2012 PhilSpan GalaPerformance

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Office of Senator Edgardo J.

Angara

Cultural Center of the Philippines

National Historical Commission of the Philippines

National Commission for Culture and the Arts

In cooperation with the

Municipality of Baler

Province of Aurora

Magkaibigan
present

a gala performance in celebration of


PHILIPPINE-SPANISH FRIENDSHIP DAY
and the
BICENTENNIAL COMMEMORATION
OF THE
SPANISH CONSTITUTION OF 1812

June 29, 2012 / 8:00pm


Sentro Baler, Baler, Aurora
P ROGRA M ME
The programme will focus on the friendship developed by the Filipino-Spanish people
through many centuries. The cultural ties forged by both countries have been renewed and
the tree of comradeship has grown. The performances featuring world class artists speak
of the harmony that binds the two nations to bring them to a brighter future.

Lobby Area:
Pre-performance music Baler National High School Band
Exhibitions Tipos del Pais and
Through the Eyes of The Baler 8

Program Proper inside Sentro Baler:

Philippine National Anthem


Spanish National Anthem

Opening Remarks Hon. Mayor Arturo J. Angara

Welcome Remarks Hon. Governor Bellaflor J. Angara-Castillo

Message Hon. Senator Edgardo J. Angara

Audio Visual Presentation Ten Years of Celebrating Philippine-Spanish


Friendship and the Bi-Centennial of the First
Spanish Constitution of 1812

Paisaje Musical Baler Youth Rondalla



Sonrisas de amistad Lahing Batangan Dance Troupe
with the Ilongot and Dumagat Dancers

Bukidnon Sketches Bukidnon State University Chorale


Mercibelle Barroso-Abejuela
Ati
Peter Macrohon

Puerto Escondido (Hidden Port) Marta Fernandez Portillo, poet

Filipinas Mae Jennie Gallegos, Karizza Mae Alminiana,


Trio Los Panchos Kyan Querijero, Jaya Gallegos
Music Scholars of Sen. Edgardo J. Angara

Cavatina Renato Lucas, cello


Nicanor Abelardo
Asturias
Albeniz

Bailamos Nel Canto
Paul Barry and Mark Taylor

La Edad Del Porvenir Javier Alvarez, guitar


Sunset Boulevard

Philippine Panorama Lahing Batangan Dance Troupe

Jurame Andrew Fernando, baritone


Maria Grever

Bituing Marikit Camille Lopez-Molina, soprano


Nicanor Abelardo

Halik Ballet Philippines


Paul Morales, choreography Candice Adea
Jed Balsamo, music First Prize, Senior Women’s Division
2012 Helsinki International Ballet
Competition, Finland
Jean Marc Cordero
Special Jury Award for Best in Pas
de Deux Technique
2012 Helsinki International Ballet
Competition, Finland

Makikiliti Kang Totoo Camille Lopez-Molina, soprano


from the sarswela Walang Sugat Andrew Fernando, baritone
by Severino Reyes

Flor de Manila Lahing Batangan Dance Troupe

Lahat ng Araw Ballet Philippines


Alden Lugnasin, choreography

Jotas Filipinas Lahing Batangan Dance Troupe

Ngayon, Bukas, at Kailanman Sarah Geronimo


Louie Ocampo
theme song of the movie Baler

Pista sa Pilipinas Lahing Batangan Dance Troupe



As we move into the future, our peoples look forward with the hope that the solidarity we
fostered in the past will continue long into the next generations. With tokens of friendship,
we commemorate our eternal bond and toast to a more prosperous and peaceful time
ahead of us! Mabuhay!

