Synchronicity and Analysis Jung and After
Synchronicity and Analysis Jung and After
Synchronicity and Analysis Jung and After
Roderick Main
To cite this article: Roderick Main (2007) Synchronicity and analysis: Jung and after, European
Journal of Psychotherapy & Counselling, 9:4, 359-371, DOI: 10.1080/13642530701725924
RODERICK MAIN
Abstract
Although he was a psychiatrist and psychotherapist, C.G. Jung (1875–1961) did not
extensively present his novel concept of synchronicity (meaningful acausal connection)
in terms of clinical observations and reflections. It remained for subsequent analysts to
follow Jung’s pioneering work with more clinically focused discussions. In order to take
stock of some of the main trends within this work, this paper reviews, first, the
examples of synchronicity and related comments that Jung does give in association
with clinical contexts; and, second, a selection of mostly clinical papers that discuss the
relationship between synchronicity and analysis, written throughout the period
between the 1950s, when Jung’s essays on synchronicity appeared, and the present.
The review of the later clinical discussions focuses on questions of how frequently
synchronicities occur in analysis, what dynamics of the psyche are principally involved
in synchronicity, what are the clinical value and uses of synchronicity, and what is the
relationship between clinical and theoretical reflections on synchronicity.
Introduction
C.G. Jung’s (1875–1961) concept of synchronicity describes and theorises
those coincidences in which, for example, a person’s dream or thought is
matched by something that happens in the outer world, without it being
possible that either event could have caused the other, and where such
coincidences seem especially meaningful to their experiencers, who are
world, and to forestall further instances of the kind of social and political
catastrophe that had had occurred especially in Europe during the 1930s and
1940s and that Jung believed were consequences of the excessive rationalisa-
tion and secularisation of modern culture (see Main, 2004, pp. 117–43). Of
course, all of Jung’s explorations into synchronicity, even his most esoteric,
were approaches to understanding the structure, dynamics and contents of the
unconscious psyche and, hence, were all pertinent to Jung’s professional work
as a psychotherapist. Similarly, his attempts in his thinking about synchro-
nicity to develop a critique of modern western culture were also implicitly
attempts to heal the individuals negatively influenced by that culture. But it
remains the case that the clinical dimension and influence of Jung’s work on
synchronicity have received less attention than they perhaps deserve. As a
contribution towards giving more attention to these aspects, the present paper
briefly reviews, first, the examples of synchronicity and related comments that
Jung gives in association with clinical contexts and, second, a selection of
mostly clinical papers that discuss the relationship between synchronicity and
analysis, written throughout the period between the 1950s – when Jung’s
essays on synchronicity appeared – and the present.
Synchronicity
Jung defined synchronicity in a variety of ways. Most succinctly, he defined it
as ‘meaningful coincidence’ (1952, par. 827); as ‘acausal parallelism’ (1963,
p. 407); or as ‘an acausal connecting principle’ (1952, par. 417). More fully,
he defined it as ‘the simultaneous occurrence of a certain psychic state with
one or more external events which appear as meaningful parallels to the
momentary subjective state’ (1952, par. 850). An example of Jung’s will
convey what he means by these definitions as well as how the concept of
synchronicity fits into his overall psychological model. The example concerns
a young woman patient whose excessive intellectuality made her ‘psycholo-
gically inaccessible’, closed off from a ‘more human understanding’ (1951,
par. 982). Unable to make headway in analysing her, Jung reports that he had
to confine himself to ‘the hope that something unexpected would turn up,
Jung and after 361
something that would burst the intellectual retort into which she had sealed
herself’ (1951, par. 982). He continues:
Well, I was sitting opposite her one day, with my back to the window, listening to her flow of
rhetoric. She had had an impressive dream the night before, in which someone had given her a
golden scarab—a costly piece of jewellery. While she was still telling me this dream, I heard
something behind me gently tapping on the window. I turned round and saw that it was a fairly
large flying insect that was knocking against the window-pane in the obvious effort to get into
the dark room. This seemed to me very strange. I opened the window immediately and caught
the insect in the air as it flew in. It was a scarabaeid beetle, or common rose-chafer (Cetonia
aurata), whose gold-green colour most nearly resembles that of a golden scarab. I handed the
beetle to my patient with the words, ‘Here is your scarab’. This experience punctured the
desired hole in her rationalism and broke the ice of her intellectual resistance. The treatment
could now be continued with satisfactory results. (Jung, 1951, par. 982)
In this example, the psychic state is indicated by the patient’s decision to tell
Jung her dream of being given a scarab. The parallel external event is the
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appearance and behaviour of the real scarab. The telling of the dream and the
appearance of the real scarab were simultaneous. Neither of these events
discernibly or plausibly caused the other by any normal means, so their
relationship is acausal. Nevertheless, the events parallel each other in such
unlikely detail that one cannot escape the impression that they are indeed
connected, albeit acausally. Moreover, this acausal connection of events both is
symbolically informative (as we shall see) and has a deeply emotive and
transforming impact on the patient and in these senses is clearly meaningful.
