Marriage of Figaro

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The piece is a lament sung by the character Dido from the opera Dido and Aeneas by Henry Purcell. It details her sorrow after Aeneas leaves her to fulfill his destiny in founding Rome.

The piece is Dido's lament after Aeneas abandons her to fulfill his destiny of founding Rome.

Dido is lamenting the abandonment by her lover Aeneas and the wrongs/fate that has befallen her because of it.

D i d o’s L a m e n t

from “Dido and Aeneas”, act 3


(1689)

Transcribed for Voice and Organ


edited by
Maurizio Machella
Henry PURCELL
(1659-1695)

b b 3
Adagio
Dido &b b 2 ∑ ∑ ∑ ∑ ∑

b
& b b b 23 ∑ ∑ ∑ ∑ ∑

? b b 3 ∑ ∑ ∑ ∑ ∑
ORGAN

b b 2
? b b 3 w ˙ nw b˙ nw b˙ w
Ped. b b 2 ˙ ˙ w
#

m
bbbb œ . œjœ . œj . œj œ . œ œ . œ ˙ . . œj w ˙ œ
œ ˙ ˙
6

& ˙ ˙ ˙ ˙ ˙ n˙ nœ nw J J
When I am laid, am laid in earth, may my wrongs cre - ate No trou - ble, no

w œœ
b b
& b b ww ˙˙ ww ˙ ˙w w ˙ ww ˙˙ ˙
˙ ww w ˙
˙ ˙ w
w
˙ ˙
? bb b w ˙ w ˙ w ˙ w ˙ w n˙ ˙ w ˙
b
? bb b ˙ nw b˙ nw b˙ w ˙ ˙ ˙ nw b˙
b w ˙ w
6 6 7 6 6 7 6 6
5 4n 2# # 5 4 #̇

b m j
& b bb œ œ œ ˙ œ . n œj w Ó ∑ œ . œ œ . œj . œj
13

˙ ˙ ˙ ˙ ˙ n˙ nœ
trou - ble in thy breast, When I am laid, am laid in

b ˙ n ˙w ˙ n ww ˙˙ ˙˙ n wwm ˙˙ w ˙w
& b bb ˙ ˙ ˙ ww ˙ w ˙

? b b ˙ w w ˙ ˙ w ˙ ˙ ˙ w ˙ w ˙
b b
? bb b nw b˙ w ˙ ˙ ˙ nw b˙ nw b˙
b ˙ w
˙
© 2008 by Maurizio Machella's arrangements are protected by the Author Right. In case of concert performances,
recordings, radio, TV, or internet broadcasting to declare arrangement
b b
& b b nw œ. œ œ . œ ṁ . . j ˙ œ
œ ˙ ˙ œ m
j
19

J J œ w œ œ ˙ œ . nœ
earth, may my wrongs cre - ate no trou - ble, no trou - ble in thy

b b ˙ ˙ w œ œ ˙˙ n ˙w ˙
& b b ww ˙˙ ˙ ww w
w ˙ ˙ w
˙ ˙ ˙ ˙ ˙
? b b w ˙ w n˙ ˙ ˙ w
b b
? b b w ˙ ˙ nw b˙ nw b˙
b b ˙ ˙ w
˙

b b Ó Œ ‰ œJ œ . œ ˙ Œ ‰ œJ œ . œJ ˙
&b b w Ó Ó Ó Ó Ó Ó
24

J
˙˙
breast. Re - mem - ber me! Re - mem - ber me!

