speed. Out-
obtain correct exposure. ASA and DIN Shutter Speed Dial (17) and turn it to doors, l/125 is a good choice, l/30 for
ratings for the film you use will be found on the left or right until the correct ASA indoors. The higher the shutter speed,
the carton, or on instruction sheet packed or DIN value shows in the respective the better the action-stopping power.
with the film of your choice. Filrn Speed Indicator Window (14) on Use of a slower shutter speed results in
top of the Shutter Speed Dial. When a smaller aperture and greater Depth-
aligned properly, the collar will drop of-Field.
into place.

(12s0)(l0oo)(64o)(s0o) (32ox2so) (l6oxl2s) (80)(64) (4oX32)


The figures in brackets in the chart at right ASA 1600 800 400 200 100 50 2s
are intermediate values for film speeds
indicated only by dots on the film speed DrN 33 30 27 24 2t 18 15
scale.
(32)(31) (2e)(28) (26)(2s) (23X2o) (2o)(re) (r?Xl6)
18
www.butkus.us
KONICAhE
AUTOREFLEX JI m
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3
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3 Make certain the Aperture Ring
(11) is set at "EE" (Electric-Eye). 4 If the needle fails to swing, you've
forgotten to place the Meter 5
v
Aim the czunera at your subject
c)
lf set incorrectly the letter "M"
and look through the Viewfinier.
o
will automatically appear above
Switch at "on" position (red dot). The meter needle in the informa-
tion center band at the right will
z
{T
the Meter Scale. point to the f/stop at which the
When the camera is not in use,
make sure that the meter switch is
aperture will set itself at the o
r
instant of exposure.
set to "L"

If the Meter Needle (45) is in the


correct exposure range (see page I Z)
you're ready to shoot a correctlv ex-
posed picture.

t9
SAFETY INDICATORS IN VIEWFINDER
il 1.2 t/1.4 f /1.8

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f

When the meter needle indicates an underexposure, choose a


slower shutter speed. When it indicates an overexposure,
select a faster shutter speed. This can be done without When the Electric'Eye is not used ...
removing the camera from your eye. You simply rotate the
Shutter Speed Dial (17) watching the Shutter Speed (42) n To set the diaphragm manually, simply rotate the Aperture
the viewhnder. Pictures may be taken under ttre AEC (EE) Ring (ll) to the right, while depressing the EE Lock Button
system, as long as the needle is visible somewhere within the (12) on the aperture ring until the desired f/stop is opposite
correct exposure range. tf a full turn of the Shutter Speed the index mark. Manual diaphragm setting is helpful when a
Dial does not drive the meter needle to come within the deliberate under- or overexposure is desired for some special
correct exposure range, pictures cannot be taken under the effect. During manual operation the letter "M" will appear
AEC (EE) system. However, pictures may sometimes be above the f/stop scale. For normal AEC (EE) operation,
taken by setting the camera in non-automatic mode. remember to return the aperture ring to "EE", where it will
lf you wish to use a specific lens aperture, for example, a lock in place automatically.
small aperture for greater Depth-of-Field or a large aperture
to throw backgrounds out of focus, turn the shutter speed
dial until the needle is opposite the desired aperture. Make
sure that the shutter speed dial clicks into place at the desired
shutter speed. When shooting for Depth-of-Field, make sure
to use a tripod if you are shooting at slower than 1/30 second
to prevent blur caused by camera movement.
20
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OPTIONAL STOPPED.DOWN APERTURE METERING KOt\ilCAtrhl
AT'TOREFLEX JT

OFF

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T.
gu$y6,- /s
b .-
When preset or manually operated KONICA Hexanon DETERMINE THE EXPOSURE
lenses are used, or when KONICA Fp*, pentax/praktica, 4
Exakta, or Nikon lenses are used via KONICA adapters, the Turn the Aperture Ring (ll) on your lens to the left or
stoppeddown method of determining correct exposure is right until the Meter Needle (45) lines up with the Index
used. This method is also used when extension tubes or Mark (41) opposite fll.4 in the Viewfinder.
bellows are employed in close-up photography.
If you wish to work at a fixed aperture, set the aperture
JI SET THE FILM SPEED (ASA oT D I N) ring and then turn the Shutter Speed Dial (lZ) until the
I
Lift and turn the outer collar around the S.rutter Y"1"1 Needle is opposite the index mark. The shutter speed
Speed in the viewfinder.
is visible
Dial (17), until the appropriate ASA or DIN rating is in the
Film Speed Indicator Window (14; o1 115r.

