Sacred Winds Full Score v2 ALL

DAVID
AVSHALOMOV
Sacred Winds
for Flute Orchestra
with 2 Percussionists
SCORE
© 2007 Raven Music

TOTAL DURATION: Ca. 24 minutes
INSTRUMENTATION
Minimum* 12 (opt. 13) players *(See Performance Note on doubling)

9 of these players alternating on:
Piccolos (need 4 instruments)
Flutes
Alto Flutes (in G) (need 4 instruments)
plus
Bass Flute (in C)
Bass Flute in F (optional)
Contrabass Flute in C (or Bass Clarinet)
Sub-Contrabass Flute in C (or string Bass)
2 Percussion (3rd player for some optional parts)
Huge Rain Stick (or two) (may substitute cluster of 3-4 swirled maracas)
Bull Roarer (aboriginal or Miwok)
Large Sheet of Aluminum Foil (minimum 12” square), suspended by hand and
tapped with bamboo skewers; also shaken/rattled.
Tambourine
Snare Drum (thin/bright if possible) [sticks/brushes]
Large Floor Tom
Large Tam Tam (flat, no nipple), with large soft mallet

3 Chinese Bowl Gongs, set on felt or cloth pads
(May substitute medium, large, and very large common stainless steel
mixing bowls. Use soft rubber marimba mallet, or hard cord vibe mallet)
High Suspended Cymbal (splash)
Ride Cymbal
Ratchet (fixed to table)

Small Plastic “Egg” Shaker
Maracas
Guiro (Reco-reco) with scraper
Glass or metal Tube Wind Chime (high, tinkly) (suspended)
Triangle
Ankle Jingles (optional—in Rain Dance, for stomped rhythms)
PERFORMANCE NOTES
BOTTOM PARTS:
• This piece needs a strong bottom end.
• If you wish to preserve an all-flute choir timbre, the composer recommends using custom
elliptical-bore PVC low flutes (Subcontra, Contra, and even Bass) such as those produced
by Mr. Jelle Hogenhuis in Holland.
Website: http://home.hetnet.nl/%7Ejelinbama email: [email protected]
• String Bass is more effective in this ensemble than current metal Subcontrabass Flutes. A
String Bass version of Part 12 is available, with adjusted dynamics and articulations. Also
a Bass Clarinet version of Part 11 (for Contrabass Flute). Both still allow for solos to be
played on the corresponding low flute if that is also present.
DOUBLING:
• For large ensembles, if you want to add players, you may double the top parts only if you
reinforce the bass.
• For pure all-flute ensembles, never double trebles more than basses.
• When you double any Flute or Alto Flute parts, double all of them. Balance the voices.
• Never double solos in any part.
For larger groups, these numbers should maintain proper top/bottom balance:
(A) String Bass (with or without Subcontrabass Flute), Bass Clarinet (with or without Contrabass
Flute), 2 Bass Flutes in C, 2 on each part for Altos and Flutes, 1 on each Piccolo part.
(B) String Bass (with or without Subcontrabass Flute), Bass Clarinet (with or without Contrabass
Flute), 3 Bass Flutes in C, 3 on each part for Altos and Flutes, 2 on each Piccolo part.
(C) 2 string basses and 2 bass Clarinets (with or without the lowest flutes), 4 or more on each part
for Bass Flutes, Altos, and Flutes, 2-3 on each Piccolo part.
TRADING PARTS – Players may with to trade numbered parts between movements (at the
conductor’s discretion). If so, the group should print up placards with single large numbers on
them (1 through 12 or 13) and hang them over the backs of their music stands. They should
exchange cards between movements to show which part they are playing in each movement. This
is so that in each movement the conductor knows whom to cue for part 5, part 9, etc., since for
parts 1-9 the player could be playing Piccolo, Flute, or Alto.
RAIN DANCE
whoosh = finger lowest note, cover mouthpiece, blow air only.
STOMPING: In measures 57-74, parts 4-13 (and percussion) may stomp their foot lightly,
alternating feet, on the accented beats of the bass group/drum pattern (marked with downward
arrows). Note that the rhythmic pattern doubles up at 69 (last 2 bars of the previous 4-bar
pattern).
Parts 4-13 may wear ankle jingles to enhance this group dance rhythm. Put the jingles on quietly
onstage (do not walk onstage jingling please), take them off quietly after the movement ends. To
do the steps, raise the foot slowly, and stomp down quickly on the beat. Ladies will want to wear
flats, not heels for this. If you are on a hollow wood stage, take it easy; don’t cover the bass
instruments in this passage.
RAIN STICK CUE: In the absence of the Rain Stick, the group may do the vocal-noise cue for it.
FOG SONG
Solo Flute should stand front and center.
Cluster Group:
At the start all cluster flutes turn and play towards the solo flute (from all sides).
Gradually turn back to normal position around m. 25
Imperceptible swell to barely audible in m. 3
Catch a breath when you need to, staggered, not at pitch shifts. No gasping.
You may wish to pick spots to breathe where cue says "surf shh", as that sound will mask you.
Glissandi, all move together on the last eighth note of the bar, through m. 29 (also after m. 87).
If doubling all parts, additional players may play a quarter-tone above each cluster note until m. 20.
Then as written.
Accidentals hold through the bar in the same octave until/unless canceled, and across ties.
Part 13 (Bass in F) can cover or double the "shh" surf noises in measures 1-26 and 94-110
as well as play bowl gongs and large gong. These are in the Percussion part.
Key  
     
   
breathy tone harmonic jazz "DOW" (short jazz "DOIT" jazz Fall (longer normal scale, down)
(possibly through teeth) chromatic scale down) (chromatic up)
gradually add, remove vibrato vibrato (after senza) or heavy vibr.
Diminished Scale
1/2-step start whole-step start 1/2-step start whole-step start
                   
              
For bars 63-end, players will benefit by playing around in advance with transpositions of the
"diminished" scale (examples above). It is an 8-note scale: rising half step/whole step/half step/whole step, OR
whole-step/half step etc. (There are really only two scales, as the pattern repeats every minor third.
The "key" simply depends on what note you start/cadence on.)

SAND BANSHEE
Flageolet arpeggios: Finger any note that works best. (The printed note is a placeholder.) Slowly arpeggiate up
and down the high flageolet partials, like a tiny wind through a door crack. Move in synch.
At U, harmonic arpeggios, finger lowest pitch. Rhythms are approximate; try to reach top and bottom notes on the beat.
No crescendo during long note bends up/down after letter E.
All trills are half-steps in this movement.

SCORE IN C 1. Rain Dance
Duration: 6 min. David Avshalomov

(bull roarer) Adagio q = 64
 
poco rit.
1 Picc. /
Flute 
TAKE FLUTE

2 Picc. /
Flute  
TAKE FLUTE

3 Picc. /
Flute  
TAKE FLUTE

4 Flute  

5 Flute  

6 Flute  

 
solo
      
7 Alto Flute
   

breathy, sharp tongued mf p
8 Alto Flute  

9 Alto Flute  

10 Bass Flute  
  
13 Bass Flute
in F (opt.)

cue SubContrabass
     
straight tone add vibrato
  
solo 3
11 Contra-Bass
  
  
Flute, C
straight tone mf    mf   
    
add vibrato
   
straight tone solo straight tone
   
3
     
12 Sub-Contra-
Bass Flute, C
(sounding 8va mf     mf 
    Adagio q = 64
bassa) BULL ROARER
poco rit.
Percussion    
f
 Whirl and vary, build, die.
Stand away from the group.
Percussion
   About 
15 seconds.
© 2007 David Avshalomov Raven Music SACRED WINDS 1 Rain Dance SCORE v2
2
q = 64

8 A tempo poco accel
   
breathy, sharp tongued
1 P./Fl.  
mf
   
2 P./Fl.   
mf p
    
3 P./Fl.    
mf p
   
4 Fl.  
mf
   
5 Fl.   
mf p
    
6 Fl.    
mf p
           
7 A.      
mf p p
            
8 A.
     p 
 
mf pp
breath tone nat.
               
9 A.            
pp ppp pp p
 
mf
  on long tones 
add heavy vibrato

10 B.

f
13 B. (F)

   
 
add heavy vibrato
       
PLAY
     
                
11 CB.
mf f mf f f
   
    
add heavy vibrato
        
12 SCB
    
     

       
f

mf f mf f
Perc. 
A tempo poco accel
q = 64
Perc.

SACRED WINDS 1 Rain Dance SCORE v2
3
q = 76
  
Andante
     
12
          
1 P./Fl.
   
mf f f
                 
2 P./Fl.      
mf f f
      
                        
3 P./Fl.
     
mf f f
      
4 Fl.   

 

     
  


 

  
mf f
f
           
5 Fl.   

 

 

     
  


 


mp f
            
    
 

 

     
  






6 Fl.
mp f mf f
        
                              

7 A.
       
f mf f
            
    
 

 

     
         
  

8 A.
f mf f
            
               
                
9 A.
f mf f
                      
10 B.
             
    
cresc.
    
         
add heavy vibrato on long tones
        
13 B. (F)
      
     
f
     

                   
    
11 CB.
cresc.
     

                  
    
12 SCB

cresc.
Andante
Perc. 
q = 76
Perc.

4 A tempo
whoosh = finger lowest note,
A

q = 72 heavy vibrato
 
cover mouthpiece, blow air only
   
15
     
whoosh
1 P./Fl.         
FLUTE f f 
 heavy vibrato
   
        
          
whoosh

2 P./Fl.
FLUTE f f heavy vibrato

    
          
whoosh
3 P./Fl.
        
FLUTE f f 
 heavy vibrato
     
          
whoosh


4 Fl.
f f heavy vibrato

                
         
whoosh
  
5 Fl.
f f 
  heavy vibrato
                 
         
whoosh
 
6 Fl.
    f f 
 
   
heavy vibrato
  
3
               
     
whoosh
         
    


7 A.
p f f 
  heavy vibrato
 3    
                   
    
whoosh
                    

8 A.
p f f 

 3     
  
heavy vibrato
               
      
whoosh
        p 
    


9 A.
f f 
 heavy vibrato
  
whoosh
          

     
10 B.
f f 
   heavy vibrato    
            
whoosh

13 B. (F)
f f
  heavy vibrato
             
whoosh

     
11 CB.
  heavy vibrato 
f f
 
             
12 SCB

f
 A tempo
 q = 72
Perc. 
Perc.

5
  
poco accel
         
         
                
19
1 P./Fl.        
ff 3
 
                   
                   
2 P./Fl.   
ff 3
 
                                  
               
3 P./Fl.   
ff 3 mf

                                   
      
       
4 Fl.    
                
3 mf
        
ff
                   
             
5 Fl.    
                  
ff 3 mf
        
          
              
6 Fl.    
ff 3 mf
 
           
3

              

  
        
      
7 A.
ff  f

            
3


 
8 A.                 
   
     
ff  f

            
3

              


          
      
9 A.
ff
  f
                 
  

        
            





10 B.
3

f

ff ff
      
                


13 B. (F)    
ff 3 ff
 
      
              

       
 
11 CB.
ff
3 ff
   
  
12 SCB

ff
  
poco accel
Perc. 
 
Perc.

6
poco piu mosso
 q = 86
23
  
1 P./Fl.          
mf f
 
2 P./Fl.              
       mf f
       
      
3 P./Fl.
                 
mp f
      
       
      
4 Fl.
                 
mp f
      
     
         
5 Fl. 
                   
mp f
    
        
         
6 Fl. 
                   
mp f
 
  
         
7 A.                                   
f mp f mp
        
8 A.                                       
mf mp f mp
          
9 A.      
                      
mf mp f 
                                 
10 B.
    
f
              
            
13 B. (F)         
f
            
 
          
      
 
11 CB.
f
     
          
12 SCB

f

Perc. 
poco piu mosso
q = 86
Perc.

7

26
1 P./Fl. 
2 P./Fl. 
3 P./Fl. 
4 Fl. 
  
5 Fl.      
f
  
6 Fl.      
f
                      
                              
7 A.
                  
                              
8 A.

9 A. 
             
f   
                   
   
10 B.
f
  
               
13 B. (F)           


                   
11 CB.
          
                
      
12 SCB
        

Perc. 
Perc.

8

28
1 P./Fl. 
2 P./Fl. 
    
3 P./Fl.      
f
                               

4 Fl. 
f p f
                               

5 Fl. 
p f
                               

6 Fl. 
opt. tacet for balance w/basses
p f
               
   
          
    
f   
7 A.
          
   
          
          
f   
8 A.
      

      
       
               
9 A.
f
                         
10 B.         

                     
13 B. (F)
     
f 
                  
11 CB.
   
f 
                  
12 SCB
    
f 

Perc. 
Perc.

9
         
30
1 P./Fl.       
f
                   
2 P./Fl.  
mf mp f
         
3 P./Fl.     
mf f
                                     
4 Fl. 
mp f pp
                                 
   

5 Fl.
mp f
                                
6 Fl.        
mp f
                               
     
 
7 A.
mp f 
                               
     
 
8 A.
mp f
                        
9 A.           
 

mp f

         
    
10 B.   
     
      
f ff
   
  
        
          
    
13 B. (F)
   ff
f
     
           
11 CB.
    
           
f ff
         
12 SCB
         
f ff

Perc. 
Perc.

10
B

33
1 P./Fl. 
2 P./Fl. 
3 P./Fl. 
       
4 Fl.
  
mp
       
5 Fl.
  
mp
6 Fl. 
7 A. 
8 A. 
9 A. 
                                  
              
10 B.
ff f
      
13 B. (F)
                                         
ff f
         
ff  
                            
11 CB.
  
                                             
12 SCB

ff f

Perc. 
Perc.

11

36
1 P./Fl. 
2 P./Fl. 
3 P./Fl. 
               

4 Fl.                

f mp mp f ff 
                      
        
5 Fl.
f mp mp f ff 
                 

6 Fl.
     
mp f ff 
                 
7 A.
    
mp f ff 
    
            


8 A.
mp f ff 
      
            
        
9 A.
f  mp f f  
                                      

         
10 B.
                             
13 B. (F)           
           
                                    
11 CB.
     
                                        
12 SCB


Perc. 
Perc.

12

39
1 P./Fl. 
2 P./Fl. 
3 P./Fl. 
                

4 Fl.
    
mp f
              
        
5 Fl.
mp f ff 
  
                 
 
6 Fl.
mp f ff 
   
           

  
          
7 A.
mp f ff  
  
     
  
      
          
8 A.
mp f  ff  
    
          
9 A.
ff 
10 B.                                                 
13 B. (F)
                                                
      
11 CB.
                                 
                                                
12 SCB


Perc. 
Tambourine, jingles only
          
tap at edge w/finger
Perc.
    
pp p
13

42
1 P./Fl. 

      



    
2 P./Fl.

mf f

           
3 P./Fl.
     
mf f ff
     
  

    
4 Fl.
  
mf f ff
     
  

    
5 Fl.
  
mf f ff
6 Fl.   

