The Campfire Booklet: Downloaded From
The Campfire Booklet: Downloaded From
The Campfire Booklet: Downloaded From
This campfire booklet provides a short list of the many resources available to
make a successful campfire program. It contains Openings, Closings, Cheers
and Skits. It is compiled from a variety of sources all over, from books to the
Internet. Feel free to print it out and keep it close for quick reference at all your
camps.
Downloaded From:
Scoutscan.com
http://www.scoutscan.com/
Opening
This is my favourite campfire opening because it’s the easiest for me to
remember. But it’s effective. For this one, try to determine which ways are North,
South, East and West, then face each direction as you say it. Even if you don’t
know the correct directions, it’s still effective.
Closing
(Again on this one, face the direction that you mention.)
Beforehand, organize your program and write it out however you please
-- then roll it up and tie it to the end of a long string, say 15 feet long. Lay out the
string on the ground, out of the way from tripping feet, with the program on the far
end. Getting the attention of the crowd, ask, "I hope that there is a program for
this evening?" at which point, a pre-chosen participant ceremoniously responds,
"Yes, Skip, here it is." Skip pulls the string and in comes the program. Short and
cute. Vary your entries by folding the program and stuffing it in a film can
equipped with a parachute (and therefore from a distance, throw it in the air and
let it drop in.) Or present a sandwich with the program in it to Skip. By having a
few standard, easy to put together things (ie. always use the same string, film
canister and whatever else pre-made and kept in a small box or bag and carry it
with you, therefore always being able to choose the appropriate opening
depending on the location and the mood you want to set.
Jack’s Alive
Take a stick with the end glowing and pass it around the fire. Each participant is
to blow on the glowing ember to keep it going and says, "Jack’s Alive", and
passes it on. He or she who does not manage to keep it going must go up to the
front and be ceremonially marked with the charcoal end. It’s really a lot of fun and
becomes fast paced, particularly when the ember begins to die out.
Crossed -- or uncrossed?
Pass two staves around the fire, one at a time. Passers may alternately pass
them crossed or uncrossed, but they say, when passing, "I received the staves
(crossed or uncrossed as applicable) and I pass them on (crossed or uncrossed
as applicable.)" To determine whether you say "crossed" or "uncrossed" depends
on whether A) when receiving, whether your passer’s legs is crossed or not, and
B) when passing, whether your legs, and not the staves, are crossed or
uncrossed. A person’s response has nothing to do with the crossing of the staves
-- reverse what you say but keep them the same, or vice-versa, depending on the
situation. Of course the random crossing and uncrossing (at least by those who
Rap Songs
Eric Turcotte needed a moment to straighten a thing or two out in the middle of a
campfire, so he asked each patrol on our Scout Part II to come up with a rap
song within the space of 2 minutes. Doubles as a way to delay/get extra time for
an upcoming event, and acts as its own event whether or not there is an alterior
motive.
Story-Building
We often camp with a group of 3 families - parents & children aged 45 - 10.
Around the campfire we make-up limericks and play a story-game during the
S’more-making: One person starts a story like "There was a boy named Tom
who lived on a tropical island"... then the next person adds something and on and
on. Our only rule is that Andre Agassi is somehow in every story... okay, so it
gets a little strange! (note: The idea here is that you have the story game with a
rule that something or someone HAS to appear in the story, OR that something
that typically would be expected to appear in any such story MUST NOT appear
in the story.)
Campfire Cheers
Good Cheers
- Let’s give them a Big Hand! (Put your hand in the air)
- Let’s give them a Round of Applause! (Applaud in a circle or make a
circle and hit hands together)
- Is it a 4? (no!) 3? (no!) 2? (no!) 1? Yes! It’s Wonderful!
- Superrrrrrrrrrrrrrrrrrrrr Man!
- Seal of Approval (stretch out arms, clap and make quick seal barks)
General Cheers
Ziggy
Ziggy, ziggy, hoy, hoy, hoy
Ziggy, ziggy, hoy, hoy, hoy
Watermelon
Take up watermelon in both hands, chomp up one way and spit out seeds, in a
Bronx cheer. (For those of you who are purists, the proper terminology is a ’bi-
labial fricative’.) Note: this cheer could be considered ’poor taste’.
