4 Greek Architecture
4 Greek Architecture
4 Greek Architecture
ND
NO. 6
A.Y. 2015-2016 2 Semester
B. ARCHITECTURE
- They consciously rejected formal principles such as axiality, symmetry and abstracts.
- They rather adopted an organic and informal approach to space organization and
building form.
1. PALACES
- In design the palaces resemble each other and were multi-storey buildings.
- Function rather than form appears to predominate in their organization.
- The most striking feature of the palace is the extraordinary number of rooms they
contain with different types, sizes and functions organized around a central
courtyard.
- The courtyards were aligned north-south., the reason for which is not clear.
- All the palaces have multiple entrances, most of which led to the courtyard.
- The palaces do not also suggest the application of any formal principles of planning
or design.
- Their organization is more or less organic in nature, suggesting gradually growth.
2. DOMESTIC BUILDINGS
C. MEGARON – a building or semi-independent unit of a building, typically having a
rectangular principal chamber with a central hearth and a porch
- Believed to be the ancestor of the Doric temple; single-storied houses of deep
plan, columned entrance porch, ante room with central doorway, living
apartment.
a. Enclosed porch
b. Living apartment (megaron proper)
c. THALAMOS – bedroom
C. BUILDING EXAMPLES
1. THE PALACE OF KNOSSOS, CRETE palace of King Minos
PLAN
- The plan suggests it evolved organically around the central courtyard.
- Organized around a large rectangular central courtyard, the palace complex was
divided into quadrants loosely organized into suites of royal apartments,
administrative wings, areas for various social entertainments and religious
rituals, workshops, and vast storage areas that clearly reveal an extremely
centralized urban unit.
WALLS AND CIRCULATORY ELEMENTS
- Walls were made of mud brick and rubble shaped within a wooden framework
that was then covered in a veneer of local stone. After an earthquake
destroyed several parts of the palace around 1700 BC, it was rebuilt
and extensively enlarged. This newer palace was multistoried, which was a
newer architectural feature made possible by the relatively light materials of
wood framing and stone veneer used in construction.
- Window openings, stairs, open porticos and columned rooms set at different
levels allowed light and air into the internal courtyards.
- Wall murals and the various artifacts found on the island attest to a beautiful
maritime aesthetic and prosperous culture.
- Although not obviously fortified, the palace enjoyed an island location that was
logistically difficult to breach by foreigners and a complexity of design that
defied entry by outsiders not familiar with the layout of the palace.
CONSTRUCTION AND DESIGN IDEAS
- The palace did not embody any idea of monumentality or conceptual order.
Rather it was picturesque, colorful with an atmosphere of comfort and
informality.
- The building materials of the palace were rich; Wood and gypsum were
extensively used to achieve fine bright surfaces
- Minoans painted their walls and adorned them with relief, mostly of sea animals
suggesting that they probably worship nature.
- The stairways light wells, & colonnades of downward tapering wood columns
were typically Minoan, also were the elaborate and developed sanitation and
drainage. example of which is found in the Queen’s suit
2. MYCENAEAN ARCHITECTURE
A. GEOGRAPHY, SOCIETY AND CULTURE
B. ARCHITECTURE
- Their architecture emphasized defense. They built fortified citadels as royal living areas
rather than the pleasure palaces.
- CYCLOPEAN CONSTRUCTION for walls, and stone on wooden frame for megarons was
used.
- Small chunks of limestone were used to fill the gaps between the boulders.
1. CITADELS
- Enclosed by high walls of large stone blocks with difficult and highly defensible
entrance ways.
- Usually built along the edge of sharp change in elevation, on hilltops to make
them difficult for would-be-attackers.
- These were organized royal living areas enclosed by huge CYCLOPEAN WALLS or
roughhewn immense stone blocks
- Constructed of huge unworked limestone boulders roughly fitted together
- The exterior face of the boulders may be roughly dressed but the stones are
never carefully cut.
- The palaces located within the citadels acted as centers of administration
2. TOMBS
ROCK CUT
- Rectangular chamber about 12’-20’,
- Out within the slope of a convenient hillside and approached by a passage or
dromos opened to the sky leading to a doorway at the rock façade.
THOLOS
- Subterranean stone with vaulted construction shaped like an old fashioned
beehive
- This consists of circular chambers cut into the hill side approached by an
open passage called DROMOS which is lined with masonry.
- Between the chamber and the dromos a thick portal façade structure was
built.
- The portal was topped by a lintel.
- The chambers were corbelled vaulted structures shaped like beehives.
- Their upper part emerged above ground and was covered with a mound of
earth.
- The dead person was placed in pits below the ground or in adjoining
rectangular chambers.
- After burial, the tomb was permanently sealed and the dromos blocked by a
massive wall.
- The tholos was thus not used as a funerary chapel but remained curiously
empty-a pure invisible monument to the deceased.
- The key to monumentality was geometry and proportions in which resulted
to the diameter being equal to the height.
- It structure was also gradually perfected by making the upper levels of
corbelling into uninterrupted rings of stone.
C. BUILDING EXAMPLES
1. CITADEL AT TYRINS
- The royal residence at Tiryns is one of the best preserved Mycenaean fortifications
located on the coast and was in effect a castle, guarding the beachhead that served
as the port of Mycenae.