 

 



  
mf f
 
        
7 A.

                  
f ff 
 
        
8 A.

      ff            
f
 
       

   
f            
9 A.
 ff 



                                     
ff 
10 B.
f

                                      
13 B. (F)
   
f f
ff
        
             
             
11 CB.
ff f
      
                                    
12 SCB

ff f

Perc. 
Tambourine, jingles only
          
Perc.
    
pp p
14
      
   
     
45
      
1 P./Fl. 
f
          
mp
   
2 P./Fl.           
     
mp f
   
           
3 P./Fl. 
   
mp f
            

4 Fl.         
mp f
            
        
f
   

   


5 Fl.
f mf subito cresc. top notes only mf f
                  

    
f
6 Fl.      
f mf subito
 mf
cresc. top notes only f
            
7 A. 
            
       
f

f mf subito
                     
8 A.
            
f 
 f mf subito
                  
                 
9 A.
f  mf f 
 
10 B.                             
f
             
13 B. (F)

                               
              
11 CB.                                
                
12 SCB
  
                           

Perc. 
Tambourine
          
Perc.
    
p mp
15
             
        
48
1 P./Fl.     
f
          
mp p
       
 
2 P./Fl.     
     
f p
 
mp
         
    
3 P./Fl.     
    
mp f p
        
     
4 Fl.      
mp f p
    
  
                 
      
5 Fl.
mp f
 
                      
6 Fl.              
                    

               
7 A.

 
          
     

         

       
8 A.
  
                 
9 A.
                   
  
            
10 B.      
             
      
13 B. (F)

                                       
    
11 CB.

                                          
                                  
12 SCB
               

Perc. 
Perc.

16
            
                         
   
51
1 P./Fl.  
f
                      
  
             
2 P./Fl.  
                            
f
      
  
3 P./Fl.  
     
f
        
             
4 Fl.   
f
   
                         
5 Fl.   
   
f
             

          

6 Fl.  
f
      
7 A.      
 f
      
8 A.       
 f
    
              
9 A.
f f

          
                               


10 B.
       
13 B. (F)
                                      

11 CB.
                                         
 

                                           
 
12 SCB


Perc. 
    
Tamb.
Perc.
       
mp mf
17
    
 
54
1 P./Fl.                
    
2 P./Fl.                 
    

3 P./Fl.                 
    

4 Fl.                 
    

5 Fl.                 
    
6 Fl.                 
    
7 A.                 
   

                                       
          
8 A.
f
fff
  
                         
                    

9 A.
     
fff
  
                             
10 B.         
              
fff
         
                        
 
                   
13 B. (F)
          
fff
           
                         
        


11 CB.     
        fff
                                 
  
  
                 
12 SCB

fff

Perc. 
Tamb.
                 
Perc.
     
mf
18
C

57
1 P./Fl. 
TAKE PICCOLO
2 P./Fl. 
TAKE PICCOLO
3 P./Fl. 
TAKE PICCOLO
Stomp foot down on floor at arrows. Alternate feet.
4 Fl. 
 
    
 
fluttertongue etc.
5 Fl.   
ff p ff p
      
   
Stomp foot down on floor at arrows. Alternate feet. fluttertongue
  
etc.
6 Fl.   
ff p ff p

fluttertongue
  
etc.
         
   
7 A.
ff mf 
  
Stomp foot down on floor at arrows. Alternate feet. fluttertongue
                 
etc.
 mf      ff mf       mf          

   
8 A.
ff 
 
etc.

fluttertongue

                         
9 A.
mf ff mf ff mf     
  
                 
fluttertongue etc.
                         
   
10 B.
mf ff mf ff mf

 
 
  
                

fluttertongue
        
etc.
 
  
13 B. (F)
mf ff mf ff mf
      
                 

fluttertongue
        
etc.
 
  
11 CB.
mf ff mf ff mf
                       etc.

      
fluttertongue
12 SCB
     
mf mf ff mf
ff

             
Floor Tom
Perc.
mf Stomp on the floor on each notated strong beat. Alternate feet mp
     
poco
strike head w/knuckle at center, damp
      
Tambourine
Perc.

mf Stomp on the floor on each notated strong beat. Alternate feet mp
poco
19
        

61
 
      
PICCOLO
1 P./Fl.
        
ff
PICCOLO
 
2 P./Fl.       
ff
        
PICCOLO
 
3 P./Fl.       
ff
          
4 Fl.      
fluttertongue ff p
f
   
                 
5 Fl.
 
ff p ff p
           
   
    
    


6 Fl.
ff p f ff p
  
                     
 mf 
7 A.
fff ff mf ff mf
  
                     
 mf 
8 A.
fff ff mf ff mf
  
   
                    
9 A.
fff  mf
ff mf ff mf
  
                     
  
10 B.
fff mf ff mf ff mf
  
 
13 B. (F)                     
fff mf ff mf ff mf
  


11 CB.                       
fff mf ff mf ff mf
      

       

     
12 SCB
    
fff mf ff mf ff mf

Perc.          
mf
  
     
Perc.

mf
20
       

64
     
1 P./Fl.       
       
 
ff
   
2 P./Fl.       
    
ff
        

3 P./Fl.       
ff
           

4 Fl.             
 
ff p f ff p
 
            
5 Fl.               
ff p f ff p
        

     
       
   

6 Fl.
ff p f ff p
 
                    
       
7 A.
fff mf ff mf
 
                    
       
8 A.
fff mf ff mf
 
  
                  
9 A.
        fff mf ff

mf
 
                    
       
10 B.
fff mf ff mf
 
    
                  
  
13 B. (F)
fff mf ff mf
   
 

   
       
       
  
11 CB.
fff mf mf
ff
                  

12 SCB
      

fff mf ff mf
            
Perc.
 
mp mf mp mf mp
        
poco poco poco
 
strike/shake
  
Perc.

mp mf mp mf mp
poco poco poco
21
           
 

67
1 P./Fl.   
             

2 P./Fl.   
           
 
3 P./Fl.   
       
4 Fl.       
f ff p
  
             
5 Fl.
    
f ff p f
           
       
6 Fl.         
ff p f f
ff p

               
  
7 A.
ff mf 

               
  
8 A.
ff mf 

 
              
9 A.
ff mf   

               
  
10 B.
ff mf


    
             

13 B. (F)
ff mf
    
              

11 CB.
ff mf
              
12 SCB
    
ff mf

Perc.   

     
mf mp
     
poco
  
Perc.

mf mp
poco SACRED WINDS 1 Rain Dance SCORE v2
22
      

69
1 P./Fl.    
ff
  
2 P./Fl.        
ff
  
3 P./Fl.      
ff
             

4 Fl.           
f ff p f ff
               
       
5 Fl.
   
ff p f ff p f
               
6 Fl.    
      
 
f ff p f

7 A.         

      
fff mf

               

8 A.
fff mf


 
              
9 A.
fff 

mf
               

10 B.
fff mf 

    
             

13 B. (F)
fff mf
    
              

11 CB.
fff mf
              
12 SCB
    
fff mf
 
       
stomp at arrows only
Perc.   

 




f
 
mf
            
stomp at arrows only

Perc.

f mf
23
     

71   
         
1 P./Fl.    

             
2 P./Fl.     

3 P./Fl.

 
 
               
           
          
4 Fl.        
  
       
    
ff f

             
5 Fl.         
        
ff f
             
6 Fl.             
ff f
 
                      

7 A.
ff mf ff mf molto
 
                      

8 A.
ff mf ff mf molto
  
                    
9 A.
 ff  molto
 
ff mf mf
                      


10 B.
ff mf ff mf molto
        
   
 

 

      

13 B. (F)
ff mf ff mf molto
     
11 CB.
       

           
molto

ff mf ff mf
            
  
12 SCB      
molto
ff mf f
 
Perc.        

  

  

      

f mf
             
f
 
mf
    
 
Perc.
 mf
f f mf
24
 
vibr. molto
                        
vibr.

74
1 P./Fl.        
ff molto
                 
vibr.
  
vibr.
2 P./Fl.        
ff molto
                 
vibr.
  
vibr.
3 P./Fl.             
   vibr. 
ff molto
         
vibr.
          
4 Fl.        
molto
       

ff
         
vibr.
 
vibr.

5 Fl.        
ff molto
       
vibr.
            
vibr.
6 Fl.          
ff
molto
                 

vibr.
  
vibr.

        

7 A.
fff ff molto
    
vibr.
               vibr.
          
    

8 A.
fff ff molto
         
vibr.
vibr.
                  
       
9 A.

fff  ff

    

10 B.
fff
      
13 B. (F)
      
fff f ff ff
f
      
      
fff 
11 CB.
f ff f ff
      
12 SCB
    
ff f ff f ff
 
Perc.     
f

   
Perc.

f
25
D
     
(cue Rain Stick)

              
79
   
mouth noise, off the instrument
1 P./Fl.    
f p mp
Tssss sshhhhh
         
              
(cue Rain Stick)
  
2 P./Fl.    
   
f p mp p
Tssss sshhhhh
  TAKE FLUTE     
3 P./Fl.       
 
(cue Rain Stick)
p
    
 
          
       
ff  
4 Fl.
f Tssss
 
sshhhhh mp
    mouth

 noise, offthe instrument
(cue Rain Stick)
 
        
  
5 Fl.
ff   f Tssss sshhhhh p
 
          
(cue Rain Stick)
 
   
  
6 Fl.
ff   f Tssss sshhhhh p
(cue Rain Stick)
    mouth
  
7 A.         
ff
   f Tssss sshhhhh p stop when you run out of breath
 
(cue Rain Stick)
  mouth
  
      
  
8 A.
f p stop when you run out of breath
ff Tssss sshhhhh
(cue Rain Stick)
      
 
9 A.        
 
ff
  f Tssss sshhhhh
p stop when you run out of breath
  
(cue Rain Stick)
   
10 B.         p
f stop when you run out of breath
ff Tssss sshhhhh
  mouth noise, off the instrument
(cue Rain Stick)
13 B. (F)
           
f p
ff Tssss sshhhhh stop when you run out of breath
   mouth noise, off the instrument

(cue Rain Stick)
11 CB.
           
f p stop when you run out of breath
ff Tssss sshhhhh
   mouth noise, off the instrument
(cue Rain Stick)
           
12 SCB
 p
   
ff Tssss f sshhhhh stop when you run out of breath
Perc.       
      
f GIANT (4-FT.) RAINSTICK
   
Perc.

f f Turn/pour slowly. Before it dies out, turn it again gradually to continue sound.
26
              

84 3 3
1 P./Fl.         
p mp p mp
       3         

3 t-k t-k t-k
2 P./Fl.        
      
mp p mp p
                   
    
      
3 P./Fl.
mp mp p mp
    
                   
4 Fl.
   
      
    
     
5 Fl.                 
mp
 
    
6 Fl.      
                 
mp

   
7 A.

mp

8 A. 

9 A. 

10 B. 
13 B. (F)
 
11 CB.
 
 
12 SCB


Perc. 
Perc.

27
 t-k t-k        3

               
86
1 P./Fl.            
p 3
mp p mp 3 p
     

                

        
3
3
2 P./Fl.
mp p mp p mp 3 p
               
t-k t-k
       
        
3 P./Fl.
mp
       p mp 3 3 3
          6
      3
           
      
      p
4 Fl.
mp mp
 t-k    
 t-k
t-k
       mp  3 3
                  
      
5 Fl.
p mp 3 3
3
t-k t-k t-k      6

   
    
            

6 Fl.
p mp
   
       
7 A.
       mp        
6
   
                             
8 A.
   
mp mp 6
    
9 A.        
mp 6
   
10 B.  
mp
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

28
      
88
1 P./Fl.   
3
 
               
3
mp p mp
   
3 3 3 3
             
3 3
2 P./Fl. 
mp p mp 3 3
      6 
3 P./Fl.              
mp 6 p
3 3 3 3 3 3
      
                 
4 Fl.
p
3 3 3 3 3
5 Fl.                          
p
3 3
   
3 3 3
6 Fl.
                       
p
   
          
7 A.
   p


                
8 A.
  p

   
                
9 A.
p
 
        
10 B.
       
p
13 B. (F)

    
11 CB.  
p

12 SCB


Perc. 
Perc.

poco meno mosso 29
E q = 72
 solo 
90 rit.
1 P./Fl. 
pp
   
2 P./Fl.   
pp
   

solo 3
3 P./Fl.       
mf pp pp
solo
       
3 3 3 3 3 3 3
    
        
             
4 Fl.
pp p 3 pp
pp
  

3 3
  
3 3 3 3 3 3
     
                 
5 Fl.
pp pp
3 3
  
                            
3 3 3 3 3 3
6 Fl.

pp
pp
  
3
   
solo 3
 
   
7 A.
 mf
   
                
8 A.
pp niente
    
            
9 A.
pp
  
niente
   
3
  
solo
10 B.                
pp mf pp niente

                    
solo
13 B. (F)
 
p pp mf 3 pp niente
 
solo 3
                   

11 CB.
pp
pp mf niente

solo 3
   
12 SCB
   
mf

Perc. 
rit. poco meno mosso
q = 72
Perc.

30
      
93 rit.
1 P./Fl. 
   
2 P./Fl.
  
3 P./Fl.         
mp
        

4 Fl.
mp
          
5 Fl.
 
mp p
           
6 Fl.
      
mp pp
     


    
7 A.
mp
pp
      
8 A.
   
pp mp p
9 A.                

p mp pp
10 B.          
 

    
  
pp mf pp
       
13 B. (F)
pp
    
(cue SubContrabass)
11 CB.      
    

p mf f
     
          
12 SCB
mf

f
Perc. 
rit.
Perc.

CLUSTER: Catch breath when you need to. Staggered,
SCORE IN C not at pitch shifts, best under "shh" sounds. No gasping.
Duration 12:45 Adagio At start, all cluster flutes turn towards the solo flute, gradually turn front CLUSTER: Last-eighth-
q = 60 - 68 around m. 25. If doubling, you may add1/4-tones above until m. 20. CLUSTER: add note gliss when
 senza
vibrato, then remove. moving upwards each
Flute breathy tone
 vibr. gliss. in tempo time, through m. 29.

             gliss. 
1 Flute
( / Picc.)
ppp pp senza vibr.
 
poco vibr.

senza vibr. gliss. solo
  

breathy tone 3

straight tone poco vibr.
2 Flute           pp pp p espressivo
ppp pp
senza vibr.
 
breathy tone gliss.
3 Flute
          poco vibr.  gliss. 
ppp pp senza vibr.
  
breathy tone
     poco vibr.  gliss. 

4 Flute
ppp senza vibr.
pp senza vibr.
breathy tone
        poco vibr.  gliss.
5 Flute
ppp senza vibr.
pp senza vibr.
 
breathy tone
 senza vibr.       poco vibr.  gliss. 

6 Alto Flute
ppp
pp senza vibr.
 
breathy tone
 senza vibr.       poco vibr.  gliss. 

