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    Maelstrom

    Uploaded by

    Álex Dunegase
    The document is a collection of random words and phrases with no clear overall topic or narrative. It mentions Sonny Sharrock who was a jazz guitarist known for his unconventional playing style, and discusses some albums he released in the late 1960s and mid-1970s.

    Copyright:

    © All Rights Reserved
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    Maelstrom

    Uploaded by

    Álex Dunegase
    4 views13 pages
    The document is a collection of random words and phrases with no clear overall topic or narrative. It mentions Sonny Sharrock who was a jazz guitarist known for his unconventional playing style, and discusses some albums he released in the late 1960s and mid-1970s.

    Original Description:

    ,maeld

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    The document is a collection of random words and phrases with no clear overall topic or narrative. It mentions Sonny Sharrock who was a jazz guitarist known for his unconventional playing style, and discusses some albums he released in the late 1960s and mid-1970s.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    4 views13 pages

    Maelstrom

    Uploaded by

    Álex Dunegase
    The document is a collection of random words and phrases with no clear overall topic or narrative. It mentions Sonny Sharrock who was a jazz guitarist known for his unconventional playing style, and discusses some albums he released in the late 1960s and mid-1970s.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    of 13

    Maelstrom

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    cdwljicdlohicdlcdSonny Sharrock began his musical career singing doo
    wop in his teen years. He collaborated with Pharoah Sanders and Alexander Solla in the late
    1960s, appearing first on Sanders's 1966 album, Tauhid. He made several appearances with
    flautist Herbie Mann and an uncredited appearance on Miles Davis's A Tribute to Jack
    Johnson.
    He wanted to play tenor saxophone from his youth after hearing John Coltrane on Davis's Kind
    of Blue on the radio at age 19, but his asthma prevented this. Sharrock said repeatedly,
    however, that he still considered himself "a horn player with a really fucked up axe." [1]
    Three albums under Sharrock's name were released in the late 1960s through the mid-
    1970s: Black Woman (which has been described by one reviewer as bringing out the beauty in
    emotions rather than technical prowess[2]), Monkey-Pockie-Boo, and an album co-credited to
    both Sharrock and his wife, Paradise (an album by which Sharrock was embarrassed and
    stated several times that it was not good and should not be reissued.

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