La Celebración Ensemble
CAMILLE performed under conductors such as Yaacov Bergman,
Piero Gamba, Jerome Hoberman, Oscar Yatco, Eugene
LOPEZ MOLINA Castillo, Ruggero Barbieri, and Julian Quirit. As a member
soprano of the ARNOLD SCHOENBERG CHOR, she performed in the
world-premiere of Luciano Berio’s CRONACA DEL LUOGO
Camille Lopez Molina at the Salzburg Festspiele, as well as in PROGETTO POLLINI
studied voice at the at the Salzburg Mozarteum.
University of the
Philippines College of Ms. Molina is a three-time ALIW AWARDEE (2009, 2010
Music. She obtained her and 2011) for Best Female Classical Performer. She has
Professional Diploma also served as Chairman of the Voice Competitions of the
in Music, majoring in National Music Competitions for Young Artists (NAMCYA).
Opera Studies, from the She is one of the founders and artistic director of VIVA
Hong Kong Academy VOCE VOICE WORKSHOP, an intensive summer voice
for Performing Arts camp, the first of its kind in the Philippines. Most recently,
in 1996. She then she was music director and vocal coach of the following:
proceeded to Vienna, Austria where she studied Gesang Dulaang UP’s production of Padilla de Leon’s opera, NOLI
until 2001 at the Konservatorium der Stadt Wien under ME TANGERE, St. Scholastica’s College Manila and Manila
Prof. Marija Sklad-Sauer and Prof. Julia Conwell. She has Symphony Orchestra’s production of Mozart’s COSI FAN
sung in opera, operetta, oratorio, music theater, zarzuela, TUTTE, and FilFest Music Festival’s production of Donizetti’s
concerts and recials. She is a frequent guest artist of L’ELISIR D’AMORE featuring the young singers of Viva Voce
the major orchestras in the Philippines - the Philippine Voice Workshop. At present, she is a member of the Voice
Philharmonic Orchestra, the Manila Symphony Orchestra, Faculties of St. Scholastica’s College School of Music and
and the Metro Manila Concert Orchestra - having the University of the Philippines College of Music.

ANDREW the USA. Andrew sang Rigoletto with Townsend Opera


Players in Modesto in February 2007 to critical acclaim.
FERNANDO Musical America called him “A major presence!” Andrew’s
baritone 2007-2008 season include his debut season with New York
City Opera and his participation in their productions of
US-based International Cendrillon and Tosca. In his 2008-2009 season, Andrew
Filipino Baritone returned to the Philippine Philharmonic Orchestra as
Andrew Fernando is the the baritone soloist of Lucio San Pedro’s tone poem
First Prize winner of the Sa Dalampasigan and received critical acclaims for his
prestigious 2003 Loren performance as the Dog, Badger and Harasta in The Cunning
L. Zachary National Little Vixen and as the Man with the Mule in The Clever One
Vocal Competition in with Long Beach Opera. In the 2009-2010 season, Andrew
the United States and an alumnus of the world renowned participated in the world premiere of Stephen Schwartz’s
San Francisco Opera Merola Program. Also a prize winner first opera Séance on a wet afternoon. He will be heard
in the Metropolitan Opera National Auditions in the Los in the Philippines as Baritone soloist of Beethoven’s Ninth
Angeles district and in the Pacific region, The Palm Springs Symphony with the Philippine Philharmonic Orchestra
Opera Vocal Competition, a recipient of the Opera Buffs at the San Agustin Church. In the recent past season,
Inc. scholarship grant and the Grand Prize winner in the Andrew was invited by his alma mater the University of
Pasedena Opera Guild Vocal competition in 2004 and a Santo Tomas to sing Alfio in the production of Cavalleria
grand finalist in the Licia Albanese Puccini International Rusticana as part of the 400th Anniversary celebration of
Vocal Competition held in New York in 2003. He was the University. He sang his first Verdi Requiem as baritone
Opera Pacific’s resident baritone from 1999-2002 where soloist of the Philippine Philharmonic Orchestra in March
he worked constantly with internationally acclaimed 2011. He just recently finished a tour in Minnesota, USA
conductor John De Main. Andrew was the recipient of the reprising his role as Powhatan in Tutas Haugen’s and Von
2009 Opera Buffs Inc. Career Achievement Award. Torne’s opera “Pocahontas” staged by Duluth Festival Opera
where he was praised by critics for his powerful rendition
He has performed as principal artist with a number of of the role. He returned to Jakarta Aula Simfonia to sing
prestigious opera companies and orchestras around world. the baritone solo in Haydn’s The Seasons last January 2012
The Los Angeles Times has hailed him as “The young and performed the role of Germont in the Cultural Center
singer to watch.” In 2005, Andrew made his debut with of the Philippines’ production of Verdi’s La Traviata in
the Syrinx Concerts Orchestra in Cote D ’ azur France and March of 2012. He also appeared as Sharpless at the CCP/
recorded the Tone Poem Sa Dalampasigan with the Global MusicArtes production of Puccini’s Madama Butterfly this
Symphony Orchestra in the Philippines. Also in the 2005- June 2012 and also for CCP, Andrew is singing the role of
2006 seasons, Andrew gave an acclaimed performance as Don Basillio in Rossini’s Il Barbiere Di Siviglia in July 2012. In
Count Almaviva in the Singapore Lyric Opera production of August of 2012, Andrew returns to Singapore Lyric Opera
Mozart’s Le Nozze di Figaro & gave full concerts all over as Lescaut in Puccini’s Manon Lescaut.
RENATO Filipino Artist Series, Coke Bolipata’s Pundaquit Arts
LUCAS Festival, and the Las Pinas Bamboo Organ Festival to name
a few.
cello