7 Alto Flute
ppp
pp senza vibr.
 
breathy tone

senza vibr.
         poco vibr. 
8 Alto Flute
gliss.
ppp
pp senza vibr.
 
breathy tone
9 Alto Flute senza vibr.
(/Picc.)
ppp
          poco vibr.  gliss. 
pp senza vibr.

breathy tone
10 Bass Flute
(Sounds 8va bassa)
            poco vibr.  gliss. 
ppp senza vibr. pp senza vibr.
 
breathy tone senza vibr.
11 Contrabass senza vibr.
            poco vibr.  gliss. 
Flute, C
(/ Alto Flute)
ppp
Alto pp
    Player 13 can play part 11 Alto Flute, bars 1-23,

13 Bass Flute
in F (opt.)  esp. if Contrabass needs to play Subcontra cues
(F Part treble clef)
  vocal (off the instrument)           

vary the "pitch" each time
  
"shh," surf noise

12 Sub-Contra-
Bass Flute, C
(Sounds 8va bassa) vary the "pitch" each time p mp p pp p pp pp p
shhh - shhh - shhh -
 q= 60
(Part in treble clef)
        
Adagio vocal "shh", surf noise
 
    
vary the "pitch" each time in tempo
- 68
Percussion
p mp p pp p pp pp p
     
shhh - shhh -
  Tam-Tam
shhh fff vary the "pitch" each time

Large Flat vocal "shh", surf noise
Percussion
    pp p pp
pp
L.V., let ring always shhh -
soft heavy mallet
Fog Song v2.0
32

9
1 Fl/Pic    gliss.        gliss.
      3     
2 Fl          
p 3 3 3
3 Fl    gliss.       gliss.
4 Fl    gliss.       gliss.
5 Fl    gli 
ss.
      gliss.
   gli       
6 Alto ss. gliss.
 
 gliss.       
7 Alto gliss.

  gliss        
8 Alto . gliss.

  gli        
9 Alt/(Pic) ss. gliss.
10 B.    gliss.        gliss.
11 CB.
 gliss.

  gliss        
11 Alto . gliss.

(Part 11, CB, cue SCB.) senza vibr.
 solo   

13 B. (F)
   
mf f mf f

        
play solo

senza vibr.
12 SCB
  
pp p
mf f mf f shhh -
      
Perc. 
mp pp p
     
shhh sss shhh -
Perc.
 mp pp p
shhh fff shhh -
Fog Song v2.0
33

16
         

trans. to normal tone
1 Fl/Pic gliss.
pp
    
sost.                      
  
3
2 Fl 
3 3 3 3 mf 3 3 3
     
3 Fl gliss.
   
pp

     
   
4 Fl gliss.
pp
  
5 Fl gliss.
         
pp

       

6 Alto gliss.
pp
  
       
7 Alto
gliss.
pp

           
8 Alto gliss.
pp

        
   
9 Alt/(Pic) gliss.
pp
      

  
10 B. gliss.
pp


            
11 Alto gliss.
pp
13 B. (F)

   
    
play
12 SCB

espressivo mf f mf f
      
Perc. 
pp p
shhh -
     
Perc.
 pp p
shhh -
Fog Song v2.0
34
Poco Mosso q = 70

accel. poco a poco
                   
22
normal tone
  

1 Fl/Pic
p
 
              
3
 
strict time
  
3
2 Fl    
3 3 f 3 3
normal tone
                      

3 Fl
p
normal tone etc.
 
         
4 Fl
 p
normal tone etc.
5 Fl                 
 p
normal tone etc.

             
6 Alto
p
normal tone etc.

               
7 Alto
p
normal tone etc.

            
8 Alto
p
normal tone etc.

  
9 Alt/(Pic)
 p              

etc.
 
normal tone
10 B.     
p
  
(Sounds as written)
 
11 CB.

(Part in treble clef) mf
take ContraBass

   
11 Alto
13 B. (F)

   
12 SCB

 Poco Mosso q =70  
accel. poco a poco
Perc. 
mp p mp p
   
shhh - shhh -
Perc.
 mp p mp p
shhh - shhh -
Fog Song v2.0
Ancora Mosso35
easy shuffle q = 86

 
                             
28 etc.
1 Fl/Pic         3 3      
3 3 3 3 3 3 3 3f 3
3 3 mf espr.
           

2 Fl     
3 3 3

      etc.3  3 3  3 3     
       
3 3
      
3
3 Fl                     
3 3 3 3
espr. f3 mf

3  3  3  3  3  3  3  3  3  3  3       
3 etc.
                      

4 Fl
f mf espr. 3

       
3 3
5 Fl                
f mf espr.
        
3 3
6 Alto                    mf espr. 
f
         
3 3
 
             mf espr.
 
7 Alto
    
3 3
  
              
8 Alto
mf
f espr.
  
3
 
          
9 Alt/(Pic)
    
f
  
  
3
           

10 B.
f
    
11 CB.
    
mf mf
13 B. (F)

     
12 SCB
   
mf mf

Ancora Mosso
    easy shuffle q = 86
Perc. 
mp p mp p
shhh - shhh -
   
Perc.
 mp p mp p
shhh - shhh -
Fog Song v2.0
36
 
 
33
      3      3
1 Fl/Pic   
2 Fl 
 
       3       
3 Fl   
3

        3       
4 Fl   
3
 
             
3
5 Fl      
3
           
3
6 Alto   
  

3

       
3
    
3
    
   
7 Alto
          

3 3
    
   
8 Alto
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
                         
         
  
9 Alt/(Pic)
f  
        
3
 3  3  3  3  3  3
                
3 3 3 3 3 3 3 3
 
3
               
           
10 B.
  3       
3 3

3
       

       
11 CB.
f
     

3 3
    


13 B. (F)
f

  
           
3 3
12 SCB
      

f 3 3

brushes, jazz circle swishes

Perc.                 
mf Snare Drum,
snares on
Perc.

Fog Song v2.0
37
       
eighth swung
  
37
  
take Picc.
1 Fl/Pic  
3 3
    
cool 3 3
2 Fl    
p
  
eighth swung
    
    
    
cool 3

3
3 Fl    
3 3 p
  
      3
       
cool 3
4 Fl     
eighth swung 3 3 p
      

 
     
3

cool 3
5 Fl
     
eighth swung 3 3 p
     
[opt. tacet--stamina]
 
3
    
3
     
   
6 Alto
eighth swung 3 3 p cool
          

cool 3 3
7 Alto           

eighth swung 3 3 p
  
     
eighth swung
8 Alto
        
 3 3 p

f
  
eighth swung 3 3
      
        
9 Alt/(Pic)
 p
f
 

eighth swung     
10 B.           
 3
3 p f
      3  3  3  3 

3
    
3
11 CB.
       
     
      
mf
            

3 3 3
    
3 3 3
   
          

13 B. (F)
           
      3          
3
12 SCB
        3 3 3 3    
mf

Perc.                 
Perc.

Fog Song v2.0
38

42
1 Fl/Pic 
             

3 3
  
3 3 3 3 3 3
            
 
2 Fl
  3 3
             
3
  
3 3 3 3 3
    
         
3 Fl
              

3 3
  
3 3 3 3 3 3
 
   
         
4 Fl
  3 3
             
3
  
3 3 3 3 3
    
         
5 Fl
    3
3
      
3 3 3 3 3 3
   

              
       
6 Alto
 
  3 3
             
3
  
3 3 3 3 3
 
   
         
7 Alto
etc.
                  
  
8 Alto
etc.

                   
9 Alt/(Pic)
etc.
10 B.                     
       3   3   
    
3 3
       

3 3
         

  
11 CB.
3
13 B. (F)

     3    
       3     
3 3
    
3 3
   
      
   
12 SCB
3

Perc. 
Perc.

Fog Song v2.0
Ancora Mosso 39
10
   q = 94      3  3
     
solo

solo
    
   
47
   
Piccolo "hot"
1 Fl/Pic 
mf ff 3 3 3 3 ff
     3

marcato

       
3 3
eighth swung
             
3 3
2 Fl
  
3
 
"hot" ff ff
  3
         
3 3
              
3 3


3 Fl
3

"hot" ff eighth swung ff
  3
           
3 3
              
3 3
  

4 Fl
"hot" ff 3 eighth swung ff
 3     3
         
3 3
              
3 3 eighth swung
 

5 Fl
"hot" ff ff
 3  3
           
3 3 3 3 eighth swung
6 Alto            
         
"hot" ff  ff
 3  3
        
3 3
               
3 3 eighth swung
7 Alto
        
"hot" ff  ff

3
   3       
3
eighth swung
           
   
8 Alto
"hot" ff  ff 

3
    3  3  3  3  3  3  3 
9 Alt/(Pic)
                    
"hot" ff          
3
          
3 3 3
 
3 3
                
ff 
10 B.
"hot" 3
     
3 eighth swung
       

    
11 CB.

f

 3   3  3 
             
3  3 3  
13 B. (F)
 
"hot" ff`
 
eighth swung

 3
     
12 SCB
  
     
f
   
3
       
Susp ("Ride") Cym.

sticks, concert rimshot
Perc.    
Snare Drum,
mp brushes mp Sn. Dr.
snares on normal
Ancora Mosso
Perc.
 q = 94
Fog Song v2.0

40
            
3 
         
3
 
51

              
marcato
1 Fl/Pic   
3 3 3 3 3 3 3 3 3
      
3 

               
2 Fl            
   
3 3 3 3 3 3
    
3 

   
       
3 Fl             
     
3 3 3 3 3 3
     
3 

  
             
4 Fl      
3 3 3 3 3 3
   

            3 
3 
      
  
    
5 Fl
 3 3 3 3 3
  3      3 
       
3 3 3
              
6 Alto
     
3 3
  3      3 
       
3 3 3
7 Alto           
   
3 3
        3 
3 3 
      
3 3
    
           
8 Alto
 3 3
      
3
  
3 3 3 3 3
 

          
9 Alt/(Pic)
   
 3
       3  3  3  33        
  
3 3 3 3
                    
  
10 B.
3 3 3
        
  3   3     3   3       
3 
 3
 3
 
11 CB.           
3 3 3 3 3
3
  
eighth swung
 
13 B. (F)     
ff 3
   
    
eighth swung
12 SCB
 
ff 3
     3  
3
        3   3 
Perc.        
3
Perc.

Fog Song v2.0
41
Poco Meno Mosso
    
55 q = 86 take Flute
   

1 Fl/Pic
3
        
     
cool


2 Fl

3 p dim. poco a poco
    
3
   
cool
       


3 Fl
    
3
  
cool
4 Fl         
          
cool 3 3
         
  
5 Fl

3 p

   
3 3
      
cool 3 3
       
     
6 Alto


     
3 3 cool 3 3
      
  

     
  

7 Alto
   

 
      
3 3 3 3
    
cool
8 Alto
         
 p


   
cool 3 3
          
    
9 Alt/(Pic)
p
3
 3  3  
           
3 3 3 3
            

10 B.
3
normal ff


   3       cool
         
   
 
11 CB.
3 3 3 mf

f
 3
       
3

3     
          
13 B. (F)       3 3 3
3 3 normal ff
  

   3       cool      
   
12 SCB
     
3 3 3 f mf mf

Poco Meno Mosso
3    3  
Perc.    q = 86
Perc.

Fog Song v2.0
42

59
1 Fl/Pic 
                
2 Fl    
p
                 
3 Fl   
p
4 Fl                     
p
       
3 3
     
 
5 Fl
dim. poco a poco pp
      
3 3
6 Alto         
dim. poco a poco pp
   
3 3
7 Alto    
     
 dim. poco a poco  pp
      
3 3
8 Alto        pp  
dim. poco a poco

   
3 3
      
9 Alt/(Pic)
dim. poco a poco    pp
 
 3  3  3
               
3 3 3
 
3 3 3 3 3 3
    
                   
10 B.
ff f mf

11 CB.
    
mp
        3  
dim. poco
                              

3 3 3
13 B. (F)     3 3
3 3 f mf 3
ff 3 3 3
     
12 SCB
 dim. poco mp

Perc. 
Perc.

Fog Song v2.0
43
           3     
64
    
3
1 Fl/Pic      
pp 3 3 3 3 3 3
                
senza vibr.
2 Fl              

pp 3 senza 3vibr. 3 3 3 3 3 3
           
3 Fl    3          3     
pp 3 3 3 3 3 3
senza vibr.
  
4 Fl  
pp
5 Fl  
6 Alto  
         
3
   
7 Alto
  
pp 3 3 3
senza vibr.
 3  3   3    
3

8 Alto        
pp senza vibr.
9 Alt/(Pic)              

pp 3 senza3vibr. 3 3


10 B.
 3

3

3
 3 
 
             
11 CB.
f
13 B. (F)
   
       
         
12 SCB
 
f 3 3 3 3

Perc. 
Perc.

Fog Song v2.0
44
 
68
1 Fl/Pic     
3  3            

 3 
2 Fl

    
3
            
ppp 3 3 3 3
 3   
3         
             
3
3 Fl  
  
3
 
3 3
ppp 3 3
  3   3           
3
      
3
4 Fl     
3 3
3
ppp 3
5 Fl 
 3   3  
   
3
   
3
6 Alto  
pp
      
7 Alto         
3 3 3 3
 3  3  3    
3
  3  3   3    
3

8 Alto             
          3   3     
       
3
 
3
9 Alt/(Pic)      
3 3 3 3
10 B. 
 3
 3  
3
        
3 3 3
11 CB.
       

      
mf
13 B. (F)
  
 
 
        3  3   3  
 
3
12 SCB
   
3 3 mf

Perc. 
Perc.

Fog Song v2.0
45
    
    
72
 
3
   
3
1 Fl/Pic 
ppp
        
           
3 

         
3
2 Fl   
3 3 3 3 3 3 3 3
          
    
3 
         
3 3
3 Fl 
3 3 3
    
          
4 Fl
 3 3
3 3
       3   3          
5 Fl               
3 3 3
ppp senza vibr. 3 3 3
        
  
   
3
6 Alto 
ppp
      
  
3
7 Alto       
ppp
   
  
3
8 Alto     
ppp
senza vibr.
         
9 Alt/(Pic)        
ppp
10 B. 
 
         
 
11 CB.
mp
mf
13 B. (F)


  
    
   
12 SCB

mp
mf

Perc. 
Perc.

Fog Song v2.0
46
  3
rit.
   3 
    
76 3
        
3 3
           
3
1 Fl/Pic 
   3        3   3    3 
3
   
           
3
2 Fl 
       3  3      
3 3
          
3
3 Fl    
3
  
4 Fl     
ppp

5 Fl       
   3    
      
3 3
6 Alto    
  3 3   
       
3
7 Alto    
 3
  3  
3
   
8 Alto       
9 Alt/(Pic)      
ppp
10 B. 
   
(cue Sub-Contra)
11 CB.
    
    
mf
p mp p mp
13 B. (F)

         
12 SCB
 
p mp
 rit.
Perc. 
Perc.

