Reading Comprehension-2
Reading Comprehension-2
Reading Comprehension-2
Fiona / 125180141
Winny Wijayanti / 125180143
Natalia Ervina / 125180160
Text 3
Although stage plays have been set to music since the ancient Greeks, when the dramas of
Sophocles and Aeschylus were accompanied by lyres and flutes, the usually accepted date for the
beginning of opera as we know it is 1600. As part of the celebration of the marriage of King Henry
IV of France to the Italian aristocrat Maria de Medici, the Florentine composer Jacopo Perí
produced his famous Euridice, generally considered to be the first opera. Following his example,
a group of Italian musicians, poets, and noblemen called the Camerata began to revive the style of
musical story that had been used in Greek tragedy. The Camerata took most of the plots for their
operas from Greek and Roman history and mythology, writing librettos or dramas for music. They
called their compositions opera in musica or musical works. It is from this phrase that the word
“opera” is borrowed.
For several years, the center of opera was Florence, but gradually, during the baroque period, it
spread throughout Italy. By the late 1600s, operas were being written and performed in Europe,
especially in England, France, and Germany. But, for many years, the Italian opera was considered
the ideal, and many non-Italian composers continued to use Italian librettos. The European form
de-emphasized the dramatic aspect. New orchestral effects and even ballet were introduced under
the guise of opera. Composers gave in to the demands of singers, writing many operas that were
nothing more than a succession of brilliant tricks for the voice. Complicated arias, recitatives, and
duets evolved. The aria, which is a long solo, may be compared to a song in which the characters
express their thoughts and feelings. The recitative, which is also a solo, is a recitation set to music
whose purpose is to continue the story line. The duet is a musical piece written for two voices
which may serve the function of either an aria or a recitative.
Text 4
According to the controversial sunspot theory, great storms on the surface of the sun hurt stream
of solar particles into the atmosphere, causing a shift in the weather on earth.
A typical sunspot consists of a dark central umbra surrounded by a lighter penumbra of light and
dark threads extending out from the center like the spokes of a wheel. Actually, the sunspots are
cooler than the rest of the photosphere, which may account for their color. Typically, the
temperature in a sunspot umbra is about 4000 K, whereas the temperature in a penumbra registers
5500 K, and the granules outside the spot are 6000 K.
Sunspot range in size from tiny granules to complex structures with areas stretching for billions
of square miles. About 5 percent of the spots are large enough so that they can be seen without
instruments; consequently, observations of sunspots have been recorded for several thousand
years.
Sunspot have been observed in arrangement of one to more than one hundred spot, but they tend
to occur in pairs. There is also a marked tendency for the two spots of a pair to have opposite
magnetic polarities. Furthermore, the strength of the magnetic field associated with any given
sunspot is closely related to the spot’s size.
Although there is no theory that completely explains the nature and function of sunspots, several
models attempt to relate the phenomenon to magnetic fields along the lines of longitude from the
north and south poles of the sun.
5. How can we describe matter from the sun that enters the earth’s atmosphere?
A. very small B. very hot C. very bright D. very hard
Answer : A
6. The sunspot theory is
A. not considered very important C. subject to disagreement
B. widely accepted D. relatively new
Answer : C