cHoosE A SHUTTER SPEED


I 2
-? MAKE SURE THE METER SWITCH IS IN ..ON"
Y POSITION (RED DOT). * FP-FM-FS-F series of KONICA SLR cameras
USING PRESET OR MANUAL LENSES

The f/stop settings in the Viewfinder are not used wnen the
stopped-down method of exposure determination is em'
ployed. Occasionally the Meter Needle will not come to rest When a manual preset lens
opposite the Stopped-Down lndex Mark (41) no matter in is to be used ...
which direction the Aperture Ring (ll) is turned. In this
case, adjust the Shutter Speed Dial (17) until the needle lines For convenience with preset diaphragm lenses, set the preset
up with the Index Mark. selector ring to the smallest aperture. This will then allow the
diaphragm setting.ring to ride free to any desired setting in
the lens range.
In photomicrography the Meter Needle is brought to the
lndex Mark by adjusting the light and the shutter speed.
,
When using Hexanon reflex mirror optics lenses, the Meter
Needle is brought to the index by bringing the appropriate
neutral density filter into place, or by adjusting the shutter
speed. These lenses do not have an iris diaphragm.

When stopping a lens down for closeups, keep your eye


against the Viewfinder eyepiece to protect the latter from the
entry of strong light.
22
HINTS FOR UNUSUAL EXPOSURE SITUATIONS
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KOhilGAnlE .r
The compound dual CdS metering system in the Autoreflex-T is very selective,
AUTOREFLEX II .2
ax{
and is generally not unduly affected by subject matter outside its primary li. A
exposure reading range. [t is programmed to obtain its primary exposure data
q

from the main subject area. This is deemed to be the lower center third of the
i.,rO'n
total area. The peripheral upper and marginal two thirds contributes in a lesser n
degree to the compound exposure data. There are however a number of unusual
c
situations that require special handling. z
c
@
Against-the-Light Shots: In such situations the light can shine directly into C
the camera and adversely affect readings for the main portion of the subject. In
most cases temporarily changing the film speed setting to a value one-half (ll2) r
that of the actual film speed will givc an extra stop exposure to correct the m
situation. In extreme cases, use the regular film speed but move the camera in
close to read the important subject areas. After taking a reading, depress the
x-9
Shutter Release Button partially, o
a
which will lock the meter needle at
the close-up reading; move back, and I'
then depress the Shutter Release m
Button the rest of the wav to make a
the exposure. -
c
Very Light or Dark Backgrounds:
When a small light subject is against a {
Large dark background, the meter 6
may read the entire area as a dark subject and overexpose the main subject. z
@
Conversely, with a small dark subject against a large light background, the meter
may read the entire area as a light subject and underexpose the main subject. In
this case, a close-up reading as described under "Against-the-Light Shots" can be
found helpful.

N0TEI Should you temporarily change the ASA setting to get more exposure
in backlighted situations, do not forget to reset your meter to the normal rating
for regular shots.
23
HOLDING YOUR CAMERA

{
b
o Hold the Camera securely - comfortably for your hand
One secret for getting ultra-sharp pictures is to prevent Vertical shots add variety to a series of pictures. They are
accidental camera movement. To do this it is sugested that especially desirable when making head and shoulder portraits
you hold the camera firmly, as shown in the picture above, and architectural shots. Hold the camera as shown above.
cradling the body of the Autoreflex-T against the face. This position prevents accidentally pushing the lens release
Depress the shutter release button firrnly but gently. Do not button.
punch the shutter release button but squeeze the exposure
off smoothly for 'Jar-free" operation.

24
FOCUSING YOUR SUBJECT www.butkus.us KONICAhE 'lt
AUTOREFLEX JI o
o
c
c4
(49)
,--
--. z
c)

2
ft:I
r. q. o
c!
2.8 --lu*P
tu
--

F-
4
cn
5.6
-I c@
t L
Fine Ground Glass Area
11
m
16
A distinct pattern is seen in the o
{
Micro Diaprism area
when the image is out of focus
The ultra brilliant focusing screen of the KONICA Auto- -
reflex-T helps you make superbly detailed negatives easily,
even when working under difficult lighting conditions. To
facilitate matters there are three separate focusing areas to
choose - the center Micro Diaprism spot (49), the fine
ground glass ring surrounding this (50) and the balance of
the Viewfinder which is a fine fresnel ground glas.
The Micro Diaprism consist of thousands of tiny prismatic
elements. When the image is out of focus, the Micro
Diaprism spot shows a distinct pattern. This clears up
instantaneously the moment sharp focus has been attained.
The plain ground glass is useful for subjects that create a
moire pattem, such as cloth and other regularly patterned
subjects, when focused in the Micro Diaprism area. The
balance of the focusing screen is generally used for The moment the image is brought
composing the picture and when checking Depth-of-Field into correct focus, the
visually. Illumination of the focusing screen is even, and Micro Diaprism pattern disappears
bright to the corners, with all KONICA lenses.
25
TAKE ADVANTAGE OF DEPTH-OF.FIELD

