BC2 222 - 2012
BC2 222 - 2012
BC2 222 - 2012
The present crisis of the profession is due to an incompetence which hides the architect in a golden, pseudo-artistic world. This
mystification leads the architect to take a marginal role, abrogating the role of the builder. This is of great cultural importance.
Unfortunately, in our society, there is always one who thinks and the one who performs, the one who plans and the one who
constructs, but it is impossible to separate the two if we want to assure creative continuity in the profession. – Renzo Piano
This course will introduce you to building construction and materials, and their interrelationship with the
environment. While initial architectural concepts may involve understanding construction and material in
spatial or formal terms, the making of architecture is defined by parameters from the climate, the site, and
the efficiency and logic of the systems used. Construction and material can reciprocally inform a design
concept and enrich its ultimate potential. The technology sequence at NYIT is to be understood as
parallel and integrated with the studio experience. Just as it is expected that issues of sustainability and
construction manifest themselves within your studio projects, it is also expected that issues of form and
space manifest themselves in the building construction course. Structure and material are not to be
applied, either conceptually or literally, to architecture: they are inherent in every line you draw, just as
they should be inherent in every work of architecture you create.
While Building Construction I looked at wood and masonry construction systems, Building Construction II
will focus on more complex systems of construction, steel and concrete. This class will introduce
materials and systems of construction. It will quickly become apparent to you that there are many more
constructive possibilities than can be taught in a five-year curriculum, let alone a two-course sequence.
What is more interesting and helpful for you is to learn a methodology for dealing with the variety of
constructive situations you will face.
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Course Methodology
The methodology for the course places an emphasis on how parameters of climate, construction, and
material define the making of a piece of architecture, both in form and in detail. By making we are
interested in how these parameters control and define both the broad decisions and the specific details
behind implementation and expression of a construction system in your building.
The development of the details of the building will always manifest themselves in constructive layers that
are inherent in all constructive systems - Bearing, Insulation, Protective, Finish. Furthermore, each of
these layers must always relate to a specific condition between the environment and the building -
Foundation, Wall, Roof. The complexity of these interactions makes the resolution of even a simple
building a challenging task of coordination and synchronization between varying demands.
Class Structure
2) Work and review sessions will fill the remaining class time, and primarily be used to develop and
discuss the assignment in a studio-like setting. Every class will have required assignments that make a
discussion possible, and it is expected that these requirements are completed at the beginning of class.
The content of specific weekly reading assignments in relationship to the case studies will also be
discussed.
Texts
The required texts for this course are Fundamentals of Building Construction (FBC) and Architectural
Detailing (AD), both by Edward Allen.
Additional sources of information which you should become familiar with and accustomed to using are:
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NAAB Criteria
A4 Technical Documentation
Ability to make technically clear drawings, write outline specifications, and prepare models illustrating and
identifying the assembly of materials, systems, and components appropriate for a building design.
Assignment Methodology
The initial 3 weeks of the class will introduce basic climate-driven responses based in building form.
Indigenous forms of architecture that clearly articulate the relationship between climate response and
building form will be shown. Students will be asked to develop strategies for relating building form,
structure, and skin driven by climate-related parameters.
For both construction systems, you will be asked to design a simple building in a temperate climate. The
building form and site location will be driven by strategies that you create during the first part of the
semester; these will be further articulated by the use of construction systems and building details to
augment and improve the building performance.
For each assignment you will be asked to develop the building on three levels: structural system,
enclosure system, and building detail. Each assignment will build upon what was learned in the previous
one, to the point where you will have a detailed, developed final project.
Assignment Value
5% Attendance / Effort
The overall evaluation is subject to an adjustment factor based on your intensity of effort and commitment
to the course. It can be assumed that a minimum effort on these assignments will result in a poor
evaluation.
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Policies
Evaluation
Grades will consider the appropriateness of the idea, the project's completeness, the quality of
presentation, and the effort put into the submission. Both content and presentation are crucial to the
evaluation of assignments. Evaluation for content is based on the general quality, clarity, and
development of the solution. Evaluation of presentation will consider the quality, precision, and craft of
the presentation. As in studio, neither merely completing all the presentation requirements, nor merely
having a good idea, will be enough to achieve a good grade.
All work is expected to be completed by the assigned due date at the beginning of class.
The grading scale put forth in the university catalog will be used in this course:
A Superior A- Excellent
B+ Very Good B Good
B- Competent C+ Fair
C Satisfactory, Average C- Marginal
D Unsatisfactory F Failure
I Incomplete; this will only be assigned when a student misses class with an Institute-approved
absence and is unable to make up the work by the end of the term.
Attendance
Arriving to class more than 15 minutes late will be considered an absence. All of you are well aware of
traffic and public transportation problems, so give yourself ample time to arrive in the classroom. Also:
- Cell/Smart phones are to be turned off during class time and will be confiscated if they disrupt the class.
- No eating during class time.
Portfolio
It is required that you submit a portfolio – hardcopy and digital - at the end of the semester in order to
receive a final grade. It will include reproductions of all final drawings.
As important to this class as understanding constructive principles is how to represent them. Climate
diagrams, construction drawings, and details require careful attention to scale, precision, and line weight
that is radically different than what is expected of you in design studio.
It is important to remember that the computer is a tool for production and not an excuse for late or
unfinished work. If you are new to using the computer, do not use this class as a means to learn how to
use it. If you intend to use REVIT for the production of documents for this class, be aware that the stock
items in the program will not match your design.
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WEEKLY SCHEDULE
Note: only chapter titles have been given for the reading assignments as there are a variety of editions
available for purchase from the bookstore or online, or for reading in the library. If you have a question
about what should be read, please ask your instructor.
Class 1: January 23 Topic: Relationships: Form, Structure, Skin
Readings: none
Assignment: none