Wait

For Me II (Hadestown)
Anaïs Mitchell
[WIP] Arr. by AVMM
   4       
 4
 = 168

 4       
 4
 4
Fates

      
 4
 4       
Orpheus
 4
 4       
Persephone  4

  4       
Hades 4

 44                  
The meanest dog you'll ever meet, he bares some teeth and bites some skin,

4
Hermes

      
 4
it ain't the hound dog in the street; but brother, that's


  44   
     


  
Piano

 4      
Classical Guitar  4 

  44       

 4
Viola

      
C Trumpet  4

Percussion  44       

2
          

8

        


Fts.

       

        
Orph.

        
Pers. 

        

Hds.

                
The dog you really got to dread it's him whose howling drives men mad


Hermes

       

the worst of him. is the one that howls inside your head; and a mind to its undo

    
 
        



Pno.

        
Guit. 

         


Vla.

       
C Tpt. 

Perc.         

3
      

16

    


Fts.

   

    

       
Orph.

      
Pers.  

           
You think they'll make it? Ha des, you

Hds.

       
I don't know


Hermes

    
     
        
            
Pno.

        
Guit.   

     


Vla.

C Tpt.     

      
Perc.       
4
      

20

    


Fts.

   

    


       
Orph.

Pers.       

           
let them go And how about

Hds.

    
I let them try


Hermes

    

 
    
 
      
                
Pno.

       
Guit.   

     


Vla.

C Tpt.     

Perc.                 
5
      

24

    


Fts.

   

    

            
Orph.

Pers.        

        
you and I? Are we gon na try a gain?

Hds.

    
It's


Hermes

    
       
    
      
                
Pno.

        
Guit.   

     


Vla.

C Tpt.     

Perc.                 
6
      

28

    


Fts.

   

    

  
Orph.

     
Pers. 

 
               
Wait for me?


Hds.

    
al most spring We'll try a gain next fall I


Hermes

    

 
    
 
      
                
Pno.

       
Guit.   

     


Vla.

C Tpt.     

Perc.                 
7
             
     
32

           
     
        
Fts.

  
     
             
 
Orph.
   
    

Wait for me I'm com in'

Pers.

    
Hds.   

    
will


Hermes

    
   
 

   
         
     
          
Pno.

    

     
Guit.

  


Vla.

C Tpt.     

Perc.                 
8
                 
  
36

               
  

             
Fts.

   

  
            
Orph.

     

Wait I'm com in' with you Wait

Pers.

Hds.
      

     


Hermes

    

           
           
                    
Pno.

     

         
Guit.

 


Vla.

    
C Tpt. 

Perc.                     
9
                 
     
41

               
     
      
Fts.

        
     
                 
Orph.
    
    

for me I'm com in' too I'm com in' too

Pers.

Hds.
     

    


Hermes

   

         
           
            
Pno.

    

       
Guit.

   


Vla.

   
C Tpt. 

Perc.                 
10
      

45

    


Fts.

   

    
Orph.

    
Pers. 

Hds.
     

                


Hermes

   

You've got a lonesome road to walk and it ain't along the railroad track;

    

   
               
Pno.

    


Guit.

                   
                

Vla.

     
C Tpt.   

Perc.                 

11
      

49

    


Fts.

   

    
Orph.

    
Pers. 

Hds.
     

                


Hermes

   

it ain't along the blacktop tar you've walked a hundred times before.

 
    
 
                
Pno.

    


Guit.

                   
                

Vla.

     
C Tpt.   

Perc.                 

12
      

53

    


Fts.

   

    
Orph.

    
Pers. 

Hds.
     

                


Hermes

   

I'll tell you where the real road lies: between your ears, behind your eyes

          
   
 
               
Pno.

    

                
Guit.

        
                

Vla.

     
C Tpt.   

Perc.                 

13
     

57

   


Fts.

  

   
Orph.

   
Pers. 

Hds.
    

            


Hermes

  

that is the path to paradise and likewise,


        
            
Pno.

   


Guit.

               
            

Vla.

   
C Tpt.  

Perc.             

14
       

60

     


Fts.

    

     
Orph.

     
Pers. 

Hds.
      

        


Hermes

    

the road to ruin

          

       
          
      
Pno.

     


Guit.

   
            
 
Vla.

      
C Tpt.    

Perc.                     
15
       

65

     


Fts.

    

     
Orph.

     
Pers. 

Hds.
      

     


Hermes

    

            
          
                   
Pno.

     


Guit.


          

Vla.

      
C Tpt.   

Perc.                     

16
     

70

   


Fts.

  

   
Orph.

   
Pers. 

Hds.
    

   


Hermes

  

   
     


 
          
Pno.

   


Guit.

 
    
 
Vla.

   
C Tpt.   

Perc.             

17