Depth-of-Field is the distance between the nearest and Depth-of-Field for f/ 16


farthest objects in the scene that will be sharp in the finished
picture. In practical terms this means that when you bring an for f 14
object into sharp focus, objects behind and in front of this
will be rendered more or less sharp too, depending on a series
of factors. For more Depth-of-Field, use a small f/stop (larger
f/number) and make the irna$e of the nain object snuller by:
.(a) moving the camera further away or (b) switching to a
shorter focal length lens without changing camera distance.
For less Depth-of-Field, use a larger f/stop (smaller f/number)
and nuke the image of the nuin object laryer by: (a') moving
yr 8s6 t,/
/\
r \8tl
the camera closer or (b) switching to a longer focal length
/ (sr) Distance \ \ (7) Distance Scale
lens without changing camera distance. Scale (52) Infrared Film
/
(6) Depth-of-Field
Compensation
Mark
Scale

INFRARED FILM COMPENSATION MARK


Infrared rays come to a different focus than visible light
Using Depth-of-Field Scale on Lens: rays. When shooting infrared film with the appropriate filter,
focus as usual. Then bring the distance figure opposite the
On the Depth-of-Field Scale, f/stop markings identical to Distance Scale Index Mark (51) into line with the Infrared
those on the Manual Aperture Scale (8), are repeated to Com pensation Mark (52).
the right and left of the Distance Scale Index Mark (51). The
Depth-of-Field for any focdsed distance will be found
between any two identical f/stop markings on the Depth-of-
Field Scate. Thus, if the lens is focused at 30 feet and the
picture is to be made at f/16, referring to f/16 on both sides FOCAL PLANE MARK
of the scale tells us that the Depth-of-Field extends from
Infini$ to about 13 feet. For maximum Depth'of-Field, The distances on the Distance Scale (7) are calculated from
including Infinity, set the Infinity mark at the f/stop in use, the Focal Plane Mark '+" (18) which indicates the position
on the right hand side of the scale. of the film in the camera.
26
DEPTH.OF.FIELD AND SELF.TIMER www.butkus.us KONTCAqtr g
AUTOREFLEX JI m
SELF-TIMER {!
l^ -
f_:I The Self-Timer of the KONICA 6
tl 5,, r/5 Autoreflex-T is useful whenever T
you wish to get into the picture
yourself or if the shutter action l
m
is to be delayed in order to t-
steady the camera. It may be I
used for AEC (EE), manual dia-
phragm, or flash operation. In z
any case, the amount of time
the action of the shutter is
I
cn
delayed amounts to about l0 m
seconds. To use the Self-Timer. t-
move the Self-Timer Lever (5) T
j{
all the way after the Film Transport Lever (13) has been
Checking Depth-of-Field Visually : advanced. Now depress the Shutter Release Button (l) in
the usual manner. The camera should be on a tripod or m
Visual Depth-of-trield pleview is valuable whenever you other support. The Self-Timer Lever will return to its =
I
wish to get an esthetic appreciation of how the finished normal position and fire the shutter at the end of its travel.
picture will look when a given f/stop is used. To do this,
depress the Shutter Release Button (l) partially; thereby NOTE: With the camera on a tripod and your eye away from
locking the meter needle and the diaphragm at the correct the eyepiece, extraneous light may enter the finder, causing an
aperture. With the forefinger of the left hand, depress the erroneous exposure setting. lt is advisable theretbre to temporarily
cover the Viewfinder eyepiece against direct light entrance. Also,
Depth-of-Field Button (37). The lens will then stop down
to the aperture at which the meter is set, and you will be do not stand directly in lront of the lens when releasing the
shutter, since then-the metering system will be measuring you or
able to preview the depth-of-field in the viewfinder. When your shadow instead of the scene to be photographed. This could
in non-automatic exposure mode (stopped-down or manual lead to incorrect exposure.
methods), you need not depress the Shutter Release
You can also usc the Self-Timer simply to delay shutter action so
Button, but only the Depth-of-Field Button for previewing that your touching of the Shutter Release Button occurs a few
depth-of-field. seconds before the picture is snapped. In this case you can set the
Self-Timer Lever only part of the way and obtain delays of less
than l0 seconds. This method is used when you want both of your
hands to hold the carnera rock-steady while the Self-Timer trips
the shutter.
27
DEPTH.OF.FIELD TABLES
Permissible Aberrated Circle Diameter
Depth-of-Field Table (57mm t|1.2.57mm f 11.41 3/loOmm (Unit: Feet)
\Di stance 1.5 r .75 2.0 2.5 3.0 3.5 4.0 5.0 7.0 10.0 r 5.0 30.0 @
A;".1';\
1.€ L.7j 1.eJ 2.48 2-sJ 3.49 e oR 4.93 6.8_4 9.67 14.26 27 .14 278.66
F 1.2 1 .50 1.75 2 -OO 2q 3.O2 353 I- od 5.O7 7. tn q/. 15.81 a?q @

