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    RDK Key Map PDF

    Uploaded by

    Jaime Gálvez

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    RDK Key Map PDF

    Uploaded by

    Jaime Gálvez
    210 views2 pages

    Original Title

    RDK Key Map.pdf

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    210 views2 pages

    RDK Key Map PDF

    Uploaded by

    Jaime Gálvez

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    Reason Drum Kits 2.

    0
    Reason ReFill Collection Key Map
    Crash
    Basic GM set SD Xtra HiHat mutes*

    Edge
    Hand Clap HH Edge Ride Tamb-RH Finger Snap (same as 44) Op 2 Poly Crash 2 MT
    Tip Open 2
    SD Sidestick HH Tip Open HH 2 Crash 1 Tamb-LH X SD Rim (same as 42) (same as 46) Open Ped Op Ped Poly

    BD Double** SD-LH Low Tom-LH Mid Tom-LH Hi Tom-LH China* Spock* Ride Punch SD-LH SD Roll Open 1 Pedal Op 3 Poly
    (same as 38)

    BD SD-RH Low Tom-RH Mid Tom-RH Hi Tom-RH Ride Bell Crash 2 BD SD Ruff Sequence Open 3 Op 1 Poly Crash 1 MT
    (same as 36) (edge/tip)

    * CY4 only ** BD5 only LH = Left Hand RH = Right Hand MONO (keys mute) POLY
    Reason Drum Kits 2.0 Key Map
    Reason ReFill Collection

    , Preset kits naming convention , Patch mic configurations , Individual Instruments abbreviations , Recording Spaces

    Carla All Mics (242 12) Multi Out: Abbreviations are used to indicate The drums were recorded in two
    , Carla – Kit name , ALL = All Mics. Includes all available brand and size in the nn-xt patches different rooms, one smaller booth
    , All Mics – Mic configuration microphones, including overhead and for each instrument. and one large studio space, as out-
    Indicates mics supplied in the patch. ambience mics. lined below. This gives character,
    See adjacent Patch mic configura- , CLS = Close Mics Only. ■ Skins but it's still no problem to mix and
    tions section. Includes only the close mics of A – Ayotte match the two rooms.
    , 242 12 – (BD SD TM HH CY) each drum. G – Gretsch
    Numbers indicate instruments used. , NOA = No Ambience Mics. Gs – Gretsch Signature ■ Booth
    Figures one to three indicate BD, SD Includes the overhead mics but not L – Ludwig BD 1–2
    and Toms. Figures four and five indi- the room, or ambience, mics. LA – Ludwig Acrolite SD 1–4
    cate HiHats and Cymbal set. LS – Ludwig Supraphonic TM 1–3
    Stereo Mix: LV – Ludwig Vintage HH 1–2
    , MX = Stereo Mix of all mics. LL – Ludwig & Ludwig CY 1–2
    Lightest of all patches, but gives PF – Pearl Free Floating System
    less control. Ps – Pearl Signature ■ Studio
    Y9k – Yamaha 9000 Recording BD 3–7
    YBC – Yamaha Birch Custom SD 5–F
    , NN-XT multi outputs
    TM 4–8
    ■ Metals HH 3–6
    , 1 – BD Close
    Meinl CH – Meinl Customshop Heavy CY 3–6
    , 2 – SD Close
    , 3 – Snare Bottom PF602 – Paiste Formula 602
    , 4 – Tom 3 Close ZNB – Zildjian New Beat
    , 5 – Tom 2 Close A-Z – A Zildjian
    , 6 – Tom 1 Close K-Z – K Zildjian
    , 7 – HiHat Close ZC – Zildjian Constantinople
    , 8 – Tambourine
    , 9/10 – Overhead and
    Cymbals Close
    , 11/12 – Ambience
    , 13/14 – Hand Clap
    , 15/16 – Finger Snap

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