Skyrocket
In pantomime, the group following the yell leader, plant imaginary rockets in the
ground, light a match (on seat of their pants) and apply it to the rocket fuse. As
the rocket rises, the group begins to whistle (softly at first and then louder) and
Round of applause
You clap your hands while holding your arms straight and moving your hands
around in a wide circular motion.
Timber cheer
When you point to one half of the group, they yell, CHIP!
When you point to the other half, they yell, CHOP!
Then alternate CHIP! CHOP! CHIP! CHOP! faster and faster, ending with a loud
"TIMBER!"
Rain clap
Everyone starts by tapping their right thumbs on the palms of their left hands to
represent the first few drops of rain. Then use two fingers, three fingers, four, five
and the palms of hands. Increase volume of clapping from soft to loud. Then in
reverse sequence back to thumbs on palms, as the rain passes.
Handkerchief Cheer
You throw a handkerchief into the air. While the handkerchief is in the air,
everyone applauds and cheers. They must stop the moment it touches the
ground. Vary lengths of cheer with high throws, low throws and no throws.
Balloon cheer
Pretending to blow a big balloon, you put your hands to your mouth and puff
laboriously. You spread your hands slowly apart at each puff, then fling your
arms out, yelling ’BANG’.
Ketchup cheer
Everyone makes a fist with their left hand and slaps the side of their fist with their
right hand, as if trying to coax ketchup from a bottle.
Six quick slaps and then the ketchup comes out in one big noised dolled:
Slap-skip-slap-slap-skip-slap-balloons!
Mosquito
Z-z-z-z-z-z-z-z-z
(Trace flight of mosquito with finger)
Clap hands once for the swat saying ’Gotcha’.
Bouncing Ball
Using a golf ball (preferably) Have the group yell ’Pow’ every time the ball hits the
floor when dropped initially from an outstretched hand above the head, or thrown
up.
Be Prepared
Be Prepared, Be Prepared,
Shout it out, Shout it out.
Pioneer, Voyageur,
Pathfinder Scout !
Boomalacka
Boomalacka, Boomalacka,
Bow-wow-wow.
Chingalacka, Chingalacka,
Chow-chow-chow.
Boomalcacka, Chingalacka,
WOW ! WOW ! WOW !
Bikini Applause
Clap with only index fingers. That’s why we call it the bikini applause.
Because there’s nothing to it.
Relay Applause
Start at one side, have each row slap the hand of the person next to them, so on
down the line.
Misc
Match Applause... Pretend to light a match on the seat of your pants, say
Yeeoooooooww!!
Hankey approval... Drop hankey, applause only while hanky is in the air
Seal of approval... put elbows together, clap, and Arf Arf Arf
Good Turn Cheer... Stand up, trun around, and sit back down.
Canned Laughter... Laugh when lid is removed from a can, and stop when lid is
closed.
Flea Clap... Applaud by clicking the nails of the thumb and finger together.
Balloon cheer
Pretending to blow a big balloon, you put your hands to your mouth and puff
laboriously. You spread your hands slowly apart at each puff, then fling your
arms out, yelling ’BANG’.
Bouncing Ball
Using a golf ball (preferably) Have the group yell ’Pow’ every time the ball hits the
floor when dropped initially from an outstretched hand above the head, or thrown
up.
Skits are usually never longer than 3 to 5 minutes and are ideally somewhere
around 90 seconds.
Sources of your skits are imagination, Leader magazine, jokes from books,
Reader’s Digest, campfires, kids, and other leaders.
Watch out for scratch skits from the kids, because they usually aren’t funny, are
too long and don’t make any sense, not to mention the kids forget what they’re
supposed to say and do. A real bore to watch. Which leads to the next point --
reserve the right to edit or veto the kids’ skits, within reason of course. You’ve got
to avoid swearing, hitting, and stupid, no-sense skits. Though I have seen some
original beauties from kids, as well as some wonderful modifications from them,
both of which through little if any leader intervention.
Generally, a good way to get the kids involved in a good skit is to provide them
with a choice of about two or three skits and let them choose a tried and proven
skit, then help them modify it to the number of kids available and the theme.
Rehearse the skit beforehand. It will increase the kids’ confidence and can help
to avoid whispering, fumbling, amnesia, arguing about who says what, and all
sorts of problems.
This task is impossible, but essential to work on. The boys have to speak up so
that everyone can hear them. Who cares how good the joke is if you can’t hear it.
That’s where rehearsing comes in handy.
