CAVALIER Metaphysical POETRY
CAVALIER Metaphysical POETRY
CAVALIER Metaphysical POETRY
Cavalier Poets were a group of supporters of Charles I in the English Civil War.
The English Civil War (1642–1651) was a series of armed conflicts and political
plans between Parliamentarians and Royalists. These poets were not a formal
group, but all had similar influences, in particular Ben Jonson.
Characteristics & Elements:
1. They used the sonnet form very little.
2. Their lyrics can be distinguished by their short lines, precise but idiomatic
diction, and sophisticated and graceful humor.
3. The poetry gave a nostalgic and retrospective feeling. It celebrated beauty,
love, nature, sensuality, drinking, elegance, and ironic ease.
4. Once the war started, most Cavalier Poetry turned its focus to commenting
on the conflict at hand.
5. The straightforward and simple meanings coincided with the Cavalier motto
of “Carpe Diem”, meaning “seize the day.”
Jonson represents the cavalier strain of poetry, emphasizing grace and clarity of
expression. The grounds for describing Jonson as the "father" of cavalier poets are
clear: many of the cavalier poets took inspiration from Jonson's revival of classical
forms and themes, his subtle melodies, and his disciplined use of wit. Jonson's
poetry continues to interest scholars for the light which it sheds on English literary
history, such as politics, systems of patronage, and intellectual attitudes.
METAPHYSICAL POETRY
The metaphysical poets were a formally unaffiliated group of British lyric poets of
the 17th century. They shared an interest in metaphysical concerns ("What is
there?" and "What is it like?) as well as a common way of investigating them.
Their work was characterized by an inventiveness of metaphor. These involved
comparisons being known as metaphysical conceits. In the metaphysical conceit,
metaphors have a much more purely conceptual, and thus flimsy, relationship
between the things being compared. Their poetry was influenced greatly by the
changing times, new sciences and the newly found debauched scene of the 17th
century.
Characteristics & Elements:
Their poetry diverged from the style of their times, containing neither images of
nature nor allusions to classical mythology. Secular subjects drew them; from
science, from expanding geographical horizons, and from dialectic (people with
differing views discuss their views in order to learn and understand the greater
concept). There was also a strong casuistic element to their work, defining their
relationship with God.