Fog Song v2.0
Adagio (Tempo I) 47
q = 60
       
CLUSTER: Catch breath when you need to. Staggered,
gli  
82 not at pitch shifts, best under "shh" sounds. No gasping.
 
ss.
1 Fl/Pic 
transition to breathy tone senza vibr. senza vibr.
      
poco vibr.
    
gliss.
2 Fl 
poco vibr.
3 Fl 
    
4 Fl      gliss.  
transition to breathy tone senza vibr. poco vibr. senza vibr.
       gliss.  
5 Fl   
poco vibr.
        gliss.
 
6 Alto 
poco vibr.
7 Alto       gliss. 
poco vibr.
8 Alto       gliss. 
poco vibr.
       gli  
ss .
9 Alt/(Pic)
senza vibr.
transition to breathy tone senza vibr. poco vibr.
 3  3 
libero, rubato
       
solo
10 B.     
espr. mp mf p mp
11 CB.

13 B. (F)

    
12 SCB

mp shhh - mp
shhh - sss etc., vary end
  
Adagio (Tempo I)
 
Perc.  q = 60
mp mp
shhh sss etc., vary end shhh -
  
 
BOWL GONGS l. v.
Perc.
 
p
hard cord vibr. mallet
or cloth-covered wood beater Fog Song v2.0
48
   
89
    
surf "shh"
gliss.
1 Fl/Pic
      

gliss.
2 Fl
3 Fl 
4 Fl        gliss. 
      
5 Fl  gliss.
      
6 Alto  gliss.
7 Alto        gliss.

8 Alto        gliss. 
9 Alt/(Pic)        gliss. 
 3  3                3     3  

  
3
10 B.  
p mf 3 mf 3
11 CB.

13 B. (F)

    
12 SCB

shhh - mp
  
Perc.   
mp
shhh -
 
Perc.

Fog Song v2.0
49
Andante q = 80

95 steady tempo
1 Fl/Pic  
poco vibr.
                 
figures libero, rubato
2 Fl 
normal tone 3
poco vibr. p 3 3 3

normal tone
      
 figures
     
libero, rubato
3 Fl 
p 3 3 3 3
           
  
normal tone figures libero, rubato
4 Fl
p 3 3
  
poco vibr.
         
5 Fl 
p
normal tone 3 3
poco vibr.
   
6 Alto 
poco vibr.
7 Alto     
poco vibr.
8 Alto   
poco vibr.
        
9 Alt/(Pic)    
p 3 3
normal tone
poco vibr.
3
      
3

transition to breathy tone
10 B. 
f
11 CB.

13 B. (F)

  
12 SCB

shhh - mp
  
Perc. 
mp
shhh -
Andante q = 80
Perc.
 steady tempo
Fog Song v2.0
50

99
1 Fl/Pic 
 3  3       

2 Fl     
p 3 3
      
           
3 3
3 Fl 
p 3 3
3 3
       3  3      

4 Fl  
3 p 3 3
3
             
5 Fl    
3 p
3 3 3
6 Alto 
7 Alto  
8 Alto 
  3 3   3  3  

9 Alt/(Pic)    
10 B. 
11 CB.

13 B. (F)


12 SCB


Perc. 
Perc.

Fog Song v2.0
51

103
1 Fl/Pic 

2 Fl    
3 3

   
3 Fl 
p

3
   3     3  3 
4 Fl   
p mp figures strict

  3  3    
3
  
3
5 Fl       
3 p mp figures strict 3

3
 3  3   
3
  
3 3 3
     
  
6 Alto
normal tone p mp figures strict

 3  3   33
3 3
7 Alto           
p normal tone mp figures strict 

 
normal tone 3  3   3  3 3
8 Alto       
p mp figures strict

  3  3   3
3
 
3
         
3
9 Alt/(Pic)     
p 3
3 p normal tone mp figures strict
     
3 3
10 B. 
p normal tone
11 CB.
   3 
p normal tone
13 B. (F)


12 SCB


Perc. 
Perc.

Fog Song v2.0
52

107
1 Fl/Pic 
2 Fl 
 3   3  
3

3

3
      
3 Fl
mp figures strict
3
   
3

3
4 Fl      
3 3
      
5 Fl

                    
3 3
6 Alto 
p 3 3 3
mf 3

        
7 Alto       
p mf 3 3 3
3

3
       

 
8 Alto
 p mf 3 3

3 3 
 
3
9 Alt/(Pic)
        p
3 3 3 3
           

10 B.
 
3 3 3

3
        

11 CB.
p normal tone
 
3

3
13 B. (F)    
p normal tone

3

3
   
12 SCB
 
p normal tone

Perc. 
Perc.

Fog Song v2.0
53

109
1 Fl/Pic 
2 Fl 
3 Fl 
4 Fl 
5 Fl 
                         
6 6
    
6 Alto           
6 6 6 6
3                        
6 6
          
3
7 Alto  
6 6 6
                   
6
8 Alto           
3 3 3
3 6 6
     
9 Alt/(Pic) 
    
               
3 3
mf 3 3 3 3 6
10 B. 
11 CB.

13 B. (F)


12 SCB


Perc. 
Perc.

Fog Song v2.0
54

111
1 Fl/Pic 
             
2 Fl 
f 3 3 3

3
            
3 Fl 
f 3 3 3
3
            
4 Fl   
f 3 3 3 3
      

6 6 6
5 Fl               
mf
6 6
               
6 6
          

6
6 Alto  
6 6 6
   
6
                 

6 6
7 Alto
6 6 6 6
       
6
8 Alto     
6 6

6
        

6
       
9 Alt/(Pic)

6
      
3 3 3
     
10 B.
 
f sost 3
 
3
      
3 3
   
 
11 CB.
f sost 3
     
        
3
13 B. (F)
f sost 3
3 3
     
 sost       
3 (loco)

f (opt. 
12 SCB
3
3 3

Perc. 
Perc.

Fog Song v2.0
55

113
1 Fl/Pic 
      
2 Fl            
3 3 3 3
         3 3
      
3 Fl 
3 3

        
3 3
4 Fl         
f 3 3
6 3 3
                  

6
5 Fl
 
f
6 6
        
6 6 6 6

6 Alto
                     
6 6
          
6 6 6 6 6
7 Alto
                        
6 6
        
6 6 6 6 6

8 Alto
                       
6 3 3
           
6
       

9 Alt/(Pic)
f
 3        
3
 
3
 
     
10 B.
f
3 3
        
3 3 3
 
11 CB.
   
3
        
3 3

13 B. (F)
     
3 3
  
3
     
3
 
12 SCB
    
3 3

Perc. 
Perc.

Fog Song v2.0
56

115
1 Fl/Pic  
  
3
2 Fl                               

3 3 3 3 3 3
3 3

3 3 3
  
3
                                

3
3 Fl  
                   

3
4 Fl               
3 3 3 3 3 3
3 3

3 3 3
  
3
                                

3
5 Fl  

6 6

3 3 3
 
3 3


6 Alto
              
                 
      
  3 3 

     
 
7 Alto
f
  
6 6 3 3
      
           
    
8 Alto
f
3 3 3 3 3 3 3

                                    
9 Alt/(Pic)
 
6 3

3
   
3 6
   
6
10 B.           
                      
3
    
              
6
11 CB.
 
6 6
6 6
13 B. (F)
   
12 SCB

   

Perc.  
Perc.
 
Fog Song v2.0
Poco Meno Mosso sostenuto 57
       
q = 72
         3    

117
1 Fl/Pic   
ff 3 fp
       
f
      3     
      
2 Fl           
ff 3 fp
3 3

         3    
3
 
3
3 Fl      
         
ff 3 fp
       3    
4 Fl                   
3 3 ff 3 ff
   
3
     
3 3
                  
3
5 Fl   
ff ff
7
        
3 3 3 3
               
      
6 Alto
ff ff
 3 3 3 3 3
                 
           
7 Alto
ff
fp
   
3 3 3 3 3
  
                      
8 Alto
ff 
fp
       
3 3 3 3 3
   
           
9 Alt/(Pic)
     
ff [opt. tacet--stamina]fp
6
    

            
6
     
3

10 B.   
ff ff
              
                        
6
 
3

11 CB. 
6 ff 5 ff
    5
 
  
3
       
                
13 B. (F)
f ff   ff
 
6
   
   
                       
6
 3

12 SCB
  
f (ossia) 5
ff ff
  
3

High splash susp. Cym Poco Meno Mosso sostenuto
Perc.     q = 72
yarn mallets p f
Large Flat

Tam-Tam
Perc.
  
mf
Fog Song v2.0
58
 
120     3  
1 Fl/Pic  
ff p
      3  
2 Fl  
ff p
     3  
3 Fl  
ff p
9
                3          
soli
4 Fl         
sempre 9 9
soli 9 9 3
9
5 Fl                          
        
sempre
soli 9 9 3 9
                                

6 Alto
sempre
soli 9 3 9
9
                                     

7 Alto
sempre
  3
  3 3
          
  

8 Alto
 f
   
3
3 3
          
  

9 Alt/(Pic)
 f
3 3
       
 
10 B.
sempre

5

     

11 CB.
(play lower part if

sempre
Bass in F is present)
 
5

13 B. (F)    
sempre
  
5

    

12 SCB
(play lower part if  
sempre Bass in F is present)

Perc. 
Perc.

Fog Song v2.0
59
                       
122
1 Fl/Pic       
ff 3 3 3 3
10
               

        
2 Fl 
ff 3 3 3 3
10
10
                     
3 Fl        
ff 3 3 3 3
9 10
            
3
4 Fl                            
3 3 3
3

9 10 3
                               
3 3
5 Fl       
9
 3
10 3 3 3
                     
                
6 Alto

9
 3
10 3 3 3 
  
                                    
7 Alto

3
 3 3 3 3
        
          
8 Alto

3
 3 3 3 3

       

9 Alt/(Pic)
          
 


  3

10 B.       
[opt.] 
        
11 CB. 
3
        
13 B. (F) 
3
       3

12 SCB
  
 
Perc. 

Perc.

Fog Song v2.0
60
 
125 take Picc.
1 Fl/Pic  
                     

 
2 Fl 
    
3 3
             
    
3 Fl  
3 3
                     
4 Fl       
3 3
                        

5 Fl   
3 3
                
6 Alto 
       
3 3
 3   3   3
                  
3

    
7 Alto
3 3

                          

 
8 Alto
 ff
3 3 3
             
     

9 Alt/(Pic)
  
[opt. tacet--if Bass in F is present]
  3    3   
           
3
10 B.  
 3
     
11 CB.
           
3
  
13 B. (F) 
3
     
12 SCB


Perc. 
Perc.

Fog Song v2.0
61
poco rit. a Tempo, Andante
q = 76
           
128 3
Picc. 3


1 Fl/Pic
   
    
f marcatissimo, espressivo
              
     
3
2 Fl      
3 mf 3
fmarcatissimo, espressivo
   3
                         
3
3 Fl            
3 mf f 3

3 marcatissimo, espressivo
                     
       
3

4 Fl   mf  f  
3 3
3 marcatissimo, espressivo
                          
3 3
 
  
5 Fl
3 mf f marcatissimo, espressivo
3
   
                     
3

3 3 3

      
6 Alto
mf f  


marcatissimo, espressivo
     
3
   
   
3
          
mf 
7 Alto
f 

  
3 3
8 Alto                 
mf
  Picc.  
        
3
 
take Picc.
  
9 Alt/(Pic)
f 3
marcatissimo, espressivo
         
  
10 B.
mf f
  
    
       
f 
11 CB.
 (play lower part if  
 mf


         

f 
13 B. (F)
mf
       
  
12 SCB

mf
 poco rit.
 q = 76 
a Tempo, Andante
Perc. 
Perc.
  
Fog Song v2.0

  3 
62
 
             3      
        
133
1 Fl/Pic   
3 5 3 3 3 3 ff appassionato
               3                        
3
2 Fl   
     3 
                      
        
3
  
3 Fl 
 
         3                     3 
4 Fl   
                   
3
           
3
 
         
3
5 Fl

5 3 3 3 ff appassionato
3
                       
3

3
        
3 3 3 3
 

6 Alto
3 ff appassionato
 
5
 
5     3

 

               
   
7 Alto
 ff
 
5 3

            
8 Alto
f   
 ff
            3      
               3 
9 Alt/(Pic)   

   
5 3
   
3 3
              

10 B.
ff

(Play lower part if

3
      
3 5 3
        
     

11 CB.
ff

3

       
3 5 3
            

13 B. (F)
ff
 
12 SCB

ff

Perc. 
Perc.

Fog Song v2.0
63
                          
  
141
1 Fl/Pic      
                    
3 3 3 3 3 3 3 3
                  
2 Fl  
3 3 3 3 3 3 3 3
                          
 
3 Fl  
 
   
3 3 3 3 3 3 3 3
                                     
4 Fl     
3 3 3 3 3 3 3 3
                                 
5 Fl     
3 3 3 3 3 3 3 3
                                
6 Alto      
3 3 3 3 3 3
3 3
  
   
3 3 3
7 Alto               
     
3 3 3
        
      
8 Alto
                                
 
9 Alt/(Pic)  
 
   
3 3 3 3 3 3 3 3
 
       
3 3
          
3
10 B.
  

       
3
     
3 3
       
11 CB.
 
3 3 3
 

           
3
 
3 3
13 B. (F)  
       3   

        

3 3
12 SCB

Perc.    
Perc.
   
Fog Song v2.0
64
                                    
 
148
             
1 Fl/Pic 

3 3 3 3 3 3 3 3 3 3
     
        
          
2 Fl                  
3 3 3 3 3 3 3 3 3 3
                                    
     
3 Fl          
3 3 3 3 3 3 3 3 3 3
                                  
4 Fl          
3 3 3 3 3 3 3 3 3 3
                             
5 Fl

               
3 3 3 3 3 3 3 3 3
3
                          
3

3
6 Alto               
3 3 33 3 3
3 3
7 Alto    
   
   


    
8 Alto
      
              3  3 3          
         
9 Alt/(Pic)      

3 3 3 3 3 3 3
10 B.         
  
       
11 CB.
       
        
13 B. (F)
  
     
12 SCB
       
  
Perc.    
   
Perc.
 
Fog Song v2.0
poco accel. 65
3                  
3
            
  

             
155
1 Fl/Pic   

3 3 f 3 3
  
fp
3 

    
3

 
      
                           
2 Fl   
  fp
          
3 3 f 3 3
3  
  
3
   
                            
3 Fl   
3 3 fp f 3 3
               

3
              

    
  3
4 Fl   
3 3 fp f 3 3
                            

3
 
3
5 Fl      
3 3 fp f 3 3
    3  

 
3
         
3 3
                        
 

6 Alto
3 fp f 3
 
    3
3 3
     

3
      
      
7 Alto
  
fp f

   3 3 3 3
8 Alto                   
 fp  f
             

                 
3
 
3
9 Alt/(Pic)   
3 3 fp f 3 3

          
3
 
3 3 3
      

10 B.
fp 

f
 
3
   
 

    
3
   
3
11 CB. 
     