Lucas was privileged His versatility was much sought after, he has worked with
to have studied at practically the whole spectrum of music collaborating pop
the University of icons Ryan Cayabyab, Basil Valdez; contemporary composers
the Philippines, from the Asia-Pacific Region, contemporary dancers like
San Francisco Myra Beltran; film scoring collaborations with Nonong
Conservatory of Buencamino/ Marilou Diaz-Abaya. Recent collaboration
Music (USA), Royal includes accompanying the renowned Filipina pianist
Northern College Cecile Licad & training the Pundaquit Chamber Orchestra.
of Music (England), Recent concerts include the monumental Dvorak Cello
Hochschule fuer Concerto with the State Philharmonic Brno (Czech) which
Musik Detmold featured Lucas in their Asian tour. Discography includes
(Germany) and recordings with the Philippine Philharmonic Orchestra’s
Universitaet Homecoming I Concert of Bruch’s Kol Nidre which drew
der Kunst Berlin rave reviews and was released on CD. Recent CD recording
(Germany). He held entitled ROMANZA (Tawid/Ivory with Raul Sunico) which
the Principal Cellist position of the Philippine Philharmonic received the 2006 Awit Awards for Best Instrumental
Orchestra for three decades and appeared as soloist and Recording.
conductor in various occasions as well as appearances with
many ensembles like the Manila Symphony Orchestra, Lucas currently holds an Associate Professorship at the
Manila Chamber Orchestra, Camerata Manila, the Metro University of Santo Tomas. He holds an M. A. History from
Manila Symphony Orchestra and the UST Symphony the UST Graduate School with his thesis on the History of
Orchestra. He also performed in various music festivals, the Symphony Orchestra in the Philippines (also reading
cello recitals, chamber music performances like the CCP’s his Ph.D. in Cultural History) and is a Research Fellow for
the University’s Center for Intercultural Studies.

MARTA FERNANDEZ PORTILLO


“Conscious wind / we sail the earth / everything else / are objects / moving away / not
under command.” These verses are the beginning of a poem written by Marta while on
board. A Spanish Philologist and a sailing-lover since she was a child, Marta exchanged
her job as a teacher and education manager to become a simple sailor aboard the
Galeon during three months. She went from the classroom to the paints store, from her
office to the foremast crow’s nest and its incredible views.

After this journey she conceived the book titled Voz de Fortuna (Emergency Voice) where
poems and chronicles are combined. This book is in edition process at the moment. She
already had some of her poems published in Extraviada (Misplaced) by Arcibel Editores.
As an artist, Marta has been more than 10 years in the field of poetry experimentation;
performing up to date many different actions where spoken word is the leading role. She
worked in collaboration with many artists from different disciplines, proving that she
understand creation as a continuous search. She consider recitals as an unrepeatable act
of interaction with spectators in a given place and time. Poetry told aloud because this
way words spark off their deepest meanings.

JAVIER
ÁLVAREZ
guitar

He was a homegrown talent from Cuatro Caminos in Madrid.