˙˙ ˙˙ n wwm ˙ ˙ ˙˙ ˙˙ ˙w
b b nw
&b b w ww ˙ ˙ ˙

? b b w ˙ ˙ w w ˙ w ˙ w ˙
b b
? b b w ˙ ˙ nw b˙ nw b˙
b b ˙ ˙ w
˙
. ..
b b Œ ‰ œ œ œJ ˙
˙ ṁ . . œ w
&b b Ó Ó ˙ ˙ œ œ œ . Jœ œ
29

J J J
˙˙ ˙˙ . .
But ah! for - get my fate; Re - mem - ber me! But

˙ ˙ ˙˙ ˙˙ ˙w œ n œ ˙˙ ww ww w œ˙
b b b nw J
& b
˙ ˙ ˙ ˙
? b b w ˙ ˙ ˙ n˙ ˙ w ˙ ˙
b b
? b b w ˙ ˙ nw b˙ nw b˙
b b ˙ ˙ w
˙

b b œ˙ œ ˙
&b b œ œ œ ˙ œ œ Œ ‰ œ œ. œ ˙ Ó Ó Ó Œ ‰œ
34

w J J J
ah! for - get my fate. Re - mem - ber me! Re -

b b w˙ w ˙ œ˙ œ w˙ n ˙ ww ˙
˙
˙
w ˙ ˙˙ ˙˙ n ˙œ n œ ˙˙
&b b
w ˙ ˙ w ˙ w ˙ œ œ œ œ
? b b ˙ ˙ ˙
b b
? b b w ˙ ˙ nw b˙ nw b˙
b b ˙ ˙ w
˙
2
b b ṁ
& b b œ. œ ˙ Œ ‰ œJ ˙ œ œ œ . Jœ .. œ w Œ ‰ œJ
39

J ˙ J
˙˙
mem - ber me! But ah! for - get my fate, Re -

˙ ˙ ˙˙ ˙˙ œ nœ ww
b
&b b
b n w ˙w ˙˙ ww

? b b w ˙ ˙ ˙ ˙ ˙ n˙ ˙ w ˙
b b
? b b w ˙ ˙ nw b˙
b b ˙ ˙ w
˙

b b œ. œ ˙..
&b b œ œ œ ˙ œ ˙ œ œ ˙ ∑
43

J J œ œ w.
˙˙ . .
mem - ber me! But ah! for - get my fate.

w œ˙ ˙w w ˙ œ˙ œ w˙ n ˙ ww .. ∑ ˙
b b
&b b J Ó Ó
˙ ˙ w ˙ ˙
? b b ˙ ˙ ˙
b b & ˙ ˙ ˙ ˙
w
? b b nw b˙ w ˙ ˙ nw b˙
b b ˙ ˙ w
˙

b b
&b b ∑ ∑ ∑ ∑ ∑
48

b b
&b b ˙ n˙ ∑ b˙ Ó˙ Ó ˙
n˙ b˙
˙ n ˙ b ˙˙
˙ ˙
˙˙ . . n ˙ œ b ˙œ ˙ ˙ ˙˙
J . Jœ w
b b j ˙ ˙ ˙ w ˙ w ˙
&b b ˙
?
˙.. œ nw ˙
? b b nw b˙ w ˙ ˙ nw b˙
b b ˙ ˙ w
˙

b b
&b b ∑ ∑ ∑ ∑
53

m
b b j
& b b ˙˙ . . n˙ œ b ˙˙ ˙w n˙ b ˙˙ ˙˙ n ˙˙ .. .. œ ˙
Ó
Ó
Ó
Ó
J ˙ J
nw ˙ ˙ m˙ . . œ ˙
? b b w J Ó Ó
b b
? b b nw b˙ w ˙ Ó Ó
b b ˙ ˙ ˙
˙
3
edited by Maurizio Machella
Dido’s Lament
from “Dido and Aeneas”, act 3
(1689) Henry PURCELL
(1659-1695)
Adagio
5
Voice
When I am laid, am laid in earth, may my

10
m m

wrongs cre - ate No trou - ble, no trou - ble in thy breast,

16
m

When I am laid, am laid in earth, may my wrongs cre -

21
m

ate no trou - ble, no trou - ble in thy breast. Re -

26

mem - ber me! Re - mem - ber me! But ah!