3 fp f
  
       

3 3 3
13 B. (F)
     
f

fp
           
     
3
12 SCB
 
fp f 3 3
  

3
 
Sus. Cym
Perc. 
mf wood stick, dome
 
poco accel.
Perc.

Fog Song v2.0
66 Mosso
  
                                 
q = 86

163
1 Fl/Pic   
3 3  3 3 3

3
       
6
      
        
       
2 Fl   

3 3
  3 3 3
 
3 6
                             

3 Fl   

3 3 3 3 3 3 6

                                 
4 Fl   
3 3 3 3 3 3 6

                              
5 Fl    
3 3 3 6

3 3 6
 
3
   
3 6
   
3
6 Alto 
           
           
     
3 3 6
 
3 3 3 3 3 3 6
                                 
 
7 Alto

3


33 3 3
 3 6

                               
8 Alto

                                  
9 Alt/(Pic)   

3 3 3 3 3 3 6
                  
3 33 3 [opt.] 3 3 6
    
        
10 B.

3 3
      3    
3
          
3
11 CB.                   
3  3
3 3
     3  3  
3
13 B. (F) 
                       
3  33

6
                               
12 SCB
  
3 3 3 3 3 3
ossia 3
    

3
 
l.v.
Perc. 
Mosso
 
q = 86
Perc.

Fog Song v2.0
67
molto rit.
                           
      
166
1 Fl/Pic 
6 6 6 6 6
              
                    
2 Fl 
6 6 6 6 6
        
3 Fl                          
6 66 6 66 6
  
                               
6
4 Fl
6 6
6 6 6 6 6
5 Fl                          
        
3 3 3 3 6
        
                              
6 Alto
     
3 3
      
   
7 Alto
 
8 Alto 
       
6
     
         
6
 
9 Alt/(Pic)          

6 6 6
   loco
6
                 
6 6 6 6
10 B.                 
mf f
                           
6 6
11 CB.       
6 3 6
                           
6 6
13 B. (F)       
6 3 6
         
  
   
12 SCB
   
3 6
 molto rit.
Perc. 
Perc.

Fog Song v2.0
68
       
3
   
       
169
1 Fl/Pic   

3
              
3
 
2 Fl   
3
        
3
   
3 Fl           
3
    

 
3
             
3
4 Fl
  
3
   
3
5 Fl              
  
3 3
     
            
6 Alto
  
3
 
      
7 Alto
  
3

   
8 Alto
mf  
    
             
 3
 
3
9 Alt/(Pic)
  
3 3
10 B.                    
     
  
3
       
3
11 CB.      
       3 
  
3
13 B. (F)           
 3  
12 SCB

      
f

Perc.   
Perc.
  
Fog Song v2.0

69
A Tempo, Adagio q = 60
     
     
174
   
5
1 Fl/Pic  
ppp senza vibr.
 
trans. to
 
nat.
solo breathy tone

   
espr.
2 Fl
p

 
ppp
  
(niente)
  
  
3 Fl   
ppp senza vibr.

3 trans. to
         
senza vibr. breathy tone
4 Fl 

ppp trans. to
breathy tone

 
       
senza vibr.
5 Fl
ppp
 3
trans. to
breathy tone
    
senza vibr.
6 Alto        
ppp trans. to
 breathy tone
   senza vibr. 
3
  
     
7 Alto
trans. to
ppp
 
breathy tone
   
 
breathy tone
 
 
8 Alto
 senza vibr. ppp

 
       
senza vibr.
  
9 Alt/(Pic)    
ppp trans. to
breathy tone
  senza vibr.     harm.
10 B.     
 
 
    
   trans. to
breathy
ppp tone

  senza vibr.      
11 CB.           
ppp 5
     senza vibr.
13 B. (F)        
ppp
 

  
 senza
       
vibr. 3
12 SCB
ppp
  A Tempo, Adagio q = 60

Perc.  
 
  
BOWL GONGS
Perc.
 
p p
Fog Song v2.0
70

179 poco rall.
1 Fl/Pic             
        
2 Fl              
         
3 Fl 
     
4 Fl       
5 Fl           
6 Alto             
7 Alto           

8 Alto       
take Alto Flute

9 Alt/(Pic) 
    
   
10 B.
    
11 CB.

13 B. (F)


12 SCB

 poco rall.
Perc. 
Perc.

Fog Song v2.0
in tempo in tempo 71
q = 50   5
q = 50
   
   
185
  
riten.
  
solo
1 Fl/Pic      
trans. to nat. tone pp p quick
   
2 Fl         
pp ppp pp senza vibr.
 

 
     
3 Fl
trans. to nat. tone pp senza vibr.
  
 
4 Fl
     
trans. to nat. tone pp senza vibr.
  senza   

      
vibr.
5 Fl  
trans. to nat. tone pp ppp pp
 
  
senza vibr.
6 Alto      
trans. to nat. tone pp
 nat.  
     
     
7 Alto
trans. to nat. tone pp
 
senza vibr.
  
nat.
8 Alto         
senza vibr. pp
 
 
Alto Flute nat.
9 Alt/(Pic)       
senza vibr. pp
        
solo
         
10 B.

mf molto espressivo p
 

nat.
11 CB.
poco espressivo
    
mp
p
 

nat.
13 B. (F)
  
poco espressivo pp
p
   

12 SCB
 mp
 p 
poco espressivo
 in tempo in tempo  
Perc.  q = 50 q = 50 
riten. pp p
shhh
Large Flat
Tam-Tam
l.v.
Perc.
 pp

soft heavy mallet
Fog Song v2.0
SCORE IN C 3. Sand Banshee
David Avshalomov
Duration: 7-8 minutes Moderato
 h = 76  
       
    
      

 Whistle (flageolet) tone           
1 Picc.        
       

ppp
    

          
2 Picc.      
 
      
ppp Whistle (flageolet) tone
      


3 Picc.    
ppp
Flageolet arpeggios: Finger any note that works best.

Whistle (flageolet) tone
Slowly arpeggiate up and down the high flageolet partials,
 
like a tiny wind through a door crack. Move in synch.


Flute
4 Flute / Picc.  
Whistle (flageolet) tone ppp

5 Flute 

6 Flute 

7 Flute 

8 Flute/
Alto 

9 Alto Flute /
Flute 

10 Bass Flute 

(sounds 8va bassa)
13 Bass Flute 
in F (opt.)
 
11 Contra-Bass
Flute, C
 

12 Sub-Contra-
Bass Flute, C (sounds 8va bassa)
 
Glass (or Metal Tubes) Wind Chime Tree
Percussion pp   
L. V. (let ring)
stroke with the hand
Moderato
Percussion
 h = 76
SACRED WINDS - Sand Banshee v2.0 © 2007 David Avshalomov / Raven Music
73
A

Vivo h = 152
      
       (double speed)
         h = w 

9
1 P.        

   
   
   
  
        
 
2          
 
        
        
     senza vibrato
   
3
     
ppp breathy tone
        
           
        
4 Fl. /Pic          
                       

       
5 Fl.         
     
ppp
           
     
6       
 
  
 

 
ppp
     
   
7     
ppp
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB

Vivo h = 152
 (double speed)
Perc. 
Perc.

SACRED WINDS - Sand Banshee v2.0
74
h = h sempre


 
           


   
   
     

   
      

 
senza vibrato
  
18
   

1 P. 
ppp breathy tone pp
     
senza vibrato
2         
ppp breathy tone pp ppp pp
senza vibrato

3             
ppp breathy tone pp ppp pp
     
     
     
      
    

         


4 Fl. /Pic 
      
      
                 
      

         


5 Fl. 
       
        

        
         


          


       
6
      
            
          



7           
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


h = h sempre
Perc. 
Perc.


28

 
  

 
  
B
 
  
75
1 P. 
pp ppp pp
catch breath quietly between slurs
           
2 
pp ppp pp
3             
pp ppp pp
  
 
        
     
senza vibrato
4 Fl. /Pic  
     ppp pp
  
 breathy tone
5 Fl.        
    
  

6        
    
   
 
7        
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

   
76
 
   
            
37
1 P. 
ppp pp ppp pp ppp
            
2 
ppp pp ppp pp ppp
            
3 
ppp pp ppp pp ppp

           
4 Fl. /Pic 
ppp pp pp ppp
ppp ppp
 
senza vibrato
        
5 Fl. 
ppp breathy tone pp ppp pp ppp
   
senza vibrato
   
6 
ppp pp pp ppp
breathy tone
7 
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

 
77
      

    
C q = q sempre
 
47
            
1 P. 
pp ppp
                 
2 
pp ppp
                 
3 
pp ppp
                 
4 Fl. /Pic 
pp ppp
                 
5 Fl. 
pp ppp
     
           
6 
pp ppp
      
senza vibrato
7        
ppp breathy tone
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB

q = q sempre

Perc. 
Perc.

78
 

  
 
55
                    
1 P. 
ppp pp
2                       
ppp pp
          
3
           
ppp pp
         
4 Fl. /Pic             
ppp pp
                     
5 Fl. 
ppp pp
6                       
ppp pp
7                       
ppp pp
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

 
79
D 
    
62
1 P.                         
pp nat. pp p
2                 

          
pp nat. pp p
3              pp
               
pp nat. p
                           
4 Fl. /Pic 
pp nat. pp p
5 Fl.                             
pp nat. pp p
6                             
pp nat. pp p
7                 
nat.
           
pp pp p
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.


 
80
    6   
       
66
1 P.            
6
  7

p mp mf
6 7 
     
6
2                       
p mp

mf

 
6 6 7
   
3                       
p mp mf


   
                   
7
   
6 6
4 Fl. /Pic 
 
p mp mf

  
                      
7
6 6
5 Fl. 
p mp

mf

  
6 6
6                         
7
p mp

mf


Jet Whistle
6
                 

7
p mp mf
ff
8 
All trills in this movement
are half-step trills.
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB

 one Maraca
 
Perc. 
hung downwards, p f
slowly swirled, not shaken
Perc.


81
E
     7   
69 7
1 P.        
 f
2      7     7
  

f
7
             
7
3 
 f
     7 
  7
 
senza vibrato
4 Fl. /Pic       
pp transition to breathy tone

f
    7  
add, remove
  7 
vibrato
5 Fl.        
f p pp pp breathy tone

   7   
6   7
   
f pp

    7 
7   
f pp
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc.    
p
Perc.

82

78
1 P. 
2 
3 
add, remove vibrato
4 Fl. /Pic          

p sempre senza cresc.
5 Fl.         

p sempre senza
cresc.
6 
7 
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.
 

83

86
1 P. 
2 
3 
4 Fl. /Pic       

pp pp eighths more tone, long notes more breath
5 Fl.              
pp
add, remove vibrato eighths more tone,
   
long notes more breath
6 
sempre senza cresc.
pp breathy tone add, remove vibrato
7    
sempre senza cresc.
pp breathy tone
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

84

92
1 P. 
2 
3 
slow bend,
sharpen slightly back to pitch
4 Fl. /Pic       

sempre senza cresc.
slow bend,
back to pitch
        
sharpen slightly
5 Fl.     
sempre senza cresc.
slow bend,

sharpen slightly
6       
sempre senza cresc.
eighths more tone, long notes more breath pp
7       
eighths more tone, long notes more breath
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

 
85

98
1 P. 
2 
3 

4 Fl. /Pic      
pp

5 Fl.            
back to pitch

6                
slow bend, pp
back to pitch
        
sharpen slightly
7     
sempre senza cresc.
pp
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Aluminum foil sheet

Perc.
 dangle from corner pp p
shake to rattle lightly speed up slow down
86

103
1 P. 
2 
3 

            
unisons in tune
4 Fl. /Pic
pp normal vibrato
        
normal vibrato
5 Fl.           
pp unisons in tune
                
normal vibrato
6    
pp unisons in tune
  
            
normal vibrato
7 
pp unisons in tune
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

87
   
F solo
  
109
1 P.             
p
  
2       
p
3 
4 Fl. /Pic 
5 Fl.  
6                    
                 
7    
 
            
normal vibrato
8
pp breathy tone unisons in tune
                 
normal vibrato
9 A. /Fl. 
pp unisons in tune
breathy tone
10 B. 
13 B. (F)

11 CB.


12 SCB

     
Small plastic "Egg" shaker
         
(may substitute one Maraca)
Perc. 
short chik, single hit p
no flams
Perc.

88
   
G

114
    
1 P.          
        
2          
     
3     
p
4 Fl. /Pic                 
5 Fl.                 
pp

6    
7  
                   
normal vibrato
8
pp

                   
normal vibrato
9 A. /Fl.
pp
 
    

10 B.
f
  
   

13 B. (F)
f
  
   

11 CB.
f
   
12 SCB

f
     
Small plastic "Egg" shaker
Perc.       

Foil sheet
Perc.

rattle fast f
89

119
               
1 P.            
               
2           
           
             
3
p stacc.

4 Fl. /Pic                           
transition to normal tone
5 Fl.                    
6          

7                 

8    
9 A. /Fl.           
      
 
10 B.
f
     

13 B. (F)
f

    

11 CB.
f
 
12 SCB
 
f

Perc. 
Foil sheet

Perc.

f
90
       

124
1 P.               
mp
      
2                
mp
 
3     
mp
4 Fl. /Pic                    

5 Fl.                          

6                     
7                    
8 
9 A. /Fl. 
10 B.      
f
     
13 B. (F)
f
11 CB.
     
f
         
12 SCB

f
      
        
Egg shaker
Perc. 
mp
 
Foil sheet
 
Perc.

f
  
91
     

129
1 P.               
cresc.
       
2                
cresc.
      
3               
mp cresc.
                 
4 Fl. /Pic    
normal tone

5 Fl.                    
normal tone
6                    
normal tone
7                           
normal tone
 
fluttertongue
     
 
8
fp sf
 
fluttertongue
     
 
9 A. /Fl.
fp sf
10 B.     
f
13 B. (F)
    
f
  
11 CB.  
f
 
12 SCB
  
f
        
Egg shaker
Perc.              
mp mp cresc.
 
Foil sheet
 
Perc.

f
92
        
     
134
1 P.                
mf
  
cresc.
      
2

                 
mf
     
cresc.
  

     
          
3   
mf cresc.

4 Fl. /Pic                          
p cresc.
                              
5 Fl. 
p cresc.

6                                
p cresc.
7                        

cresc.
p
     
    
 
8
fp sf

sf
     
   
9 A. /Fl.
  
fp sf

sf
10 B.     
f
    
13 B. (F)
f
11 CB.
    
f
   
12 SCB
 
f
               
Egg shaker
Perc.          
Foil sheet
   
Perc.

f
   
93
          
139
1 P.                  
cresc.
   
      
                   
2

  
cresc.
       