Jung attempts to account for synchronistic events primarily in terms of his
concept of archetypes. For this purpose, he highlights the nature of archetypes
as ‘formal factors responsible for the organisation of unconscious psychic
processes: they are ‘‘patterns of behaviour.’’ At the same time they have a
‘‘specific charge’’ and develop numinous effects which express themselves as
affects’ (1952, par. 841). They ‘constitute the structure’ not of the personal
but ‘of the collective unconscious [. . .] psyche that is identical in all individuals’
(1952, par. 840; emphasis added). Also relevant is that they typically express
themselves in the form of symbolic images (1952, par. 845). Jung considered
that synchronistic events tend to occur in situations in which an archetype is
active or ‘constellated’ (1952, par. 847). Such constellation of archetypes in
the life of a person is governed by the process of individuation – the inherent
drive of the psyche towards increased wholeness and self-realisation.
Individuation in turn proceeds through the dynamic of compensation, whereby
any one-sidedness in a person’s conscious attitude is balanced by contents
emerging from the unconscious, which, if successfully integrated, contribute
to a state of greater psychic wholeness. Relating these psychological dynamics
to the example, Jung suggests that it has ‘an archetypal foundation’ (1952,
par. 845) and more specifically, that it was the archetype of rebirth that was
constellated. He writes that ‘Any essential change of attitude signifies a
psychic renewal which is usually accompanied by symbols of rebirth in the
patient’s dreams and fantasies. The scarab is a classic example of a rebirth
symbol’ (1952, par. 845). The emotional charge or numinosity of the
archetype is evident from its having ‘broke[n] the ice of [the patient’s]
intellectual resistance’. The compensatory nature of the experience is also
362 R. Main
obvious sexual content and Jung’s sexual interpretation of them. At the next
appointment, ‘two sparrows fluttered to the ground at her feet and
‘‘performed the act’’’ (in McGuire & Hull, 1978, pp. 182–183).
Accounts of Jung’s synchronicities also sometimes provide glimpses into
how he made use of them in the clinical setting. Once more, the scarab
incident provides the richest detail. Additionally, we are told that when
analysing in his garden room by the lake, Jung would take the behaviour of
insects and the lake water as a synchronistic commentary on what was going
on in the analytic session (Aziz, 1990, pp. 85–86, citing Hannah 1977,
p. 202). Less idyllically, Philip Metman relates that when Jung’s dog vomited
twice in succession at the entry of a particular patient, Jung drew attention to
it as a comment on the analysis (1955, p. 49).
Jung notes a connection between transference and countertransference
phenomena and synchronicity. ‘The relationship between doctor and patient’,
he writes, ‘especially when a transference on the part of the patient occurs, or
a more or less unconscious identification of doctor and patient, can lead to
parapsychological [i.e. synchronistic] phenomena’ (1963, p. 159). By way of
illustration, he recounts how, one evening while staying in a hotel, he had felt
uncharacteristically restless and nervous (1963, pp. 136–137). During the
night he was awakened by a feeling of dull pain, as though something had
struck his forehead and then the back of his skull. He also had the impression
that someone had hastily opened the door and entered his room. The
following day he received news that one of his patients had shot himself,
learning later that the bullet had come to rest in the back of his patient’s skull.
Jung follows this account with further theoretical reflections on the nature of
synchronicity – its connection with archetypal situations (such as death) and
the relativisation of time and space in the unconscious. However, he does not
pursue further the connection with the dynamics of the transference.
The possibility of inexplicable unconscious communication is illustrated by
other incidents Jung relates. For example, he reports that, in his research, he
had repeatedly misread the word ‘Ericepaeus’ as ‘Ericapaeus’. The misread-
ing had lodged in his mind for thirty years. Then, within a month of eventually
discovering his error, a patient reported a dream involving the variant
364 R. Main
he eventually discovered, was that her grandfather had been a Jewish holy
man while her father rejected the faith (1963, pp. 160–161). In this case, Jung
does reveal how he turned his synchronistically obtained insight to account in
his anamnesis and how his subsequent intervention with the patient facilitated
a swift cure (1963, pp. 161–162). In each of the three cases, there appears to
be unconscious communication. But conscious boundaries are also trans-
gressed in other ways: between Jung the researcher and Jung the therapist in
the first case; between an individual therapeutic situation and a group
research discussion in the second case; and between before and after the
beginning of an analysis in the third case.