31
m

for-get my fate; Re - mem-ber me! But ah! for - get my

36

fate. Re - mem - ber me! Re - mem - ber me! But

40
m

ah! for-get my fate, Re - mem - ber me! But

44
10

ah! for - get my fate.

© 2008 by Maurizio Machella's arrangements are protected by the Author Right. In case of concert performances,
recordings, radio, TV, or internet broadcasting to declare arrangement
D i d o’s L a m e n t
from “Dido and Aeneas”, act 3
(1689)

Transcribed for Voice and Organ


edited by
Maurizio Machella
Henry PURCELL
(1659-1695)

Adagio
3
Dido &b 2 ∑ ∑ ∑ ∑ ∑

& b 23 ∑ ∑ ∑ ∑ ∑

? 3
ORGAN

b 2 ∑ ∑ ∑ ∑ ∑
? 3 ˙ #w n˙
Ped. b 2 w nw b˙ w ˙ ˙ w
#

m
j œ . œ œ . œj ˙ . . œj w
6

&b ˙ ˙ ˙ ˙ ˙ #˙ œ . œ œ . œj # œ . œj # w J
˙ œ
œ ˙ ˙
When I am laid, am laid in earth, may my wrongs cre - ate No trou - ble, no

w œ œ
& b ww ˙˙ ww ˙ ˙w w ˙ ww ˙˙ ˙
˙ ww w ˙
˙ ˙ w
w
˙ ˙
?b w ˙ w ˙ w ˙ w ˙ w #˙ ˙ w ˙

?b ˙ #w n˙ nw b˙ ˙ #w n˙
w w ˙ ˙ ˙ ˙ w
6 6 7 6 6 7 6 6 4 #
5 4n 2# # 5

œ . œj œ . œj . œj
m
13

&b œœ œ ˙ j
œ . #œ w
Ó ∑
˙ ˙ ˙ ˙ ˙ #˙ #œ
trou - ble in thy breast, When I am laid, am laid in

& b ˙˙ # w˙ ˙ # ww ˙˙ ˙˙ # wwm ˙˙ w˙ ww ˙ w˙ w ˙
˙
? ˙ w w ˙ ˙ w ˙ ˙ ˙ w ˙ w ˙
b
? b nw b˙ ˙ #w n˙ nw b˙
w ˙ ˙ ˙ ˙ w
© 2008 by Maurizio Machella's arrangements are protected by the Author Right. In case of concert performances,
recordings, radio, TV, or internet broadcasting to declare arrangement
jm m
19

&b œ . Jœ œ . œ ˙ . . j ˙ œ œ ˙ ˙ œ œ œ ˙
#w œ w œ . # œj
earth, may my wrongs cre - ate no trou - ble, no trou - ble in thy

˙ w œ œ ˙˙ # w˙ ˙
& b ww ˙˙ ˙˙ ww ww ˙ ˙ w
˙ ˙ ˙ ˙
? ˙ w
b w ˙ w #˙ ˙ ˙

? ˙ #w n˙
b w ˙ ˙ ˙ ˙ nw b˙
w
24
j j j j
&b w Ó Ó Ó Œ ‰ œ œ. œ ˙ Ó Ó Ó Œ ‰ œ œ. œ ˙ Ó
breast. Re - mem - ber me! Re - mem - ber me!

˙˙ ˙˙ # wwm ˙ ˙ ˙˙ ˙ ˙w ˙˙
& b # ww ww ˙ ˙ ˙ ˙

? ˙ w ˙ w w
b w ˙ w ˙ ˙
? ˙ #w n˙
b w ˙ ˙ ˙ ˙ nw b˙
w
29
j ṁ j Œ ‰ œj œ . Jœ ˙ . . j
&b Ó Ó ˙ ˙ ˙ œ œ œ. œ .. œ w œ
But ah! for - get my fate; Re - mem - ber me! But