r.1g r.73 I.e-9 2.+p 2.e3 3.45 3.94 4.9_l 6. 8l 9.62 14.15 26 37 238.90
F 1.4 I .50 t.75 2.O7 2.51 3.O2 3.54 4.05 qoq 7 .t9 10.40 r5 q6 34.21 @

r.+9 1.73 I.e_g 2.13 '2.eJ 3-43 3 4.8J 6.ry e.+3 13.81 25.52 t67 .32
F2 1.50 1.76 2.O7 2 -52 3. 04 3.56
'9-:-z
4.08 5.13 7 .27 10. 59 16.41 36.41 @

I .19 t -73 r-eJ 2. tg 2.e! 3.4) 3.8J 4.82 6.L4 e.2J r3. qe 24 39 119.61
F 2.8 1.51 t.76 2.O2 2.53 3.06 3. 58 4.ll 5. 18 7.39 10.85 t7 .o5 39 -82 @

r-7-2 1.e_9 2.1! 2.91 3.3_9 3.8_4 4.7j 6.5_9 8. eJ 12. 80 22.22 a3.82
F4 1. L8
1.51 L-ll 2.O3 2 -55 3.08 3.62 4. 16 5.27 T.JI LL.26 L8.72 46.35 @

r.7J l .95 2.83 3.34 4.6_9 6.33 8'q:5 L2.LO 20.L4 59 -97
r.43 2.43 3.7-:9
F 5.6 t.52 t.78 2 -O4 2.58 3.12 J.II 4.23 5.39 7- 11.87 19.78 s;.si @

I .49 L.7! I.e_3 2.33 2.83 3.23 3.7^9 4. q! 6.0_9 8. l8 11.18 t7 .67 42.O7
F8 1 .53 L.79 2.06 2.61 3. 18 3.85 4.35 i-D6 a.26 t2.91 22.94 702.87 @

r .45 1.68 1.eJ 2.3j 2.73 3.2! .q9 4.33 5.8_9 7 .gs to.22 15.33 30.69
F tl 1 .54 I -81 tnq ,66 3 -25 CRA 4.50 5.84 9, A7 14.51 2A -70 @ @

r.+! 1. qg L.8J 2.29 2-63 3. qg 3.45 4.74 5.3_9 6.93 8€4 L2.58 2L.20
F t6 1 .56 I .84 2.14 2-74 3.38 4.06 4.77 6.34 LO,L2 18. 33 49.67 @ @

Permissible Aberrated Circle Diameter


Depth-of-Field Table (52mm tl1.8l 3/loomm (Unit: Feet)
\Distanct 4.0 5.0 7.0 5.0 30.0 oo
Ai."tri"\ t.5 r.75 2.0 2.5 3.0 3.5 10.0 r

,42 1 73 2.46 2.sJ 3.43 3.91 4.8_9 6.7) e.4l 13.70 25.t3 l5l . 88
F t.8 r.50 r -76 T.ot 2.53 3.04 ?qA 4()q 51 ,73,O ln 16.57 37.22 @

L. tg t.73 I.e^9 2.49 2.9j 3.42 3. e^9 4.84 6.6-9 s-33 l3-60 24.3L 140. 5t
F2 1. 50 r.76 2.Or 2.53 3.05 3 -57 4.09 5. 16 7 .33 ro.7 t6.71 37 .97 @