3                    
cresc.
      fluttertongue

                            
4 Fl. /Pic  
mp
            
               
fluttertongue
     
5 Fl.

mp
  
                        
fluttertongue
6   
mp
     
  
      
 
fluttertongue
        
7
 
mp

      
   
   
8
fp sf

sf
  
      

 
 
9 A. /Fl.
fp sf
sf
10 B.       
f
     
13 B. (F) 
f
11 CB.
      
f
     
12 SCB
 
f
               
Egg shaker
Perc.                
  
Foil sheet
 
Perc.

f
     
94
     
      
144
1 P.              
       
  
                     
2
 
    
   

               
3       
   

                        

4 Fl. /Pic
mf
        
  
                       
5 Fl.  

6                                 
mf

7                  

               



  
 
  
8
fp
  
  

 

9 A. /Fl.
fp
10 B.     
f
    
13 B. (F)
f
11 CB.
    
f
    
12 SCB

f
               
Egg shaker
Perc.                
f
Foil sheet
   
Perc.

   
95
          
 
H
 
149
1 P.        
cresc. f marcato cresc.
     
2 
  
         
cresc. f marcato cresc.

    
3        
cresc.
                                
4 Fl. /Pic 
p subito
 
5 Fl.                          
mf
p subito

6                     
p subito

7                       
mf p subito
   

    
    
  
  
8
sf

sf fp mp
   

    
    
  
  
9 A. /Fl.
sf

sf
fp mp
             

10 B.
     
f p
        

13 B. (F)
         
f p
        
11 CB.
f p
       
12 SCB
 
f p
      
   
Egg shaker
Perc.    
mf
       
Guiro (Reco-Reco)
  
Optional, if 3 players
              
Maracas
Perc.
        
short chik, single hit mf
mf scrape quickly with thin scraper no flams
96
     
      
154
1 P.              
     
  
  
2              
         
        

      
3  
f marcato cresc.

4 Fl. /Pic                                
mp cresc.
 
                   
5 Fl.

cresc.
 
6                            
mp
cresc.
 
7                                
mp
cresc.
 

      
     
     
8
fp mf sf fp
sf
   
    


  
   


   
 

 mf
9 A. /Fl.
fp 
sf fp
              

10 B.
f      
mp
       

13 B. (F)


       
mp
      
11 CB.
mp

  
 

12 SCB

           
Egg shaker mp
           
   mf     
Perc.
Maracas
        
               
cresc.
Perc.
             
Guiro
        
97
       
       
159
1 P.             
        
 
2                 
      
     
 
3             
                     
4 Fl. /Pic                
mf
  
5 Fl.                             
mf
   
6                                
mf mf

                        
 
7  
mf
     
   

    

  

 
   
8
sf
sf fp sf sf fp
 
       
        
       
9 A. /Fl.
sf
  
        
10 B.
            
f
      

    
13 B. (F)    
mf f
        
11 CB.
mf f
      
12 SCB
  
mf f
               
Egg shaker
Perc.           
 Maracas
             
                       
Perc.
                                
Guiro
98
164       
            
1 P.            
ff
       


         

         
2

ff
 
      
        
3             
     
ff
                                   


6
  
4 Fl. /Pic
5

5
f
                         
  5  
5 5
    
5
5 Fl.       
f f
   
                                 
6
5

f 5 6
              5   5  
7                 
f
        
      
   

    sf 
8
fp sf
sf fp sf fp
           
9 A. /Fl.
                 

       
         
       
    
10 B.
 3 3
13 B. (F)              
f
              
11 CB.
f 3 3
 3 3
12 SCB
              
f
      
Egg shaker
Perc.    
          
        
          
Maracas cresc.

        
Perc. 
                     

     
 
Guiro
            
99
 
169
        
1 P.   

       
2   
    
      
3

  6        7        7 
             
7
    
7 7
4 Fl. /Pic  
f
6     6      7        7 
            7   
7
5 Fl.
  6    6      

    6                 
7
6 
7
f 7
       
    6   
   
     7   
      6 7
     
      
    
8
sf sf sf sf sf
  
         
9 A. /Fl.
   
  
         
10 B.
   
  3 3 3 3
13 B. (F)               
                
11 CB.
3 3 3 3
 3 3 3 3
12 SCB
                
 

shake
Maracas

   
Perc.
     
Maracas
    
                    
hard cord mallets
Perc.
          
Guiro     
100
I

172
                        
  
6
1 P.      
5
 
f ff
                  
    
5 6
2     
f ff
                  
    
5 6
3     
ff
               
f

         
6
4 Fl. /Pic    5 
ff
       
6                
5 Fl.     
5
    
f ff
                 
       
6

5
6    
ff
f
7
    
6
               
7           
ff
                  
6

8
      
sf f ff

    
9 A. /Fl.   
ff
     

10 B.    
ff
 
3 3
        
     
13 B. (F)
ff
11 CB.
          
3 3 ff
 3 3
          
    
12 SCB
ff
 
 
Silently turn Snare Drum snares ON.
Perc. Leave them on, to buzz sympathetically
to the end of the piece.
ff


f

Susp. Hi p
          
Splash Cym.
Perc.
   
 ff 
101
                                    
 
176
1 P. 
                                                
2 
                                         
3 
                                            
4 Fl. /Pic 
                                       
5 Fl. 
                                                
6 
                                         
7 
                                      
8  

3
  
3
 
      
9 A. /Fl.
 
ff
   
3
  
3
10 B.    
ff
     
3 3
13 B. (F)
    
ff
     
3 3
11 CB.
    
ff
     
3 3
    
12 SCB

ff

Perc. 
Perc.

102
                    
   
181
1 P. 
                       
2 
                       
3 
                   
   
4 Fl. /Pic 
                       
5 Fl. 
                       
6 
                   
   
7 
                           
8 

3
  3   3 
9 A. /Fl.          
ff
   
3
   3 

3
10 B.  
ff
      3 
3 3
13 B. (F)
     
ff
      3 
3 3
11 CB.
     
ff
      3 
3 3

12 SCB
     
ff

Perc. 
Perc.

103
                     
  
184
1 P. 

                         
2 
                        
3 
                        
4 Fl. /Pic 
                       
5 Fl. 

                         
6 
                        
7 
                   
8        
    
3
   
    
9 A. /Fl.
    
3
10 B.         
    
3
13 B. (F)
        
    
3
11 CB.
        
    
3
        
12 SCB


Perc. 
Perc.

187 
 3           
104
              

flt.
1 P.      
ff
                     

       
3
   
flt.

2      
ff
 3                        
     
flt.
       
3  
ff
 3            
              
flt.
4 Fl. /Pic      
ff
 3            
            
flt.
5 Fl.      
ff
                 
           
3
   
flt.
      
6 
ff
 3                             
flt.
        
7  
ff
 3              
    
flt.
              
 
8
ff
 
3
  3 
   
9 A. /Fl.
    
    3
   
3
10 B.     
    3 
3
       
13 B. (F) 
    3 
3
       
11 CB. 
    3 
3
       
12 SCB
 

Perc. 
Perc.

105
                                          
193
1 P. 
p
            
2                             
p
             
3                           
p
                   
              
4 Fl. /Pic  
p
              
                 
5 Fl.
   

p
            
6                             
p pp
            
7                            
p
       
8                                  
p

         
9 A. /Fl.
  
mf
      
10 B.  
mf
13 B. (F)
    
p
11 CB.
       
mf
  
12 SCB


Perc. 
Perc.

106
J

198
1 P.     
pp
2     
pp
3  
     
3
   
3
3

p dolce
 
pp
 3
   3 
4 Fl. /Pic 
3
p dolce
   3   3 
5 Fl.        
3
pp p dolce
6       

pp
7                                         
pp
8                                         
pp
9 A. /Fl. 
10 B.             
3 3
p
            
13 B. (F)
p 3 3

11 CB.     
p
mf

12 SCB


Perc. 
Perc.

107

203
1 P. 
2 
3 3
3          
 3    3   
4 Fl. /Pic 
 3    3   
5 Fl. 
6           
7                                        
8                      
3 3
     
  
9 A. /Fl.
p  
mf dolce, espress.
3 3
10 B.           
mf dolce, espress.
        3   3 

13 B. (F)
mf dolce, espress.
11 CB.
    
3
  
3
 
mf dolce, espress.

3 3
     
12 SCB

mf dolce, espress.

Perc. 
Perc.

108

208
1 P. 
2 
    
3
3
             
4 Fl. /Pic 
3 3 3 3
mf
      
3
   
5 Fl.    
3 3 3
mf
  
3
  
3
      
6
3

3
f

7                                    
pp
8                     
              

pp
 
                    

9 A. /Fl.
pp

10 B.         

       
13 B. (F)


 
11 CB.    
p
    
12 SCB
 
p

Perc. 
Perc.

109

213
1 P. 
2 
3 
 3          
4 Fl. /Pic 
pp
 
5 Fl.  3          
pp
        
3
6    
pp
       
7                                
mp
8                                       
mp
9 A. /Fl.                                         
mp
3 3 3
10 B.          
    
3
    
13 B. (F)
3 3
 
11 CB.    
    
12 SCB
 

Perc. 
Perc.

110
                      
218
1 P. 
pp
2                         
pp

3                        
pp
                                    

4 Fl. /Pic 
                            
5 Fl.   
6                                        
                                   
7  
8                  
                
9 A. /Fl.                                        
          
10 B.
            
 
mf
            
      
13 B. (F)
  
 
mf
             
      
11 CB.    
mf
  
12 SCB


Perc. 
     
     
Guiro
      
Perc.

mf
111
                                    

223
1 P. 
                                        
2  
3                                      
                                    
      
4 Fl. /Pic 
p
 
                                           
5 Fl. 
p
         
6                            
p
  
7                                
p
              
8
                  
p
 
9 A. /Fl.                                  
  
p
    
fluttertongue
10 B.   
     
 
    
f f
       
         
fluttertongue
     
13 B. (F)

f f
       
           
fluttertongue
11 CB.
    
f f

12 SCB


Perc. 
   
  
Guiro
    
Perc.

112
                    
 
228
   
     
1 P. 
6
p mp mf
                  
2         
p mp mf
           
3             
p mp mf
          6                          
6
      
4 Fl. /Pic  3 3 3
mp mf f f
                  
     
5 Fl.         
3 3 3 3
mp mf f
            
6                   
3 3 3
mp f
            
               
7   
3 3
mp mf f
   
             
3
8             
mp mf 3
f 3 3 3
                          
9 A. /Fl.      
3 3 3 3 3 3
mp mf f
      
10 B.      
  
f
        
13 B. (F)
      
f
            
11 CB.
  
f

12 SCB


Perc. 
    
    
Guiro
Perc.
     
f
113
K

                     6     
 3    
231
1 P.    
6 6 3 3 3 3
f ff
                               
f
 
        
3

6
2  3 3 3 3 3 3
f f ff
                  
               
3 6
3 
6 6 3 3
f f ff
                                   6  
 
3     
4 Fl. /Pic    
3 3 3 3 3 3 3
f ff
  
                  3    

6    
5 Fl.  
3 3 3 3 6 6
f ff
                                
6         
3 3 3 3 3 3 3 6
3
               
f ff

                   
7        
3 3 3 3 3 3 6
3 6
ff
                       
f
 
        
6 3
8 
3 3 3 3 3 3 3 f ff
  
                        
   
6

3

     
9 A. /Fl.
3 3 3 3 3 3 3 3 ff
f
         6     
10 B.      3    
          f ff
   
3
  
6
   
13 B. (F)
  
f ff
11 CB.
    
    

 
ff
 
12 SCB


ff

  
Susp. Hi Splash Cym.
Perc.   
hard cord mallets mf ff
   
     
    
Guiro
Perc.

114
vibr.
                                
235
1 P. 
                                
vibr.
2 
                            

vibr.
3 
vibr.
                                
4 Fl. /Pic 
                            
vibr.
5 Fl. 
                           
vibr.

6 
                              
vibr.

7 
vibr.
                                
8 
9 A. /Fl.    

10 B.   
13 B. (F)
   
11 CB.
   
   
12 SCB

     
    
Perc.  
pp poco cresc. mp
Perc.

115
                                   
 
240
1 P. 
                                      
2 
                                                     
3 
                                      
4 Fl. /Pic 
                          
              
5 Fl. 
                                                     
6 
                                     
7 
                         
           
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB

     
    
Perc. 
mf pp poco cresc.
Perc.
 

116
L   
                            
        
245
1 P.  

                                       
2  
    
                                         
 
       
3
                                 
4 Fl. /Pic  

                                 
         
5 Fl.  
    
                                         
6  

           
     
                      
7  

                                       
8  

9 A. /Fl.    
ff
 
10 B.  
ff
 
13 B. (F)   
ff
 
11 CB.   
ff
 
  
12 SCB

ff
    
   
Perc.  
mp mf ff L. V. sempre
 LARGE TAM TAM
 L. V. sempre
Perc.
  
f
117
 
                              

250
         
1 P.   
 
                                      
2   
                                  
          
3   

                                  
         
4 Fl. /Pic   
 
                                 
           
5 Fl.   
                                  
             
6   
 
                              
         
7   
 
                                      
8   
 
9 A. /Fl.       
ff ff
    
10 B.  
ff ff
13 B. (F)
  

   
ff ff
  
 
11 CB.    
ff ff
  

   
12 SCB

ff ff
   

Perc. 
ff ff
 LARGE TAM TAM


Perc. 
    
118

                                 

255
        
1 P.  

                                       
   
2 
                        
                 
 
            
3
                   
          
4 Fl. /Pic  

                                      
5 Fl.  
                                  
            
6  

                                       
7  

                                       
   
8 

9 A. /Fl.        
    
10 B.   
ff
  
13 B. (F)      
ff
 
11 CB.       
ff
  
     
12 SCB

ff
  
  
Perc.  
mf ff mf

LARGE TAM TAM
Perc.
 
f
119
 
                     
                     

260
  
1 P.   
 
                                   
2   
                           
        
3   
                            
             
4 Fl. /Pic   
 
                                            
5 Fl.   
                           
              
6   
 
                                      
7   
 
                                    
 
8   
 
9 A. /Fl.       
ff
     
10 B.   
ff
13 B. (F)
      
ff
11 CB.
   

  
ff
      
12 SCB

 
ff
  
Perc. 
 ff

ff
Perc. 
    
f f
120

               

264   
                  
1 P.  

                             
      
  
2  
             
                      
3  
   
                     
                    
4 Fl. /Pic  
  
                                        

5 Fl.  
                 
                      
6  
   
                    
                 
7  

               
  
                  
8  

9 A. /Fl.      
ff
    
10 B.  
ff
13 B. (F)
     
ff
11 CB.
     
ff
     
12 SCB

ff
 
Perc. 

Perc. 
 
121
 
                                   
  
268
1 P.  
 
