Elements of Transcendentalism With Emerson
Elements of Transcendentalism With Emerson
Elements of Transcendentalism With Emerson
Ralph Waldo Emerson was one of the most important people within the Transcendentalism
movement. He had influential writings, such as "Self-Reliance" and "Nature" that served as
building blocks for future transcendentalists. Emerson's ideas surrounding transcendentalism
echos the fundamental ideas of transcendentalism with the many examples found in his works
reflecting individualism, self-reliance, optimism, intuition.
Individualism is defined as the ability and attribute of someone who longs and is different from
everyone around them. Someone who is an individual is independent from everyone else and
attempts to stay that way, as that is the lifestyle they promote and enjoy. Emerson shows
individualism in his work "Self Reliance," saying "There is a time in every man’s education when
he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take
himself for better, for worse, as his portion (Emerson 183)." This quote represents
transcendentalism because it shows that every man must be a man for himself and no one else,
that imitation and envy are worthless.
Self-reliance is defined as the reliance on one's own abilities rather than the powers and abilities
of others. Self-reliance is needed by most transcendentalists because it helps supports the idea
that truth comes from within, rather than from the people around us. In his writing "Self-
Reliance," Emerson says, "...That though the wide universe is full of good, no kernel of
nourishing corn can come to him but through his toil bestowed on that plot of ground which is
given to him to till (Emerson 183)." He is saying that a man can not rely on any one else in the
world except for himself, and he will get nothing good out of life if it not from his own hands,
which follows transcendentalism because one can not go beyond society and also be a part of
it.
Optimism is defined as the philosophy that any situation or event has good and that nothing is
all bad. There is good in everything, and there is always a second chance. In the "glass half
filled" scenario, optimists believe that the glass is half full. Emerson is an optimist in "Nature"
when he says, "Nature is a setting that fits equally well a comic or a mourning piece. In good
health, the air is a cordial of incredible virtue. Crossing a bare common, in snow puddles, at
twilight, under a clouded sky, without having in my thoughts any occurrence of special good
fortune, I have enjoyed a perfect exhilaration (Emerson 181)." In all of these scenarios,
Emerson finds the good in any aspect of nature, which is a very important element. There is
nothing that disappoints Emerson in the woods.
Intuition is defined as the knowing of something that comes from within, rather than from
experience. Intuition comes from the conscience and from instincts, and transcendentalists
believe that society and reality inhibit those internal moral compasses, and that escape is an
excellent way to develop your own intuition. In "Nature" Emerson says, "The lover of nature is
he whose inward and outward senses are still truly adjusted to each other; who has retained the
spirit of infancy even into the era of manhood (Emerson 180)." This is a representation because
it talks about the senses being adjusted to each other as a result of being close to nature and
understanding nature. The spirit of infancy is the essence of pure intuition because it has not yet
been corrupted by society
Claudia narrates her story from two different perspectives. In the Prologue and final
chapter, the adult Claudia uses the past tense to describe events that happened back in
1941 in Lorain. But for the bulk of her narration, Claudia uses the present tense to
describe these events, which has the effect of showing us things through her 9-year-old
eyes.
Occasionally Claudia will move between the two modes, allowing us to see how she is
reflecting on her own experience and highlighting the act of narration. Claudia is a
highly empathetic narrator, and while she doesn't have access to the minds of the
people she describes, she does her best to try to understand them, especially Pecola.
The third-person style is useful in a book with so many complex characters. It allows us
to watch their lives unfold over time, in ways we could never do if Claudia were the sole
narrator.