I .49 L.73 T.9J 2.1! 2.93 3.4:o 3.y 4.79 6' 5^:8 9. 14 13.t2 23.2L 100.46
F 2.8 1. 51 t.77 2.O2 2.54 3.60 4. l3 5.2 ?A ll o? r7 -52 41.50 @

I 48 r.73 1.e^9 2.43 "i7


2.e! 3. 3^9 3.81 4.7^O 6.4J 8.82 12.45 21.r7 70.41
F4 .51 177 Int 2 -56 3 lo cAq L9i q? 7 .70 11.54 1R e 57.79 @

F 5.6
1.47 r.T 1 .9_4 2.47 2-85 3.31 3.7 4 4. qg 6.2J 8.€ tt.67 18-95 50.39
7.52 t.79 2.05 2.59 3. 15 3.71 4.29 5.48 8.O2 t2 -31 2L.07 73. 19 @

r.4g 1.qg L -93 2-33 2.87 3.23 3. q5 4.45 5 ' 9^:3 7 .90 10.66 16. 39 35.36
F8 1. 53 I .80 2.Oa 2.64 3.22 3.81 4.42 5.7r 8.57 13.69 25.52 @ @

1.15 t.63 1.8J 2.33 2-73 3.14 3.53 4-2J 5.61 7.33 9.93 14.03 25.8L
F ll r. 55 tRl 2.Lt 2.70 3.31 3.95 A 6.04 9.36 t5 -92 34.92 @ €
t.42 .64 2.25 2-63 3. ql 3-3^9 4.01 5. 15 b - bJ 8.90 11.33 77 .84
Ft6 r.58
1
147
1 .8--5
2. t7 2AO 2A 4.20 4.97 ll 1 @ @ @

28
.l
'!
FILM REWIND www.butkus.us KONTCAEitr T

F
AUTOREFLEX JI -3
8
m

z
I=
F i
:

| -n? ,
s,
"'\ 4
48 --Q{.: ._
\

After all the pictures on the roll have been taken, the film 1r Depress the Film Rewind Button (36). Once it is
must be rewound into the cartridge before opening the button remains in place.
depressed, the
camera back. Otherwise the film will be completely
exposed and useless.
2 Raise the Fi}n Rewind Crank (19) and tum it in the
An occasional look at the Film Countet (2) will help keep direction inscribed on it, turning not too rapidly and
you posted as to when you are coming to the end of the
- in one continuous motion.
roll and prevent your accidentally tearing the film out of
the cartridge. If you should come to the end of the film
while the camera is at your eye in shooting position, the ?
Y When tension on the Film Rewind Crank eases, the
Film Tranqport Lever (13) will tighten and refuse to film has been fully .rewound. You can now open the
advance even if the shutter has been released. If this camera back and effortlessly remove the cartridge by
happens do not force it! [nstead, depress the Film Rewind tipping it towards yourself and letting it drop out of
Button (36) and at the same time move the Film Transport the bottom opening.
Lever as far as it will go. It will then snap back into its
normal position.
The Film Rewind Button returns to its original position
once the Film Tranqport Lever is again actuated.
29
FLASH PHOTOGRAPHY
The all metal Copal Square S focal plane shutter is )
synchronized for use with flash bulbs and electronic flash. j--*
These light sources are useful for making action-stopping
photos in dim light. Their high light output makes it posible
to produce negatives that have good Depth-of-Field too, and
overall sharpness. Flash and electronic t-lash are also used
outdoors to [ghten or fill in deep shadows.
S',, I

Two standard "PC" flash outlets are provided on the front of


the KONICA Autoreflex-T. The upper or "M" outlet, is for
use with expendable flash bulbs or flash cubes. The lower, or
"X" outlet, is for use with electronic flash.

The "M" 0utlet: rnis is for use with the standard "M"
type flash bulbs or focal plane type bulbs or flash cubes. All
speeds to 1/1000 may be used. ("M" delay is l8 milli-
seconds.)