                                
 
2  
                                     

 
3  
                                          
4 Fl. /Pic  
 
                                      
5 Fl.  
                         
             
6  
                                          
7  
 
                                   
8  

9 A. /Fl.     
ff
   
10 B. 
ff
13 B. (F)
    
ff
 
11 CB.    
ff
    
12 SCB

ff


Perc. 
ff
 LARGE TAM TAM
Perc. 
 
f
122

                             

272
  
1 P.   

                       
  
   
2   
                                     

  
3 
                                   
4 Fl. /Pic   

                          
 
   
5 Fl.   
                               
  
6   
                                  
 
7   

                        
  
   
8   

9 A. /Fl.    
ff
  
10 B. 
ff
  
13 B. (F)  
ff
 
11 CB.   
ff
  
12 SCB
  
ff
  
Perc. 
ff

Perc.
  
f
123
                        

276
      
1 P. 
                           
      
2 
                                       
3 
                               
4 Fl. /Pic 
                               
5 Fl. 
                               
6 
                               
7 
                                           
8 
9 A. /Fl.     
   
10 B. 

13 B. (F)    

11 CB.
   
    
12 SCB


Perc. 
Perc.

124
      

280
          5
 
5
1 P.  5       
5
p
      
5
          5

     
2
5  
5
           
5
5
p
        5
3         
  5
          
5
p
       
4 Fl. /Pic               
5
     
5 5 p dim.

5 5
             
         
5 Fl.   
      
5 5 5
5 5
             5 5
              
6
5 5
     
     
5 p dim.
      5 5
      
7 
5
              
5 5 p dim.
             
        5 5
         
             
8
5 5 5 p dim.
5
       
  p         
9 A. /Fl.
f dim.
10 B.      5         

f p dim.
13 B. (F)
 

11 CB.

 
12 SCB


Perc. 
Perc.

125
M


284
    
1 P.

mf
2 
3 
Take Picc. 4
4 Fl. /Pic                    
5 Fl.                              

pp steal a breath between here and 309
6                                    

pp
steal a breath between here and 309
7                            

pp
 
                     pp               
8
 
                    pp              
9 A. /Fl.
steal a breath between here and 309
10 B.                               

pp steal a breath between here and 309
13 B. (F)

11 CB.


12 SCB

 Maracas  
Perc.     
p cresc.
Perc.

126
    

289
                  

1 P.
    
              
2     


  
  

mf
                
 
3
 
mf
       
PICC. 4
     
4 Fl. /Pic
 
mf
5 Fl.         
6                                         
7                 
8   
9 A. /Fl.                                        
10 B.                                    
      
13 B. (F)

f
      
11 CB.

f

12 SCB

               
Perc.                    
     
           
Guiro
      
Perc.

p cresc.
127
    

294
              

1 P.
  
cresc.
               
2      
cresc.
                

  
3
  

cresc.

                 
4 Fl. /Pic
  
cresc.
      
5 Fl.                          
pp pp
6                                 
pp p
7                                 
pp pp
   
8                             
pp p
9 A. /Fl.                                 
pp pp
                               
10 B. 
pp p
             
13 B. (F)
  
f
             
11 CB.
  
f

12 SCB

 
Maracas
          
Perc.                     
       
           
Guiro
Perc.
        
128
    
    
298
1 P.          
  
         

  
2

     
    

     
3

     
4 Fl. /Pic            
                              
5 Fl.               
p 6 6 7 7 7 7
                                         
6  
p 6 6 7 7 7
6
                              
7          
p 6 6 7 7 7 7
                       
6
8                
p 7 7 7
6 6
7 7 7
                                     
6 6 7
9 A. /Fl.
p
  
10 B.       
         
f
    

          
13 B. (F)
  
     
11 CB.
f
  
  
   
12 SCB

f mf
      
      
Maracas
Perc.          
      
      
Guiro

Perc.
        
129
301    
      
1 P.          
     
  
2          
     
3         

  
   
 
  
4 Fl. /Pic         
                                            
   
5 Fl.     
7 7 7 7 7 7
                                         

6   
7 7 7 7 7 7
                                  

7         
7 7 7 7 7
7

                                       
8 
7 7 7 7 7 7
           
9 A. /Fl.                       
7 7 7 7 7
7
  
10 B.                
               
13 B. (F)
   
       
11 CB.
f f
 
  
 


12 SCB


f mf f
      p

  
Maracas
  
Cym,
     

Perc.
p
    
         
Guiro
Perc.
      
130
N
                        
     
304
1 P.        3 3
f ff`
               
        
2        3 3
f ff
           
        
3         3 3
f ff`
                
    
4 Fl. /Pic        3 3
                   
ff`
 
f
       
   
5 Fl.      3 3
         
ff`

f
              

  
6     3 3
f ff`
                         
    
7        3 3
f ff`
                
        
8        3 3
f ff`
 Take Flute
9 A. /Fl.    
ff
 
10 B.        

ff
 
    
13 B. (F) 
ff
11 CB.
     
ff
  
  
12 SCB


ff

f
     
 
Cym,
        

Perc.
heavy wood stick
f Floor Tom mp ff p
  Start roll open rudimental, at edge
  
Snare Drum (opt.) work to creamy concert roll
Perc.
      
(extra player) ppp

131
   
                                     

309
1 P.  3 

3 3 3
                
p
                
 
2  3

3 3 3
p
                             

3  3 3 3 3
 p

                          
4 Fl. /Pic  3 
3 3 3

p
                                       

5 Fl.  3 3 3 3
p

                             
6  3 
3 3 3

p
                                       
7  3 

3 3 3
                               
p
 
8  
3 3 3 3
p

Flute
9 A. /Fl.     
ff

10 B.     
ff
13 B. (F)
    
ff
11 CB.
    
ff
    
12 SCB


ff CYM: wood snare sticks/tips
      
on dome. Start roll slow, speed up.
     
Perc.  
f p
LARGE TAM TAM Snare Drum (opt.)
    
Perc.
        
ff ppp

                      
132
 

316
1 P.  3 3

ff
                      
2  3 3
ff

                            
3  3 3
ff
      
                 
4 Fl. /Pic  3 3
ff
                                  
 
5 Fl.  3 3
ff
                          
 
6  3 3
ff
                                  
 
7  3 3

ff
                        
8  3 3
ff
       
      
3
9 A. /Fl. 
ff marcatissimo, molto vibrato 3
             
3 etc. sempre
10 B. 
ff marcatissimo, molto vibrato 3 etc. sempre
         

3
13 B. (F)
ff 3
    

marcatissimo, molto vibrato etc. sempre
    
3
11 CB.
3
    
ff marcatissimo, molto vibrato
    
3 etc. sempre
12 SCB
 3
ff marcatissimo, molto vibrato etc. sempre
      
     
    
Floor Tom
Perc.
mp
     
Perc.
      

133
                   

322
1 P. 

3 3 3 3
p
                   
2 

3 3 3 3
p
                   
3  3 3 3 3

p
                   

 p
4 Fl. /Pic 3 3 3 3
                  


 p
5 Fl.
3 3 3 3
                  

6  3 3 3 3
p

                   
7  3 3 3 3
p

                   
8  3 3 3 3
p
  3       
9 A. /Fl. 
sempre simile 3
10 B.     
3
    
3
     
sempre simile
    3
13 B. (F)
3
     
sempre simile
    3

11 CB.

sempre simile 3
(opt.)
 
3 3
    
12 SCB
    
sempre simile
      
stick shoulder, at edge
    
    
Cym. f at dome
Perc.   
f p

TAM TAM Snare Drum
    
Perc.
       
f L. V. ppp

134
                   

   
328
1 P. 
ff

p fluttertongue cresc.

          
     
 
2 
 
ff p

cresc.
    
fluttertongue
          
 
3 
ff
 
p fluttertongue
  
        
cresc.
   
 
4 Fl. /Pic 
 
ff p

fluttertongue cresc.
            

5 Fl. 
p
 
ff
          
fluttertongue
     
 
6 
ff
  
fluttertongue cresc.
             
 
7 

p
 cresc.
ff

fluttertongue
  
          
   
 
8 
   
ff p
   
fluttertongue
 3    
cresc.
9 A. /Fl. 
3 3 3
10 B.   3     
3
      
        
3
 3     
3
13 B. (F)


3 3 3
  3 
      
3 3
11 CB.
     
3
     
    
3 3 3
12 SCB      
3
      
f edge

         
Cym. dome
Perc.     
Floor Tom mp p
f
Snare Drum

     
Perc.
    
TAM TAM
   
f L. V. ppp
135
  O 
              


335
1 P.  3 3

 
ff mf fp
          
     
 

2 3 3
 fp
          
ff mf
       
3  3 3


fp

ff mf

                  
4 Fl. /Pic  
3 3

fp

ff mf

               

5 Fl.  
3 3
 
ff mf

fp
cresc.
                  
6  
3 3

fp

ff mf
  
            
7  
3 3
 ff mf fp
 
              
8  
3 3
      ff mf fp
3 
9 A. /Fl.  
3 3
       3 
10 B. 

3
  3 
3
   
13 B. (F) 
3 3
   3
3
11 CB.      
3
   3
3
     
12 SCB

     
3 f edge
  
Cym.
Perc.                
Floor Tom mp f

   
Snare Drum
      
Perc. TAM TAM
f L. V.
 cresc. plus local swells
long
              
136
      
  
340
1 P.  3 3
  
p cresc.
                   
 
2  3 3
p cresc.
                     
3   
p
3 3
cresc.
                     
4 Fl. /Pic   
p
3 3
cresc.
                     
5 Fl.   
p
3 3
cresc.
                     
6   
p
3 3
cresc.
                     
7   
p
3 3
cresc.
                     
 
8  3 3
p cresc.
         
9 A. /Fl. 
3 3 3
  
3
    
10 B.   
3 3
       
  
13 B. (F)
3 3 3
  3     
11 CB.   
3
3
        
12 SCB
  

3 3

3
dome  



Cym.
Perc.    
p Floor Tom mp
Snare Drum
   
Perc.
    
ppp
137
                                              

344
1 P.   
3 3
p
                                ff
mf f
          
2   
3 3
ff mf f p
                                        
3   
3 3 mf f p
ff
                                           
4 Fl. /Pic   
3 3 mf f p
ff
                                                 
 
5 Fl. 
3 3 mf f p
ff
                                         
 
6 
3 3 mf p
ff f
                                              
7   
3 3 mf p
ff f
                                            
8   
3 3 mf f p
ff
 
9 A. /Fl. 
10 B.   
  
13 B. (F)
  
11 CB.
  
12 SCB

 
    
f edge

dome
           
Perc.
  p
f

   
Perc.
    
TAM TAM
 
f L. V. ppp
138  
           
 
349
   
1 P.   
3 3
ff p p

             
  
2   
3 3

ff p

             
   
3   
3 3

ff p p
               
    
4 Fl. /Pic  3 3
 p

 
ff
           

     
5 Fl.  3 3

ff p p
            
   
6   
3 3
p

ff
               
    
7   
3 3
ff p p

             
  
8   
3 3
  
ff p
      
9 A. /Fl.  
3 3
10 B.             
3 3
  
13 B. (F)
        

3 3
  
11 CB.
        

3 3
          
 
12 SCB

3
       
f 3
    
Cym.
Perc.            
Floor Tom mp f p
Snare Drum

     
      L. V.  
Perc. TAM TAM
f ppp
 
139
P
356            3     
3
 
1 P.  
 mf fp

         3     

3
2  
p 

mf fp
      3    3   

3  
 mf fp

              

3 3
4 Fl. /Pic  

p mf fp

         3   
3 

5 Fl.  
 mf fp

      3    3    

6  

p mf fp

              
3 3  
 
7 
 mf fp

            
3
 

3
8  

p mf fp
           
9 A. /Fl.   

3
      
10 B.         

3
13 B. (F)
       
 
     
3
             
11 CB.  
3
             
12 SCB
  
3
      
f
       
Cym.
Perc.      
Floor Tom
mf f  

    
Snare Drum
Perc.
       
TAM TAM

f L. V.
 
          
140
364            
    
          
1 P.   
3 3

mf fp
 mf (flutt.) fp
 
                   
          
2 

3 3

fp

mf fp mf (flutt.)

                    
         
3  
3 3
 
mf fp mf (flutt.) fp

             
                 
4 Fl. /Pic  3 3

mf fp
 mf (flutt.) fp
 
                    
         
5 Fl.   3 3

  
                       
         
6   3 
 mf
3

fp

fp mf (flutt.)
                     
         
7   3 3

fp

mf fp mf (flutt.)
  
               
          
8  3 3
 
            
9 A. /Fl.      
 3

           
10 B.      
 
3
        
     
13 B. (F)  
 
3
        
     
11 CB.  
 
3
        
     
12 SCB
  
   
3
  
  
dome f f
Perc.
         

  
f    
f 
f
  
f 
        
Perc.
      
f  L. V. f  L. V.

         
141

      
    
371
1 P. 


mf fp

      
     
2      
 
mf fp
       
     
3      
 mf fp

        
4 Fl. /Pic 
          

mf fp
        
    
5 Fl. 
     
 
mf fp
        
     
6      

mf fp
          
     
7      

mf fp
       
     
8      
mf fp
         

9 A. /Fl.   
     
fp
    
10 B.   
fp
            
13 B. (F) 
fp
            
11 CB. 
fp
     
12 SCB

  edge      

     
Cym. dome f
Perc.        
ff  
hard cord mallets, edge
pp
 
Floor Tom
Snare Drum ff   RATCHET pp

    
start slow, speed up most at end
      
Perc.
              
TAM TAM at CENTER ff pp 3 3 3
142
Q
                         
   
378
 
                    
1 P.
   fff
 
   
2 
                            
fff
  
3   
                           
fff
   
4 Fl. /Pic 
                       
fff
 
 
  
5 Fl.  
                     
fff
  
 
  
6  
                         
fff
  
  
7  
                         
fff
  
  
8   
fff
          
9 A. /Fl. 
         

10 B. 
          
13 B. (F)

         
 
11 CB.

12 SCB

ff
  



Perc.  
  

ff
 
Perc.
             L. V. sempre, do not damp
ff
                         
143

383
     
1 P. 
                                            
2 
                                               
3 
                                      
4 Fl. /Pic 
                               
5 Fl. 
                               
6 
                         
     
7 
                                                     
8 
                
         
9 A. /Fl.     
p
 
    
      
         
10 B.     
p
            
        
13 B. (F)      
      
p
       
            
11 CB.
 
p

12 SCB


Perc. 
Perc.