- The citadel at Tirynsis located on a low rocky citadel hill.
- It was guarded by an immensely thick wall 36feet thick
- Casemates, or covered galleries, protected and concealed troops within the wall.
- There were also tunnels within the walls that provided access to water sources
beneath the hill.
2. LION GATE
- Mycenaean citadels usually had massive trabeated portals that served as gates.
- The gates were designed to complement the defensive nature of the citadels.
- In approaching the gate, attackers would normally present the side on which he
would carry his weapons.
- The famous and best surviving example of the gates is the lion gate at Mycenae.
- Mycenae, inaccessible, easily defended, stands midway between Cornth and Argos
on the eastern shoulder of the Peloponnese.
- The gate consists of great upright stones 3.1 meter high supporting an immense
lintel 4.9 meters long and 1.6 meters high.
- The lintel defined a gate 2.4 meters deep with an opening of 3m wide.
- Above the lintel is a triangular shaped corbelled opening filed with a stone panel
bearing a carved relief depicting two rampant lions facing a central column of the
downward tapering type.
- The column was the sacred symbol of the earth that the lions supposedly protected.
- The triangular relief carving over the front is to indicate the temple front of the
Greek civilization.
3. TREASURY OF ATREUS
- The most splendid of the tholos in Mycenae is the so called Treasury of Atreus or
Tomb of Agamemnon. It was built around between 1350 and 1250 BC.
- The dromos is about 6meters wide and 36m long.
- Its side walls rise to 13.7m high.
- The chamber is 14.5m in diameter and 13.2m high
- It is made up of 34 circular courses of masonry.
- A lateral chamber 8.2m square by 5.8m high was the actual place of burial.
- The treasury of Atreus exhibited the best masonry and most careful and ambitious
construction to be found at Mycenae.
V. Greek Architecture
A. SOCIAL CHARACTERISTICS
B. HISTORY
1. HELLENIC PERIOD (800-323 BC) center: Athens
- POLIS or City State was the basis of Greek society.
- PERICLES reign was marked by increased building activity and developments in Hellenic
art and culture.
- High Classical Age (5th century BC)
- TEMPLES were the chief building types
- Resembled megaron in plan and construction.
- Colonnades surrounded the temples were integral parts of it.
- Columns were originally of timber, then stone (600 BC) imitating timber forms and
construction details.
- Doric columns were widely used.
2. HELLENISTIC PERIOD
- Greece was unified under Philip (Alexander the Great’s father)
- New and splendid cities were founded and civic design was developed.
- Columns tend to be more slender; spacing of columns generally tended to be much
wider.
- Trabeated (post and lintel) design was still used but arches began to appear.
- Roof truss was used in the 3rd century.
- CITY PLANNING (HIppodamus) followed a common pattern.
- Architecture developed simple forms and pure lines with perfect proportions and refined
details.
ENTASIS
- A characteristic of the Doric order is the use of entasis.
- Entasis refers to the practice of optical correction in Greek Doric temples.
- All buildings are arranged with a slight curve to correct for optical illusion when
they are viewed.
- This is done to counteract the concave appearance produced by straight edges
in perspective.
1. Tympanum
2. Acroterium
3. Sima
4. Cornice
5. Mutules
7. Frieze
8. Triglyph
9. Metope
10. Regula
11. Gutta
12. Taenia
13. Architrave
14. Capital
15. Abacus
16. Echinus
17. Column
18. Fluting
19. Stylobate
IONIC
- The Ionic order evolved and took its name from Ionia in modern day Turkey.
- The ionic column including the capital and base had a height of 9 to 10times its
diameter.
- It had 24 flutes, which is more than that of the Doric column, even though it is
smaller in diameter.
- Height of column and base is 9 times lower diameter.
- Column has a base; initially made up of torus only and there was an added torus in
its later development known as the ATTIC BASE.
- The flutes were rounded at the top and bottom.
- The Ionic order had a capital developed from a pair of volute about two-thirds the
diameter of the column in height.
- Entablature is 1/5 the whole height of the column.
- Ornaments are used to decorate the area between the capital and the volute.
- The Ionic column has a base.
F. MOULDINGS
a. Cyma Reversa – ogee; water leaf and tongue used as ornaments
b. Cyma Recta – usual ornament in anthemion or honeysuckle
c. Ovolo – egg and dart and sometimes egg and tongue
d. Torus – guilloche or plait or bundles of leaves tied by bands
e. Astragal – bed molding bead and reel
f. Corona – usually painted with fret; also called key pattern
g. Fillet
h. Cavetto
i. Scotia
j. Bird’s beak – Doric order
G. ORNAMENTS
- Generally based on acanthus leaf and scroll and from those eveolved other ornaments.
H. SCULPTURE
1. Architectural
- Friezes
- Tympana or pediment
- Acroteria
- Sculptured metophes
- Sculpture figures – Caryatid and Atlantis
2. Sculpture relief
3. Free- standing statuary
- Single or
- Group - BIGAS – in form of 2-horse chariot or QUADRIGAS – 4 horse chariot
https://www.scribd.com/doc/26646008/Aegean-Architecture