Amma
Amma
Amma
symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible
meaning.
Poetry has a long history, dating back to prehistorical times with the creation of hunting poetry in
Africa, and panegyric and elegiac court poetry were developed extensively throughout the history of
the empires of the Nile, Niger and Volta river valleys [4]. Some of the earliest written poetry in Africa
can be found among the Pyramid Texts written during the 25th century BC, while the Epic of
Sundiata is one of the most well-known examples of griot court poetry. The earliest Western Asian
epic poetry, the Epic of Gilgamesh, was written in Sumerian. Early poems in the Eurasian continent
evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the
Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient Greek
attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric,
drama, song and comedy. Later attempts concentrated on features such as repetition, verse form
and rhyme, and emphasized the aesthetics which distinguish poetry from more objectively
Poetry uses forms and conventions to suggest differential interpretation to words, or to evoke
emotive responses. Devices such as assonance, alliteration, onomatopoeia and rhythm are
sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony
and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations.
Similarly figures of speech such as metaphor, simile and metonymy[5] create a resonance between
otherwise disparate images—a layering of meanings, forming connections previously not perceived.
Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or
rhythm.
Some poetry types are specific to particular cultures and genres and respond to characteristics of the
language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe,
Mickiewicz and Rumi may think of it as written in lines based on rhyme and regular meter; there are,
however, traditions, such as Biblical poetry, that use other means to create rhythm and euphony.
Much modern poetry reflects a critique of poetic tradition,[6] playing with and testing, among other
things, the principle of euphony itself, sometimes altogether forgoing rhyme or set rhythm.[7][8] In