144
      

387
                             
1 P. 
           
                      
2 
            
                      
3 
       
4 Fl. /Pic                         
       
                                   

5 Fl. 
      
                             
6 
       
                           
7 
            
                      
8  
TAKE ALTO
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

145
                                   
391
1 P. 
f 3 3 3 3
                      
          
2 
3
3 3 3
f
      
3
        
3
                
3
3
f 3
3 4. take Flute

4 Fl. /Pic           
  
f
         
5 Fl. 
3
f

                   
3

3
          
3
6 
3
f
             
                    
7 
3 3 3 3
f
                    
            
8 
f 3
3 3 3
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

146
Poco Rit
                                    
394
1 P. 
3 3 5 5
p mp
           
2                       
3 3 5
5 mp
p
3 3 5
                                    
5
3
p mp
4 Fl. /Pic 
5 Fl. 
3 3 5
                                    
5
6
p mp
         
7                           
3 3 5 5
p mp
                                   
8 
3 3 5 5
p mp
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB

Poco Rit

Perc. 
Perc.

147
R
Poco Meno Mosso
h = 144
                                      
398
1 P. 
mp pp
2                                       
mp pp
3                                         
mp pp
4 Fl. /Pic 
5 Fl. 
6                                     
mp pp
                 
7               

mp pp
 
8                                        
mp pp
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB

Poco Meno Mosso
 h = 144
Perc. 
Perc.

148
                                
403
1 P.     

2                                 
3                                  
                      
Flute
4 Fl. /Pic  
pp
5 Fl.                      
pp
6                      
pp
7 
8 
9 A. /Fl. 
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

149
                             
408
1 P.  
2                                 
3            
                   
4 Fl. /Pic  

5 Fl.                     
6                     
7                          
pp
8                              
pp
ALTO

                       
9 A. /Fl.
pp
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

150
 
413
1 P.           
ppp breathy tone
2            
ppp breathy tone
3            
ppp breathy tone
   
4 Fl. /Pic 
ppp half-whisper tone
5 Fl.     
6     
7              
    
                                        
8

                                        
9 A. /Fl.
10 B. 
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

151
S Tempo I
h = 3152
     3 
  3 
418
1 P.  
nat.
 3 
ppp dolcissimo
   
nat. 3
2 
ppp dolcissimo
3 
 
3
  3 
     3 
nat.
4 Fl. /Pic   
ppp dolcissimo
    
nat. 3
5 Fl.   
ppp dolcissimo
6      
7   
ppp
Take Alto

       
8
ppp
  
nat. 3

       
9 A. /Fl.
ppp dolcissimo
ppp
10 B. 
13 B. (F)

11 CB.


12 SCB

3

TRIANGLE
Perc.  
ppp dolcissimo L. V. sempre
Tempo I
Perc.
 h = 152
152
  3         
425
1 P. 
2         
3 
 3     3       
4 Fl. /Pic 
5 Fl.     3
  3  3
  3  
6 
nat.

3 3 3 3
    
     
7
ppp dolcissimo
8 
3
   
3 3 3
9 A. /Fl.
             
     
nat. 3 3 3 3 3
        
10 B.
  
ppp dolcissimo
13 B. (F)
  
3
   
ppp dolcissimo
 3
    
3
   
11 CB.
ppp dolcissimo

3 3
  
3
12 SCB
    
mp dolcissimo

Perc. 
Perc.

153
    3
3
T
    3   
433
1 P.   
ppp dolcissimo
3
   3 
        
3
2
ppp dolcissimo
3
    3  
3
3      
ppp dolcissimo
 3

3 3
4 Fl. /Pic         
p sostenuto, like violas
     
3

3 3
5 Fl.
       
p sostenuto, like violas

3 3 3
6         
p
sostenuto, like violas

3 3 3 3
   
          
7
p
Alto

3 3 3
   
   
8
mp  

3 3 3
        
   
9 A. /Fl.
mp  

3 3 3
         
    
10 B.
mp sostenuto, like violas
     
3 3
13 B. (F)           
mp sostenuto, like cellos 3
      
3 3
  
      mp sostenuto, like cellos
11 CB.
3
 3 3 3 3 3 
     
       
12 SCB
mf

Perc. 
Perc.

154
UMeno Mosso, Allegro
h = 132

441
1 P. 
2 
All harmonic arpeggio rhythms

are approximate.Try to reach the
3 top and bottom notes on the beats.
             
4 Fl. /Pic  
3 3 3 pp
            
   

5 Fl.
3 3 3 pp
   

senza vibr.
      
3
6    
3 3 pp
harmonics arpeggio
finger lowest pitch    
    
         

3
7     
3 3 senza vibr.
pp
  
3 3 3
          
 
8
pp
  
3 3 3
          
 
9 A. /Fl.
pp
3
          
10 B.    
pp
    
3
 
3
         
13 B. (F) 3
 
3 3 pp
     
3
       
pp
    

 
 

11 CB.
3 3 mf pp
(cue sub-contrabass)

12 SCB
        
f mf pp
 Meno Mosso, Allegro

Perc. 
h = 132
Perc.

155

449
1 P. 
2 
Breathe between slurs only where needed.
3 
 
harmonics arpeggio
        
     
finger lowest pitch
  
senza vibr. 



4 Fl. /Pic   
pp
harmonics arpeggio 
finger lowest pitch              
  
  

  

 
5 Fl.   
           
harmonics arpeggio
            
     
   
finger lowest pitch

6   
senza vibr.
              
              
     
7       
     

harmonics arpeggio
finger lowest pitch
   
8   
pp senza vibr.
      

harmonics arpeggio
  
finger lowest pitch
  
   
9 A. /Fl.
senza vibr.
pp
10 B.   
13 B. (F)

11 CB.


12 SCB


Perc. 
Perc.

156

455 V solo    
1 P.  
pp dolcissimo
2 
3 
    
 
    
 
    
 
           
     

  
4 Fl. /Pic
       
           
      
5 Fl.       

3 3 3
    
           
     
6    
  
          
      
7    
5
   
     
8       

 

9 A. /Fl.       
 
harmonics arpeggio
 
  
finger lowest pitch

  
10 B.
senza vibr.
pp
13 B. (F)

    
11 CB.

pp senza vibr.

12 SCB


Perc. 
Perc.

157
       
461
1 P. 
2 
3 
                 
       
         
     
4 Fl. /Pic    
        
        
     

  
5 Fl.
3
 3
 3

    
         
      
  
6
     

      
  
7
 
      
     
8
9 A. /Fl.       
  
  
  

  
10 B.
13 B. (F)

     
11 CB.
 

12 SCB


Perc. 
Perc.

158
W
   
467

1 P.    
2 
3 
   
 
 
      
4 Fl. /Pic
 
ppp
    
     
   
     
5 Fl.
3
 3

ppp
   
      
   
6        
3
ppp

 
      
7
ppp
 
       
8
ppp
9 A. /Fl.         
ppp

10 B. 

      
ppp
13 B. (F)

     
11 CB.
 

12 SCB


Perc. 
Perc.

159
X

475
1 P. 
2 
3 
poco vibr. molto vibr. 6
  
6
4 Fl. /Pic                
ppp p
poco vibr. molto vibr. 6
    
6

            
5 Fl.
p
poco vibr. molto vibr.
6
6             
p
7      
p
8      
p
9 A. /Fl.      
p
    
10 B.  
p
13 B. (F)

11 CB.


12 SCB

 

S. CYM.
Perc. 
hard cord mallets ppp
Perc.

160
short
fermata
 
     
        
480 6
       
1 P.
   6
p 6 fff molto vibr.

6
     
     
6
6
         
2
     6

p 6 fff molto vibr.
   
  
        
6
       
3
  
6 6 fff molto vibr.
p

6
  

                    
4 Fl. /Pic     
6 6 6 6

fff molto vibr.
            

           
6
5 Fl.
6 6 fff molto vibr.


  
6
               
6       
6 6 5
fff molto vibr.

     
       
6

6
    
       
7
6 6
fff molto vibr.

     
     
6
               
6
8
6 6
fff molto vibr.
     

     
6 6
       
    
9 A. /Fl.
6
fff molto vibr.
10 B. 
13 B. (F)

11 CB.

 short


12 SCB
fermata

ff

 
Perc.       
 ff 
FLOOR TOM

pp molto

 
RATCHET
 

Perc. TAM TAM
ppp speed up quickly for cresc. mf L. V.
Presto 161
h = 180

482 
Freeze for count of 10
            
5 5
5
1 P.      
sffz

p
   5
   5
       
2
sffz

 
p
   5    5  5
    
3
  
 
sffz p
   5   5
     5
4 Fl. /Pic     
sffz
  p
   5     5   5 
    
5 Fl.      
sffz

p
   5 
   5 
  
        
5
6 
sffz
 
p
 
     5 5

       
5 Repeat 2-3 times, fade
7                
sffz 5

5 p niente
  5

     5
Repeat 2-3 times, fade
   
5 5
            
8      
sffz
 
p niente
    5 5

    
5 5
 
                       
Repeat 2-3 times, fade
9 A. /Fl. 
sffz
5
p
  5  
niente
  
5
10 B.         
ff p
       
5 
13 B. (F)   

f p
11 CB.
 Presto
12 SCB
 h = 180 Freeze for count of 10

   

Perc. 
sfz
L. V.

(partially dampen Tam Tam if sound is still growing; quiet ringover only at end)
one swipe, let it ring and die
 


Perc.
Wind Chime Tree L. V.
f
PROGRAM NOTE FROM THE COMPOSER
This work was written at the request of the Los Angeles Flute Orchestra, Jonna Newcomb-Carter, leader,
and premiered by them in 2007 with the composer conducting. Its three movements evoke wind-related
aspects of the natural world. These include drought, ground breezes, and gentle rain; dense, wispy, and
billowing fog, surf; and all the stages of a wild sandstorm. As the central thread, the melodies express the
anguish and yearning of a lost soul. The theme is humans seeking to regain connection with the powers of
Nature.
Despite long experience with 20th Century trends, I remain devoted to the vitality of past Western musical
traditions, and I draw my musical strength from old roots as I seek to make something new. So I am not
an “experimental” composer. But in this work I have selectively explored modern extended techniques
and effects available on the various flutes (including the huge low ones) and then tried to make real
music with them. I have also introduced some modest stage business. The percussion parts provide
necessary sound elements and atmosphere, handling a menagerie of gongs and cymbals, drums, shakers,
and rattles, and some exotics like the Miwok Bull-Roarer and rattled Tinfoil Sheet.
This was my first work written in partial collaboration with an ensemble—and they have my gratitude,
particularly my friend Ellen Burr, who connected me with the group and encouraged and schooled me. I
got to test various passages and effects with individual players first, and then to work with the group to
achieve the color effects I intended, with writing that remains technically idiomatic. My intention was to
add a serious piece to the thin repertoire for this unique ensemble, and to help raise awareness of its
potential.
1. Rain Dance: It is dry. No rain. Crops will wither. The people gather: dancers, chanters, drummers.
They beat the air. The big flute moans for a breeze, the others answer with wet drop noises. Nothing.
They sigh. They call the breeze up to pull rain down, again and again. No rain. They make a falling-drops
tune in harmonized groups. No rain. They build up an intense slow dance rhythm, drumming, stamping,
and the tiny flutes scream for the rain, then all join in. Stop. Wait. Now the rain comes, gently; it falls and
rolls in rivulets and soaks into the parched Earth. The sky wipes clear and all thank the breeze, the big
flute last.
2. Fog Song: A lost soul stands on the beach, engulfed in dark dense cold salty sea fog. Nothing moves.
Surf slides in. Foghorns moan. The soul sings a lonely slow tune; the fog wavers and shifts as though in
sympathy. The tune shifts to a blues feel; the fog feels the groove and joins in the Foggy Blues, city style.
This fades, and a higher, more diffuse fog arises. A lower voice sings another lost tune, with buoy bells
bonging offshore; many separate wisps of fog echo it, twisting together, then, pushed by a little wind, join
and billow up in a full new mournful chorus that roars over the surf. At the climax the choir writhes
down, slows, and spreads to a wide, thin fog. The low lonely tune returns trailing shadows, and then soul,
fog, surf, and foghorns join in a dark farewell chord, and a seagull wheels overhead.
3. Sand Banshee: Standing on a warm sand dune in the sun, the soul senses a tiny, thready breeze that
keens high and grows in widening swoops, then drops and focuses in a steady pulsing center. Flecks of
sand flick by, the pulsing builds, and we are piping a fun little Latin Sand Dance. The breeze swoops up
to a high keening wiggling wind, pungent but not yet scary. It drops to a murmur under a sweet reassuring
melody. The Sand Dance resumes and pushes up to a higher shrieking wavering wind with spattering
sand. Now the massed low instruments shout the power of the Banshee wind, punctuated by drum tattoos
and gong and cymbal strokes, while the shrieking continues in long rising waves, ever louder and scarier,
as though it will never stop. Finally it peaks, drops, relaxes to sweet melody and harmony again, under a
clearing sky and warm sun, and settles to calm motionless unison. Is the Banshee gone?
(NOTE: The Banshee is a female spirit in Irish mythology, usually seen as an omen of death and a
messenger from the Otherworld. In Irish legend, a banshee wails around a house if someone there is about
to die. This movement evokes the wailing and shrieking of a storm that could well mean death.)
DAVID AVSHALOMOV
Works for Winds, Brass
Around the Year (Four Seasonal Miniatures), wind quintet [11]
Air woodwind trio (ob., cl., bsn.) [3]
Sonata Breve oboe with piano [16]
Sonata flute with piano [27]
Sacred Winds, Flute Orchestra (12 players: Piccs, Flutes, Altos,

Bass, opt. F Bass, Contrabass (or Bass Clarinet), Sub-Contrabass
(or string Bass), 2 percussion [25]
Exeunt Omnes recessional, brass quartet (2 tpt., 2 tbn.) [4]

Brass Rondo brass quartet (2 tpt., 2 tbn.) [8]
(Brass quintet version: 2 tpt, hn. tbn., tuba)
Canzona brass quartet [2]
Intrada (baroque), brass choir [1] (3 tpt., 3 tbn., euph, tuba, timp.)
Performance materials and complete list of works available through

Raven Music
[email protected] - www.davshalomov.com
(310) 392-2641

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DAVID

© 2007 Raven Music

Minimum* 12 (opt. 13) players *(See Performance Note on doubling)

Large Tam Tam (flat, no nipple), with large soft mallet

Ratchet (fixed to table)

whoosh = finger lowest note, cover mouthpiece, blow air only.

gradually add, remove vibrato vibrato (after senza) or heavy vibr.

No crescendo during long note bends up/down after letter E.

All trills are half-steps in this movement.

                               

                               

                               

               

                 

                

            

                  

                    

             

    

    

    

 mf      ff mf       mf          

                       etc.

           

        

                  

             

                      

       

                 

    mouth

   mouth noise, off the instrument

              

       3         

 t-k t-k        3

     

t-k t-k t-k      6

9 A.                

     poco vibr.  gliss. 

 senza vibr.       poco vibr.  gliss. 

 senza vibr.       poco vibr.  gliss. 

    Player 13 can play part 11 Alto Flute, bars 1-23,

  vocal (off the instrument)           

1 Fl/Pic    gliss.        gliss.

         

      

trans. to normal tone

           

          

       

     

    

      

          

      3  3  3  3 

            

             

              

       