In sum, we have seen that Jung’s clinical discussions of synchronicity were
limited. He did not write a paper or substantial section of a paper dealing
specifically with clinical aspects of synchronicity, but makes his comments,
often in passing, either in the course of theoretical expositions (1951, 1952) or
in a variety of informal contexts (memoirs, interviews, letters, and reported
anecdotes). Nevertheless, within his scattered references to the topic he
indicates, albeit briefly, the role of archetypes, individuation, and symbolic
interpretation in synchronicities; the frequent involvement in synchronicities
of a connection between the psyche and the natural world; how, in general,
synchronicities can provide commentary on an analysis; their possible relation
to the dynamics of the transference and countertransference; and their
tendency to transgress the boundaries of the clinical situation in various ways.
their material.
case the archetype present may be ‘hidden’ in the synchronicity. In such cases,
careful handling of the transference can enable this hidden archetype to come
under closer scrutiny (1957, p. 50). Hopcke likewise discusses how the
occurrence of a synchronistic event in analysis can be used to illuminate the
personal and archetypal symbolism of the transference/countertransference
relationship (1990, p. 473). Specifically, he notes that synchronicity can help
the analyst to differentiate between illusory and syntonic countertransference
(1990, pp. 470–471) and he provides an illustration from his own practice of
how a synchronistic event ‘both enacted and interrupted the unhelpful
countertransference into which [he] had fallen’ (1990, p. 467).
In terms of interpretation, Gordon suggests that synchronistic events can
themselves actually take over the function of the analyst’s interpretation in so
far as they can make an unconscious emotional experience explicit (1983,
p. 142). Bright, more broadly, considers that synchronicity provides the basis
for an approach to interpretation that supplements the search for causes,
goals, or subjectively agreed meanings with the assumption that meanings can
emerge in analysis which, although not fully knowable, are expressions of
objective reality rather than just inter-subjective creations (1997, p. 630).
Several writers have cautioned that synchronicity can be misused or
misinterpreted in a pathological way. Jung had already commented on this in
relation to situations where patients, particularly schizophrenics, interpret
events as having a special reference to them (1976, pp. 409–410). Fordham
similarly recognises the psychopathological use of coincidences in which a
significance belonging to one source is displaced to another (1957, p. 45).
And Cambray observes more generally that the ability to extract psychological
information from synchronicities ‘can be compromised by whatever patho-
logical structures and dynamics are operative in and around such events’
(2004, p. 237).
concerned with theoretical issues. Much of the work I have been considering
is a corrective of Jung’s emphasis. Fordham, in particular, stresses the
importance of the clinical context. Like Jung, he is certainly interested in the
general theoretical problems posed by synchronicity, but he believes that,
even for gaining theoretical insight, it is more valuable to consider them
‘under the circumstances of analysis in relation to the individual’, for then it is
possible to observe in much greater detail ‘the circumstances of the event and
the psychological factors and dynamisms involved’ (1957, p. 50). However, in
spite of the great advantages of examining synchronicities in the clinical
context, Fordham cautions that the analyst’s main concern should always be
care for the patient and hence, unless attention to synchronicities furthers the
analysis, ‘For humane reasons it may be necessary to neglect the phenomenon
altogether’ (1957, p. 50).
For several writers, close clinical consideration of synchronicities has led
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Conclusion
Jung, who introduced the concept of synchronicity to psychotherapy, rarely
and only cursorily discusses its clinical dimension. We have seen, however,
that his pioneering work was followed by many much more clinically focused
discussions. These have greatly enriched appreciation of the relationship
between synchronicity and analysis. For the most part, though, these later
discussions should probably be seen as elaborations of Jung’s work rather than
departures from it. For most of the basic points explored by later writers – for
example, the connections of synchronicity to archetypal processes and the
transference/countertransference, the implications of synchronicity for
370 R. Main
Acknowledgements
Some of the material in this article appeared earlier in Roderick Main,
The rupture of time: Synchronicity and Jung’s critique of western culture (Hove and
New York: Brunner-Routledge, 2004).
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