Born in 1969, Álvarez studied Philology in London. Upon coming
back, he used to play in the Madrid subway and at the Parque del
Retiro. He also performed in bars but, unlike the more traditional
songwriters of his time, his main influences were of the pop genre,
drawing inspiration the likes of ABBA, Michael Jackson, James
Taylor, The Eagles, Tracy Chapman, Nanci Griffith, Suzanne Vega
and Emmylou Harris. He released his first album two years later where he collaborated with several other artists such as
Ana Belén, Víctor Manuel, Luis Pastor, and Pedro Guerra. His succeeding albums can be described to have a more electronic
sound and whose words can be described as “radical”. His single, “Padre” (Father, in English) was banned by major radio
stations.

He released his latest creation was in 2009 entitled “Guerrero Álvarez” which he divided in two- Face A and Face B- the first
half having an electronic sound and the second half leaning towards rock with a hint of the classics.
SARAH GERONIMO
vocalist

One of the country’s best singers, pop princess Sarah Geronimo is just
unstoppable. After she emerged Grand Champion in Star for a Night,
her career just sky rocketed to stardom. Since then her albums have
always made it on the platinum level and her concerts sold out. She
has also starred in various TV shows—Sarah: The Teen Princess, Bituing Walang Ningning and Pangarap na Bituin and
gained box office queen status when she co-starred along side John Lloyd Cruz in A Very Special Love and sequel You
Changed my Life. Sarah’s wholesome personality also made her a sought after product endorser for Jollibee, Sony
Ericsson, Globe, Sunsilk and a lot more. She is a regular in ASAP’09. This 21-year old, actress, singer, model and host
has made a name for herself in the both in the entertainment and music industry with her talent.

is globally recognized as the country’s flagship company in


ballet and contemporary dance.

With a treasure trove of over 400 works, Ballet Philippines’


wide ranging, eclectic repertory is unparalleled in Asia. From
BALLET PHILIPPINES full-length classical ballets and internationally recognized
Paul Morales, Artistic Director masterworks to indigenous works of Filipino folklore and
social issues, the company weaves a colorful tapestry of
Founded in 1969 by Alice Reyes with the support of Eddie the Philippine’s rich and diverse cultural heritage – uniquely
Elejar and the Cultural Center of the Philippines, Ballet and distinctly Filipino. The Company’s achievements,
Philippines (BP) is widely recognized today as a cornerstone coupled with the generous and prestigious support
of the Filipino cultural identity. Its audience represents a of numerous local and national funding sources, have
cross-section of Manila’s populace and includes visitors dramatically strengthened BP’s position as a world-class
from around the country and around the world. Each ballet company within the local, national, and international
year outreach and educational programs introduce new arts communities. As the Philippines’ premiere dance
generations of audience members not only to dance, company, now in its 42nd season, BP continues its vision
but to music and visual art as well. BP’s official school, of nurturing the best Filipino dance artists, in year long
the CCP Dance School, continues to produce dancers of program of professional and developmental dance.
international caliber. As the dance company in residence
at the Cultural Center of the Philippines, Ballet Philippines
In 2002, the dance company broke grounds by being
one of the featured artists for the Intramuros’ “Concert
Night at the Old Walls” and participating in the 2002
Philippine Independence Day Grand Parade at the Quirino
Grandstand, Luneta as part of the WOW Philippines
contingent. In January 2003, Lahing Batangan staged its
first full-length concert at the “Concert at the Park” in
Rizal Park, Luneta featuring Mindanao festival dances. As
an accredited performing group duly recognized by the
Department of Tourism, the group is a regular performer in
several formal tourism activities and functions in Batangas
province and nearby areas and the metropolis. The group
is now a veteran of performance tours all over the country
LAHING BATANGAN DANCE TROUPE as it showcased its cultural brilliance through the various
Lyceum University of the Philippines projects of NCCA including Sayaw Pinoy (A Touring Concert)
Batangas City and International Dance Xchange.
Rodel Fronda, Artistic Director & Choreographer
Since 2003, Lahing Batangan was a special participant of the
Lahing Batangan Dance Troupe, the official dance company CCP major dance production entitled “Sari-Saring Sayaw,
of the Lyceum of the Philippines University (Batangas), Sama-Samang Galaw: Mga Tradisyon at Interpretasyon”
marks 15 years of advocacy to the authentic Philippine arts held annually at the CCP Main Theater. The group has also
and culture. Founded in 1995, the group is a duly accredited been a constant figure in the roster of performers invited
proponent of the National Commission for Culture and the by the CCP for the annual National Folkdance Workshop
Arts (NCCA), duly recognized by the Cultural Center of the for Teachers. The group was also one of the participating
Philippines (CCP), and is enjoying a reputation as one of performing groups in the Opening Ceremonies of the 23rd
the premiere folk dance troupes in the country. Starting as South East Asian Games held at Subic Bay Freeport Zone
a fledgling university-based dance troupe, Lahing Batangan in November 2005. Lahing Batangan Dance Troupe had
gradually soared to greater heights as the ultimate cultural already staged four major dance concerts showcasing full-
ambassadors not only of the university but of the entire length all-Filipino repertoire in their home ground Lyceum
Batangas Province as well. of the Philippines University (Batangas) and had already
ventured in three major international tours.