The "X" 0utlet: This is for use with electronic flash


units. The Copal Square S strutter synchronizes these at all
shutter speeds up to Ill25 second. ("X" delay is 0
milliseconds.)
30
l www.butkus.us KONIGA
AUTOREFLEX
'n
t-
Flash Synchronization for KONICA AUTORE FLEX-T exactly that-they can serve as guides but all other existing
\ shutter
light will affect your exposures to some extent and you
should make allowance in your settings for intermediate
r
u,

con\n""0 N oro
(Jl o o
!
f/stops which also click into place. .-
(^)
tact I Bulb\ @ N 5 6 (,1 o o)
o N
(I o o o 5
o
{
Class M a) o o o o
o
o
M Class FP o o o o o ;p
Class MF o o o o o 'g
I
X Strobe o o X X X
O- Synchronized X - Not synchronized
zg
EXPOSURE FOR FLASH PICTURES TIM E EXPOSU RES
{
Manual settings are required for flash shooting. The AEC The "B" setting is used to make exposufes loriger than I m
=
(EE) system is not applicable. Exposures are usually second.In use the shutter opens fully when the Shutter m
calculated on the basis of "Flash Guide Numbers" furnish- Release Button is depressed, and closes instantly when X
ed by the makers of flash bulbs and electronic flash units. E
To find the correct f/stop to use, the guide number is - pressure on the button is removed. For very long time o
divided by the flash-to-subject distance. Thus if the guide
exposures the use of a "locking cable release" will be found
handy.
o
c
number is 110 and the subject is l0 feet ow?1l: I T
, Manual diaphragm settings must be made when the Copal m
CN
llo Square S shutter is set at "B". The AEC (EE) setting on the
l0
= flrt lens is not used. Instead the lens is set manually at the
desired f/stop.
If in doubt, refer to the table above as to which shutter
speeds are useable with a specific type of flash illumination. It is necessary that you use a tripod or other support for
Guide numbers for flash bulbs are generally printed on the "B" time exposures and all other exposures longer than
package. Electronic flash guide numbers .ue generally l/30 second. Use of a cable release will minimize jairing the
furnished by the maker of the unit. Guide numbers are camera.
31
CHANGING LENSES

To Remove the Lens To Mount Your Lens


from the Camera: on the Camera:

Depress the Lens Release Button (23), grip the silver portion To mount a KONICA lens on the Autoreflex-T, line up the
of the lens barrel, turn lens barrel counterclockwise until the red dot on the lens barrel with the red dot on the camera
two red dots (one on the camera body and the other on the body. The lens will "seat" into the camera body easily. Then
will then come off the camera.
lens barrel) align. The lens grip the silver part of the lens barrel and turn the lens
clockwise until it clicks into place.

NOTES:
When the lens is removed, do not touch any part of the
interior of the camera.
Ifthe lens is to be left off the camera for any length of time,
protect the camera interior from dust and moisture by use of
a KONICA Body Cap. Where this is not available, keep the
camera in a case or dustproof container.

32
t- l.'
HEXANON INTERCHANGEABLE LENSES www.butkus.us K()NTCf\EiTI
AUTOREFLEX JI
&r
I

Btrl
&x
mm Type Name of Lens
Taking Lens Aperture
Metering
Aperture Closest
Filter Hood Weight ez
ffi
Angle Construction System S cale Distance
o
Hexanon AR 7-group Meter reading at EE and r /mm 80mm
z
2l Wide-angle 90" Auto
2lmmt/4 11-element full aperture f/4.t6
8inches l2ozs
2
screw-in clip-on
{m
Hexanon AR 7-group Meter reading at EE
28 Wide-angle
28mmI/3.5
IJ Auto
and
1ft.
55mm 57mm
7-l/2ozs F
7-element full aperture f/3.5.16 screw-ln clip-on c)
Hexanon AR 5-group Meter reading at EE
35 Wide-angle
f/2.8
63' Auto
and
1ft.
55mm 57mm
8-]/2ozs z
35mm 6-elemenl full aperture f /2.8-16 screw-in clip-on
o
Hexanon AR
m
5-group Meter reading at EE and 55mm 55mm
52 Standard' 42 Auto L-t/zft. 7-3/ 4ozs
tp
52mmf/1.8 6-element full aperture I/r.8.L6 screw-in screw-rn
rm
Hexanon AR 5-group Meter reading at EE and 55mm 55mm
Standard
57mm I/l .4
42'
6-element
Auto
full aperture f/r.4-16
l-7/zft. l0ozs t-
screw-in screw-in m
Hexanon AR 6-group Meter reading at EE and 62mm
za
3t Standard 62mm
42 Auto L-l/zft. m
57mm I/1.2 7-element full aperture f/r.2-16 screw-in screw-in
LTozs
o
Hexanon AR 5-group Meter reading at EE and JJMM 55mm
6J Telephoto 28.5" Auto 3ft.
f/I.8 i4ozs
85mm 6-element full aperture f/1.8.16 screw-in screw-in

