Dorothea Lange
Dorothea Lange
Dorothea Lange
Dorothea Lange
Dorothea Lange was born Dorothea Margaretta Nutzhorn in 1895, in Hoboken, New Jersey. She
dropped her middle name and assumed her mother's maiden name after her father abandoned her
and her mother. Dorothea developed polio at age 7, which left her with a permanent limp. She
attended public schools in New York City and was enrolled in the New York Training School for
Teachers from 1914 through 1917. Lange worked in the photography studios of Arnold Genthe
and Charles Davis and attended a class taught by Clarence White at Columbia University. In
1918, she moved to San Francisco, where she opened a successful portrait studio. In 1935 she
married economist Paul Schuster Taylor, professor of economics at the University of California,
Berkeley. Together they documented rural poverty and migrant laborers for five years; Lange
took the photos, and Taylor did the interviewing and collected data. As the Depression
progressed and her portrait business declined, she turned her camera to unemployed people.
These photographs led to her employment with the Resettlement Administration, later called the
Farm Security Administration. From 1935 to 1939, Lange photographed the poor, sharecroppers,
displaced families, and migrant workers. Because FSA photos were distributed free to news
publications, many of her photos became icons of the Depression. Lange's most famous photo is
undoubtedly "Migrant Mother." During World War II she was hired by the War Relocation
Authority to document the internment of Japanese-Americans to relocation camps, highlighting
Manzanar, the first of the permanent internment camps. The Army impounded her photos as
being too critical. The photographs of the internment are now available in the National Archives
on the website of the Still Photographs Division, and at the Bancroft Library of the University of
California, Berkeley. In 1945, she photographed the United Nations Conference in San Francisco
for the State Department. Lange was invited by Ansel Adams to accept a position at the
California School of Fine Arts, and in 1952, she co-founded the photography magazine Aperture.
Lange died in 1965 in California. A retrospective exhibition of her work was shown at the
Museum of Modern Art in 1966. In 1972 the Whitney Museum used twenty-seven of Lange's
photographs in an exhibit entitled Executive Order 9066. This exhibit highlighted the Japanese
internment during World War II.
An American Exodus: A Record of Human Erosion. Paul S. Taylor and Dorothea Lange. New
York: Reynal and Hitchcock, 1939.
California on the Breadlines: Dorothea Lange, Paul Taylor, and the Making of a New Deal
Narrative. Jan Goggans. Berkeley: University of California Press, 2010.
Celebrating a Collection: The Work of Dorothea Lange. Therese Thau Heyman. Oakland, CA:
Oakland Museum, 1978.
Daring to Look: Dorothea Lange’s Photographs and Reports from the Field. Anne Whiston
Spirn. Chicago: University of Chicago Press, 2008.
Dorothea Lange. Mark Durden. New York: Phaidon Press Limited, 2001.
Dorothea Lange: A Life beyond Limits. Linda Gordon. New York: W. W. Norton, 2009.
Dorothea Lange: A Photographer's Life. Milton Meltzer. New York: Farrar, Straus, Giroux,
1978.
Dorothea Lange: A Visual Life. Elizabeth Partridge, ed. Washington, DC: Smithsonian
Institution Press, 1994.
Dorothea Lange and the Documentary Tradition. Karin Becker Ohrn. Baton Rouge: Louisiana
State University Press, 1980.
Dorothea Lange Looks at the American Country Woman. Beaumont Newhall. Los Angeles:
Amon Carter Museum at Fort Worth and Ward Ritchie Press, 1967.
Dorothea Lange: Farm Security Administration Photographs, 1935-1939: From the Library of
Congress. Dorothea Lange. Glencoe, IL: Text-Fiche Press, 1980.
Dorothea Lange: The Heart and Mind of a Photographer. Pierre Borhan. Boston: Bulfinch Press
Book, 2002.
Dorothea Lange’s Ireland. Gerry Mullins. Boulder, CO: Roberts Rinehart Publishers, 1998.
Executive Order 9066: The Internment of 110,000 Japanese Americans. Maisie Conrat and
Richard Conrat. Cambridge, MA: MIT Press, 1972.
Indiana Farm Security Administration Photographs Digital Collection
http://www.ulib.iupui.edu/IFSAP
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Image and Imagination: Encounters with the Photography of Dorothea Lange. Ben Clarke. San
Francisco, CA: Freedom Voices, 1997.
Impounded: Dorothea Lange and the Censored Images of Japanese American Internment. Linda
Gordon, ed. New York: W. W. Norton, 2006.
In Focus: Dorothea Lange: Photographs from the J. Paul Getty Museum. Judith Keller. Los
Angeles: J. Paul Getty Museum, 2002.
Photographing the Second Gold Rush: Dorothea Lange and the Bay Area at War, 1941 – 1945.
Berkeley, CA: Heyday Books, 1995.
Restless Spirit: The Life and Work of Dorothea Lange. Elizabeth Partridge and Dorothea Lange.
New York: Viking, 1998.
Let Us Now Praise Famous Women: Women Photographers for the U.S. Government, 1935 to
1944: Esther Bubley, Marjory Collins, Pauline Ehrlich, Dorothea Lange, Martha McMillan
Roberts, Marion Post Wolcott, Ann Rosener, Louise Rosskam. Andrea Fisher. New York:
Pandora Press, 1987.
The Art Department of the Oakland Museum of California Dorothea Lange Collection
http://www.museumca.org/global/art/collections_dorothea_lange.html
Documenting America : FSA B&W Photos Migrant Workers Photographer: Dorothea Lange
http://memory.loc.gov/ammem/fsahtml/fachap03.html
Smithsonian Archives of American Art: Interview with Dorothea Lange conducted by Richard
K. Doud in New York, New York, May 22, 1964
http://www.aaa.si.edu/collections/oralhistories/transcripts/Lange64.htm
The Virtual Museum of the City of San Francisco: Dorothea Lange and the Relocation of the
Japanese
http://www.sfmuseum.org/hist/lange.html
Women Come to the Front: Journalists, Photographers and Broadcasters during WWII
http://www.loc.gov/exhibits/wcf/wcf0013.html