Cue cards can be useful for the kids so that they can remember their lines. Make
poster size cards with large, simple writing. A far out idea, but can be useful if the
kids can read. And hey! It may unintentionally turn out to be the gag of the
weekend! (How about a skit involving cue cards, and the punchline being "But
Sir! We can’t read!")
Besides the variations I mention, most of these skits lend themselves rather well
Avoid rancid skits such as Veech Boton, Ugliest Man in the World, Is it Time
Yet?, Nosebleed, and any skit you or your kids have done three times in row (or
three times in the past year.) Yes, the kids do love these skits and want to do
them again and again, but they become bored sooner or later and start to
complain "Not another campfire..." or they call out "I know the joke! He’s got a
nosebleed!" So try a new skit -- it’s just as fun and will improve greatly the
enjoyability of your campfires.
Watch out for using or modifying skits that touch on sensitive topics. What used
to be considered acceptable jokes no longer are, such as ethnic or handicapped
targets. Keep to topics of common ground.
In your skits, a volunteer is usually a pre-selected person who you seem to pluck
out of the audience, but of course is planted there. In a pinch, you can just
choose your volunteers at random and give them instructions as part of the act. A
victim, on the other hand, is a person who is chosen at random or preselected
(without their knowledge) to be the butt of the joke. Of course, discretion is
advised. Try your good humoured DC or that Beaver leader who just won’t run
out of energy.
With many sources you can pick up as many as you desire. Build up a repertoire
of one man skits, or, if you have one of those friends who’s been with you in your
Scouting endeavours since you were a Scout and probably will always be with
you till beyond the grave, act as a team and memorize some skits that without
even a moment’s notice you can use to fill in a space. There are a number of
skits listed here that require only one or two participants or whose "volunteers"
can usually be chosen at random. Examples -- "The Bubble Gum in the Studios;"
"Flora the Flea;" "The Bigger Jerk;" "The Highest Tree Climber" (just have the
person talk to himself); "7 Jerks on the Line;" "Spring is Sprung;" "The Viper" (just
1. Peanuts
I’ve seen two basic versions, the first being the one I learned first as a
Scout.
Version 1
Judge, Bailiff, 3 (or more) Scruffy Guys, Peanuts (person)
Setting: Courthouse
Judge: Order in the court! Order in the court! Bring in the first case!
Bailiff brings in a scruffy guy.
Judge: What’s your problem?
#1: Duh, I like to throw Peanuts against walls! Hic!
Judge: 30 days psychiatric treatment! Next!
Bailiff brings in two more such characters, one likes to throw Peanuts out the
window, into a lake, likes to hit Peanuts with a hammer and so on. Judge
responds the same way and becomes increasingly bored, saying "Oh, not
another,"
"Why do they send me all the loonies," and so on. Finally the bailiff brings in the
last, really scruffy, bloodied, shirt torn, no shoes, so on.
Judge: What’s your problem? (Sigh....)
Peanuts: I’m Peanuts! (Passes out.)
Version 2
Narrator, 3 Scruffy guys, Curious Person, Peanuts
Setting: Building Roof
Narrator explains that these four guys are on the top of a building and looking
over the edge.
Curious person: What are you guys looking at?
#1: I threw Peanuts over the edge of the building.
#2: I threw Peanuts over the edge of the building.
#3: I threw Peanuts over the edge of the building.
"Peanuts" comes crawling up to the top of the building.
Curious person: Who are you?
Peanuts: I’m Peanuts! (Passes out.)
4. How do I do That?
There are roughly 255 quintillion quazillion variations of this skit out on the
market, including robbers, suicide pills, car crashes and so on. You may more
commonly know this one as "Veech Boton?" I’ll give you the version I learned
and the only non-rancid version I’ve seen yet.
Version 1
5 Guys kneeling in line (1st is captain, last is dummy)
Setting: Submarine
Captain: (Looking through periscope) Aim torpedo 1!
2: Aim torpedo 1!
3: Aim torpedo 1!
4: Aim torpedo 1!
5: How do I do that?
4: How do I do that?
3: How do I do that?
2: How do I do that?
Captain: With button 1!
And so on down the line.
5: Oh! (Presses button 1.) (Poof!)
Captain: Ahch! We missed!
And so on down the line.
Captain: Fire torpedo 2!