˙ ˙ ˙˙ ˙˙ œ #œ ww w ˙˙ ˙˙ . . w œ˙
& b #w w˙ ˙˙ w J
? ˙ ˙ ˙ ˙
b w ˙ ˙ ˙ #˙ ˙ w ˙ ˙
? ˙ #w n˙
b w ˙ ˙ ˙ ˙ nw b˙
w

Œ ‰ œj œ . œj ˙ Œ ‰ œj
34

&b œ œ ˙ œ ˙ œ œ ˙ œ œ w
Ó Ó Ó
ah! for - get my fate. Re - mem - ber me! Re -

˙w w ˙ œ˙ œ ˙ # ˙ ˙ ˙ ˙ ˙ ˙ n ˙œ # œ ˙˙
& b w ww ˙ w ˙ ˙

? w ˙ ˙ w ˙ w ˙ œ œ œ œ
b ˙ ˙ ˙

? ˙ #w n˙
b w ˙ ˙ ˙ ˙ nw b˙
w
2
39
j j j ṁ j j
& b œ. œ ˙ Œ ‰ œ ˙ ˙ œ œ œ. œ .. œ w Œ ‰ œ
mem - ber me! But ah! for - get my fate, Re -

˙w ˙ ˙˙ ˙˙ œ #œ ww w ˙˙
& b # w˙ ˙˙ w

? ˙
b w ˙ ˙ ˙ ˙ #˙ ˙ w ˙

? ˙ #w n˙
b w ˙ ˙ ˙ ˙
w

œ. œ ˙.. j
43

&b J œ œ œ ˙ œ ˙ œ œ ˙ œ œ w.

mem - ber me! But ah! for - get my fate.

˙˙ . . w œ˙ ˙w w ˙ œ˙ œ ˙ # ˙ ww .. ∑
&b J w Ó Ó ˙
˙ ˙ ˙ ˙
? ˙ ˙ ˙ w ˙ ˙ w
b ˙ ˙
? ˙ #w n˙
b nw b˙ w ˙ ˙ ˙ ˙
w
48

&b ∑ ∑ ∑ ∑ ∑

∑ Ó Ó ˙ ˙ # ˙ n ˙˙ ˙˙ . . n ˙ œ b ˙œ
&b ˙ #˙ n˙ ˙ #˙ n˙ ˙ ˙ J . œJ
˙
w ˙ ˙˙
˙ ˙.. œ #w
? J ˙ ˙ ˙ ˙ w ˙ w ˙
b
? ˙ #w n˙
b nw b˙ w ˙ ˙ ˙ ˙
w
53

&b ∑ ∑ ∑ ∑

m
& b ˙˙ . . #˙ œ n ˙˙ w˙ #˙ n ˙˙ ˙˙ # ˙˙ .. .. œ
j
˙ ÓÓ ÓÓ
J ˙ J
#w ˙ ˙ m˙ . . œ ˙
?
b w J Ó Ó
? Ó Ó
b nw b˙ w ˙ ˙ ˙ ˙
˙
3
edited by Maurizio Machella
Dido’s Lament
from “Dido and Aeneas”, act 3
(1689) Henry PURCELL
(1659-1695)
Adagio
5
Voice
When I am laid, am laid in earth, may my

10
m m

wrongs cre - ate No trou - ble, no trou - ble in thy breast,

16
m

When I am laid, am laid in earth, may my wrongs cre-

21
m

ate no trou - ble, no trou - ble in thy breast. Re -

26

mem - ber me! Re - mem - ber me! But ah!

31
m
for-get my fate; Re - mem - ber me! But ah! for - get my

36

fate. Re - mem - ber me! Re - mem - ber me! But

40
m
ah! for -get my fate, Re - mem - ber me! But

44
10

ah! for - get my fate.

© 2008 by Maurizio Machella's arrangements are protected by the Author Right. In case of concert performances,
recordings, radio, TV, or internet broadcasting to declare arrangement

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