Hexanon AR 4-group Meter reading at EE and


Telephoto 55mm 55mm
100 24' Auto 3ft.
f/2.8 10ozs
100mm 5-element full aperture f/2.8-16 screw-in screw-in

Hexanon AR 4-group Meter reading at EE and 55mm


135 Telephoto 18" Auto 3ft. pull-out I3-3/4ozs
135mm f/3.2 5-element full aperture t/3.2.16 screw-in

33
HEXANON INTERCHANGEABLE LENSES

Taking Lens Aperture Aperture Closest


mm Type Name of Lens Metering Filter Hood Weight
Angle Construction System Scale Distance

Hexanon AR 4-group Meter reading at EE and 67mm


2@ Telephoto 12" Auto 8ft. pull-out 3lozs
200mm f/3.5 5-element full aperture f/3.5-16 screw-in

Hexanon ARP 4-group Meter reading at 46mm


200 Telephoto L2' Preset I/5.6-22 8ft. pull-out l2ozs
200mm f/5.6 6-element stopped-down aperture screw-in

Hexanon AR 5-group Meter reading at EE and 72mm


300 Telephoto 8" Auto 13ft. pull-out 34ozs
300mm f/4. 5 8-element full aperture l/4.5-16 screw-in

Hexanon ARM 4-group Meter reading at 55mm


400 Telephoto 6" Manual t/4.5-32 251t. pull-out 5lbs5ozs
400mm f/4. 5 4-element stopped-down apertur behind-lens

Hexanon ARM l-group Meter reading at 55mm


800 Telephoto J Manual I/8-45 6sft. pull -out l2lbs6oz s
800mm f/8 2-element stopped-down aperture behind-lens

Reflex Reflex Hexanon ARM 6-group Meter reading at 55mm


1000 2.5" ND Filters t/8-22 8oft. l8lbsl2oz
Telephoto 1000nn f/8 7-element stopped-down aperture behind-lens
"

Zoom Hexanon AR 10-group Meter reading at EE and 67mm 67mm


80.200 Zoom 30.12" Auto 6ft. 2lbsl0ozs
80-200mm f/3.5 17-element full aperture f/3.5-16 screw-in screw-ln

Macro Hexanon AR 3-group Meter reading a EE and 55mm


)J Macro 43' Auto l0inches l0ozs
)cmm r/J.J 4-element full aperture I/3.5-22 screw-ln

34
FI LTERS www.butkus.us KONTGA F
>
AT'TOREFLEX e
. K0NICA Filters
COLOR NAME
c
TT
EFFECTS
KONICA Filters help make more u
u
natural looking pictures in black uv c
I
Colorless* (L39) Absorbs ultra-violet. Prevents excess bluishness with color film. No
and white or color. They may also change in the overall color rendition. Also used for atmospheric haze.
be used to create special effects. lrl
They are made with the same preci-
Light Yellow Yl (Y44) Absorbs blue, violet and ultra-violet. Gives natural rendition in outdoor u
Yellow Y2 (Y48) b-lack-and white shooting. Makes white clouds stand out against a blue
sion as are Hexanon lenses. Since Dark Yellow Y3 (Y52) sky. For use with B/W films only.
exposure is read through the lens in
the Autoreflex-T, the filter factor Orange ol (os6)
Absorbs blue very strongly, also some green. Makes blue skies dark and
dramatic in black and white. For extra contrast in architectural work.
for KONICA Filters is taken care of For use with B/W films only.
automatically.
Absorbs blue and green. Blue skies rendered almost black. Use for
Red R1 (R60) pseudo night shots. Use only for black and white film, or for infrared
film.

Yellowish In black and white photogaphy, renders greens better than yellow
Green
PO0 filter. Also prevents washed-out flesh tones when head is against sky
which is to be darkened. For use with B/W films onlv,

Light Gray ND2 No effect on rendition in either black and white or color work. Used to
Gray ND4 reduce light intensity, where highest shutter speed or smallest f/stop
Dark Gray ND8 used, will still not prevent overexposure.In very bright light permits
large opening for selective focus effect.

Light Pink* SKYLIGHT For color and B/W film. Absorbs ultra-violet and prevents excess bluish-
ness in color shots of distant scenes. Can rlso be used with Il/W film.

Light Amber A2 Reduces color temperature. Adds warmth to shadows in snow, beach
scenes. Prevents bluishness on cloudy days, in open shade.