And so on down the line, after which is, "How do I do that?" "With button 2!" on
down the line. Continue down through to torpedo 4 (or 5 or however many,) each
6. Karate Orientale
I once did this one with a Pirate theme whereby instead of having a karate
expert, I had a pirate who was good with a sword. No change in progression or
punchline, though.
Karate Expert, 3 Muggers, 1 Mugger with a gun
Expert: I now can feel safe when I walk through the park and not have to worry
about muggers now that I know karate from all over the world. For instance,
(mugger sneaks up to him, gets a karate chop,) Hiii-Ya! I learned that Japanese
Karate Chop in Osaka, Japan. (Another mugger sneaks up.) I learned this -- (flips
him) -- the Chinese Mugger Flip -- in Southern China. (Yet another mugger
15. JC Penney
Person standing on street, 3 Friends passing by, JC Penny in underwear/swim
suit only
Setting: Street Corner
Remember that all of the friends come from the same side of the stage, and
leave on the same other side (ie. all are walking in the same direction.)
Person: Hey, Frank! Nice to see you! Hey, I like those shoes! Where’d you get
them?
Frank: JC Penney! Look, I gotta run! Bye!
Another friend comes up.
Person: John! Nice shirt! Where did you get it?
John: JC Penney! Real nice clothes! See you!
Another friend shows up.
Person: Steve! Hey! The pants! I love ’em. Where’d you get ’em?
Steve: JC Penney! Bye!
JC Penney comes running through.
Person: Hey! Who are you? Why are you running around like that?
JC: I’m JC Penney! I’m trying to get my clothes back!
21. We Ain’t Got the Money for the Mortgage on the Farm
One of those repetitive jokes. Difference is, you do the skit to a beat, and
everyone bends their knees in sync (or tries to.) Successful or not, the knee
bending (and attempts to keep in sync) alone makes it hilarious.
Ma, Pa, Bro, Sis, Cousin Joe, Auntie Mae, Gramps, Mr. Bankerman
Pa: (Comes out, starts bending knees to a beat, and says to the beat) Hiya,
Folks! I’m Pa (people can respond ... repeat if desired.) Well, we ain’t got the
money for the mortgage on the farm. Boo, Hoo, Boo Hoo Hoo.
Ma: (Comes out, bends knees to Pa’s beat.) Hiya, Pa!
Pa: Hiya, Ma!
Ma: Whatsamatter, Pa?
Pa: Well, we ain’t got the money for the mortgage on the farm.
Pa & Ma: Boo, Hoo, Boo Hoo Hoo!
Continues with Bro coming in, saying Hiya, Ma (who responds, Hiya, Bro) to the
beat, then says Hiya Pa, (Hiya, Bro) then Whatsamater Pa? who responds about
the mortgage. Continue in like manner through to Gramps, each lining up beside
the person before them. Continue to Mr. Bankerman, who does the same thing,
but faces the line from the far side. They all go through the scene again, Hiya,
36. Nosebleed
One of those skits the kids can do really easily, but becomes rancid very quick.
Person with nosebleed, 3 Pedestrians, 4th Pedestrian
Setting: City Street
Nosebleed person is looking down at the ground. #1 comes in and looks around,
then down, and mumbles,
42. Waiter!
Waiter, Customers
Setting: Restaurant
Customer 1: Waiter! There’s a fly in my soup!
Waiter: Shh! Everyone else will want one!
Same line continues on with other customers about a fly being in alphabet soup
(He’s learning to read!) What’s this fly doing in my soup? (The backstroke, Sir!)
There’s a fly in my soup! (Pass him a life preserver!) I just took a fly out of my
soup. What do you think you should do? (Give First Aid!)
Finally:
Last Customer: Waiter, did you know that there’s a fly in my ice cream, too?
Waiter: No! I didn’t know they were into winter sports!
59. We Hit!
A silly repetition skit that gets the victim wet.
4-5 Crewmembers, Victim, cup of water
Setting: Submarine
Sit in a line just like in Veech Boton. Place your victim anywhere in the line but
make sure in advance you know where so that the person before or after has the
water.
Captain: (First in line) Fire #1!
(Goes down the line to end; make a sound of it exploding)
Captain: We missed! We have one more try! Fire #2!
(Goes down the line to end; make a sound of it exploding)
Captain: We missed! We’ll just have to try to outrun them! (They turn left and
right and left in sync, but finally,)
Captain: The hit us! Incoming water! (Throw water on victim.)
83. Saloon