NEL CANTO is an ensemble of highly experienced and vocally gifted


gentlemen from the ranks of the Philippine Madrigal Singers and the UST Singers.
With its diverse backgrounds, and passion for music, and a little encouragement
from those who believe in them, the group decided to pool their talents and
collaborate on an ambitious project and share joys with everyone. The group
hopes to bring their music closer to the general public through classical to
operatic adaptations of popular music.

in 2006 in Malolos, Bulacan and in 2008 in the Philippine


Normal University, Manila.

The group is the resident performer at the Cultural Night


“Piniliyapan” of the Annual Kaamulan Festival of the
Province of Bukidnon. They had performed in various
high profile government functions. Under the tutelage of
Mercibelle Barroso-Abejuela, the group has specialized
in Bukidnon ethnic music. Recently, they represented
the Philippines for the 2011 Prague Quadrennial of
Performance Design and Space in Prague, Czech Republic
on June 2011. They also performed at the inauguration
BUKIDNON STATE UNIVERSITY of the exhibition of traditional Philippine garments at the
Blumentritt-Rizal Bastion in Litomerice, Czech Republic.
CHORALE They also participated in two celebrations marking the
Mercibelle Barroso-Abejuela, choir director Philippines 113th Independence Day in Prague, with a
diplomatic reception at the Hotel Hilton Celnice and at
The Bukidnon State University Chorale is the premier the Shrine of the Holy Infant Jesus. The chorale unleashed
cultural group of Malaybalay academic istitution. It is a its boundless gifts of talents and brought Philippines to
mixed choir composed of students and employees of the the world stage through music and dance for the 150th
University. The choir is a two-time champion, in 2006 and Birthday Celebration of Dr. Jose Rizal at Námestí Republiky
2008, of the Mindano-Wide choral competition of the in Prague. Recently, they performed in Baguio City last
Mindanao Association of State Colleges and Universities February 2012 during the Grand Alumni Homecoming of
Foundation. The choir has also been a two-time consecutive the Philippine Military Academy, sponsored by the Class of
first runner-up in the National Competition for Choirs of 1982.
the Philippine Association of Universities and Colleges,
Carmencita “Chinggay” Jasareno Bernardo Executive Producer

Monino S. Duque Director


Gino Gonzales Stage Designer & Exhibit Curator
Arnel “Ato” Del Rosario Music Arranger
Dominique Garde Torres Writer

Sherwin Paay & Rosalyn de Mesa Program Emcees


Arnelio “Doods” Manzano Technical Director
Eduardo Murillo Stage Manager
Jayr Inocencio, Romnick Antonio, Jheyar Caguimbal Assistant Stage Managers
Elizabeth Baldovino Production Coordinator
Nolie Seneres, Mike Gomez, Harold Balabbo CCP Cultural Exchange Staff
Shantie de Roca, Edgar Aguja, Benjie Cabanilla CCP Technical Staff
Eugene Fronda, Elias Rosaban, Halie Rold Aldon CCP Technical Staff
Edgar Laganas, Jaime Sison & Felix Candelario CCP Administrative Assistants
Raul P. Hababag Graphic Designer
Bai Salina Pendatun-Ilagan Production Support, Office of Senator E.J. Angara
Riza del Rosario Production Support, Baler Office of the Mayor
Carminda Arevalo & Rose Sapitan Production Support, NHCP

ACKNOWLEDGEMENT

JOSEFINO “Chino” TOLEDO


Images for photo panels by JAIME ZOBEL DE AYALA

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