Light Blue B2 Raises color temperature. Suppresses excess redishness in scenes made
by reddish early morning or late afternoon sunshine.

Blue B8 For use with clear (white) flash bulbs and daylight type color film.
Prevents excessively reddish rendition.

Dark Blue B12 For use with 3200K studio flood lamps and daylight type color film.
Prevents reddish rendition.
* Filters most commonly used in color photography
are marked with an asterisk * above.
35
ACCESSORIES
'o Lens Hoods KONICA LENS MOUNT ADAPTERS
Prevent stray light from striking
lens surfaces and causing unwanted
o K0NICA Adapter
reflections. Each KONICA Lens Permits use of KONICA F, FS, FP, FM lenses with
Hood is specifically calculated and "match-needle" expostlre automation.
shaped t9 give maximum Protection
to the lehs on which it is used. . Exakta Adapter 2
Permits use of Exakta lenses with "match-needle" exposure
automation.

ryry
. Cube Flash
o

o
Praktica Adapter 2
Permits use of Pentax/Praktica lenses
exposure automation.

Nikon Adapter
with "match-needle"

Permits use of Nikon lenses with "match-needle" exposure


automation.

With PC cord (for Autoreflex-T)


and hot shoe contact. Built-in test
circuit with indicator light that
o Close-Up Attachment-Lens 55d
shows when cube is readY to fre. The No. 1 permits close-ups in a range from 25" to
With exposure guide table and case. l2/2"; the No.2 from 14" to 11". Both may be
combined for a range of llYz" to 9". They screw into
the lens like a filter. For use with normal lenses. No
,{
ffi change in exposure is necessary.

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www.butkus.us
KONICA )c
AUTOREFLEX
o Accesory Clip 3 o Extension Bellows 2 c
n
Fits over the eyepiece of the KOMCA Used for the same purposes as extension rings. However, bellows are 8
Autoreflex-T. Useful for mounting small more flexible since extension is continuously variable instead of in fixed C
flash or electronic flash units. sections Larger image size possible than with ring set. 2
n
g
o Extension Bellows 2 and :'+*' \
Slide Copier
A deluxe version of the Extension
Bellows 2.
Permits changing position of camera
body on track, in addition to having
lens movement. Slide copier is litted to
end of the lens in use, forms light-tight,
integral unit.

o Extension Ring 2
Used to extend the close focusing range of
Hexanon lenses. Inserted between lens and
camera. A full set enables making l:l or life
size pictures using a normal lens.

3;
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I

ACCESSORIES
o Auto Ring and o Eyesight Correction o Angle Finder 2
Lenses The Angle Finder is useful for low
Double Cable Release angle photograPhY, for "sneak"
When Hexanon AR @lectric-Eye) lenses Eyesight correction lenses make it shots with the camera held side-
possible for near or far-sighte! ne1-
are used with extension tubes or bellows, ways, and for convenient viewing
the Auto Ring Plus the Double Cable ions to see the focusing screen clearly and focusing when the KONTCA
Release provide semi-automatic diaphragm
without wearing glasses. TheY are Autoreflex-T is mounted high on a
available in +I, +2, +3 and -2.5
operation and permit "wide open" viewing tripod or on a coPYing stand.
and focusing. The Auto Ring contains the
diopters. They screw directly into the
diaphragm stop-down actuating mecha- Viewfinder eYePiece.
nism. The Double Cable Release is con-

08o
nected to the Auto Ring and the Shutter
Release. Pressure on the plunger releases
the diaphragm, then thc shutter, in proper
sequence.

o K0 NICA
Cable Release
Use of a KONICA Cable Release
when the camera is mounted on a
tripod or other suPPort helPs make
rock-steady exposures even at very
slow shutter sPeeds.

38
www.butkus.us KONTCAtrtr
A
AUTOREFLEX o
o Microscope Adapter 2 . Copying Stand
(.)
m
The Microscope Adapter makes direct, light-tight connec- The baseboard of the Copying Stand accepts flat originals
v,
U'
tion between the KONICA Autoreflex-T and the micro-
scope. The camera lens is not used, and the picture is made
up to 1G5/8" X 13-314".It provides a steady
adjustable
support,
in height for copying, slide duplicating and small '7o
with the microscope optics. , object photography. m
ct

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J
For a more detoiled description of lenses and accessories see your KONICA dealer
or write for booklet on lenses and accessories.
Specifications subject to change without notice.
I

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